Chapter 10 The Disklavier & MIDI This chapter describes how the Disklavier can be used with other MIDI instruments. The Disklavier’s MIDI functions are quite flexible, so there are many different connection possibilities. This chapter provides a few examples. Even if your particular application is not among these, you should be able to derive the information required to create your own setup by reading through these setup examples.
6 Press [+/YES] to set the Remote Out parameter to ON. 7 Press [FUNC.] or [STOP] to exit the MIDI setup. It is also possible to set a split point on the keyboard, so that, for example, your left-hand part is backed by a bass guitar voice and your righthand part is backed by a marimba. MIDI data from each side of the split point is sent to a different MIDI channel, and the voice, volume, and transposition for each side can be set individually. Note: This setup is not intended for Ensemble song playback.
Press [>] until the c cursor is next to the MIDI Setup option, then press [ENTER]. 7 The following display appears. 4 Press [>] until the c cursor is next to the MIDI Out option, then press [ENTER]. The following display appears. The MIDI output can be transposed from –60 to +60 in one semitone steps. Separate transposition values can be set for the left- and right-hand parts. 8 ☛ See “Summary of the MIDI Out Parameter in a MIDI Setup” on pages 68 and 69 for details on the MIDI Out parameter.
10 To select a voice for the MIDI output, press [>] until the c cursor is next to the Prg parameter, then use the [–/NO] and [+/YES] buttons to select a voice. To set the volume of the MIDI output, press [>] until the c cursor is next to the Vol parameter, then use the [–/NO] and [+/YES] buttons to set the volume. 1 Perform up to step 7 of “Sending the Keyboard Data to a MIDI Instrument”. 2 Press [>]. The following display appears.
Receiving Data from a MIDI Sequencer In this setup, the Disklavier is connected to a MIDI sequencer for song recording and playback. In this way you can use a MIDI sequencer’s powerful recording and editing functions for creating your Disklavier songs. The sequencer can be a dedicated music sequencer, a MIDI data recorder, or a MIDI sequencer program running on a computer. A 500 millisecond delay is applied to the incoming MIDI data so that the Disklavier plays more fluently.
7 Press either [FUNC.] or [STOP] to return to the normal display. The Disklavier can now be used in the sequencer system. Controlling the Disklavier in Real Time You need to set the Delay In parameter to OFF, and set the Piano Rcv Ch parameter to match that of the other keyboard’s MIDI transmit channels. If the channels do not match, the Disklavier will not respond to the MIDI data. ☛ Refer to the other keyboard’s user guide for information on setting its transmit MIDI channels.
3 Press [>] until the c cursor is next to the MIDI Setup option, then press [ENTER]. The following display appears. 4 With the c cursor next to the Piano Part option, press [ENTER]. The following display appears. 5 Use the [–/NO] and [+/YES] buttons to select a MIDI channel. ☛ See page 58 for a list of available options. 6 Press [>] until the c cursor is next to the Delay In parameter, then use the [–/NO] and [+/YES] buttons to set the Delay In (500 ms) to OFF.
3 Press [>] until the c cursor is next to the MIDI Setup option, then press [ENTER]. The following display appears. Use the [–/NO] and [+/YES] buttons to select ESBL Out. ☛ See “Summary of the MIDI Out Parameter in a MIDI Setup” on pages 68 and 69 for details on the MIDI Out parameter. 6 1 Insert the song disk into the disk drive. 2 Press [FUNC.]. The FUNC. indicator lights and the Function menu appears. 3 Press [FUNC.] or [STOP] to exit the MIDI Setup mode.
Prg Prg(all) 6 The import file is played by the piano on the channel with the smallest number containing a piano group voice. All channels that contain a piano group voice in the import file is played by the piano. Press [PLAY] to play back the song disk. Synchronization Using the MTC MTC Synchronization Settings In order to achieve synchronization using the MTC (MIDI time code), the settings for sending and receiving the MTC are performed.
