Owner’s Manual Bedienungsanleitung Mode d’emploi Manual de instrucciones
SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
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Introduction Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure. ● AWM (Advanced Wave Memory) tone generator system offers a range of 60 rich, realistic voices. ● 32-note polyphony permits use of sophisticated playing techniques. ● Piano-like touch response provides extensive expressive control and outstanding playability.
Taking Care of Your Clavinova 1 Your Clavinova will give you years of playing pleasure if you observe the simple rules given below: 1. Avoid Humidity & Heat Avoid placing the Clavinova in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example. 2. Avoid Dust & Moisture Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture. 3.
2 The Panel Controls P R R AUX IN AUX OUT L L/L+R a 2 45 3 7 9! # % & 6 8 0 @ $ ^ RHYTHM BASS MAX DEMO LEFT PEDAL UTILITY REVERB FULL KEYBOARD SINGLE/ FINGERED ABC ABC SYNCHRO START SOLO STYLEPLAY INTRO/ ENDING NORMAL VARIATION START/STOP MIN C D E FILL TO NORMAL F PROGRAM CUSTOM RHYTHM MIN AUTO ACCOMPANIMENT MASTER VOLUME ) 1 CHORD 2 MAX G A FILL TO VARIATION q BEAT * POP 16BEAT DANCE POP BOOGIE SLOW ROCK SWING JAZZ BALLAD BOSSA RHUMBA ( MARCH COUNTR
The Panel Controls 3 1 POWER Switch ........................................................ page 4 2 MASTER VOLUME Control ..................................... page 5 MIDI 4 [DEMO] Button ......................................................... page 6 d IN OUT THRU 3 [UTILITY] Button ............... page 5, 13, 30, 33, 38, 42—64 5 [LEFT PEDAL] Button ............................................ page 14 EXP PEDAL 6 [REVERB] Button ...................................................
4 Preparation ■ The Music Stand If you will be using sheet music with your Clavinova, raise the music stand built into it’s top panel by lifting the rear edge of the music stand. The music stand can be lowered by slightly lifting the stand and then lowering it gently back down to its resting position. ■ The Key Cover To open the CVP-89 key cover lift it just enough to clear the keys (do not lift excessively) then slide the cover back into the main unit.
The Volume Controls The Clavinova has several volume controls that give you extra versatility in creating the required sound.
6 Demonstration Playback The Clavinova features 25 demonstration tunes that effectively demonstrate its sound and accompaniment capabilities. Here’s how you can select and play the demo tunes. PIANO CLAVINOVA TONE E.
Voice Selection 7 The CVP-89 has a total of 60 different voices that can be selected in a number of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of drums and percussion instruments on the keyboard. CLAVINOVA TONE PIANO 2 1 HARPSICHORD E.
8 Voice Selection Panel Voices (1 — 12) No. 1 2 3 4 5 6 7 8 9 10 11 12 Name Usable Range PIANO CLAVINOVA TONE E. PIANO HARPSICHORD VIBES GUITAR STRINGS ORGAN CHOIR UPRIGHT BASS ELEC BASS DRUMS A-1 - C7 C1 - C7 C1 - C6 C1 - C6 F2 - F5 E1 - F#4 C0 - C6 C0 - C6 E1 - E5 C0 - F#3 E0 - F#3 — Voices 13 — 60 No. 13 14 15 16 17 18 Name Usable Range BRASS POP BRASS TRUMPET MUTE TRUMPET HORN SAX F0 - C6 F0 - C6 F0 - C6 F#2 - A5 A#0 - F4 A#0 - F#5 No.
Dual Mode 9 The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures. PIANO CLAVINOVA TONE E.
10 Split Mode The split mode lets you play different voices with the left and right hands — bass with the left and piano with the right, for example. You can assign any of the Clavinova’s voices to the left and right-hand sections of the keyboard.
Split Mode 11 ■ Split Balance TEMPO – / NO The volume balance between the left-hand and right-hand voices can be adjusted by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] button. The selected balance value (1 … 15) will be shown on the display while the [SPLIT] button is held. SPLIT + / YES [001] E.Bs Slp/Piano œ= 78 SPLIT BALANCE ■ A setting of “1” sets the volume of the left voice to maximum and the right voice to minimum (no sound).
