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EX7 Voice List

Liste der EX7 Voices

Liste des voix EX7..........................................................2

Drum Voice List

Liste mit Schlazeug-Voices

Liste des voix de batterie..............................................24

Sample List

Liste mit Samples

Liste des échantillons ..................................................26

Wave List

Liste der Wellenformen

Liste des ondes............................................................29

EX7 Performance List

Liste der EX7 Performances

Liste des performances EX7 ........................................30

Controller List (Dest. Param: Destination Parameters)

Liste mit Controllern (Dest Param: Zielparameter)

Liste des contrôleurs (Paramètres de destination)

..............31

FDSP Parameter List

FDSP Parameter-Liste

Liste des Paramètres FDSP..........................................32

Effect Type List

Liste mit Effekt-Typen

Liste des type d'effets ..................................................34

Effect Parameter List

Liste mit Effekt-Parametern

Liste des Paramètres d'effets ......................................36

Groove Template List

Groove Template-Liste

Liste des modèles d'expressions rythmiques ..............41

Arpeggio List

Liste mit den Arpeggio-Typen

Liste des types arpèges................................................41

Controll Change List

Liste mit Controll Change-Daten

Liste des changements de commande ........................41

About MIDI ..................................................................42

MIDI Data Format ........................................................42

MIDI Data Table ..........................................................45

MIDI Implementation Chart..........................................52

EX7DLCover/E00.2.81:47PMページ1

Summary of content (55 pages)