Note: The MTC settings are stored in the memory when the power is turned off. To Operate Disklavier in the Slave Mode 4a 4b Use the [–/NO] and [+/YES] buttons to select “MTC Mode=Master”. 5b Press [>] to position the c cursor next to the “Rate”, and set the frame rate. Use the [–/NO] and [+/YES] buttons to select “MTC Mode=Slave”. The MTC can be received at any of the rates shown below. The rate is detected automatically.
Using Disklavier as the MTC Slave 2 Operate the external component. (The external component must first be set up to serve as the MTC Master.) 3 Playback is performed in synchronization with the MTC received from the external component. In this status, Disklavier operates in synchronization with the time information of the external component.
If pause, fast forward or reverse is performed using the Disklavier panel or remote controller during MTC sync playback, the MTC sync playback is suspended. However, sync playback can be resumed in response to signals from the external component by pressing the [STOP] button, and then pressing the [START] button. Start playing your song in synchronization with the external component. 5 Upon completion of the song, stop the external component, and then press [STOP].
Sending the MTC from TO HOST Control Unit TO_HOST SELECT DRIVE Computer (Sequencer with MTC COM port Slave function, etc.) CONTROL UNIT DKC55RCD GENERAL INSTRUMENT PLAY/PAUSE STOP REC SONG SELECT/REV ¥ FWD PART STANDBY ON L ENTER VOICE FUNC. METRONOME VOLUME ¥ ¥ ¥ —10 —8 —6 —4 —2 TEMPO —/NO +/YES TRANSPOSE BALANCE 0 R MTC Mode=Master Rate=Adjust to the external component’s rate. Out=HOST 1 Establish the MTC Slave mode by following the instructions in the manual accompanying the soft.
Correlation between MTC Settings and Remote Function, and Behavior Remote MTC Mode In OFF OFF OFF Receive F2 F8 MTC FA-FC F2 MTC × × × × × Ο Ο ON OFF Ο Ο Ο × × ON ON Ο Ο Ο Ο Ο OFF × ON Thru Ο ON OFF Ο Ο Thru × ON ON Ο Ο Thru Ο OFF OFF × ON Ο Ο ON OFF Ο Ο × ON ON Ο × × × × Ο OFF × × × × × × × × × × Thru OFF × × Ο Ο × × × × × × × × × × × × OFF × × × × × × × ON × × OFF Slave Master Chapter 10: The Disklavier & MIDI FA-FC Engli
Summary of the MIDI Out Parameter in a MIDI Setup The following tables show the differences among the MIDI OUT settings (KBD Out, ESBL Out, Thru Port2) with the HOST SELECT switch set to MIDI. MIDI OUT = KBD Out Action TO HOST connector Play on keyboard Playback of ensemble song file MIDI data received from TO HOST connector Piano/Internal XG tone generator × MIDI data sent if Out Ch ≠ OFF. No internal tone generator sounds unless Voice button is ON and Local = ON.
MIDI OUT = Thru Port2 Action TO HOST connector Play on keyboard MIDI data received from TO HOST connector × No MIDI data sent. No internal tone generator sounds unless Voice button is ON and Local = ON. No MIDI data sent. Piano and internal tone generator play normally. × No MIDI data passed through. × Piano and internal tone generator play normally; delay applied if Delay In = ON.
Chapter 11 The Disklavier & Personal Computers Creating music with computers used to be a job for professionals only. However, in this age of multimedia and personal computers, almost anyone can enjoy creating music. General MIDI and Standard MIDI File (SMF) formats supported by the Disklavier are formats common to most personal computers and MIDI instruments. For example, use your personal computer to download SMF data from the Internet and play it on the Disklavier.
Connecting to an Apple Macintosh Series Computer Use a standard Macintosh 8-pin system peripheral cable. Mini DIN 8-pin 2 (HSK 1) 1 (HSK 0) 5 (RxD-) 4 (GND) 3 (TxD-) 8 (RxD+) 7 (GP 1) 6 (TxD+) Mini DIN 8-pin English 1 2 3 4 5 6 7 8 Chapter 11: The Disklavier & Personal Computers Connecting to an NEC PC-9801/9821 Series Computer Use a standard 8-pin MINI DIN ➔ 25-pin D-SUB cross cable.