12 Digital Reverb Effects The [REVERB] button provides a number of digital effects that you can use for extra depth and expressive power.
The Keyboard & Polyphony 13 The Clavinova has “32-note polyphony” which means you can normally play up to 32 notes at once. This number varies, however, according to the functions being used, as shown in the chart below: Keyboard only 32 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard + ABC 12 notes (rhythm 8; ABC 12). ● The number of available notes is further reduced if the dual mode, the performance memory, or a Disk Orchestra Collection disk is being played at the same time.
14 The Pedals The CVP-89 has three pedal which offer a range of advanced expressive capabilities.
15 ● Start/Stop ................................................................................................................................................ LEFT PEDAL FUNCTION START/STOP The left pedal performs the same function as the panel [START/STOP] buttons. For details on the START/STOP function, refer to the “Accompaniment” section, page 18. ● Rhythm Break .........................................................................................................................................
16 Pitch Control Pitch control makes it possible to tune the Clavinova over a ±50-cent range (approximate) in approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music. ● Tuning Up .....................................................................................................
Accompaniment 17 The CVP-89 has 50 “styles” that can be used as a basis for rhythm accompaniment, or fully orchestrated rhythm, bass, and chord accompaniment (see “Auto Bass Chord” on page 21). • The Accompaniment Style data is not transmitted via the MIDI OUT connector.
18 Accompaniment ■ Tempo Control Whenever you select a different style, the preset tempo for that style is also selected, and the tempo is displayed on the display in quarter-note beats per minute (unless the accompaniment is playing, in which case the same tempo is maintained). You can change the tempo to any value between 32 and 280 beats per minute, however, by using the TEMPO [▲] and [▼] buttons. This can be done either before the accompaniment is started or while it is playing.
Accompaniment 19 ● Start With an Introduction ..................................................................................................................... Press the [INTRO/ENDING] button. If you press the [NORMAL/FILL TO NORMAL] button (or left FILL IN bar) or the [VARIATION/FILL TO VARIATION] button (or right FILL IN bar) while holding the [INTRO/ENDING] button, the rhythm will start with an appropriate fill and then go to the normal rhythm or variation rhythm, respectively.
20 Accompaniment [ 001] Piano œ= 78 Pop 1 1 ● Measure Number Display During rhythm playback the current measure number is shown in the upper lefthand corner of the display. Measure number 1st. Beat 2nd. Beat 3rd. Beat 4th. Beat BEAT ● The Beat Display The four LED dots of the BEAT display provide a visual indication of the selected tempo. The leftmost (red) dot flashes on the first beat of each measure, the second dot flashes on the second beat, and so on (all dots except the leftmost dot are green).
Auto Bass Chord (ABC) The CVP-89 includes a sophisticated autoaccompaniment system (Auto Bass Chord — ABC) that can provide automated rhythm, bass and chord backing in a number of ways.
22 Auto Bass Chord (ABC) ● Fingered Accompaniment [001] Piano œ= 78 Dbm As soon as you play any chord (up to 4 notes) on the lower keyboard (up to the split point — normally the F#2 key), the Clavinova will automatically begin to play the chord along with the selected rhythm and an appropriate bass line (synchro start is automatically selected in the ABC mode*). The name of the detected chord will appear on the display.
Auto Bass Chord (ABC) ● Conventional Fullkeyboard ABC FULL KEYBOARD SINGLE/ FINGERED ABC ABC 23 The Conventional Full-keyboard ABC mode can be engaged by pressing the [FULL KEYBOARD] and [SINGLE/FINGERED] buttons simultaneously (both indicators will light). In this mode the split point is de-activated and notes played anywhere on the keyboard are detected and used to determine the harmonization of the accompaniment.
24 Custom Rhythm The CVP-89 CUSTOM RHYTHM feature allows you to create 12 original rhythm patterns that can be later recalled and played at any time, just like the presets. Each custom rhythm pattern can be “stored” in any of the CVP-89’s 12 panel style memory locations.
Custom Rhythm 25 B Cancel Instruments & Correct Mistakes as Required ......................................................................... CANCEL CLEAR ALL F6 G6 Although you can cancel all instruments in a pattern by pressing the [CLEAR ALL] and [CANCEL] keys, it is also possible to cancel a single instrument to erase a mistake or simply eliminate an unwanted instrument. While holding the [CANCEL] key, press the key corresponding to the instrument you want to cancel.
