Owner’s Manual IMPORTANT Check Your Power Supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord (CVP-87A and CVP-85A) or on the rear panel (CVP-83S). Make sure that the voltage selector is set for the voltage in your area.
SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.
Introduction Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure. ● AWM (Advanced Wave Memory) tone generator system offers a range of 60 rich, realistic voices. ● A maximum of 32-note polyphony permits use of sophisticated playing techniques. ● Piano-like touch response provides extensive expressive control and outstanding playability.
Taking Care of Your Clavinova 1 Your Clavinova will give you years of playing pleasure if you observe the simple rules given below: 1. Avoid Humidity & Heat Avoid placing the Clavinova in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example. 2. Avoid Dust & Moisture Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture. 3.
4 Preparation ■ The Music Stand If you will be using sheet music with your Clavinova, raise the music stand built into it’s top panel by lifting the rear edge of the music stand, flip the support brackets on the rear of the music stand down so that they fit into the corresponding recesses. The music stand can be lowered after slightly lifting the stand and flipping the two brackets which support it upward.
The Volume Controls 5 The Clavinova has several volume controls that give you extra versatility in creating the required sound.
6 Demonstration Playback The Clavinova features 25 demonstration tunes that effectively demonstrate its sound and accompaniment capabilities. Here’s how you can select and play the demo tunes. DANCE POP 1 DANCE POP 2 POP 1 POP 2 16BEAT 1 ROCK’N’ 16BEAT 2 16BEAT SHUFFLE SLOW ROCK SHUFFLE COUNTRY 1 CLAVINOVA TONE PIANO COUNTRY 2 E.PIANO HARPSI VIBES GUITAR STRINGS 7 1 2 3 4 5 6 SWING BIG BAND BOSSA CHA-CHA MARCH WALTZ 8 9 JAZZ BALLAD BOOGIE SAMBA RHUMBA MARCH 6/8 J.
Voice Selection 7 The CVP-87A, CVP-85A, and CVP-83S have a total of 60 different voices that can be selected in a number of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of drums and percussion instruments on the keyboard. MIN MIDI/ TRANSPOSE PIANO CLAVINOVA TONE E.
8 Voice Selection Panel Voices (1 — 12) No. 1 2 3 4 5 6 7 8 9 10 11 12 Name PIANO CLAVINOVA TONE E. PIANO HARPSI VIBES GUITAR STRINGS ORGAN CHOIR UPRIGHT BASS ELEC BASS DRUMS Usable Range A-1 - C7 C1 - C7 C1 - C6 C1 - C6 F2 - F5 E1 - F#4 C0 - C6 C0 - C6 E1 - E5 C0 - F#3 E0 - F#3 — Voices 13 — 60 No. 13 14 15 16 17 18 Name BRASS POP BRASS TRUMPET MUTE TRUMPET HORN SAX Usable Range F0 - C6 F0 - C6 F0 - C6 F#2 - A5 A#0 - F4 A#0 - F#5 No.
Dual Mode 9 The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures. MIN MIDI/ TRANSPOSE PIANO CLAVINOVA TONE E.
10 Split Mode The split mode lets you play different voices with the left and right hands — bass with the left and piano with the right, for example. You can assign any of the Clavinova’s voices to the left and right-hand sections of the keyboard.
Split Mode 11 ■ Split Balance 8 SPLIT TEMPO The volume balance between the left-hand and right-hand voices can be adjusted by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] button. The selected balance value (1 … 15) will be shown on the TEMPO display while the [SPLIT] and TEMPO [s] or [▼] buttons are held. ■ A setting of “1” sets the volume of the left voice to maximum and the right voice to minimum (no sound).
12 Digital Reverb Effects The [REVERB] button provides a number of digital effects that you can use for extra depth and expressive power.