Setting the HOST SELECT Switch Set the HOST SELECT switch on the rear panel of the Control Unit according to your computer type. HOST SELECT PC1 MIDI PC2 MAC HOST SELECT Baud rate Remarks Apple Macintosh series 31,250 On the computer side, set the clock speed to 1 MHz. PC1 NEC PC-9801/9821 series Some software require the HOST 31,250 SELECT switch to be set to PC2 (38,400 bps) in order to function properly.
5 Press [>] until the c cursor is next to the Delay In parameter, then use the [–/NO] and [+/YES] buttons to set it. You can record keyboard and pedal data onto a computer. Press [FUNC.]. 2 Press [>] until the c cursor is next to the MIDI Setup option, then press [ENTER]. The following display appears. 3 Press [>] until the c cursor is next to the MIDI Out option, then press [ENTER]. The following display appears. Press [FUNC.] or [STOP] to return to the normal display.
Channel Description OFF No data is sent to the MIDI instrument. 1 to 16 The Disklavier keyboard data and pedal data is sent on the selected channel. HP Keyboard data and on/off pedal data will be sent on channel 1, and continuous pedal data (half pedal) will be sent on channel 3. In this case the pedal data will be continuously variable (half pedal). If you want to play the piano parts on the internal XG tone generator, set Piano Rcv Ch to ##.
Temporarily Deactivating the Internal Tone Generators Note: The OFF setting remains in effect only until the Disklavier is switched off. The next time you switch on the Disklavier, the “Local” setting is returned to ON (default). 5 Chapter 11: The Disklavier & Personal Computers 1 Press [FUNC.] or [STOP] to return to the normal display. Press [FUNC.]. The FUNC. indicator lights and the Function menu appears. 2 Press [>] until the c cursor is next to the MIDI Setup option, then press [ENTER].
Summary of the MIDI Out Parameter in a Computer Setup The following tables show the differences among the MIDI OUT settings (KBD Out, ESBL Out, Thru Port2) with the HOST SELECT switch set to PC1, PC2 or MAC. MIDI OUT = KBD Out Action Play on keyboard Playback of ensemble song file MIDI data received from TO HOST connector MIDI data received from MIDI IN connector TO HOST connector MIDI OUT connector Piano/Internal XG tone generator MIDI data sent if Out Ch ≠ OFF. MIDI data sent if Out Ch ≠ OFF.
MIDI OUT = Thru Port2 Action Play on keyboard MIDI data received from MIDI IN connector Piano/Internal XG tone generator MIDI data sent if Out Ch ≠ OFF. No MIDI data sent. No internal tone generator sounds unless Voice button is ON and Local = ON. No MIDI data sent except for pedal data. (See note.) No MIDI data sent. Piano and internal tone generator play normally. No MIDI data passed All MIDI data on through except for pedal channels 17-32 sent; data. (See note.) delay applied if Delay In = ON.
Chapter 12 Resetting Your Disklavier If you want to return your Disklavier to its initial factory settings, follow the Reset function below. Resetting Your Disklavier 4 You can reset all settings, the Memory Disks, or both. 1 Option Setup Memory Disk [X] + Setup Description All settings (See next page.) Memory disk number [X] and all settings (SMF format; sample song included) (See also next pag e.) Memory Memory disk number [X] Disk [X] only (SMF format; sample song included) Factory init.
Forced Reset 2 When the message “UNFORMATTED MEMORY DISK” appears, this indicates that all Memory Disks are damaged. 1 In the Reset display, press [ENTER]. Note: If you accidentally turn off the Control Unit while data is being stored to a Memory Disk, one or all Memory Disks may be damaged. They can only be recovered by returning them to initial factory settings. Note: Be sure to keep a backup of important data.
