User Manual

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Table Of Contents

How to Use This Reference Manual
Contents
Function Tree
SELECTED CHANNEL section
- About the SELECTED CHANNEL section
- Operations in the SELECTED CHANNEL section
- SELECTED CHANNEL VIEW screen
Centralogic section
- About the Centralogic section
- Operations in the Centralogic section
- OVERVIEW screen
Input and output patching
- CL console internal patching and Dante audio network patching
- Changing the output patch settings
- Changing the input patch settings
- Inserting an external device into a channel
- Directly outputting an INPUT channel
- Recording or playing back using DAW on a computer
Input channels
- Signal flow for input channels
- Specifying the channel name, icon and channel color
- Making HA (Head Amp) settings
- Sending a signal from an input channel to the STEREO/MONO buses
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
Output channels
- Signal flow for output channels
- Specifying the channel name, icon and channel color
- Sending signals from MIX channels to the STEREO/ MONO bus
- Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses
- Correcting delay between channels (Output Delay)
- Channel library operations
EQ and Dynamics
- About EQ and dynamics
- Using EQ
- Using dynamics
- Using the EQ or Dynamics libraries
Grouping and linking
- About DCA groups and Mute groups
- Using DCA groups
- Using mute groups
- Channel Link function
- Copying, moving, or initializing a channel
Scene memory
- About scene memories
- Using scene memories
- Editing scene memories
- Using the Global Paste function
- Using the Focus function
- Using the Recall Safe function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
Monitor and Cue functions
- About the Monitor and Cue functions
- Using the Monitor function
- Using the Cue function
- Operating the Cue function
Talkback and Oscillator
- About the Talkback and Oscillator functions
- Using Talkback
- Using the Oscillator function
Meters
- Operations in the METER screen
- Using an MBCL meter bridge (optional) on the CL3 or CL1 console
Graphic EQ, effects, and Premium Rack
- About the virtual rack
- Virtual rack operations
- Graphic EQ operations
- About the internal effects
- Using the Premium Rack
- Using the graphic EQ, effect, and Premium Rack libraries
I/O device and external head amp
- Using an I/O device
- I/O device patching
- Remotely controlling an Rio unit
- Remotely controlling an amp
- Using an external head amp
MIDI
- MIDI functionality on the CL series console
- Basic MIDI settings
- Using Program Changes to recall scenes and library items
- Using Control Changes to control parameters
- Using Parameter Changes to control parameters
User settings (Security)
- User Level settings
- Preferences
- USER DEFINED keys
- USER DEFINED knobs
- Assignable encoders
- Custom fader bank
- Master fader
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
Recorder
- About the USB memory recorder
- Assigning channels to the input and output of the recorder
- Recording audio to a USB flash drive
- Playing back audio files from a USB flash drive
- Editing the title list
- Using the CL console with Nuendo Live
Help function
- Loading a Help file from a USB flash drive
- Loading a text file from a USB flash drive
- Viewing Help
- Using USER DEFINED keys to recall Help directly
Other functions
- About the SETUP screen
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Dante audio network settings
- Using GPI (General Purpose Interface)
Appendices
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Effects and tempo synchronization
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- Functions that can be assigned to USER DEFINED keys
- Functions that can be assigned to USER DEFINED knobs
- Functions that can be assigned to the assignable encoders
- MIDI Data Format
- Warning/Error Messages
- Electrical characteristics
- Mixer Basic Parameters
- M IDI Implementation Chart
- Index

Appendices

Reference Manual

234

■ STEREO REVERB

Two input, two output stereo reverb.

■ EARLY REF.

One input, two output early reflections.

■ GATE REVERB, REVERSE GATE

One input, two output early reflections with gate, and early reflections with reverse gate.

■ MONO DELAY

One input, one output basic repeat delay.

■ STEREO DELAY

Two input, two output basic stereo delay.

Parameter Range Description

REV TIME 0.3–99.0 s Reverb time

REV TYPE Hall, Room, Stage, Plate Reverb type

INI. DLY 0.0–100.0 ms Initial delay before reverb begins

HI. RATIO 0.1–1.0 High-frequency reverb time ratio

LO. RATIO 0.1–2.4 Low-frequency reverb time ratio

DIFF. 0–10 Reverb diffusion (left–right reverb spread)

DENSITY 0–100% Reverb density

E/R BAL. 0–100%

Balance of early reflections and reverb (0% = all reverb, 100% = all early

reflections)

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

Parameter Range Description

TYPE

S-Hall, L-Hall, Random,

Revers, Plate, Spring

Type of early reflection simulation

ROOMSIZE 0.1–20.0 Reflection spacing

LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)

INI. DLY 0.0–500.0 ms Initial delay before reverb begins

DIFF. 0–10 Reflection diffusion (left–right reflection spread)

DENSITY 0–100% Reflection density

ER NUM. 1–19 Number of early reflections

FB GAIN –99 to +99% Feedback gain

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

Parameter Range Description

TYPE Type-A, Type-B Type of early reflection simulation

ROOMSIZE 0.1–20.0 Reflection spacing

LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)

INI. DLY 0.0–500.0 ms Initial delay before reverb begins

DIFF. 0–10 Reflection diffusion (left–right reflection spread)

DENSITY 0–100% Reflection density

HI. RATIO 0.1–1.0 High-frequency feedback ratio

ER NUM. 1–19 Number of early reflections

FB GAIN –99 to +99% Feedback gain

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

Parameter Range Description

DELAY 0.0–2730.0 ms Delay time

FB. GAIN –99 to +99%

Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF/ON Tempo parameter sync on/off

NOTE

*1. (Max. value depends on tempo setting)

Used in conjunction with TEMPO to determine DELAY

Parameter Range Description

DELAY L 0.0–1350.0 ms Left channel delay time

DELAY R 0.0–1350.0 ms Right channel delay time

FB. G L –99 to +99%

Left channel feedback (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

FB. G R –99 to +99%

Right channel feedback (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF/ON Tempo parameter sync on/off

NOTE L

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine left channel DELAY

NOTE R

Used in conjunction with TEMPO to determine right channel DELAY