The Keyboard & Polyphony The Clavinova has “32-note polyphony” which means you can normally play up to 32 notes at once. This number varies, however, according to the functions being used, as shown in the chart below: 13 Keyboard only 32 notes. Keyboard only (dual) 16 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard (dual) + rhythm 12 notes Keyboard + ABC 12 notes (rhythm 8; ABC 12).
14 The Pedals The CVP-83S and CVP-85A have two pedals while the CVP-87A has three. These offer a range of advanced expressive capabilities.
Pan 15 MIDI/ TRANSPOSE MIDI/ TRANSPOSE MIN MAX MIN MAX MIN MAX MIN MAX RHYTHM AUTO BASS CHORD FULL KEYBOARD SINGLE FINGER BEAT FINGERED SOLO STYLEPLAY DANCE POP 1 DANCE POP 2 16BEAT 1 ROCK’N’ SLOW ROCK COUNTRY 1 16BEAT 2 16BEAT SHUFFLE SHUFFLE COUNTRY 2 SWING BIG BAND BOSSA CHA-CHA MARCH WALTZ JAZZ BALLAD BOOGIE SAMBA RHUMBA MARCH 6/8 J.WALTZ POP 1 POP 2 SONG NUMBER DISK STYLE 1 PIANO CLAVINOVA TONE GUITAR STRINGS 2 3 4 5 6 7 8 9 ORGAN CHOIR E.
16 Pitch Control Pitch control makes it possible to tune the Clavinova over a ±50-cent range (approximate) in approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music. ● Tuning Up .....................................................................................................
Accompaniment 17 The CVP-87A, CVP-85A, and CVP-83S have 24 “styles” that can be used as a basis for rhythm accompaniment, or fully orchestrated rhythm, bass, and chord accompaniment (see “Auto Bass Chord” on page 20). • The Accompaniment Style data is not transmitted via the MIDI OUT connector.
18 Accompaniment ■ Starting the Accompaniment There are several ways to start the accompaniment: ● Straight Start ........................................................................................................................................... Press the [START/STOP] button. Each of the styles also has a variation that can be selected by pressing the [VARIATION/FILL TO VARIATION] button (its LED will light) before pressing the [START/ STOP] button.
Accompaniment 19 ● Tap start .................................................................................................................................................. METRONOME 120 TAP TEMPO This function lets you set the tempo and start the rhythm in one operation. Simply tap the [TAP] button at the required tempo — 3 times for a 3/4 style and 4 times for a 4/4 style. The rhythm will start from the beginning of the next measure at the specified tempo.
20 Auto Bass Chord (ABC) The CVP-87A, CVP-85A, and CVP-83S include a sophisticated auto-accompaniment system (Auto Bass Chord — ABC) that can provide automated rhythm, bass and chord backing in a number of ways.
Auto Bass Chord (ABC) 21 ■ Fingered Accompaniment The FINGERED mode is ideal if you already know how to play chords on a keyboard, since it allows you to supply your own chords for the Auto Accompaniment feature. Z Select FINGERED ................................................................................................................................... Press the [FINGERED] button to select the FINGERED mode (the FINGERED indicator will light). FINGERED X Select a Style .........................
22 Auto Bass Chord (ABC) ■ Full-keyboard ABC When this advanced auto-accompaniment mode is engaged (press the [FULL KEYBOARD] button so that its indicator lights) the Clavinova will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. You don’t have to worry about specifying the accompaniment chords.
Disk Styles 23 A “Style Disk” is supplied with the Clavinova, providing an extra 40 ABC accompaniment styles. Any two of these patterns can be loaded into the Clavinova’s memory at a time. The [DISK STYLE 1] and [DISK STYLE 2] buttons select the loaded disk styles in the same way as the STYLE selectors select the internal styles. NOTES • If no disk styles are loaded as described below, the [DISK STYLE 1] and [DISK STYLE 2] buttons select pre-programmed disk styles contained in internal ROM memory.
