User Manual
Table Of Contents
- Cover
- Contents
- Differences Between the DTX-PRO and the DTX-PROX
- Links from the Owner’s Manuals
- How the Triggers Generate Sounds
- The Relationship Between Trigger Input Jacks, Trigger Inputs, and Trigger Input Sources
- Trigger Input Jack Input Mode
- Sounds that are played by trigger (Inst and Voice)
- Voices and Layers
- User Voices
- Importing to User Voices
- Changing the way a user voice is played (one-shot or Loop)
- Editing and auditioning user voices
- Selecting the Trigger Input or Trigger Input Source
- Effect Processor Design
- PRO Series Modules Internal Memory
- MENU Button
- KIT Mode
- CLICK Mode
- RECORDER Mode
- Practicing with the Training Feature
- Fader Select FX
- Fader Select CUSTM
- LIVE SET Mode
- Settings for live performances
- Connecting a Computer
- Troubleshooting
- Reference
Reference
144
DTX-PRO DTX-PROX Reference Manual
Effect Type
Fx1 Type
Fx2 Type
(*) The effect changes according to the tempo setting of the module.
Name Description
No Effect Bypass without applying an effect.
Gated Reverb Simulation of gated reverb.
Reverse Reverb Simulation of reverse playback of gated reverb.
Early Ref 1
This effect isolates only the early reflection components of the Reverb.
Early Ref 2
Early Ref 3
Early Ref 4
Early Ref 5
Temp o D e l ay 8 t h The effect synchronizes the delay length to an eighth note tempo. (*)
Temp o D e l ay Tri The effect synchronizes the delay length to a quarter note triplet tempo. (*)
Temp o D e l ay D o t The effect synchronizes the delay length to a dotted eighth note tempo. (*)
G Chorus A Chorus Effect that produces a richer and more complex modulation than normal chorus.
2 Modulator A Chorus Effect consisting of pitch modulation and amplitude modulation.
SPX Chorus An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.
Symphonic A 3-phase Chorus which uses a complex LFO wave.
Ensemble Detune Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
VCM Flanger
These effects emulate the characteristics of an analog flanger used in the 1970s, recreating a warm, high-qual-
ity flanger effect.
Classic Flanger Conventional type of flanger.
Temp o F l a nger Tempo-synchronized flanger. (*)
Dynamic Flanger Dynamically controlled flanger.
AmbienceFlanger A flanger that adds early reflections.
VCM Phaser
This effect emulates the characteristics of analog phasers used in the 1970s, recreating a warm, high-quality
phaser effect. This is a stereo phaser with VCM technology for producing a vintage sound.
Tempo Phaser Tempo-synchronized phaser. (*)
Dynamic Phaser Dynamically controlled phase shifter.
VCM Auto Wah Modulates the tone via LFO.
VCM Touch Wah Modulates the tone via Amplitude.
Ring Modulator An effect that modifies the pitch by applying Amplitude Modulation to the frequency of the input.
Dynamic RingMod Dynamically controlled Ring Modulator.
Auto Synth 1
Processes the input signal into a synthesizer-type sound.Auto Synth 2
Auto Synth 3
TempoSpiralizerP Spiralizer with tempo-synchronized LFO. (*)
Tech Modulation Adds a unique feeling of modulation similar to ring modulation.
Pitch Change 1
Changes the pitch of the input signal.
Pitch Change 2