SIGNAL PROCESSOR Operation Manual Using the PDF manual • From the Contents on page 2, click on the desired topic to automatically jump to the corresponding page. • Click on a link in this manual to jump to the corresponding page. • If you want to find information on a specific topic, function or feature, select “Find” or “Search” from the Acrobat Reader “Edit” menu and enter a key word to locate the related information anywhere in the document.
1. Contents 2. Overview ...........................................................................................3 2-1. MMP1 Editor (for Windows/for Mac) ........................................................... 4 2-2. MMP1 Controller (for iPad).......................................................................... 4 3. Setting Up .........................................................................................5 3-1. Open the application ......................................................
2. Overview 2. Overview The MMP1 has three main functions. Trim FIR Speaker Out Delay Surround Speakers IIR EQ (6) Speaker Matrix (32x32 Matrix Mixer) Monitor Alignment Process (32) Output Patch Bass Management Filter (32) Monitor Out DAW Speaker Processor Cue Out input Patch Mic Pre-amp Headphone (player) Headphone Out Channel Strip (8) Insert Return Headphone (engineer) Monitor Matrix (40x36 Matrix Mixer) Channel Out Insert Send DAW Output Patch Outboard (EQ, Compressor, etc.
2. Overview 2-1. MMP1 Editor (for Windows/for Mac) Connect the MMP1 Editor to the MMP1 on your network (one unit) to control all MMP1 functions. MMP1 MMP1 MMP1 MMP1 Editor Network switch Computer 2-2. MMP1 Controller (for iPad) Connect the MMP1 Controller to the MMP1 on your network (one unit) for convenience and ease in controlling certain MMP1 functions. NOTE Before using the MMP1 Controller, you will need to make initial settings to your MMP1 using the MMP1 Editor.
3. Setting Up 3. Setting Up 3-1. Open the application 3-1-1. MMP1 Editor Click or double click the MMP1 icon. 3-3. Select an MMP1 3-3-1. MMP1 Editor Select an MMP1 on the “Select MMP1” dialog box. NOTE You can also display the “Select MMP1” dialog box from the menu bar to change the desired MMP1 for operation at any time. 3-1-2. MMP1 Controller Tap the MMP1 Controller icon. 3-2. Log in (MMP1 Editor only) User Type You can restrict the MMP1 Editor operations according to their User Type.
3. Setting Up 3-4. Configure basic settings 3-3-2. MMP1 Controller Select an MMP1 on the “Select MMP1” dialog box. The “Select MMP1” dialog box is displayed when launching the MMP1 Controller. NOTE You can also display the “Select MMP1” dialog box from the menu bar to change the desired MMP1 for operation at any time. NOTE Only the MMP1 Editor can be used to configure basic settings. Basic settings must be configured on the MMP1 Editor before the MMP1 Controller can be used. 1.
4. Screens 4. Screens 4-1. MMP1 Editor 4-1-1. Menu bar This is a shared menu that appears on all screens. Minimizes the MMP1 Editor Displays errors Creates and saves files Selects a Scene Closes the MMP1 Editor (File icon) Switches screens Displays online (green)/offline status Click to display the “Select MMP1” dialog box “Administrator” privileges are required to use files. When you open a file online, the settings in the opened file are sent to the connected MMP1.
4. Screens 4-1-2. Main screen This is the Main screen used for monitor control. NOTE This screen can be used by all User Types.
4. Screens 4-1-2a. Meters 4-1-2b. Channel strips Here you can display Monitor Matrix Out meters. These channels include Monitor outputs (up to 32 ch), Downmix L/R, and Headphone L/R. For setting EQ, compressor, insert, pan, output level and other values for each channel strip. NOTE Displays the signal processors applied to audio signals in the order in which they are applied (descending order). The meters shown here are the same as those on the Sub screen. Displays the EQ graph.