Chapter 13 Troubleshooting If you are having difficulty operating your Disklavier, see if any of the symptoms listed below apply to your problem and follow the recommended remedy. Power You cannot turn on the Disklavier. • Make sure the power cord is connected to a suitable AC outlet. • Switch on the Disklavier’s “MAINS” switch. • Press the [STANDBY / ON] button and turn on the Control Unit.
You selected a song using the remote control’s number pad, but the last song on the disk is selected. • If a song number higher than the last song number on the disk is specified, the last song will be selected. During playback, complex note trills and faint pianissimo passages are occasionally missed. • Increase the Disklavier’s volume level. The Disklavier lowers the playback volume by reducing the force applied to each hammer. So for notes that are already quiet (pianissimo, etc.
☛ See “Balancing the Ensemble Volume (TG Master Balance)” on page 26 in the Basic Operation Manual. Disk Utilities You cannot copy a song in the Memory Disk onto a floppy disk. Recording When recording the second part of an L/R song, the first part will not play back for monitoring. • Set the Monitor Piano option to ON. ☛ See “Re-Recording One Part” on page 33. When recording a new part to an existing track, the new part replaces the existing parts. • Set the Record Tr option to OVERDUB.
Chapter 14 Display Error Messages English While operating your Disklavier an error message may appear in the display. If an error message appears, refer to the table below for an explanation of the message. Note: This table does not explain every error message. The current function cannot be executed because protected files exist on the floppy disk. No more song data can be recorded onto the floppy disk because the disk is full. Use another floppy disk.
In order to be copied, the destination disk must be the same format as the floppy disk. You must select the track you want to record before recording. Only E-SEQ files can be recorded onto an E-SEQ type disk. The disk may be damaged. Press the Stop key to clear the message. If this message appears frequently with other disks as well, contact your nearest Yamaha service representative.
Chapter 15 Glossary English This glossary provides basic definitions of terms used frequently in Disklavier manuals. E-SEQ Type Disk An abbreviation for beats per minute. Chain Play One of two disk types that the Disklavier uses to format disks. E-SEQ type disks are compatible with earlier Disklavier models. A Disklavier function for playing back multiple disks sequentially. Fast Forward & Reverse Clavinova TM A series of Yamaha digital pianos.
Half Pedal Overdub See “Incremental Pedal”. The addition of tracks to an existing recording. For example, a Disklavier rhythm track can be created with overdubbing by recording a track with a bass drum, then a track with a snare, then hi-hat, etc. Import File Songs recorded onto floppy disks using MIDI equipment other than the Disklavier and played back by the Disklavier. Piano Parts Incremental Pedal Piano pedals are not always completely up or down and may be held somewhere in-between.
Song Short for “reverberation.” The effect that adds a more realistic feel to a sound by simulating the reflection of the sound in rooms and halls of various sizes. Normally, a short piece of music with lyrics. However, for clarity in Disklavier manuals, the term is used to refer to any piece of music of any genre. Rhythm Track Song Format Tracks of an ensemble song designated for the accompanying rhythm. The rhythm track is unaffected by the playback transposition function.
TG Master Tune The function that allows you to tune the internal XG tone generator, and if connected, an external tone generator simultaneously so that their tunings match that of the Disklavier. Timer Play A Disklavier function for automatically playing back groups of disks at various pre-set times. Tone Generator An electronic device that can generate tones or instrument voices. Track Disklavier ensemble song data is organized as tracks. One song can be composed of up to 16 tracks.
Chapter 16 Specifications Sensor System Hammer Sensors Pedal Sensors Data Storage Removable Media Control Unit Keys Pedals Internal Memory Single-beam, four-point, optical* Sustain & shift: incremental, position-sensing, optical Sostenuto (GP): on/off, optical 16-note polyphonic Sustain & shift: incremental response 1.44 MB × 16 flash memory disks (16 MB (Maximum)); up to 9 groups and 99 program sets; built-in calendar/clock/timer File Format Standard MIDI File (format 0, 1) / E-SEQ Floppy Disk 3.
