User Guide
Table Of Contents
- Important Information
- Contents
- 1 Welcome
- 2 Control Surface & Rear Panel
- 3 Operating Basics
- Connecting the Power Cord
- Turning On & Off the DM2000
- About the Display
- Selecting Display Pages
- Display History
- Display Page Controls
- Parameter Windows
- Confirmation Messages
- Title Edit Window
- Using a Keyboard
- Channel Strip Displays
- Selecting Layers
- Selecting Channels
- Selecting Fader Modes
- Selecting Encoder Modes
- Assigning Parameters to the ENCODER MODE Assign Buttons
- 4 Analog I/O & the AD Input Section
- 5 Digital I/O & Cascading
- 6 Input & Output Patching
- 7 Input Channels
- Patching Input Channels
- Metering Input Channels
- Reversing the Signal Phase
- Gating Input Channels
- Attenuating Input Channels
- EQ’ing Input Channels
- Grouping Input Channel EQs
- Input Channel Inserts
- Compressing Input Channels
- Grouping Input Channel Compressors
- Delaying Input Channels
- Muting Input Channels (ON/OFF)
- Grouping Input Channel Mutes (ON/OFF)
- Input Channel Mute Master
- Setting Input Channel Levels
- Grouping Input Channel Faders
- Group Master for Input Channel Faders
- Routing Input Channels
- Panning Input Channels
- Using Surround Pan
- Assigning Surround Channels to Buses
- Sending Input Channels to Aux Sends
- Soloing Input Channels
- Direct Outs
- Pairing Input Channels
- Viewing Input Channel Settings
- Copying Input Channel Settings
- Naming Input Channels
- Using the MS Stereo Microphone
- 8 Stereo Out
- Stereo Out Connectors
- Patching the Stereo Out to Outputs
- Routing Input Channels to the Stereo Out
- Sending Bus Outs to the Stereo Out
- Metering the Stereo Out
- Monitoring the Stereo Out
- Attenuating the Stereo Out
- EQ’ing the Stereo Out
- Grouping Master EQs
- Stereo Out Inserts
- Compressing the Stereo Out
- Grouping Master Compressors
- Muting the Stereo Out (ON/OFF)
- Grouping Master Mutes (ON/OFF)
- Setting the Stereo Out Level
- Grouping Master Faders
- Sending the Stereo Out to the Matrix Sends
- Balancing the Stereo Out
- Delaying the Stereo Out
- Inserting GEQs
- Viewing Stereo Out Settings
- Copying Stereo Out Settings
- Naming the Stereo Out
- 9 Bus Outs
- Patching Bus Outs to Outputs
- Routing Input Channels to Bus Outs
- Metering Bus Outs
- Monitoring Bus Outs
- Attenuating Bus Outs
- EQ’ing Bus Outs
- Grouping Master EQs
- Bus Out Inserts
- Compressing Bus Outs
- Grouping Master Compressors
- Muting Bus Outs (ON/OFF)
- Grouping Master Mutes (ON/OFF)
- Setting Bus Out Levels
- Grouping Master Faders
- Sending Bus Outs to Matrix Sends
- Delaying Bus Outs
- Inserting GEQs
- Soloing Bus Outs
- Pairing Bus Outs
- Sending Bus Outs to the Stereo Out
- Viewing Bus Out Settings
- Copying Bus Out Settings
- Naming Bus Outs
- 10 Aux Sends
- Patching Aux Send Masters to Outputs
- Setting the Aux Send Mode
- PreFader or PostFader Aux Sends
- Setting Aux Send Levels
- Muting Aux Sends (ON/OFF)
- Aux Send Pages
- Viewing Aux Send Settings
- Panning Aux Sends
- Excluding Certain Channels from Aux Sends (Mix Minus)
- Copying Channel Fader Positions to Aux Sends
- Metering Aux Send Masters
- Monitoring Aux Send Masters
- Attenuating Aux Send Masters
- EQ’ing Aux Send Masters
- Grouping Master EQs
- Aux Send Master Inserts
- Compressing Aux Send Masters
- Grouping Master Compressors
- Muting Aux Send Masters (ON/OFF)
- Grouping Master Mutes (ON/OFF)
- Settings Aux Send Master Levels
- Grouping Master Faders
- Sending Aux Sends to Matrix Sends
- Delaying Aux Send Masters
- Inserting GEQs
- Soloing Aux Sends
- Pairing Aux Sends
- Viewing Aux Send Master Settings
- Copying Aux Send Master Settings
- Naming Aux Send Masters
- 11 Matrix Sends
- Patching Matrix Send Masters to Outputs
- PreFader or PostFader Matrix Sends
- Setting Matrix Send Levels
- Muting Matrix Sends (ON/OFF)
- Matrix Send Pages
- Panning Matrix Sends
- Viewing Matrix Send Settings
- Metering Matrix Send Masters
- Monitoring Matrix Send Masters
- Attenuating Matrix Send Masters
- EQ’ing Matrix Send Masters
- Grouping Master EQs
- Matrix Send Master Inserts
- Compressing Matrix Send Masters
- Grouping Master Compressors
- Muting Matrix Send Masters (ON/OFF)
- Grouping Master Mutes (ON/OFF)
- Setting Matrix Send Master Levels
- Grouping Master Faders
- Balancing Matrix Send Masters
- Delaying Matrix Send Masters
- Soloing Matrix Sends
- Inserting GEQs
- Viewing Matrix Send Master Settings
- Copying Matrix Send Master Settings
- Naming Matrix Send Masters
- 12 Common Channel Functions
- Metering
- Attenuating Signals
- Using EQ
- Grouping Output Channel EQs
- Using Inserts
- Compressing Channels
- Grouping Output Channel Compressors
- Delaying Channel Signals
- Soloing Channels
- Pairing Channels
- Grouping Output Channel Faders
- Group Master for the Output Channel Faders
- Grouping Output Channel Mutes (ON/OFF)
- Output Channel Mute Master
- Viewing Channel Parameter Settings
- Viewing Channel Fader Settings
- Copying Channel Settings
- Naming Channels
- 13 Monitoring & Talkback
- 14 Libraries
- 15 Internal Effects, PlugIns & GEQs
- 16 Scene Memories
- 17 Automix
- About Automix
- What’s Recorded in an Automix?