4. Screens PFL Turn this on (green) to send outputs to Main Monitors 1 and 2 while muting outputs from Main Monitor 3 onwards. AFL Turn this on (green) to send outputs to Main Monitors 1 and 2 while muting outputs from Main Monitor 3 onwards. When “PFL” is on, signals will not be sent to the Main Monitors even when this button is turned on. 4-1-2c. Selected Channel tab Here you can fine-tune the parameters for the selected channel strip.
4. Screens HPF cutoff frequency Drag or use the mouse wheel to change the HPF cutoff frequency. To return the setting to 80 Hz, simultaneously hold down the key (Windows) or the key (Mac) and click on the control. LPF Click to turn the LPF (Low Pass Filter) on (green) or off. LPF cutoff frequency Drag or use the mouse wheel to change the LPF cutoff frequency.
4. Screens Fader Drag or use the mouse wheel to set output levels. To return the setting to 0 dB, simultaneously hold down the key (Windows) or the key (Mac) and click on the control. Output level Displays the output level. Double click to enter a value. Out-of-range values entered will be corrected to the maximum or minimum value allowed. You can also use the mouse wheel to change the output level. Drag or use the mouse wheel to change compressor parameters.
4. Screens 4-1-2d. Monitor Control tab Here you can select the audio being monitored and set Monitor output levels. Select the audio to be monitored from the available Cue outputs. To change the available Cue outputs for selection to Cue 5 - Cue 8, turn “Cue 5-8” on (green). NOTE • Select the format for Cue Sources 1-8 under the “Monitor Matrix Out” in the “Monitor Matrix” tab of the “Scene” tab on the Settings screen.
4. Screens DOWNMIX Click to turn the Downmix audio output on (green) or off. Turn this on to send Downmix L/R outputs to Main Monitors 1 and 2 while muting outputs from Main Monitor 3 onwards. 4-1-2e. User Assignable functions Here you can display and use User Assignable functions. NOTE This button is disabled when the Cue output format is selected as the audio being monitored. This displays functions registered in the “User Assignable” tab of the “Scene” tab on the Settings screen.
4. Screens 4-1-3. Sub screen This is the Sub screen used for monitor control. NOTE You can use this screen when logged in as an “Administrator” or “Advanced User.
4. Screens 4-1-3b. Monitor section Click to turn the LFE Trim on (green) or off. Turn this on to add an LFE Trim Level to all channels where the CH Type has been set to “LFE” in the “Speaker Matrix” tab of the “Scene” tab on the Settings screen. LFE Trim Here you can adjust the input source and Send levels. NOTE Control the sources and outputs of the format selected in the “Monitor Matrix” tab of the “Scene” tab on the Settings screen.
4. Screens 4-1-3d. Snapshot section 4-1-3e. Talkback section Here you can store parameters at a set point in time as Snapshots to be loaded later as desired or needed. Here you can select Talkback interrupt destinations and adjust Talkback output levels. NOTE Up to 20 Snapshots can be stored per Scene. Store Click to store a Snapshot at the selected location. Recall Click to recall (load) the selected Snapshot. Name Click to select a Snapshot (or an empty field).
4. Screens 4-1-4. Monitor Matrix screen This screen is used for routing monitor signals. NOTE • You can use this screen when logged in as an “Administrator” or “Advanced User.” • This matrix is set to 40x36 when the MMP1’s sample rate is 96 kHz or less, and 20x20 when the MMP1’s sample rate being used is higher than 96 kHz. You can change the sample rate in the “MISC” tab of the “Scene” tab on the Settings screen. Monitor Matrix Out Monitor Matrix Out names appear here.
4. Screens Monitor Matrix Out Name (Label) Monitor matrix Displays Monitor Matrix Out names. NOTE • The breakdown of Monitor Matrix Out is based on the format selected in the “Monitor Matrix” tab of the “Scene” tab on the Settings screen. • You can add Monitor Matrix Out names (labels) in the “MISC” tab of the “Scene” tab on the Settings screen. Trim Double click or use the mouse wheel to adjust output levels. Out-of-range values entered will be corrected to the maximum or minimum value allowed.