26 Disk Styles A “Style Disk” is supplied with the Clavinova, providing an extra 50 ABC accompaniment styles. Any two of these patterns can be loaded into the Clavinova’s memory at a time. The [DISK STYLE 1] and [DISK STYLE 2] buttons select the loaded disk styles in the same way as the STYLE selectors select the internal styles.
27 B Repeat ...................................................................................................................................................... Repeat steps X through V to select and load a second pattern into the other [DISK STYLE] button if you like. N Eject the Disk When Done ..................................................................................................................... When you’ve finished with the Style Disk, press the disk drive EJECT button to remove it.
28 Solo Styleplay This sophisticated feature not only provides automatic rhythm, bass and chord accompaniment, but it also adds appropriate harmony notes (two or three harmonized notes) to a melody you play on the upper keyboard.
Registration Memory 29 The CVP-89 Registration Memory feature can be used to memorize 12 complete control-panel setups that you can recall whenever needed. MEMORY PIANO CLAVINOVA TONE E.
30 Disk Orchestra Using Yamaha Disk Orchestra disks (one is supplied with the CVP-89, others are available from Yamaha), the Clavinova will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically. The CVP-89 also shows you which keys to play with keyboard guide lamps that light up above each key. You can also play “in ensemble” with the complete Disk Orchestra arrangement.
Disk Orchestra NOTES 31 • Please note that playback cannot be started while the Clavinova is searching the disk for a selected song (a flashing dot following the song name on the display indicates that the Clavinova is searching). • With some songs the displayed measure numbers may not match those marked on the score. • Some songs start after a click count-in. • The playback tempo can be changed freely as required.
32 Disk Orchestra ■ Volume Control During DISK ORCHESTRA playback use the RHYTHM volume control to adjust the volume of the drum and percussion parts, the CHORD 2 volume control adjusts the volume of the main left- and right-hand parts, the CHORD 1 volume control adjusts the volume of all other parts except the bass, and the BASS control adjusts the volume of the bass part. RHYTHM ..... Drum and Percussion parts (track 15). BASS .......... Bass part (track 3). CHORD 1 ....
Disk Orchestra 33 ■ Repeat Functions ● Phrase Repeat Use this function if you want to practice a specific phrase within a song, as indicated by the phrase marks on the Disk Orchestra Collection score. Z Select a Song .......................................................................................................................................... Press the [SONG SELECT] button so that its indicator lights and select the desired song by using the SONG/PHRASE NUMBER [▲] and [▼] buttons.
34 Disk Orchestra ■ Other Playback Controls ● Pause ....................................................................................................................................................... Press the [PAUSE] button to temporarily stop DISK ORCHESTRA playback. Press the [PAUSE] button again (or the [START/STOP] button) to resume playback from the same point. PAUSE ● Rewind and Fast Forward ......................................................................................................
Performance Memory The CVP-89 features a built-in “sequencer” which can be used to independently record up to ten separate parts of a single musical composition, plus a rhythm track. Each part is recorded on one of the Performance Memory “tracks” accessed via the [RIGHT/1], [LEFT/2], [ORCH/3-10], and [RHYTHM] buttons. The music data that you record is stored on a 3.5" floppy disk loaded into the Clavinova’s disk drive unit.
36 Performance Memory B Start Recording ....................................................................................................................................... Play on the keyboard. Recording will begin automatically as soon as you start playing. NOTES • You can turn the metronome on before or during recording (the metronome sound will not be recorded). • The “ √ ” symbol will appear during recording. N Stop Recording .......................................................................
Performance Memory 37 B Select the Track(s) to Record ................................................................................................................ SONG/PHRASE NUMBER RIGHT LEFT ORCH 2 3-10 1 [001] REC TRACK 3 œ= 78 ‘‘‘‘‘‘‘‘‘‘‘ 680 RHYTHM [001] REC TRACK 3+R œ= 78 Pop 680 1 FULL KEYBOARD SINGLE/ FINGERED ABC ABC RIGHT 1 ORCH 3-10 [001] REC ABC+R œ= 78 Pop 680 1 Only one track can be recorded at a time. If you press [RIGHT/1] you will record on track number 1.