24 Disk Styles Disk Style List Group ROCK & POP JAZZ No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 Name ROCK’N’ ROLL ROCKABILLY R&R SHUFFLE 60’S ROCK RHYTHM & BLUES GOSPEL GOSPEL BALLAD 8 BEAT POP ROCK BALLAD BIG BALLAD SOUL ROCK 16 BEAT BALLAD 16 BEAT POP 16 BEAT DISCO HOUSE POP TECHNO POP BEBOP BOOGIE STRIDE PIANO DIXIELAND RAGTIME Group LATIN STANDARD WALTZ WORLD No.
Solo Styleplay 25 This sophisticated feature not only provides automatic rhythm, bass and chord accompaniment, but it also adds appropriate harmony notes (two or three harmonized notes) to a melody you play on the upper keyboard.
26 Disk Orchestra Using Yamaha Disk Orchestra disks (one is supplied with the CVP-87A, CVP-85A or CVP-83S, others are available from Yamaha), the Clavinova will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically. The CVP-87A additionally shows you which keys to play with keyboard guide lamps that light up above each key.
Disk Orchestra NOTES 27 • Please note that playback cannot be started while the Clavinova is searching the disk for a selected song. • With some songs the displayed measure numbers may not match those marked on the score. • Some songs start after a click count-in. • The playback tempo can be changed freely as required. The preset tempo for the selected song can be recalled at any time by pressing the TEMPO [▲] and [▼] buttons simultaneously.
28 Disk Orchestra ■ Volume Control MIN MAX MIN MAX MIN MAX MIN MAX RHYTHM CHORD 1 CHORD 2 BASS Drum and Percussion parts (track 15). Other backing parts except Bass (track 4-10). Main left- and right-hand parts (track 1 & 2).
Disk Orchestra 29 ■ Repeat Functions ● Phrase Repeat Use this function if you want to practice a specific phrase within a song, as indicated by the phrase marks on the Disk Orchestra Collection score. Z Select a Song .......................................................................................................................................... Press the [SONG SELECT] button so that its indicator lights and select the desired song by using the [▲] and [▼] buttons below the SONG NUMBER display.
30 Disk Orchestra ■ Other Playback Controls ● Pause ....................................................................................................................................................... Press the [oPAUSE] button to temporarily stop DISK ORCHESTRA playback. Press the [oPAUSE] button again (or the [START/STOP] button) to resume playback from the same point. PAUSE ● Rewind and Fast Forward ....................................................................................................
Performance Memory 31 The CVP-87A, CVP-85A, and CVP-83S feature a built-in “sequencer” which can be used to independently record up to ten separate parts of a single musical composition, plus a rhythm track. Each part is recorded on one of the Performance Memory “tracks” accessed via the [RIGHT/1TR], [LEFT/2TR], [ORCH/3-10TR], and [RHYTHM] buttons. The music data that you record is stored on a 3.5" floppy disk loaded into the Clavinova’s disk drive unit.
32 Performance Memory B Start Recording ....................................................................................................................................... Play on the keyboard. Recording will begin automatically as soon as you start playing. NOTES • You can turn the metronome on before or during recording (the metronome sound will not be recorded). N Stop Recording ........................................................................................................................
Performance Memory 33 B Select the Track(s) to Record ................................................................................................................ SONG NUMBER r 6 RIGHT/1TR LEFT/2TR ORCH/3-10TR SONG NUMBER rhY RIGHT/1TR RHYTHM FULL KEYBOARD SINGLE FINGER FINGERED ORCH/3-10TR SOLO STYLEPLAY Only one track can be recorded at a time. If you press [RIGHT/1TR] you will record on track number 1. If you press [LEFT/2TR] you will record on track number 2.
34 Performance Memory ■ Adding New Tracks When you’ve finished recording the first track, you can simply play it back as described in the previous section or add a new track to your song. To record a new track: Z Select a Voice ......................................................................................................................................... Select a voice and other parameters for the new track. Try out the voice and selected parameters before proceeding.