4. Screens 4-1-5. Speaker Matrix screen This screen is used for routing input signals and speakers. NOTE • You can use this screen when logged in as an “Administrator” or “Advanced User.” • Cells with black backgrounds can be used in the “Speaker Matrix” tab of the “Scene” tab on the Settings screen when logged in as an Administrator. • This matrix is 32x32 when the MMP1's sample rate is 96 kHz or less, and 16x16 when the MMP1's sample rate being used is higher than 96 kHz.
4. Screens Process Type Displays the crossover filter type. NOTE • You can set the crossover filter type in the “Speaker Matrix” tab of the “Scene” tab on the Settings screen. • The color of the text will be orange when the FIR filter is temporarily changed to the IIR filter with the talkback or User Assignable function. Filter Setting Displays the high pass/low pass filter type and cutoff frequency.
4. Screens 4-1-6. Speaker Management screen This is used to set the delay and EQ for signals sent to each speaker. NOTE You can use this screen when logged in as an “Administrator” or “Advanced User.” Speaker Matrix Out NOTE • To bring up the context menu, (for Windows) right click a value, or (for Mac) hold down the key and then click a value.
4. Screens 4-1-7. Patch screen This screen is used to assign input sources and outputs to channels within the MMP1 Editor and I/O connectors. The Patch screen is split into the “Input Patch” tab and the “Output Patch” tab. Click these tabs to switch between the two. NOTE You can use this screen when logged in as an “Administrator” or “Advanced User.” 4-1-7a. Input Patch Monitor Matrix In • For selecting the input source to be routed on the Monitor Matrix screen. • Up to 32 channels are available.
4. Screens 4-1-7b. Output Patch Dante Out For selecting the audio signal output from the Dante [PRIMARY]/[SECONDARY] connectors on the MMP1. Analog Out For selecting the audio signal output from the ANALOG [OUTPUT 1-8] connectors on the MMP1. AES/EBU Out For selecting the audio signal output from the [AES/EBU 1-8]/[AES/EBU 9-16] connectors on the MMP1. Refer to the table on page 25 for more information about audio signals that can be assigned.
4. Screens 4-1-7c. Correspondence table of assignable audio signals Monitor Matrix In Source Channel Strip In Speaker Matrix In Direct Speaker Send Talkback Mic In Dante Out Analog Out AES/EBU Out Dante In 1-64 Input from the Dante [PRIMARY]/[SECONDARY] connectors on the MMP1. Analog In 1-8 Input from the ANALOG [INPUT 1-8] connectors on the MMP1. AES/EBU In 1-16 Input from the [AES/EBU 1-8]/ [AES/EBU 9-16] connectors on the MMP1.
4. Screens 4-1-8. Settings screen This screen is used to configure various MMP1 settings. NOTE • You can use this screen when logged in as an “Administrator.” • “Scene” tab settings can be stored (saved) or recalled (loaded) as Scenes. • “Global” tab settings will be applied to all Scenes. • “Editor” tab settings are stored by the MMP1 Editor for each computer in use. The same settings will be applied regardless of the file or Scene opened by the user. 4-1-8a.
4. Screens AES / EBU SRC For turning the SRC (Sampling Rate Converter) on and off for two-channel pair units for AES/EBU input/output. Analog Input Level For selecting the input level (+4dBu/ -10dBV) for two-channel pair units for analog input and output. Label Here you can set a name (label) for Monitor Matrix Out and Speaker Matrix Out. Type Displays the Monitor Matrix Out type. You can configure type settings in “Monitor Matrix” tab of the “Scene” tab on the Settings screen.
4. Screens 4-1-8b. Scene Tab/System Studio Speaker Mute Use IIR filter for main monitor while talkback is on This setting is used when applying a FIR filter with bass management configured. Select this (check) to automatically change the FIR filter to an IIR filter when Talkback is turned on. Applying an FIR filter for bass management will increase the delay. Sending narrator audio on a delay to cues for the narrator through a Talkback mic will make it harder to narrate effectively.
