User Manual

ELA-1 Reference Manual 41
2
Styles
NOTICE
The edited Style will be lost if you change to another Style or turn off the power to the instrument without carrying out the Save operation
(step 8 on page 28).
RTR These settings determine how to control sounding notes to change their pitches to adapt to
chord changes.
Stop The notes stop sounding.
Pitch Shift The pitch of the note bends without a new attack to match the new chord.
Pitch Shift to
Root
The pitch of the note bends without a new attack to the root pitch of the
new chord. The octave of the new pitch remains the same.
Retrigger The note of the new pitch corresponding to the new chord is retriggered
with a new attack.
Retrigger to
Root
The note of the new pitch corresponding to the root of the new chord is
retriggered with a new attack. The octave of the new note remains the
same.
High Key/
Note Limit
The settings here adjust the Octave (pitch range) of the notes converted via the NTT and
NTR.
High Key This sets the highest key (upper octave limit) of the note transposition
for the chord root change. A root note of a selected chord is transposed
up as long as the root note is equal to or less than the highest key. When
the root note is higher than the highest key, the root note is transposed
down. This setting is available only when the NTR parameter (page 38)
is set to “Root Transpose.”
Note Limit
Low
These set the pitch range (highest and lowest notes) to transpose. By
judicious setting of this range, you can ensure that natural pitch ranges
result for each Voice set on each channel—in other words, this prevents
unnatural pitched notes for each Voice that is played (e.g., high bass
sounds or low piccolo sounds).
Note Limit
High
Example—When the highest key is F.
Root changes
Notes played
Example—When the lowest note is C3 and the highest is D4.
Root changes
Notes played
High Limit
Low Limit