User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon and channel color
- Making HA (Head Amp) settings
- Sending a signal from an input channel to the STEREO/MONO buses
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
- Output channels
- EQ and Dynamics
- Grouping and linking
- Scene memory
- About scene memories
- Using scene memories
- Editing scene memories
- Using the Global Paste function
- Using the Focus function
- Using the Recall Safe function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, effects, and Premium Rack
- I/O device and external head amp
- MIDI
- User settings (Security)
- Recorder
- Help function
- Other functions
- About the SETUP screen
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Appendices
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Effects and tempo synchronization
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- Functions that can be assigned to USER DEFINED keys
- Functions that can be assigned to USER DEFINED knobs
- Functions that can be assigned to the assignable encoders
- MIDI Data Format
- Warning/Error Messages
- Electrical characteristics
- Mixer Basic Parameters
- M IDI Implementation Chart
- Index
Monitor and Cue functions
Reference Manual
104
3. Use the CUE MODE button to select either the mode in which channels are mixed
for auditioning, or the mode in which only the last-selected channel is auditioned.
Select the MIX CUE button or LAST CUE button.
NOTE
In MIX CUE mode, it’s not possible to simultaneously turn on Cue for different Cue groups. The
Cue group to which the last-cued signal belongs will be turned on, allowing only the signals of
that Cue group to be monitored.
4. Use the buttons and knobs of the INPUT CUE field, DCA CUE field, and OUTPUT
CUE field to specify the output position and output level for each CUE group.
Refer to the explanation for each item in step 2, and make the desired settings.
5. To specify a port as the output destination for cue signals L and R, press one of the
CUE OUTPUT buttons (L/R) in the meter field to open the PORT SELECT popup
window, and choose from the following cue signal output destinations (multiple
selections are allowed).
When you have selected an output port, press the CLOSE button to close the popup window.
6. To enable Cue out for the port you specified in step 5, press the CUE OUTPUT
button to turn it on.
NOTE
The cue signal is sent to the monitor output and PHONES output jacks regardless of whether the
CUE OUTPUT button is on or off.
However, be aware that the cue signal will no longer be sent to monitor output if CUE
INTERRUPTION is turned off. The cue signal is always sent to the PHONES output jack,
regardless of the CUE INTERRUPTION setting.
7. Press the [CUE] key for a desired channel or DCA group to turn it on.
The cue signal of the corresponding channel will be sent to the output destination specified in step
5 and to monitor output.
A cue meter is shown in the meter field of the function access area, indicating the cue output level.
The upper part of the cue meter shows an abbreviation indicating the currently-enabled cue
group or cue type. The abbreviations displayed for the cue meters have the following meaning.
NOTE
• When using the MIX/MATRIX bus select buttons in the SENDS ON FADER popup window, you
can press the selected button once again to turn on Cue for the corresponding MIX/MATRIX
channel (see page 43).
• If you want cue operations and channel select operations to be linked, open the USER SETUP
popup window, choose the PREFERENCE tab, and then turn on “[CUE] → [SEL] LINK”
(see page 168).
DANTE 1-64 Output channels 1–64 to audio network
OMNI1–8 OMNI OUT jacks 1–8
DIGI OUT L/R DIGITAL OUT jack on the CL unit
SLOT1–1 – SLOT3–16 Output channels 1–16 of an I/O card installed in slots 1–3
IN INPUT CUE group
DCA DCA CUE group
OUT OUTPUT CUE group
EFFECT CUE in the EFFECT and PREMIUM RACK (Other CUE groups)
KEY IN KEY IN CUE in the DYNAMICS 1 popup window (Other CUE groups)
REC/PB CUE in the RECORDER INPUT/PLAYBACK OUT (Other CUE groups)
CUE meter