4. Screens 4-1-8c. Scene Tab/Monitor Matrix 4-1-8d. Scene Tab/Speaker Matrix Here you can set the Speaker Set configuration and speaker matrix input stage filters. Speaker Matrix Source Displays the speaker matrix input sources. CH Type For audio that is output to the monitor speakers, the audio sent to the main speakers should be set to “Monitor,” audio sent to LFE channels to “LFE,” and audio used for other applications to “---.
4. Screens Cutoff Displays the high pass/low pass filter cutoff frequency. NOTE • When the CH Type is set to “LFE,” you can select a cutoff frequency either at “80Hz” or “120Hz.” • This settings item will be disabled when the high pass/low pass filter is set to “THRU.” • Cutoff can be selected when the Filter is “HPF” or “LPF.” IIR Slope Determines filter shoulder characteristics when an IIR filter is applied. NOTE Cutoff can be selected when the Filter is “HPF” or “LPF.
4. Screens 4-1-8e. Scene Tab/Talkback Destination Here you can set up to eight Talkback interrupt destination entries. Settings configured here can be used in the “Talkback” section on the Sub screen. Destination Determines the Talkback interrupt destination from 1-8. Bus Select the mic input used for Talkback. Mic 1 and Mic 2 for Bus 1 refer to Talkback Mic In 1-1 and 1-2 on the Patch screen, and Mic 1 and Mic 2 for Bus 2 refer to Talkback Mic In 2-1 and 2-2 on the Patch screen.
4. Screens 4-1-8f. Scene Tab/User Assignable You can register up to 35 frequently used functions (User Assignable functions). Functions registered here can be used on the Main screen and the Main Monitor screen of the MMP1 Controller. Label Double click to add a name to a function set. Enter a channel name up to 17 alphanumeric characters and symbols. To insert a line break at any point, simultaneously hold the key and press (Windows), or hold the
4. Screens User Assignable functions Function Parameter Description Headphone Source Select the Monitor Source number Select the Monitor Source to output to Headphone L/R as audio. Headphone Source Sum --- Turn this on to select multiple “Headphone Sources” at the same time. Main Monitor CH Solo/Mute Select the Main Monitor number Turns the Main Monitor SOLO or MUTE on or off. Main Monitor CH Solo/Mute Mode --- Determines Main Monitor output to Solo or Mute.
4. Screens 4-1-8g. Global tab/General Configure general settings to be used across all Scenes here. Word Clock Source Click to select a word clock source for the MMP1 unit. The sync status with each word clock source will also appear here. Use scene 1 button for all mute mode Set this to use the SCENE [1] key on the front panel of the MMP1 unit as an all mute key. Press the all mute key to mute all output signals. NOTE Scene 1 will not change even if the all mute key is set.
4. Screens 4-1-8h. Global tab/IO Label This window is used to add names (labels) to MMP1 I/O connector I/O signals. Label Double click to set each input/output signal name. Enter a channel name up to 17 alphanumeric characters and symbols. NOTE Names set here will be used as the signal names assigned to inputs and outputs on the Monitor Matrix screen, the Patch screen, and other screens.
4. Screens 4-1-8i. Global tab/GPI GPI In GPI Out Set the Function and the Trigger for GPI [INPUT] connector pins 1-16 on the MMP1 unit. The following four Trigger types are available. Set the Function and the Behavior for GPI [OUTPUT] connector pins 1-10 on the MMP1 unit The following three Behavior types are available. High Executes the Function when the input voltage is High. Make Connects contacts within the MMP1. The voltage of the GPI device at the connection destination becomes Low.
4. Screens GPI IN functions Function Parameter Description Cough Mute Select a channel strip Mutes audio from the channel strip mic. Cough Mute Override Select a channel strip Disables the mic on/off operation by the mic user for the channel strip selected. CH Strip RTB Select a channel strip Mutes the input signal to the selected channel strip, and sends it only to the RTB bus. Scene Recall Select the Scene number Recalls the selected Scene.