38 Performance Memory ■ Adding New Tracks When you’ve finished recording the first track, you can simply play it back as described in the previous section or add a new track to your song. To record a new track: Z Select a Voice ......................................................................................................................................... Select a voice and other parameters for the new track. Try out the voice and selected parameters before proceeding.
Performance Memory 39 ● Recording Without a Disk The Clavinova has enough internal RAM memory to allow recording for a while even if a disk is not loaded (up to approximately 2,200 notes — 28 kilobytes — if no other data is recorded). If you accidentally record without loading a disk, make sure you use the COPY function (described on page 46) to copy the recorded data to disk if you want to keep the recorded data (the internal RAM memory is not backed up).
40 Performance Memory ■ Playback Original Performance Memory recordings can be played back and controlled in the same way as described in the Disk Orchestra section, beginning on page 30. You can individually select tracks to play back (page 31), use the guide function and keyboard guide lamps with the data recorded on tracks 1 and 2 (page 32), and use the A-B repeat function (page 33).
Performance Memory 41 The Chord Sequence Function The CHORD SEQUENCE function provides a convenient way to enter chord sequences and style changes one at a time. Z Engage the Chord Sequence Function ................................................................................................ Press the [CHORD SEQUENCE] button. The [ORCH/3-10] and [RHYTHM] track button indicators will glow red, and the ABC SINGLE/FINGERED mode will be automatically selected.
Utility Functions 42 The 44 “utility functions” described in this chapter include effect, disk, MIDI, and general functions that significantly enhance the versatility and flexibility of the CVP-89.
Utility Functions 43 Effect Functions ■ 01: Transpose ⁄¤‹›‚01 TRANSPOSE 0 Display -6 -5 -4 -3 -2 -1 0 +1 +2 +3 +4 +5 +6 Transposition -6 semitones -5 semitones -4 semitones -3 semitones -2 semitones -1 semitone Normal +1 semitone +2 semitones +3 semitones +4 semitones +5 semitones +6 semitones The Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones.
44 Utility Functions Disk Functions This group of utility functions covers a range of disk-related jobs: formatting new disks, copying songs, deleting songs, saving and loading various types of data, and more. NOTES • Disk-related functions (05 through 20) can only be accessed when a disk is present in the Clavinova disk drive. ■ 05: Save Registration This function saves the contents of all 12 registration memory locations (page 29) to disk.
Utility Functions 45 ■ 07: Save Individual Key Tuning This function saves the current individual key tuning data set up via the “Individual Key Tuning” function (page 60) to disk. The data can then be reloaded at any time by using the Load Individual Key Tuning function, described next. Z Insert a Disk & Select the Save Individual Key Tuning Function ....................................................... ⁄¤‹›‚07 IND.
46 Utility Functions ■ 10: Load Custom Rhythm This function reloads the custom rhythm data saved to disk by the Save Custom Rhythm function, described above. Z Insert a Disk & Select the Load Custom Rhythm Function ................................................................ ⁄¤‹›‚10 DISK −> C.
Utility Functions 47 • The copy operation can be aborted at any time prior to actually starting the copy operation (i.e. prior to pressing the [START/STOP] button or the TEMPO [s] button) or during the disk exchange display by pressing the [UTILITY] button. ● Copying Disk Orchestra Disks ([ORCH/3-10] and [RHYTHM] parts only) .........................................
48 Utility Functions ■ 13: Disk Format The Clavinova uses only 3.5" 2DD floppy disks. We recommend that you use Yamaha 2DD disks. Before you can use a new disk for recording, the disk must be “formatted” so that the Clavinova can recognize it and correctly write the music data onto it. Z Insert the Disk To Be Formatted ........................................................................................................... Insert a new blank disk.
Utility Functions 49 NORMAL Standard SMF Mode. Standard Clavinova voice assignments (unless a “GM ON” message is included in the data). Track 10 not necessarily drums. GM GM SMF Mode. General MIDI voice assignments. Track 10 is always drums. NOTES • The Standard SMF mode is useful when playing back a disk containing Standard MIDI Files created on an external sequencer using the Clavinova panel voice assignments. • The GM SMF mode is automatically selected (GM) whenever the POWER switch is turned on.