Performance Memory 35 ■ Punch-in Recording “Punch-in recording” allows you to start recording from any point within a previously-recorded track, leaving all recorded material up to the punch-in point intact. Z Play the Song .......................................................................................................................................... Play back the song in order to locate the point you want to punch-in from.
36 Performance Memory ■ Playback Original Performance Memory recordings can be played back and controlled in the same way as described in the Disk Orchestra section, beginning on page 26. You can individually select tracks to play back (page 27), use the guide function (and the keyboard guide lamps on the CVP-87A) with the data recorded on tracks 1 and 2 (page 28), and use the A-B repeat function (page 29).
Performance Memory 37 The Chord Sequence Function The CHORD SEQUENCE function provides a convenient way to enter chord sequences and style changes one at a time. Z Engage the Chord Sequence Function ................................................................................................ Press the [CHORD SEQUENCE] button. The [ORCH/3-10TR] and [RHYTHM] track button indicators will glow red, and the ABC FINGERED mode will be automatically selected — switch to the SINGLE FINGER mode if you prefer.
38 Disk Control This chapter describes several important disk control functions: Formatting new disks, copying songs, and deleting songs. COPY MIDI/ TRANSPOSE MIN MAX MIN MAX RHYTHM AUTO BASS CHORD FULL KEYBOARD SINGLE FINGER BEAT FINGERED SOLO STYLEPLAY POP 1 POP 2 DANCE POP 1 DANCE POP 2 16BEAT 1 ROCK’N’ SLOW ROCK COUNTRY 1 16BEAT 2 16BEAT SHUFFLE SHUFFLE COUNTRY 2 CHA-CHA MARCH WALTZ RHUMBA MARCH 6/8 J.
Disk Control 39 ■ Copying Songs Song data can be “backed up” by copying to a new song number or a different disk, as follows: Z Select the Source Song ......................................................................................................................... Press the [SONG SELECT] button and use the [▲] and [▼] buttons below the SONG NUMBER display to select the number of the song you wish to copy. SONG NUMBER 2 X Engage the Copy Function ................................................
40 Disk Control ■ Deleting a Song You can delete any song from a loaded disk as follows: ZEngage the Delete Function ................................................................................................................. MIDI/ TRANSPOSE Press the [COPY] button while holding the [MIDI/TRANSPOSE] button. The [COPY] LED will flash and “d80” will appear on the SONG NUMBER display. COPY XSelect the Song to Delete ....................................................................................
Utility Mode 1 41 The “general utility functions” in this group apply to a wide range of functions and features.
42 Utility Mode 1 U2: Accompaniment Volume Mode Normally the Auto Accompaniment volume controls are used to adjust the volume of the Rhythm, Chord 1, Chord 2, and Bass accompaniment parts, as labelled on the Clavinova panel. This function can be used to assign these volume controls to other operations. 1: Rhythm, Chord 1, Chord 2, and Bass volume control. 2: Modulation, Pitch Bend +, Pitch Bend -, and Expression.
Utility Mode 1 43 U5: Auto Synchro Start Switching This function determines whether the “Synchro Start” mode will automatically be turned ON and OFF when an ABC mode is turned ON and OFF (refer to page 20, 21). n: Auto synchro start switching OFF — synchro start is not turned on and off with ABC. Y: Auto synchro start switching ON — synchro start is automatically turned on and off with ABC. NOTES • Auto synchro start switching is automatically turned ON (Y) whenever the POWER switch is turned on.
44 Utility Mode 2 This group of utility functions covers a range of disk-related jobs. There are 6 functions in the group which are accessed as follows: DANCE POP 1 DANCE POP 2 BIG BAND BOOGIE NOTES • Utility Mode 2 functions can only be accessed when a disk is present in the Clavinova disk drive.
Utility Mode 2 45 u2: Save Panel Settings This function saves the current settings of all panel controls to disk. The data can then be reloaded at any time by using the Load Panel Settings function (u3), described next. ZInsert the Disk and Select a Song Number .......................................................................................... Make sure that a properly formatted disk is loaded in the Clavinova disk drive and select the song number you want to save the data to.