4. Screens GPI OUT functions Function Parameter Description Talkback Destination Status Select a Talkback interrupt destination Enables output when the selected Talkback is turned on. Talkback Status --- Enables output when one of the Talkback destinations is turned on. CH Strip RTB Status Select a channel strip Enables output when RTB is turned on and the selected channel strip is muted. RTB Status --- Enables output when RTB is turned on and one of the channel strips is muted.
4. Screens 4-1-8j. Editor tab Password NOTE Items of “Editor” tab settings are stored by the MMP1 Editor for each computer in use. The same settings will be applied regardless of the file or Scene opened by the user. Set a password to use the MMP1 Editor as an “Administrator” or “Advanced User.” NOTE The “Current password” field is left blank by default when unset. Knob Operation Select how knobs located on each screen are controlled. Rotary Drag to change the value as you would rotate a knob.
4. Screens 4-1-9. Information screen Displays information pertaining to the MMP1 unit. Static IP (Manual) Determines the IP address for the MMP1 unit. The address set here will be effective when the IP address of the MMP1 unit DIP switch is set to “Static IP (Manual).” The IP address set here will not be used when the DIP switch IP address is set to “Auto IP,” “DHCP,” or “Static IP (Auto).” Change Passcode For setting a passcode (four digit number) for connection to the MMP1 unit.
4. Screens Version Displays the firmware version of the MMP1 unit. Click “Update” to open a screen to select the firmware file for the MMP1 unit to be updated. NOTE • You must log in as an “Administrator” to update the firmware of the MMP1 unit. • You can also revert the MMP1 unit's firmware to an earlier version, if desired. Connect Information Displays the number of MMP1 Editors and MMP1 Controllers connected to the MMP1 unit.
4. Screens 4-2. MMP1 Controller 4-2-1. Menu bar A shared menu that appears on all screens except in Control view. Double tap with two fingers to mute all output Double tap with two fingers again to cancel the mute all function Selects a Scene Switches between Control view and Editor view, and displays the Information screen Displays errors Switches screens Displays online/offline status Tap to display the “Select MMP1” dialog box 4-2-2. Control view This screen is used for monitor control.
4. Screens 1 Displays the online (green)/offline status. Also, tap to display the “Select MMP1” dialog box. 3 2 1 2 3 1 Off: Monitor Source selection buttons will appear in the area 3 on the image. On (green): Cue output selection buttons will appear in the area 3 on the image. 1 Select a Speaker Set. 2 Turn on (green) when mixing multiple Monitor Sources. This cannot be turned on when Cue output selection buttons are displayed. 3 Tap MUTE to mute the speaker selected in 2.
4. Screens 2 1 3 1 Tap this. 2 Drag the pointer to adjust. 3 Tap to turn headphone output on (light blue). This is the headphone output level. Slide this up and down to make minor adjustments in ±0.1 dB increments. Meters Displays Main Monitor meters. Values less than -20 dB are displayed in green , values less than 0 dB in yellow , and values equal to or above that in red . Peak hold circuits are not displayed. NOTE Up to 12 Main Monitor channels are displayed.
4. Screens 4-2-3. Editor view - Main Monitor screen This screen is used for monitor control. Compared to the Control view, this view has no limitations on the formats supported and the number of channels that can be controlled. Here you can display and load User Assignable functions. You can also swipe this to change to a meter display. 1 2 1 Select the audio to be monitored. This is used to set the left half of the screen to be operated to Main Monitor output.
4. Screens REF Tap to call up the reference level, and then hold this down for at least two seconds (until the indicator flashes) to store the current Monitor Level value as the reference level. DOWNMIX Tap to turn the Downmix audio output on (green) or off. Turn this on to send Downmix L/R outputs to the Main Monitors 1 and 2 while muting outputs from Main Monitor 3 onwards. NOTE This button is disabled when the Cue output format is selected as the audio being monitored.