50 Utility Functions ■ 16: Track Mix Extra Performance Memory track space can be created by using this function to mix the data from two tracks to a single track. The data from the “source” and “destination” tracks is mixed and the result placed in the destination track. You can also use this function to copy data from one track to another by specifying a blank destination track (i.e. the source track data is copied to the destination track. Z Insert the Disk and Select a Song ...........................
Utility Functions 51 X Select the Volume Control Function ..................................................................................................... ⁄¤‹›‚17 VOLUME CONTROL OFF Select the Volume Control function — see “Selecting & Using the Utility Functions”, page 42. Use the TEMPO [s] and [t] buttons to turn Volume Control ON or OFF. Once you’ve turned ON to engage the function you can release the [UTILITY] button. C Select a Track ............................................................
52 Utility Functions B Enter a Character....................................................................................................................................
Utility Functions 53 ■ 20: Convert to SMF This function can be used to convert the performance memory data used by the CVP-89 to Standard MIDI File (SMF) format so songs recorded on the CVP-89 can be played back on SMF-compatible devices. Z Insert a Disk & Select the Convert To SMF Function ..........................................................................
54 Utility Functions MIDI Functions MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.
Utility Functions 55 ■ 22: Receive Channel Select In addition to the 16 MIDI channels, an “OMNI” receive mode is also available which allows reception on all 16 MIDI channels. In the OMNI mode it is not necessary to match the receive channel of the receiving device to the transmit channel of the transmitting device. Z Select the Receive Channel Function ................................................................................................... ⁄¤‹›‚22 MIDI RECEIVE CH.
56 Utility Functions ■ 24: Program Change ON/CANCEL Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected.
Utility Functions 57 ■ 26: The Multi-Timbre Mode The Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1—15 in the CVP mode; 1—10,15, 16 in the DOC mode; 1—16 in the GM mode) by an external MIDI device. The Multi-Timbre mode is off (SINGLE) when the power is initially turned on. Z Select the Multi-Timbre Mode Function ...............................................................................................
58 Utility Functions ■ 27: The Split Send Mode In the split send mode notes played on the left-hand section of the keyboard (to the left of and including the split point key — see “Changing the Split Point” on page 10) are transmitted on MIDI channel 2, while the upper keyboard section transmits on the MIDI channel set using the Send Channel Select function described earlier.
Utility Functions 59 ■ 30: MIDI Transpose Transmit This function transposes the pitch of transmitted MIDI note data up or down in semitone intervals up to a maximum of six semitones. The pitch of notes played on the keyboard is not affected. Z Select the MIDI Transpose Transmit Function ....................................................................................
60 Utility Functions General Utilities The functions in this group apply to a wide range of functions and features. ■ 32: Individual Key Tuning The Individual Key Tuning Feature makes it possible to individually tune each key on the CVP-89 keyboard in order to match different tuning standards. The pitch of each key can be raised or lowered by a maximum of 50 cents (approximately) from the standard pitch. Z Select the Individual Key Tuning Function ........................................................
Utility Functions 61 ■ 33: Touch Sensitivity The Clavinova can be set to one of three different types of keyboard touch sensitivity to match different playing styles and preferences. SOFT ⁄¤‹›‚33 TOUCH SENS MEDIUM Allows maximum loudness to be produced with relatively light key pressure. MEDIUM Produces a fairly “standard” keyboard response. HARD Requires the keys to be played quite hard to produce maximum loudness.
62 Utility Functions ■ 36: Auto Synchro Start Switching This function determines whether the “Synchro Start” mode will automatically be turned ON and OFF when an ABC mode is turned ON and OFF (refer to page 19, 22). ⁄¤‹›‚36 ABC SYNC. START ON OFF Auto synchro start switching OFF — synchro start is not turned on and off with ABC. ON Auto synchro start switching ON — synchro start is automatically turned on and off with ABC.
Utility Functions 63 ■ 40: Edit Drum Instrument The CVP-89 has two drum kits — NORMAL and PROCESSED — and this function allows either kit to be selected for each individual drum instrument. Individual reverb depth and pan settings are also possible. Z Select the Edit Drum Instrument Function ........................................................................................... ⁄¤‹›‚40 EDIT DRUM INST.
