Owner's Manual

Voice List
ELS-02/ELS-02C Owner’s Manual
38
Each acoustic instrument has its own ideal note range. Keep in mind that playing outside of the range may create unexpected and unrealistic sounds.
Voices that do not have a specified ideal note range (“---” is shown in the chart above) can be played in any range and result in optimum sound with stable
pitch.
* When the Feet parameter is set to 8', the resulting sound is actually 16'.
3 V-Claviolin G2 – G5 A hybrid sound combining a violin and wind instrument.
V-Air Bow C2 – G5 A bowed instrument sound with noise.
V-Waspy Horn C1 – G4 A hybrid sound grafting a brass wind instrument mouthpiece to a wind instrument. After Touch affects the
muted condition. Lip-slide can be created with Horizontal Touch.
V-Mizu Horn C1 – C6 A hybrid sound combining a harmonica and trumpet.
V-Cosmo Mute C1 – C5 Simulation of a distorted brass wind instrument. After and Initial Touch affect the muted condition.
V-Fago F1 – C7 Simulated deep bassoon sound. Playing with soft touch produces breath noise with a high tone range.
VA ELECTRONIC
1 V-Jazz Guitar E1 – E5 Soft and warm jazz guitar sound.
V-Picked Guitar E1 – E5 Hard-attack guitar played with a pick.
V-Simple Bass --- Voice suited for bass phrases. After and Initial touch affect the resonance effect.*
V-Bass Attack --- Voice suited for bass phrases. Initial touch affects the muted condition.*
V-Thumb Bass C1 – E4 Bass sounds played with the thumb.*
V-Fretless C1 – C5 Fretless bass.*
V-Saw Lead C1 – C5 Multi-purpose lead sounds. After Touch affects the filter changes.
V-Edge Lead C1 – C4 Synth bass sound with a sharp attack portion. After Touch affects the filter changes.
V-Dist Lead G1 – C5 Distorted lead sounds. Setting the Touch Tone (After) higher and applying keyboard pressure raises the
pitch.
V-Woody Lead C2 – G5 Lead sound with woody quality.
V-Muted Lead C2 – C5 Lead sound with wah-wah effect. After Touch heightens the wah-wah effect.
V-Talken Lead C1 – C5 Human voice-like lead sound. Setting the Touch Tone (After) higher and applying keyboard pressure
allows creation of hum noise.
2 V-Mad Tube --- Distorted synth lead with long release sound. High After Touch settings produce an overblowing effect.*
V-Mob --- Distorted lead sound played with pick. Setting the Touch Tone (After) higher and applying keyboard
pressure raises the pitch by an octave.*
V-Transylva C1 – C6 Softly distorted lead sounds.*
V-Destiny --- Wah guitar with a sharp attack.
V-Igneous C1 – C4 Lead sound with full feedback effects. After Touch affects the degree of feedback.
V-Wurli Lead C1 – C5 Simple synth lead with a sharp attack. High After Touch settings produce an overblowing effect.
V-Fifty Fifty --- Analog synthesizer with simple square wave sound.
V-Ana Wave --- Analog synthesizer. Initial touch and the length of holding down a key changes the filter effect.
V-Lyric Off C1 – C6 Wind synth sound with square wave sound.
V-Ossyncro C1 – C6 Lead sound with dynamic pitch change.*
V-Wahman C1 – A3 Wah-wah lead voice with pitch change in the attack.
V-Q. Klav C1 – G5 Funky electric clav sound. Initial touch affects the timbre.*
3 V-SFX 1 --- Simulated hand-tapping of the open end of a pipe.
V-SFX 2 --- Simulated scraping of a metallic plate. After Touch affects the degree of scraping.
V-SFX 3 --- Simulated hitting of a metallic plate with a wood block. Initial Touch changes the apparent hardness of the
wood block.
V-SFX 4 --- Soft playing results in wind sounds. Applying keyboard pressure (After Touch) produces a distorted guitar
sound.
V-SFX 5 --- Jet noise. Applying keyboard pressure produces lead sound.
V-SFX 6 --- Simulation of metallic plates colliding.
V-SFX 7 --- Initial touch affects the resonance effect.
V-SFX 8 --- Cry of a strange animal.
V-SFX 9 --- Simulation of a thick and long hose.
V-SFX 10 --- Trumpet with loop feedback sound.
V-SFX 11 --- Initial touch produces the sound of hitting metal, and After Touch increase the noise.
V-SFX 12 --- Initial touch produces the sounds of footsteps, and After Touch creates a windy sound.
V-SFX 13 --- The sound of a soprano saxophone played in the distance. Playing with softer touch produces only breath
noise.
V-SFX 14 --- Lead sound with After Touch-produced pitch change.
V-SFX 15 --- Initial touch produces the sound of metal being scraped, and After Touch creates noise.
V-SFX 16 --- Cry/roar of an animal.
Voice Name Range Description