Power Source Local AC current Supplied Accessories Wireless remote control unit w/batteries, PianoSoft sample disk, CD software, blank 3.
Appendix Mark III Series Full-Function Models Appendix MIDI Data Format
Appendix MIDI Data Format If you are familiar with MIDI, or are using a computer to control your music software with computergenerated MIDI messages, the data provided in this section can help you to control your Disklavier. Messages include those that can be received by the piano part and/or those that can be received by an ESBL part. Messages that can be transmitted as well as received are shown as “transmitted”. 1. 1.1 1.2.
Cntrl# 72 Parameter Release Time Data Range 0...127 (0:-64, 64:+0, 127:+63) $01 $63 $mm $01 $64 $mm $01 $66 $mm $14 $rr $mm $15 $rr $mm $16 $rr $mm $17 $rr $mm $18 $rr $mm Messages which apply a portamento between the currentlysounding note and the subsequent note. $19 $rr $mm Cntrl# 84 $1A $rr $mm $1C $rr $mm $1D $rr $mm $1E $rr $mm $1F $rr $mm 1.2.14 Attack Time (ESBL Part) Messages which adjust the envelope attack time set for each Voice.
121 123 124 125 126 127 0 0 0 0 0 ~ 16 0 Reset All Controllers All Note Off Omni Off Omni On Mono Poly 1.4 Pitch Bend (ESBL Part) When Multi Part Parameter Rcv PITCH BEND CHANGE=OFF, pitch bend for that part is not received. 1.5 Channel Aftertouch 1.6 Polyphonic Aftertouch (ESBL Part) 1.2.23.1 All Sound Off (Piano Part, ESBL Part) (transmitted) (ESBL Part) (PianoPart) (transmitted) Applying further pressure on the key does not output “key aftertouch” information.
00000001 11110111 01 F7 = Sub-ID #2=General MIDI On = End of Exclusive 2.1.5 Other parameter changes 2.1.5.1 2.1.4 11110000 01000011 0001nnnn 00100111 00110000 00000000 00000000 0mmmmmmm 0lllllll 0ccccccc 11110111 XG Native Parameter Change (ESBL Part) With the Parameter Change messages as listed below, you can change the characteristic of a Voice, such as by Effect Type or effect parameter, transpose, tuning, and others.
0aaaaaaa 0ddddddd | | 0ccccccc 11110111 2.2.2.1 aaaaaaa dd | | ccccccc F7 Address Low Data a) Transmission Transmitted. b) Reception Once FE has been received. if no MIDI data is subsequently received for longer than an interval of approximately 300msec. the Disklavier will perform the same function as when ALL SOUNDS OFF. ALL NOTES OFF, and RESET ALL CONTROLLERS messages are received, and will then return to a status in which FE is not monitored.
MIDI Parameter Change table (EFFECT 1) [XG] Address (H) 02 01 00 02 03 04 05 06 07 08 09 0A 0B 0C 0D TOTAL SIZE 02 01 10 11 12 13 14 15 TOTAL SIZE 02 01 20 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E TOTAL SIZE 02 01 30 31 32 33 34 35 TOTAL SIZE 02 01 40 6 Size (H) 2 1 1 1 1 1 1 1 1 1 1 1 1 0E 1 1 1 1 1 1 6 2 1 1 1 1 1 1 1 1 1 1 1 1 1 0F 1 1 1 1 1 1 6 2 42 2 44 2 46 2 48 2 4A 2 4C 2 4E 2 50 2 52 2 54 2 56 57 58 59 1 1 1 1 Data (H) 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 0TOTAL SIZE 02 01 5A 5B 1 1 00-01 VARIATION CONNECTION 00-0F,7F VARIATION PART 5C 5D 5E 5F 60 1 1 1 1 1 21 1 1 1 1 1 1 6 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 70 71 72 73 74 75 TOTAL SIZE MW VARIATION CONTROL DEPTH BEND VARIATION CONTROL DEPTH CAT VARIATION CONTROL DEPTH AC1 VARIATION CONTROL DEPTH AC2 VARIATION CONTROL DEPTH 0:INSERTION, 1:SYSTEM Part1...16(0...