64 Utility Functions ■ 41: Split Left Octave This function determines whether the left-hand voice in a split keyboard setup will be automatically shifted up one octave (refer to page 10). ⁄¤‹›‚41 SPLIT-L OCTAVE + 1 0 Octave shift OFF — no octave shift will occur. +1 Octave shift ON — all voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS (voice numbers 12) will be shifted. NOTES • Octave shift is automatically turned ON (+1) whenever the POWER switch is turned on.
The Connectors 65 Although the Clavinova is a self-contained musical instrument that simply be plugged into the AC mains outlet and played, it also features a number of connectors for system expansion. ● AUX IN L and R Jacks ............................................................................................................................ AUX IN R These jacks are intended primarily for use with external synthesizers or tone generator modules.
66 Factory Preset Recall C7 POWER The factory preset settings for the data listed below can be restored by holding the C7 key while turning the power on. • Registration memory data. • Style disk load data. • Custom rhythm data. (no data) • Pitch bend range data. • Chorus ON/OFF data. • Soundboard depth data. NOTES • Custom Rhythm initially contains no data, so any Custom Rhythm data you have created will be erased when the Factory Preset Recall function is executed.
Index 67 A K A-B repeat, disk orchestra .......................... 33 ABC auto mute ............................................ 64 Accompaniment .......................................... 17 Accompaniment volume mode .................... 61 Assembly ....................................................... i Auto bass chord (ABC) ............................... 21 Auto synchro start switching ....................... 62 Automatic performance, disk orchestra ...... 30 Aux jacks ............................
i Assembly/Zusammenbau/Montage/Montaje Assembly 1 NOTES 5 x 20 mm screws 5 x 20 mm Schrauben Vis de 5 x 20 mm Tornillos de 5 x 20 mm x18 1 4 x 20 mm round-head screws 4 x 20 mm Rundkopfschrauben x5 Z Open the box and remove all the parts. 2 Vis à tête ronde de 4 x 20 mm Tornillos de cabeza redonda de 4 x 20 mm 2 • We do not recommend attempting to assemble the Clavinova alone. The job can be easily accomplished, however, with only two people.
Assembly/Zusammenbau/Montage/Montaje Zusammenbau HINWEISE • Wir raten davon ab, das Clavinova alleine zusammenzubauen und aufzustellen. Zwei Personen können diese Arbeit jedoch problemlos ausführen. • Verwenden Sie ausschließlich die mitgelieferten Schrauben oder Ersatzschrauben identischer Größe. Die Verwendung von Schrauben mit abweichenden Maßen kann eine Beschädigung des Instruments zur Folge haben. Z Den Versandkarton öffnen und alle Teile auspacken.
iii MIDI Data Format/ MIDI-Datenformat/ Format des If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the Clavinova. Si vous vous êtes déjà familiarisés avec l’interface MIDI, ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous aideront à commander le Clavinova.
s donées MIDI/Formato de datos MIDI 4. REGISTERED/NON-REGISTERED PARAMETER NUMBER • Data entry [BnH] [06H] [mmH] [BnH] [26H] [llH] n= MIDI channel number mm/ll=RPN • Data inc [BnH] [60H] [xxH] n= MIDI channel number xx= Dummy, RPN • Data dec [BnH] [61H] [xxH] n= MIDI channel number xx= Dummy, RPN • Non-registered parameter number [BnH] [62H] [llH] [BnH] [63H] [mmH] n= MIDI channel number * No parameter is received, but the data is recognized because of RPN reception.
v MIDI Data Format/ MIDI-Datenformat/ Format des donées MIDI/Formato de datos MIDI (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) SPLIT POINT DUAL/SPLIT MODE DUAL/SPLIT VOICE DUAL/SPLIT BALANCE REVERB REVERB DEPTH LEFT PEDAL FUNCTION Reserved INTRO TOUCH SESITIVITY PITCH BEND RANGE CHORUS SOUNDBOARD EFFECT DEPTH DRUMS VOICE in the GM MultiTimbre Mode Individual Key Tuning Data Bulk Dump Format F0H, 43H, 73H 36H (Product ID: CVP-89) 06H (Bulk ID) 00H (Bulk No.
vi each instrument. Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H] [knH] [enH] [slH] [36H] [5bH] [10H]: F#0 Brush Roll reverb depth set to -30H. [36H] [5bH] [20H] [5dH] [60H]: F#0 Brush Roll reverb depth set to -20H [01H] [5bH] [xxH]: Reverb depth for all keys set to default (±0). [02H] [5bH] [20H]: Reverb depth for all keys set to -20H.