4. Screens 4-2-4. Editor view - Ch Strip screen Here you can set EQ, compressor, insert, pan, levels and other values for each channel strip. NOTE Eight channel strips are available when the MMP1’s sample rate is 96 kHz or less, and four channel strips are available when the MMP1’s sample rate being used is higher than 96 kHz. You can change the sample rate in the MMP1 Editor. 1 1 Tap to select a channel strip. Some parameters can be edited directly on the channel strip.
4. Screens Common items for all tabs Channel name COMMON tab Displays the channel name. Switches between the signal phases (normal phase/reversed phase (green)). NOTE The channel name can be set in the MMP1 Editor. Shows the status of mics controlled with the Commentary functions. Shows the mic audio is being input. Shows that the mic user has muted mic audio. Shows that the mic on and off control by the mic user is disabled.
4. Screens HPF/LPF/EQ tabs COMP tab HPF Turns the HPF (High Pass Filter) on (green) or off. COMP LPF Turns the LPF (Low Pass Filter) on (green) or off. HPF cutoff frequency Drag to change the HPF cutoff frequency. Double tap to return this value to 80 Hz. LPF cutoff frequency Drag to change the LPF cutoff frequency. Double tap to return this value to 16 kHz EQ Turns the EQ on (green) or off. You can choose from the following four EQ algorithms.
4. Screens 4-2-5. Editor view - Preference screen This screen is used to configure various MMP1 Controller settings.
4. Screens 4-2-6. Information screen Displays information pertaining to the MMP1 unit. Nickname Displays the nickname for the MMP1 unit. NOTE This nickname can be set on the Information screen in the MMP1 Editor. Version Displays the firmware version of the MMP1 unit.
5. Configuring System Settings 5. Configuring System Settings The explanations provided here assume that input from the DAW is sent to the Main Monitor (5.1 ch) and the near field monitor (L/R), and the system supports both Cue output (L/R) and Studio Speaker output (L/R). Once you get used to configuring system settings in the following manner, make the necessary adjustments to settings to match your operating environment.
5. Configuring System Settings 5-1-2. Main Monitor settings 4. Assign an input source to Monitor Source. NOTE 3. Select the Monitor Source and Monitor output format. • While holding down the right mouse button (Windows) or the key (Mac) on the Source fields, drag up or down on the fields to select several input sources at the same time. Settings screen - Scene - Monitor Matrix • Double click the Source Label field to enter a name.
5. Configuring System Settings 6. Set the Speaker Set configuration used. Settings screen - Scene - Speaker Matrix 7. Assign Speaker Set output destinations. NOTE • While holding down the right mouse button (Windows) or the key (Mac) on the Source fields, drag up or down on the fields to select several input sources at the same time. • The “Speaker Set” is found in “SPK Matrix Out.” Patch screen - Output Patch Speaker Set A is set to “6” and Speaker Set B is set to “2” in order to use the 5.
5. Configuring System Settings The resulting signal flow is described in detail below. Monitor matrix Speaker matrix DAW Speaker Set A (Dante In 01-06) CD (AES/EBU In 01-02) Main Monitor 01-06 (Main Monitor 01-02) Main Monitor (Analog Out 1-6) Speaker Set B Near Field (Analog Out 1/2) 9. Adjust Speaker Sets as necessary. Speaker Management screen 10. Create buttons to switch between Speaker Sets.
5. Configuring System Settings 5-1-3. Creating cue mixes 13. Assign mic preamp output to a channel strip. NOTE 12. Select formats for Cue output and Studio Speaker output. NOTE Create a Cue output to perform the following. • Set levels and mute audio on the Sub screen. While holding down the right mouse button (Windows) or the key (Mac) on the Source fields, drag up or down on the fields to select several input sources at the same time.
