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A N e w Hi gh Poi nt i n Digit al Live So un d Since its introduction in 2004 the Yamaha PM5D Digital Mixing System. Although the PM5D was always expandable via Console has become a common sight at concerts and live Yamaha’s MY-series expansion cards and integration with venues throughout the world. In fact, more than 2,000 units digital systems such as DME64N and AD8HR, the DSP5D takes have been shipped since that time. The reason? Simply that it’s system scalability to a totally new level.
Enhanced Features and Scalabilit y The PM5D V2* includes numerous refinements and innovations that significantly improve both its operability and functionality. Almost all of these have been implemented on the basis of feedback from experienced professionals in the field, and provide improved functionality and performance that makes a difference in real-world applications.
All the Effects and Processing You’ll Need Onboard Scene Recall Expansion Slots for Added Connectivity Extra EQ The PM5D V2 offers every processing facility you’ll ever need onboard.
Elegant, Efficient, and Eminently Prac tical Everything you need for hands-on mix control is right where you need it. The PM5D V2 physical control surface offers direct access to all of the major functions you’re likely to need for just about any real-world application. And if you’re using one or two DSP5D Digital Mixing System units for I/O and DSP expansion, you get seamless, comprehensive control directly from the PM5D V2 panel.
Flexible M ixing For Any Application Co m p re h e n s i ve M o n i to r i n g Fa c i l i t i e s In addition to dual stereo mix buses that can be used together for LCR send, the PM5D V2 offers 24 independent mix buses that you can use for submix, auxiliary, effect, or just about any other type of send your application requires ... all with master mix control as well as individual mix send level control from all available inputs.
E x tens i ve Ana l og and Digit al Co n n ec t ivit y The PM5D V2, PM5D-RH V2, and the DSP5D all provide comprehensive analog and digital connectivity that makes it easy to set up just about any type of system without requiring external interfacing. Flawlessly bridging the gap between the analog and digital worlds are high-performance analog-to-digital and digital-to-analog converters that provide totally transparent conversion.
E n h a n ce d E f f i c i e n c y & O p e ra b i l i t y DIRECT RECALL/ MUTE MASTER These are the features that make a difference in workflow and efficiency. On the PM5D V2 they attest to the fact that Yamaha has really listened to feedback from the field, and implemented refinements that make sense in real-world applications. These eight keys can be used either to directly recall assigned scene numbers, or to mute the corresponding mute groups.
Libraries Internal Effect Processors Acclaimed Add-on Effects Built In HA REMOTE Control Output Setting up the entire PM5D V2 system from scratch can be a formidable task, so Yamaha has provided an extensive selection of presets in a range of libraries that can simply be selected and used as they are or modified to suit specific requirements. Of course, your own setups can be added to the libraries for instant recall whenever they are needed.
Complete Sof t ware Control Optio ns As with other Yamaha digital consoles, editor application software is provided to PM5D V2 users. The PM5D Editor is designed for the offline programming and on-line control, with comprehensive analog-style visual representation of the PM5D V2 controls. A separate DSP5D Editor application is provided for control of the DSP5D. The PM5D Editor will run on Windows XP and Mac OSX (10.2 or later) compatible computers connected to the PM5D V2 via USB.
3. Concerts Using the DSP5D as a Remote I/O Application Examples If the console needs to be located a significant distance from the stage you can add DSP5D Stage 1.
PM5D V2, PM5D-RH V2 GENERAL SPECIFICATIONS 5. Opera House with Orchestra Pit and Stage DSP5D Units D-sub 25pin (male) Cable In this system, which is designed primarily for an opera-house type situation, one DSP5D unit is located in the orchestra pit while the second DSP5D unit is located on stage.
PM5D V2/PM5D-RH V2 SLOT (1-4) CHARACTERISTICS PM5D V2 ANALOG INPUT CHARACTERISTICS GAIN SW *4 26 STEREO INPUT 1 – 4 [L, R] 3kΩ -16dB -34dB 50-600Ω Mics & 600Ω Lines — 4kΩ 600Ω Lines — INSERT IN 1 – 48 10kΩ 600Ω Lines — 2TR IN ANALOG 1, 2 [L, R] 10kΩ 600Ω Lines TALKBACK 3kΩ 50-600Ω Mics & 600Ω Lines 10dB Sensitivity *1 -80dBu (0.0775mV) Input Level Nominal -60dBu (0.775mV) -36dBu (12.3mV) -16dBu (123mV) +4dBu (1.23V) -10dBu (245mV) +10dBu (2.45V) +30dBu (24.51V) -54dBu (1.
Sys te m Leve l D i a g ra m B l o c k D i a g ra m PM5D(NotRecallable HA) Digital Digital Analog x 48 [INPUT] Bit PreGate PEAK +48V CH 1(...48) dBu IN OUT METER METER METER To 26 -30 -60 -40 -70 -50 -80 -60 -70 -80 -90 -100 -110 -90 -120 -100 -130 -110 -140 -120 -130 -140 -150 -160 -170 -150 -180 -160 -190 -170 -200 -180 -210 -190 IN IN IN Digital Clipping Level Max.