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EX7 DL Cover/E 00.2.8 1:47 PM ページ 1 EX7 Voice List Liste der EX7 Voices Liste des voix EX7..........................................................2 Controller List (Dest. Param: Destination Parameters) Liste mit Controllern (Dest Param: Zielparameter) Liste des contrôleurs (Paramètres de destination) ..............31 Arpeggio List Liste mit den Arpeggio-Typen Liste des types arpèges................................................41 Drum Voice List Liste mit Schlazeug-Voices Liste des voix de batterie.
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■EX7 Voice List ■Liste der EX7 Voices ■Liste des voix EX7 Preset 1 (1-64) MSB=63 LSB=0 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Preset 1 (65-128) MSB=63 LSB=0 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Preset 2 (1-64) MSB=63 LSB=1 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Preset 2 (65-128) MSB=63 LSB=1 Effect No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 1-1 (1-64) MSB=63 LSB=2 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 1-2 (1-64) MSB=63 LSB=2 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 1-3 (1-64) MSB=63 LSB=2 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 1-4 (1-64) MSB=63 LSB=2 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 1 (65-128) MSB=63 LSB=2 Effect Controller No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 2 (1-64) MSB=63 LSB=3 No.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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Internal 2 (65-128) MSB=63 LSB=3 No. Effect Controller Bnk Voice Name Cat Type Ins-S Type Ins-L Type Reverb Type Chorus Type PB MW AT MW2 FC BC 65 E1 RhythmWheels Fx AWM 024:3Band EQ 067:Auto Synth 001:Rev Hall 1 010:Flanger 1 off AWM LFO2Speed,AWM LFO2Depth AWM LFO1 PMD InsL AM Speed off off AWM Pitch 66 E2 Ribbon Slide Fx AWM 005:Celeste 1 059:Control Delay 001:Rev Hall 1 001:Chorus 1 off AWM LFO1 PMD off InsL Dly Trans.
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2” Bezug.
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■Drum Voice List ■Liste mit Schlazeug-Voices ■Liste des voix de batterie Preset 2:123-128 (MSB=63, LSB=1) P2-123 Pop Kit Note No. Note Sample 1 24 C 0 1424:Claves.1 25 C#0 1387:SdBrsS.1 26 D 0 1387:SdBrsS.1 27 D#0 Sample 2 Sample 3 P2-124 Velocity Kit Sample 4 Sample 1 Sample 2 Sample 3 P2-125 Rock Kit Sample 4 Sample 1 Sample 2 P2-126 Jazzy Kit Sample 3 Sample 4 Sample 1 Sample 2 1155:P50-1.8 1424:Claves.1 1155:P50-1.8 1352:Noise.1 1387:SdBrsS.1 1387:SdBrsS.1 1352:Noise.
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Internal 2:126-128 (MSB=63, LSB=3) I2-126 Alien Kit Note No. Note Sample 2 I2-127 FX Kit Sample 3 Sample 4 I2-128 Street Kit Sample 1 Sample 2 C0 1397:TmJzL.1 1435:T8BdBm.1 25 C#0 1435:T8BdBm.1 1437:T8SD1.1 26 D0 1475:DstKik.1 1384:SdPrmH.1 27 D#0 28 E0 1407:Crash.1 29 F0 30 F#0 31 24 Sample 1 Sample 3 Sample 4 Sample 1 1393:TomL.1 1378:SdHvy.1 1454:T9BD1.1 1454:T9BD1.1 1436:T8Bd.1 1366:SdGM.1 1455:T9BD2.1 1379:SdPclS.1 1380:SdPclH.1 1475:DstKik.1 1384:SdPrmH.
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■Sample List ■Liste mit Samples ■Liste des échantillons Smpl No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 Smpl Name Smpl No. Grnd1.1 81 Grnd1.2 82 Grnd1.3 83 Grnd1.4 84 Grnd1.5 85 Grnd1.6 86 Grnd1.7 87 Grnd1.8 88 Grnd1.9 89 Grnd1.A 90 Grnd1.B 91 Grnd1.C 92 Grnd1.D 93 Grnd1.E 94 Grnd1.F 95 Grnd1.G 96 Grnd1.H 97 Grnd2.
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Smpl No. 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 Smpl Name Smpl No. NylnHi.1 641 NylnHi.2 642 NylnHi.3 643 NylnHi.4 644 Nylhrm.1 645 Nylhrm.2 646 Nylhrm.3 647 Nylhrm.4 648 Steel.1 649 Steel.2 650 Steel.3 651 Steel.4 652 Steel.
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Smpl No. 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132 1133 1134 1135 1136 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155 1156 1157 1158 1159 1160 1161 1162 1163 1164 1165 1166 1167 1168 1169 1170 1171 1172 1173 1174 1175 1176 1177 1178 1179 1180 1181 1182 1183 1184 1185 1186 1187 1188 1189 1190 1191 1192 1193 1194 1195 1196 1197 1198 1199 1200 Smpl Name Smpl No. P10-2.1 1201 P10-2.2 1202 P10-2.3 1203 P10-2.4 1204 P10-2.5 1205 P10-2.
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■Wave List ■Liste der Wellenformen ■Liste des ondes Wave No. Cat.
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■EX7 Performance List ■Liste der EX7 Performances ■Liste des performances EX7 MSB=63 LSB=64 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 No.