nn nn nn nn nn nn nn nn nn nn nn nn nn 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 1 1 1 1 1 1 1 1 1 1 1 1 1 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 Rcv CONTROL CHANGE Rcv POLY AFTER TOUCH (PAT) Rcv NOTE MESSAGE Rcv RPN Rcv NRPN Rcv MODULATION Rcv VOLUME Rcv PAN Rcv EXPRESSION Rcv HOLD1 Rcv PORTAMENTO Rcv SOSTENUTO Rcv SOFT PEDAL 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1/ON 0/OFF, 1
MIDI Parameter Change table (DRUM SETUP) [XG] Address (H) 3n 3n 3n 3n 3n 3n 3n 3n rr rr rr rr rr rr rr rr 00 01 02 03 04 05 06 07 3n rr 08 3n rr 09 3n rr 0A 3n rr 0B 3n rr 0C 3n rr 0D 3n rr 0E 3n rr 0F TOTAL SIZE Size (H) Data (H) Parameter Description Default (H) 1 1 1 1 1 1 1 1 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F PITCH COARSE PITCH FINE LEVEL ALTERNATE GROUP PAN REVERB SEND CHORUS SEND VARIATION SEND -64 - +63 -64 - +63 [cent] 0 - 127 0/OFF, 1 - 127 0/r4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5E 5F 60 61 62 63 64 65 66 67 68 69 6A 6B 6C 6D 6E 6F 70 71 72 73 74 75 76 77 78 79 7A 7B 7C 7D 7E 7F 80 81 82 83 84 85 86 87 88 89 8A 8B 8C 20-60 0E -72 00-05 00-7F 00-03 39-47 39-47 39-47 00-7F 00-3F 00-3F 00-3F 00-3F 00-7F 00-7F 00-7F 00-7F 00-7F 00-3F 00-07 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 39-47 39-47 39-47 00-7F 00-3F 00-3F 00-3F 00-3F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-06 00-
XG Normal Voice List Bank Select MSB = 000, LSB = Bank Number Voice names in bold typeface are voices that can be selected in the Disklavier. The Disklavier can produce all the voices listed below, but can only display bank 0 voices.
Bank Select MSB = 064, LSB = 000 SFX Voice Instrument Group Reed Pipe Synth Lead Synth Pad 12 Program Bank Voice Name # # 65 0 SprnoSax 66 0 Alto Sax 40 Sax Sect 43 HyprAlto 67 0 TenorSax 40 BrthTnSx 41 SoftTenr 64 TnrSax 2 68 0 Bari.Sax 69 0 Oboe 70 0 Eng.Horn 71 0 Bassoon 72 0 Clarinet 73 0 Piccolo 74 0 Flute 75 0 Recorder 76 0 PanFlute 77 0 Bottle 78 0 Shakhchi 79 0 Whistle 80 0 Ocarina 81 0 SquareLd 6 Square 2 8 LMSquare 18 Hollow 19 Shmoog 64 Mellow 65 SoloSine 66 SineLead 82 0 Saw.