- Automix Main Page
- AUTOMIX Section
- Channel Strip [AUTO] Buttons
- Automix Memory Page
- Fader Edit Pages
- Selecting the Timecode Source & Frame Rate
- Creating a Time Signature Map
- Recording an Automix
- Inserting Mix Parameters into Automix
- Rerecording Events
- Parameter Recording
- Punching In & Out Individual Parameters
- Playing Back an Automix
- Editing Events Offline
- 18 MIDI
- 19 Pro Tools Remote Layer
- Configuring Windows Computers
- Configuring Macintosh Computers (MacOS 8.6 to 9.2.2)
- Configuring Macintosh Computer (MacOS X)
- Configuring the DM2000
- Configuring Pro Tools
- Control Surface Operation with the Pro Tools Remote Layer
- Scrolling Windows
- Selecting Channels
- Assigning Inputs to Channels
- Assigning Outputs to Channels
- Setting Channel Levels
- Muting Channels
- Panning Channels
- Soloing Channels
- Assigning Send Destinations
- Configuring Sends as Pre or Post
- Setting Send Levels
- Muting Sends
- Panning Sends
- Flip Mode
- Assigning Inserts/Plugins
- Editing Plugins
- Bypassing Individual Plugins
- Bypassing all Plugins
- Resetting Faders, Sends, Panpots & Plugins
- Navigating the Edit Window
- Zooming
- Making Fine Adjustments to the Selected Region
- Scrub & Shuttle
- Automation
- Panner
- 20 Remote Control
- 21 Other Functions
- Appendix A: Parameter Lists
- USER DEFINED KEYS
- USER DEFINED KEYS Initial Assignments
- Input Patch Parameters
- Initial Input Patch Settings
- Output Patch Parameters
- Initial Output Patch Settings
- Initial Input Channel Names
- Initial Output Channel Names
- Initial Input Port Names
- Initial Output Port Names
- GPI Trigger Source & Target List
- User Defined Remote Layer Initial Bank Settings
- Effects Parameters
- Effects and tempo synchronization
- Preset EQ Parameters
- Preset Gate Parameters (fs = 44.1kHz)
- Preset Compressor Parameters (fs = 44.1kHz)
- Dynamics Parameters
- Appendix B: Specifications
- Appendix C: MIDI
- Appendix D: Options
- Index
- DM2000 Block Diagram
- DM2000 Level Diagram
- MIDI Implementation Chart
210 Chapter 17—Automix
DM2000 Version 2—Owner’s Manual
The SOURCE section enables you to select the copy source Automix. You can select CUR-
RENT (the current Automix) or MEM (any Automix from 1 to 16).
The TIME parameter determines the point to which the specified data is copied. The num-
ber in parentheses on the right indicates the end point of the copy destination. You can set
the TIME parameter on-the-fly by selecting the TIME button, then pressing [ENTER]. You
can edit the captured timecode value using the Parameter wheel or INC/DEC buttons. Press
[ENTER] to reset the currently-selected digit to “00.”
The CH parameter specifies the channel to which the specified data will be copied. The
number of destination channels depends on the specified number of copy source channels.
For example, if Input Channels 1 though 8 are specified as the source, then the number of
destination channels will be eight (8). Destination channels are contiguous and only the
first channel in the range can be specified. The number in parentheses on the right indicates
the last channel in the copy destination.
You cannot copy from Input Channels to Output Channels. Also, even within Output
Channels, you cannot copy between Aux and Bus channels.
TRIM: The TRIM button trims the specified Automix data. This Job includes a TRIM
EDIT section below the TIME SETTING section.
The IN parameter determines the amount of time required for the faders to achieve the
specified trim amount. The OUT parameter determines the amount of time required for
the faders to return to the previous levels. The LEVEL parameter specifies the fader trim
amount in the range of –96 dB to +96 dB.
MOVE/MERGE: This Job features a SOURCE section and a MOVE TO (MERGE TO)
section below the TIME SETTING section. The function of this button changes depending
on the SOURCE section setting. If you select CURRENT (current Automix) in the
SOURCE section, this button becomes the MOVE button, which enables you to move the
specified range of Automix data to another position. If you select MEM (Automix memo-
ries 1–16) in the SOURCE section, this button becomes the MERGE button, which enables
you to merge the specified range of Automix data with other Automix data.
The SOURCE section enables you to select the move/merge source Automix. You can select
CURRENT (the current Automix) or MEM (any Automix from 1 to 16).
Time
Trim: –
x
dB
TRIM IN
TRIM OUT
IN OUT
Trimmed data
Existing data