46 Utility Mode 2 u5: Load Individual Key Tuning This function reloads the individual key tuning data saved to disk by the Save Individual Key Tuning function (u4), described above. ZInsert the Disk and Select a Song Number .......................................................................................... Make sure that the disk containing the saved tuning data is loaded in the Clavinova disk drive and select the song number you want to load the data from. XSelect and Execute the Function ......
MIDI Functions 47 MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.
48 MIDI Functions ■ Local Control ON/OFF MIDI OUT MIDI Sequencer MIDI IN Tone Generator Played from Clavinova keyboard. MIDI IN MIDI OUT Clavinova Local control OFF. Played from MIDI Sequencer. “Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since the internal tone generator is controlled locally by its own keyboard.
MIDI Functions 49 ■ The Multi-Timbre Mode The Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 15) by an external MIDI device. The Multi-Timbre mode is off when the power is initially turned on. The Multi-Timbre mode can be activated as follows: GUITAR Z Hold [MIDI/TRANSPOSE] and press [GUITAR]. GUITAR X Release [MIDI/TRANSPOSE]. = Multi-Timbre mode ON. = Multi-Timbre mode OFF.
50 MIDI Functions ■ MIDI Clock Select This function determines whether the Clavinova’s rhythm and ABC timing is controlled by the Clavinova’s own internal clock or an external MIDI clock signal received from external equipment connected to the MIDI IN connector. The Clock Mode is automatically set to INTERNAL when the power is initially turned on. ORGAN = EXTERNAL. Z Hold [MIDI/TRANSPOSE] and press the [ORGAN]. X Release [MIDI/TRANSPOSE]. ORGAN = INTERNAL.
The Connectors 51 Although the Clavinova is a self-contained musical instrument that simply be plugged into the AC mains outlet and played, it also features a number of connectors for system expansion. ● OPTIONAL IN L and R Jacks (CVP-87A & CVP-85A) .................................................................................. OPTIONAL IN R These jacks are intended primarily for use with external synthesizers or tone generator modules.
52 Troubleshooting If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty. 1. No Sound When the Power is Turned On Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level? 2. No Rhythm, ABC, or Performance Memory Sound Check the Auto Accompaniment volume control settings.
Index 53 A H Precautions ................................................... 1 A-B repeat ................................................... 29 Harmonization, Solo Styleplay .................... 25 Program change on/off ............................... 48 ABC, recording with .................................... 33 Headphones .................................................. 4 Punch-in recording ...................................... 35 Accompaniment volume mode ....................
v MIDI Data Format If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the Clavinova. 1.
MIDI Data Format • OMNI ON/All notes OFF [BnH] [7DH] [00H] n= MIDI channel number 4.
vii MIDI Data Format (14) (15) (16) (17) (18) (19) (20) (21) (22) SPLIT POINT DUAL/SPLIT MODE DUAL/SPLIT VOICE DUAL/SPLIT BALANCE REVERB REVERB DEPTH PEDAL FUNCTION VOICE BANK (Upper 4 bits) INTRO Individual Key Tuning Data Bulk Dump Format F0H, 43H, 73H 34H (Product ID: CVP-87A/85A/83S) 06H (Bulk ID) 00H (Bulk No.) 00H, 00H, 0bH, 00H (Data Length= wxyH 88*2 bytes) [BULK DATA] (low (A-1), high (A-1) ...
MIDI Data Format each instrument. Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H] [knH] [enH] [slH] [36H] [5bH] [10H]: F#0 Brush Roll reverb depth set to -30H. [01H] [5bH] [xxH]: Reverb depth for all keys set to default (±0). [02H] [5bH] [20H]: Reverb depth for all keys set to -20H.
ix Specifications CVP-87A CVP-85A CVP-83S KEYBOARD 88 KEYS (A-1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) VOICE SELECTORS & CONTROLS PIANO, CLAVINOVA TONE, E.