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■Controller List (Dest. Param: Destination Parameters) ■Liste mit Controllern (Dest Param: Zielparameter) ■Liste des contrôleurs (Paramètres de destination) No. LCD Parameter Voice/Element Type LCD Parameter Voice/Element Type No. LCD Parameter Voice/Element Type 0 off Assign Off ALL No.
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■FDSP Parameter List ■FDSP Parameter-Liste ■Liste des Paramètres FDSP Type1: EP Pickup Type2: EG Pickup Parameter Parameter 1 pickup type normal,integrate-defferentiate,differentiate 1 pickup type single coil,hum backing 1 pitch coarse -64~+63 2 drive -64~+63 2 coarse -24~+24 2 pitch fine -50~+50 3 drive kf -64~+63 3 picking position 0~127 3 key follow -32~+64 4 low break point -48~+0 4 picking position kf -64~+63 4 CutOff Frequency 0~127 5 high break point 0~+48 5
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Type7: SelfFM Type8: Tornado Parameter Type9: RingMod Parameter Parameter 1 pitch coarse -64~ +63 1 pre gain 0~ 120 1 pitch coarse -64~ +63 2 key follow -32~ +64 2 pre lowpass 0~ 127 2 pitch fine -50~ +50 3 polarity 0~ 1 3 drive 0~ 127 3 sub pitch 0~ 127 4 phase 0~ 127 4 drive kf -64~ +63 4 key follow coarse -32~ +64 5 drive 0~ 127 5 eg depth -64~ +63 5 key follow fine -64~ +63 6 drive kf -64~ +63 6 eg depth vs -64~ +63 6 pitch eg depth -64~ +63 7
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■Effect Type List ■Liste mit Effekt-Typen ■Liste des type d’effets Reverb Effect Type Remarks 0 off Turn off the effect. 1 Rev Hall 1 Reverb simulating the acoustics of a hall. 2 Rev Hall 2 3 Rev Room 1 4 Rev Room 2 5 Rev Room 3 6 Rev Stage 1 7 Rev Stage 2 8 Rev Plate 9 RevWhiteRoom Unique short reverb with a slight initial delay. No. Reverb simulating the acoustics of a room. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb device.
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Insertion Effect 2 Effect Type Remarks 0 thru Turns off the effect. 1 Chorus 1 Conventional chorus effect which gives natural spaciousness to the sound. 2 Chorus 2 3 Chorus 3 4 Chorus 4 5 Chorus 5 6 Celeste 1 7 Celeste 2 8 Celeste 3 9 Celeste 4 10 Flanger 1 11 Flanger 2 12 Flanger 3 13 Symphonic A multi-stage version of CELESTE modulation. 14 Delay L,C,R Three delay sounds L, R and C (center). 15 Delay L,R Two delay sounds L and R, with two feedback delays.
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■Effect Parameter List ■Liste mit Effekt-Parametern ■Liste des Paramétres d’effets [17] Control Delay(mono) 1. Reverb Block [0] off [1] HALL1 ~ [8] PLATE Controller 01. reverb time 0.3s~30.0sec 02. diffusion 0~10 03. initial delay 0.1ms~200.0ms 04. HPF cutoff frequency 20Hz~8.0kHz ❍ 05. LPF cutoff frequency 1.0kHz~20.0kHz ❍ 06. reverb delay 0.1ms~200.0ms 07. density 0~4 08. ER / rev balance E63>R ~ E=R ~ E
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[20] AUTO WAH Controller [15] DELAY L,R Controller 01. LFO frequency 0.0Hz~39.70Hz ❍ 01. delay time L 0.1ms~1486.0ms 02. LFO depth 0~127 ❍ 02. delay time R 0.1ms~1486.0ms 03. cutoff frequency offset 0~127 ❍ 03. feedback time 1 0.1ms~1486.0ms 04. resonanse 1~12.0 ❍ 04. feedback time 2 0.1ms~1486.0ms ❍ 05. feedback gain –63~+63 ❍ 06. feedback high damp 0.1~1.0 05 ~ 08. are the same as parameter ✽. 09. dry / wet balance D63>W ~ D=W ~ D
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[24] PHASER2 Controller [40] AMP SIMULATOR Controller 01. LFO frequency 0.0Hz~39.70Hz ❍ 01. drive 0~127 02. LFO depth 0~127 ❍ 02. Amp type Off, Stack, Combo,Tube ❍ 03. phase shift offset 0~127 03. LPF cutoff frequency 1.0kHz~20.0kHz ❍ 04. feedback gain –63~+63 ❍ 04. edge 0~127 ❍ 05. stage 3, 4, 5, 6 ❍ 05. output level 0~127 ❍ 06. LFO phase difference –180deg~+180deg 06. dry / wet balance D63>W ~ D=W ~ D
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[59] Control Delay(mono) [67]AUTO SYNTH Controller 01. delay time 0.1ms~1486.0ms ❍ 01. Mod speed 0~127 02. delay transition rate 1~48 ❍ 02. Mod wave type typeA, typeB, typeC, typeD 03. feedback level –63~+63 ❍ 03. Mod depth 0~127 ❍ 04. feedback high damp 0.1~1.0 ❍ 04. Mod depth ofst R –63~+63 ❍ 05. LPF frequency 1.0kHz~20.0kHz ❍ 06. HPF frequency 20Hz~8.0kHz ❍ 07. dry mix level 0~127 ❍ 08. delay time 0.1~370.0ms 06~ 09. are the same as parameter ✽. 10.
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[73]JUMP Controller 01. depth 0~127 ❍ 02. speed 0~127 ❍ 03. direction L<>R,L>>R 04. type typeA,typeB,typeC 05. jump wave type typeA,typeB,typeC,typeD 06. resolution 1,1/2~1/256 07. LPF frequency 1.0kHz~20.0kHz ❍ 08. HPF frequency 20Hz~8.0kHz ❍ 09. dry / wet balance D63>W ~ D=W ~ D