5. Configuring System Settings 15. Assign the mic preamp output, Cue output, Studio Speaker output, and the Headphone Out output. NOTE 5-1-4. Talkback settings 16. Assign Talkback mic output to Talkback Mic In. Patch screen - Input Patch • While holding down the right mouse button (Windows) or the key (Mac) on the Source fields, drag up or down on the fields to select several input sources at the same time. • The Dante Out name, “to DAW” is set in Settings - Global - IO Label.
5. Configuring System Settings 18. Create Talkback on/off buttons. 5-1-5. Saving and applying settings NOTE • Create two buttons with the following settings: Function “Talkback Destination,” Parameter “1,” and Function “Talkback Destination,” Parameter “2.” Buttons do not need to be created in the same place as that shown in the image below. 20. Now save the settings you have configured. Save the configured settings to reuse them later. • Double click the Label field to enter a name.
5. Configuring System Settings 5-2. Bass Management When applying bass management to the system, configure the speaker matrix in the following manner. NOTE Set the connection with the MMP1 to “Offline” before changing settings. 1. Of the Main Monitor outputs, split each channel (other than the LFE channel) into two separate inputs—one for applying an HPF and another for applying an LPF—and direct these to Speaker Matrix In.
5. Configuring System Settings 5-3. Lip Sync Delay If the audio is out of sync with the images on the video monitor, use the lip sync delay function to delay audio output from the Main Monitor to match audio and video content. This delay will only apply to the Main Monitor (does not apply to Cue, Studio Speaker, and AUX outputs). Sub screen Drag or use the mouse wheel to set values (for minor adjustments).
5. Configuring System Settings 5-4. Commentary functions These functions are for equipment used for recording with commentary functionality. The MMP1's internal voice processing functionality can be used to perform the following.
5. Configuring System Settings 2. Assign Studio Speaker output destinations. Patch screen - Output Patch 5-4-3. Lighting up the “On Air” sign when the mic is on by using the GPI output Settings screen - Global - GPI In the example shown in the image above, the L/R sources for the selected STU 1 format are assigned to AES/EBU Out 1/2 to which the recording booth speakers are connected. 3. Mute Studio Speaker output automatically when the mic is on.
5. Configuring System Settings 5-4-4. Disabling the option for mic users to turn their mics on and off 1. Create a button disabling the mic on and off control by the mic user. NOTE • Double click the Label field to enter a name. • Click the Color field to change button color. 5-4-5. Showing the status of mics controlled with the Commentary functions on the channel strip 1. Select the channel strip for the mic status you want to display.
6. Appendix 6. Appendix 6-1. Error messages When syncing with the MMP1 Message Description Incorrect passcode The passcode you entered is incorrect. Transfer error Failed to transfer data. Data error Data errors were found. Timed out Timed out after failing to sync with the MMP1 within a set period of time. Disconnected Disconnected from the MMP1. Version mismatch. MMP1 Editor or MMP1 may need to be updated. The MMP1 Editor version is not compatible with the MMP1.
6. Appendix 6-2. MMP1 Editor keyboard shortcuts Windows Mac Function Ctrl + N command-N Creates a new file. Ctrl + O command-O Opens file. Ctrl + S command-S Saves file. Alt + F4 command-Q Closes the MMP1 Editor. Ctrl + 1 command-1 Displays the Main screen. Ctrl + 2 command-2 Displays the Sub screen. Ctrl + 3 command-3 Displays the Monitor Matrix screen. Ctrl + 4 command-4 Displays the Speaker Matrix screen. Ctrl + 5 command-5 Displays the Speaker Management screen.
7. Index 7. Index A AES / EBU SRC .............................................................27 AFL ..........................................................9, 10, 12, 47, 48 AGGRESSIVE ..........................................................11, 49 Analog Input Level ........................................................27 GPI IN functions ............................................................ 37 GPI Out .........................................................................
7. Index O T Oscillator section ....................................................15, 16 Oscillator Trim ...............................................................16 Output Patch Lock ........................................................28 Talkback Button Behavior ....................................... 39, 50 Talkback Destination .................................................... 31 Talkback Dim Level ...................................................... 26 Talkback Label .................