Fingering Chart x * All fingerings shown are simple root-position types.
xi Fingering Chart Major seventh Minor major seventh Augmented Diminished CM 7 CmM 7 Caug Cdim C# M 7 (Db M 7) C# mM7 (Db mM 7 ) C# aug (Db aug) C# dim (Db dim) DM 7 DmM 7 Daug Ddim D #M 7 (Eb M 7) D #mM 7 (Eb mM 7) D #aug (Eb aug) D #dim (Eb dim) EM 7 EmM7 Eaug Edim FM 7 FmM7 Faug Fdim F #M 7 (Gb M 7) F #mM7 (Gb mM7 ) F #aug (Gb aug) F #dim (Gb dim) GM 7 GmM7 Gaug Gdim G# M 7 (Ab M 7) G# mM 7 (Ab mM 7 ) G# aug (Ab aug) G# dim (Ab dim) AM 7 AmM 7 Aaug Adim A #M
Fingering Chart Sixth Suspended fourth Minor seventh flatted fifth xii Major seventh flatted fifth C6 Csus 4 Cm 7 -5 CM 7 -5 C# 6 (Db 6 ) C# sus 4 (Db sus 4) C# m 7 -5 (Db m 7 -5) C# M 7 -5 (Db M 7 -5) D6 Dsus 4 Dm 7 -5 DM 7 -5 D#6 (Eb 6 ) D #sus 4 (Eb sus 4) D #m 7 -5 (Eb m 7 -5) D #M 7 -5 (Eb M 7 -5) E6 Esus 4 Em 7 -5 EM 7 -5 F6 Fsus 4 Fm 7 -5 FM 7 -5 F#6 (Gb 6 ) F #sus 4 (Gb sus 4) F #m 7 -5 (Gb m 7 -5) F #M 7 -5 (Gb M 7 -5) G6 Gsus 4 Gm 7 -5 GM 7 -5 G# 6 (Ab 6 ) G#
xiii Fingering Chart Half diminished (minor major seventh flatted fifth) Minor sixth Seventh suspended fourth Major flatted fifth CmM 7 -5 Cm 6 C7 sus 4 C-5 C# mM7 -5 (Db mM 7-5 ) C# m 6 (Db m 6) C# 7 sus 4 (Db 7 sus 4) C #-5 (Db-5) DmM 7-5 Dm 6 D7 sus 4 D-5 D #mM 7-5 (Eb mM 7-5) D #m 6 (Eb m 6) D #7 sus 4 (Eb 7 sus 4) D #-5 (Eb-5) EmM7 -5 Em 6 E7 sus 4 E -5 FmM7 -5 Fm 6 F 7 sus 4 F -5 F #mM7 -5 (Gb mM7 -5 ) F #m 6 (Gb m 6) F #7 sus 4 (Gb7 sus 4 ) F #-5 (Gb-5) GmM7-5 Gm 6
Fingering Chart Minor flatted fifth Seventh flatted fifth Seventh sharp fifth xiv Major seventh sharp fifth Cm -5 C 7-5 C 7+5 CM 7 +5 C# m -5 (Db m -5) C #7 -5 (Db7-5) C #7 +5 (Db7+5 ) C# M 7 +5 (Db M 7 +5) Dm -5 D 7-5 D 7+5 DM 7 +5 D #m -5 (Eb m -5) D # 7 -5 (Eb7 -5) D # 7 +5 (Eb7 +5) D #M 7 +5 (Eb M 7 +5) Em -5 E 7 -5 E 7 +5 EM 7 +5 Fm -5 F 7 -5 F 7 +5 FM 7 +5 F #m -5 (Gb m -5) F # 7 -5 (Gb7-5) F # 7 +5 (Gb7+5 ) F #M 7 +5 (Gb M 7 +5 ) Gm -5 G 7 -5 G 7 +5 GM 7 +5 G# m
FCC INFORMATION (U.S.A.) electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the 2. IMPORTANT: When connecting this product to accessories and/or interference.
M.D.G.