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■Groove Template List ■Groove Template-Liste ■Liste des modèles d’expressions rythmiques No.
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About MIDI MIDI Data Format MIDI is an acronym that stands for Musical Instrument Digital Interface, which allows electronic musical instruments to “communicate” with each other, by sending and receiving compatible Note, Control Change, Program Change and various other types of MIDI data, or messages. The EX can control a MIDI device by transmitting note related data and various types of controller data.
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49H 1. NOTE ON/OFF STATUS: 9nH/8nH Cntrl# parameter Data Range 73 Attack Time 0...127 (0:-64, 64:+0, 127:+63) 2. PROGRAM CHANGE Adjusts the envelope attack time. Effective range may be narrower than the available range. STATUS: CnH 4AH 3. PITCH BEND CHANGE STATUS: EnH Cntrl# parameter Data Range 74 Brightness 0...127 (0:-64, 64:+0, 127:+63) 4. CONTROL CHANGE Default:40H STATUS: BnH Adjusts the filter cut-off frequency.
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7EH Cntrl# parameter Data Range F0H,43H,0nH,idH,bhH,blH,ahH,amH,alH,ddH,~,ddH,ccH,F7H 126 Mono 0...16 0n:n=Device Number id:ID=5B,57 Performs the same function as when receiving ALL SOUNDS OFF. If the 3rd byte (mono) is bh:Byte Count High within 0 through 16, bl:Byte Count Low the channel will be Mode4(m = 1).
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MIDI Data Table 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 < Table 1 > Current Performance / Common Parameter Address (H) 10 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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00 00 00 00 00 00 00 00 00 00 00 00 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 74 75 76 77 78 79 7A 7B 7C 7D 7E 7F 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 0
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08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E 2F 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5E 5F 60 61 62 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 0
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0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E 2F 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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1 1 1 1 1 1 1 1 1 1 1 1 74 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 00 00 00 00 00 00 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 33 7F 7F 7F 7F 7F 7F 10 10 00 00 28 00 00 01 01 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - 58 58 09 7F 58 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F FF FF 3F Filter Cut Off Frequency Filter Resonance EG Attack Time EG Decay Time EG Release Time INS SW/ARP SW/Portamento Mode/Portamento SW Portament Time Pitch EG Initial Level Pitch EG
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< Table 11 > 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Current Voice / Element Bulk Address Size (H) (H) 60 ee 00 1 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Data (H) 00 - C4 00 - 7F 00 00 - 0F FF 00 - FF 00 - FF 00 - 7F 00 - 7F 35 - CB 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - FF 00 - FF 00 - FF 00 - FF
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30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 FWD REC STOP PLAY OCTAVE OCTAVE + BANK A BANK B BANK C BANK D BANK E BANK F BANK G BANK H PROG 1 PROG 2 PROG 3 PROG 4 PROG 5 PROG 6 PROG 7 PROG 8 PROG 9 PROG 10 PROG 11 PROG 1
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YAMAHA [ Music Synthesizer - synth. part ] Model EX5/7/5R MIDI Implementation Chart Function...
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YAMAHA [ Music Synthesizer --- seq. part ] Model EX5/7/5R MIDI Implementation Chart Function... Transmitted Basic Channel Default Changed Mode Default Messages Altered Note Number : True voice Note ON Note OFF Velocity Key's Ch's After Touch Pitch Bend 0-121 Control Change Prog Change : True # Recognized 1 - 16 1 - 16 ˛ ˛ ˛ ˛ ˛ ˛ ˛ ************** 0 - 127 0 - 127 *1 ************** Ø ˛ Date :13-JAN-1998 Version : 1.
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■ MEMO 54
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EX7 DL Cover/E 00.2.8 1:47 PM ページ 2 This document is printed on chlorine free (ECF) paper with soy ink. M.D.G., EMI Division Yamaha Corporation ©1998 Yamaha Corporation V245260 001MWIT2.