Voice List/Stimmenverzeichnis/Liste des voix vii Panel Voices (1—12)/Voices 13—60 Voice MIDI DOC mode MIDI No. Program No. Program No.
/Lista de voces viii GM Mode Voice MIDI No. Program No.
Percussion Kit List/Verzeichnis der Schlagzeug- und Percussion- ix Keyboard Percussion (Voice No. 12: Drums) No.
Sets/Liste des kits de percussion/Lista de juegos de percusión 130: Room Kit — — — <—— <—— <—— <—— <—— <—— <—— Room SD Lo <—— Room BD Lo <—— Room BD Mid Room BD Hi <—— Room SD Mid <—— Room SD Hi Room Tom 1 (Lo) <—— Room Tom 2 <—— Room Tom 3 <—— Room Tom 4 Room Tom 5 <—— Room Tom 6 (Hi) <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— — — — — 131: Rock Kit — — — <—— <—— <—— <—— <—— <—— <—— Rock SD Lo <—— Rock BD Lo <—— Rock B
xi Specifications/Technische Daten/Spécifications/Especificaciones CVP-89 KEYBOARD 88 KEYS (A-1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) VOICE SELECTORS & CONTROLS PIANO, CLAVINOVA TONE, E.
Fingering Chart/Akkordliste/Tablature/Gráfica de digitado xii * All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.
xiii Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Major seventh Dur-Akkord mit großer Septime Majeure septième Mayor de séptima Minor major seventh Moll-Akkord mit großer Septime Septième majeure sur mineur Menor de séptima mayor Augmented Übermäßig Augmenté Aumentado Diminished Vermindert Diminué Disminuida CM 7 CmM 7 Caug Cdim Db M 7 (C# M 7) Db mM7 (C# mM 7 ) Db aug (C# aug) Db dim (C# dim) DM 7 DmM 7 Daug Ddim E bM 7 (D# M7 ) E bmM 7 (D# mM 7 ) E baug (D# aug) E bdim (D
Fingering Chart/Akkordliste/Tablature/Gráfica de digitado xiv Sixth Dur-Akkord mit hinzugefügter Sexte Sixte Sexta Suspended fourth Vorgehaltene Quarte Quarte sur sensible Cuarta suspendida Minor seventh flatted fifth Moll-Septakkord mit verminderter Quinte Quinte diminuée sur mineure septième Menor de séptima y quinta bemol Major seventh flatted fifth Dur-Akkord mit großer Septime und verminderter Quinte Quinte diminuée sur majeure septième Mayor de séptima y quinta bemol C6 Csus 4 Cm 7 (b5) CM 7 (
xv Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Minor major seventh flatted fifth Moll-Akkord mit großer Septime und verminderter Quinte Septième majeure sur mineur quinte diminué Menor mayor de séptima y quinta bemol Minor sixth Moll-Akkord mit hinzugefügter Sexte Mineure sixte Menor de sexta Seventh suspended fourth Dur-Septakkord mit vorgehaltener Quarte Quarte sur septième sensible Séptima y cuarta suspendida Flatted fifth Verminderter Quinte Quinte diminuée Quinta bemol CmM 7 (b5) C
Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Minor flatted fifth Moll-Akkord mit verminderter Quinte Mineure quinte diminuée Menor de quinta bemol Seventh flatted fifth Dur-Septakkord mit verminderter Quinte Quinte diminuée en septième Séptima y quinta bemol Seventh sharp fifth Dur-Septakkord mit erhöhter Quinte Septième ajoutée sur quinte Séptima y quinta sostenida Major seventh sharp fifth Dur-Akkord mit großer Septime und erhöhter Quinte Majeure septième ajoutée sur quinte Mayor de sépti
xvii MIDI Implementation Chart Not Available ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the 2.
IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.
M.D.G., EMI Division © Yamaha Corporation 1994 VS18130 410POCP5.