TG300B Normal Voice List Bank Select MSB = Bank Number, LSB = ooo Instrument Group Piano Instrument Group Organ Guitar Program Bank Voice Name # # 17 0 DrawOrgn 1 70sDrOr1 8 DetDrwOr 9 70sDrOr2 16 60sDrOr1 17 60sDrOr2 18 60sDrOr3 24 CheezOrg 32 DrawOrg2 33 EvenBar 40 Organ Ba 126 Slap-2 127 harpsi1 18 0 PercOrgn 1 70sPcOr1 8 DetPrcOr 32 PercOrg2 126 Slap-3 127 harpsi2 19 0 RockOrgn 8 RotaryOr 16 SloRotar 24 FstRotar 126 Slap-4 127 harpsi3 20 0 ChrchOrg 8 ChurOrg2 16 ChurOrg3 24 OrgFlute 32 TrmOrgFl 126 S
Instrument Group Brass Reed Pipe 14 Program Bank Voice Name # # 57 0 Trumpet 1 Trumpet2 24 BriteTrp 25 WarmTrp 126 Sax-3 127 contrabs 58 0 Trombone 1 Trmbone2 126 Sax-4 127 harp 1 59 0 Tuba 1 Tuba 2 126 Brass-1 127 harp 2 60 0 Mute.Trp 126 Brass-2 127 guitar 1 61 0 Fr.
XG Drum Voice List Bank Select MSB = Bank Number, LSB = 000 Drum kit names in bold typeface are those that can be selected in the Disklavier.
TG300B Drum Voice List Program # Note# Note Alternate 1 9 17 25 26 33 41 49 57 128 Standard Kit Room Kit Power Kit Electro Kit Analog Kit Jazz Kit Brush Kit Orchestra Kit SFX Set C/M Kit assign 25 C# 0 Snare Roll 26 D 0 Finger Snap 27 D# 0 Hi Q Hi-Hat Closed 28 E 0 Whip Slap Hi-Hat Pedal 29 F 0 7 Scratch Push Hi-Hat Open 30 F# 0 7 Scratch Pull Ride Cymbal 1 31 G 0 Sticks 32 G# 0 Click Noise 33 A 0 Metronome Click 34 A# 0 Metronome Bell 35
Effect Type List Effect Type Description Effect turned off. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb appropriate for a solo instrument. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb unit. A unique short reverb with a bit of initial delay.
Effect Parameter List No Parameter Range Value See Table Control No Parameter Range Value High Damp Lch Delay2 Rch Delay2 Delay2 Level 0.1~355.0ms -63~+63 0.1~355.0ms -63~+63 0.1~1.0 0.1~355.0ms 0.1~355.0ms 0~127 1-3350 1-127 1-3550 1-127 1-10 1-3550 1-3550 0-127 Dry/Wet D63>W~D=W~DR Delay R->L Delay Feedback Level Input Select High Damp 0.1~355.0ms 0.1~355.0ms -63~+63 L, R, L&R 0.1~1.
No Parameter Range Value See Table 0-127 1-127 0-52 34-60 table#7 Control KARAOKE 1, 2, 3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Delay Time Feedback Level HPF Cutoff LPF Cutoff Dry/Wet 0~127 -63~+63 Thru~8.0kHz 1.0k~Thru D63>W~D=W~DW~D=W~D
No Parameter Range Value See Table Control DISTORTION, OVERDRIVE 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level 0~127 50Hz~2.0kHz -12~+12dB 1.0k~Thru 0~127 500Hz~10.0kHz -12~+12dB 1.0~12.0 D63>W~D=W~D
Effect Data Assign Table Table#1 Value Data 1.81 86 1.85 87 1.89 88 1.94 89 1.98 90 2.02 91 2.06 92 2.10 93 2.15 94 2.19 95 2.23 96 2.27 97 2.31 98 2.36 99 2.40 100 2.44 101 2.48 102 2.52 103 2.57 104 2.61 105 2.65 106 2.69 107 2.78 108 2.86 109 2.94 110 3.03 111 3.11 112 3.20 113 3.28 114 3.37 115 3.45 116 3.53 117 3.62 118 3.70 119 3.87 120 4.04 121 4.21 122 4.37 123 4.54 124 4.71 125 4.88 126 5.05 127 5.22 Value 5.38 5.55 5.72 6.06 6.39 6.73 7.07 7.40 7.74 8.08 8.41 8.75 9.08 9.42 9.76 10.10 10.80 11.
YAMAHA [Disklavier] MIDI IMPLEMENTATION CHART Model: Mark III Full-Function Transmitted Function...
Basic (A) スミ Pantone 282C
