User Manual

Voice List
ELS-02/ELS-02C Owner’s Manual
37
2
Voices
ELS-02C (VA)
Voice Name Range Description
VA ACOUSTIC
1 V-Flute 1 G2 – A6 Flute with breath and other noises, which may squeak in higher registers. Setting the Touch Tone (After)
higher and applying keyboard pressure can recreate flutter tonguing.
V-Flute 2 C2 – C6 Flute suited for legato playing. Setting the User Vibrato depth to higher values has a nice effect.
V-Ocarina C3 – C6 Soft ocarina.
V-Oboe C3 – F5 Wider dynamic range with the Touch Tone effect.
V-Clarinet D2 – F5 Playing pianissimo creates breath noises, while playing fortissimo creates a brighter sound with slightly
lower pitch.
V-Soprano Sax A♯ 2 – D5 Rounder and softer soprano saxophone.
V-Alto Sax 1 D♯ 2 – G4 A bright alto saxophone for contemporary music. You can make the sound ‘break up’ as if overblowing the
instrument by setting After Touch to maximum and applying pressure to the key.
V-Alto Sax 2 C2 – E4 Alto saxophone suited for fusion music. Playing legato creates squeaky attack sounds and high After
Touch settings produce an overblowing effect.
V-Tenor Sax 1 A ♯2 – C4 Multi-purpose tenor saxophone. Soft in pianissimo and brighter in fortissimo.
V-Tenor Sax 2 C1 – G4 Soft tenor saxophone suited for jazz. Playing Legato creates squeaky attack sounds.
V-Breath Sax 1 A ♯ 2 – C4 Soft, breathy tenor saxophone suited for slow tempo music.
V-Breath Sax 2 C2 – E4 Brighter, breathy tenor saxophone suited for jazz.
2 V-Trumpet 1 A♯2 – A♯4 Soft trumpet. Slides and glissandos can be created with Horizontal Touch.
V-Trumpet 2 C2 – C5 Trumpet with characteristic attack sound. Lip slurs can be created by changing the pitch.
V-Trumpet 3 G2 – C5 Soft trumpet. Applying slight keyboard pressure produces breath noise.
V-Muted Trumpet A♯ 2 – A♯ 4 Cup-muted trumpet.
V-Trombone E1 – G3 Slides and glissandos can be created with Horizontal Touch. Also, high After Touch settings produce an
overblowing effect.
V-High Trombone C2 – C5 Brighter trombone suited for high notes.
V-Shakuhachi --- Higher Touch Tone (After) setting increases breath noise and also squeaks the sound.
V-Erhu --- Playing with softer touch produces hoarse sounds.
V-Sitar --- Playing with harder touch squeaks the sounds.
VA VIRTUAL
1 V-Pan Pipe 1 E2 – G5 Setting the Touch Tone (After) higher and applying keyboard pressure can result in flutter tonguing.
V-Pan Pipe 2 C1 – C6 Panpipe flute sound. After and Initial Touch affect the pitch and timbre.
V-Bamboo C1 – C6 Bamboo panpipe sound with breath noise. After Touch changes the pitch dynamically.
V-Bottle C1 – C6 Sound of blowing a bottle. Playing trills over a wide interval range creates a squeaky attack sound.
V-Floboe F2 – C7 A hybrid sound combining oboe and saxophone.
V-Alt Kwek C3 – C7 A hybrid sound grafting an oboe reed onto a piccolo, with a distinctive pitch change in the low registers.
V-Tin Whistle C2 – C7 Sound of a small flute. Playing with softer touch produces breath noise.
V-India --- Percussive sitar sound.
V-East G1 – C5 Sitar with resonance and reverberation.
V-Zag --- Simulation of a bowed ethnic instrument. Playing legato brings out higher octave sounds.
2 V-Asian Pluck C1 – G6 Plucked ethnic instrument. Using Initial Touch brings out higher octave sounds.
V-Air Reed 1 A2 – C5 A hybrid sound grafting an oboe reed onto a saxophone. High After Touch settings produce an
overblowing effect.
V-Air Reed 2 E2 – C5 A hybrid sound combining a conventional flute with panpipes.
V-Airphone A2 – C5 A hybrid sound grafting an oboe reed onto a soprano saxophone.
V-Thin Reed E2 – G5 A hybrid sound grafting a clarinet mouthpiece onto a flute. High After Touch settings produce an
overblowing effect.
V-Harmophone G1 – G5 A hybrid sound combining a harmonica and saxophone. Depending on use of Touch Tone, both breath
noise and a bright clear sound can be produced.
V-Saxonica G2 – G5 Harmonica sound resembling an alto saxophone. Playing with soft touch results in a high-pitched sound.
V-Grass Reed E2 – G5 A hybrid sound grafting a bassoon reed onto a brass wind instrument. After Touch changes the pitch.
V-Soft Reed 1 A2 – G5 A hybrid sound grafting a clarinet mouthpiece to a brass wind instrument.
V-Soft Reed 2 C1 – C6 A hybrid sound grafting a bassoon reed onto a soprano saxophone; includes breath noise.
V-Troppo E1 – C6 Thick bassoon sound. After Touch changes the pitch dynamically, and applying keyboard pressure more
produces wind noise.
3 V-Buzz String A2 – F5 Simulation of a hybrid bowed-wind instrument.
V-Bow String E1 – E6 Artificial synthesized strings sound.
V-String Bow C1 – C6 Simulation of a slow-attacked violin bowed with something other than a violin bow. Playing trills over a wide
interval range creates a squeaky attack sound.
V-Cosmosis C1 – G5 Bowed strings. Initial Touch affects the attack sound.
V-E.Violin C1 – C6 Synth violin.
V-Bowe C1 – C5 Simulation of a hybrid bowed-saxophone sound.