MUSIC SYNTHESIZER Owner’s Manual EN
For MODX SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind.
For AC adaptor and MODX FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used.
For AC adaptor This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
Information for users on collection and disposal of old equipment: This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. For AC adaptor WARNING CAUTION • This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose. • When setting up, make sure that the AC outlet is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch of the instrument and disconnect the AC adaptor from the outlet.
CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC adaptor Connections • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
NOTICE Information To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below. About copyrights Handling • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
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MUSIIC IC S SYNT SYN SY YNTHESI Y NT N TH T H ZER A message from the MODX Development Team Thank you for purchasing the Yamaha MODX6/7/8 Music Synthesizer. We have designed this instrument so that all of the amazing new ways of the sound expression made possible with the flagship synthesizer MONTAGE are made even more widely accessible to many players. Sounds Sounds The MODX is equipped with the Motion Control Synthesis engine, the same sound processing system installed on the MONTAGE.
Thank you for purchasing this Yamaha product. This instrument is a synthesizer designed for use in both live performance and music production. We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference. About This Manual Owner’s Manual (this book) Provides overall explanations of the basic functions of the instrument.
Main Features High-quality, enhanced sounds covering a wide range of music styles The MODX is loaded with 5 GB (in 16-bit linear format) of preset Advanced Wave memory (AWM2)—the same size as that of MONTAGE6/7/8. The MODX has a huge variety of sounds, including highly realistic Piano sounds, with large-volume waveform data. The MODX features 1.0 GB of User flash memory built in, for storing various Performance libraries.
Contents PRECAUTIONS ........................................................................... 2 A message from the MODX Development Team ........................ 6 About This Manual ...................................................................... 7 Accessories................................................................................. 7 Using as a Master Keyboard 49 Making settings for use as a master keyboard—Zone .............
Controls and Functions Top Panel 4 D 5 % 8 9 @ # ) 2 3 ^ 6 E & 7 I * ! F ( $ A B C A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 G H C2 C3 1 1 Keyboard 6 A/D INPUT [GAIN] knob (page 50) The MODX6 features a 61-key keyboard, while the MODX7 has 76 keys and the MODX8 has 88 keys. With initial touch, the instrument senses how strongly or softly you play the keys, and uses that playing strength to alter the sound in various ways, depending on the selected Performance.
Controls and Functions The illustration shows the MODX8, but the information applies to all models. P J a b K N C4 L M O Q R c S d T C5 ) [MOTION SEQ HOLD] (Motion Sequencer hold) button C6 C7 # [MS ON/OFF] (Motion Sequencer on/off) button Pressing this button while the Motion Sequencer is playing, results in the sound being held or frozen at the exact point in the sequence when the button was pressed. When the hold effect is turned on, the button lights.
Controls and Functions ( Slider Select [1–4] [5–8] button % ^ & * ( Selects four Control Sliders on the panel to use as 1–4 or 5– 8. Each time you press this button, the setting alternates between 1–4 and 5–8. When the setting is 1–4 or 5–8, the lamp for the selected setting lights up. When you press the Slider Select button while holding down the [SHIFT] button, you can set the Control Sliders to function as 9–12 or 13–16. When the setting is 9–12 or 13– 16, the lamp for the selected setting flashes.
Controls and Functions G [RHYTHM PATTERN] button D E Use this button to call up the Rhythm Pattern display. You select the Rhythm Pattern you want to use, and then press [PERFORMANCE (HOME)] button or [EXIT] button to set the selection. Pressing this button again cancels the selection and closes the Rhythm Pattern display. H [CONTROL ASSIGN] button F While the parameter assignable to controllers is selected on the display, press this button and operate the desired controller for assignment.
Controls and Functions P a J b Q K L R c S d M N O T J Data dial P [PERFORMANCE (HOME)] button For editing the currently selected parameter. To increase the value, turn the dial right (clockwise); to decrease the value, turn the dial left (counter-clockwise). If a parameter with a wide value range is selected, you can change the value in broader strokes by quickly turning the dial. Use this button to return to the Performance Play display.
Controls and Functions a [LIVE SET] button d [AUDITION] button Use this button to store all your favorite, often-used Performances in a single, easy-to-access location and call them up. Simultaneously hold down the [SHIFT] button and press the [LIVE SET] button to call up the Live Set display for storing the currently selected Performance to the Live Set. This is one more useful way you can quickly switch among Performances you need in live performance situations.
Controls and Functions Rear Panel Left side of Rear Panel The illustration shows the MODX8, but the information applies to all models.
Controls and Functions Left side of Rear Panel 1 [USB TO HOST] terminal Used to connect this instrument to a computer via a USB cable, and allows you to transfer MIDI data and audio data between the devices. Unlike MIDI, USB can handle multiple ports via a single cable (page 56). For information about how the MODX handles Ports, see page 56. NOTE Audio data sending capability for this instrument is a maximum 10 channels (5 stereo channels).
Setting Up Power Supply Connect the supplied AC adaptor in the following order. Before you connect the AC adaptor, make sure the [P] (Standby/On) switch on the instrument is set to the Standby (N) position. 1 Wrap the DC output cable of the AC adaptor around the cable clip (as shown below), and then connect the plug of the adaptor to the DC IN jack on the rear panel. CAUTION • When setting up the product, make sure that the AC outlet you are using is easily accessible.
Setting Up Auto Power Off function Adjusting the Master Volume output To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. Adjust the overall level of this instrument by using the [MASTER VOLUME] knob. Auto Power Off Setting The amount of time that elapses before the power is automatically turned off can be set.
Basic Operation and Displays The MODX features a convenient touch panel display. You can operate various settings and select desired parameters by directly touching the screen. Furthermore, you can use the data dial and other buttons for display operations. Display (touch panel) configuration 6 TEMPO SETTINGS icon This section explains the navigation bar and the display selecting tabs which are common to all types of displays.
Changing (editing) parameter values Rotating the Data dial to the right (clockwise) increases the value, while rotating it to the left (counter-clockwise) decreases it. Pressing the [INC/YES] button increases a parameter value by one step, and pressing [DEC/NO] button decreases it. For parameters with large value ranges, you can increase the value by 10 by simultaneously holding down the [SHIFT] button and pressing the [INC/YES] button.
Selecting Performances The MODX has 16 Parts and basic musical instrument sounds are assigned to each Part. A single set of these sounds is called a “Performance.” You can change sounds as desired by selecting the appropriate Performance. Multiple Performances This instrument features Banks for memorizing Performances. There are basically four different types of Banks: Preset, User, Library, and GM. The contained Performances and features depend on the Bank as described below.
Selecting Performances When you turn on your instrument for the first time, a Live Set of the Preset Banks will be displayed in the top display. The Live Set is a list in which Performances can be freely arranged. Up to 16 Performances can be arranged over a single page. You can play various Performances selected from the Preset Live Sets. 2 Touch the desired Performance on the screen. NOTE To rearrange the order of the Performances registered in the Live Set, see page 35. 3 Play the keyboard.
Selecting Performances Using the Category Search function 3 Touch and select the desired sub category (5). The Performances are conveniently divided into specific Categories, irrespective of their bank locations. The categories are divided based on the general instrument type or sound characteristics. The Category Search function gives you quick access to the sounds you want. This calls up the Performance lists of the selected category (6). 4 Touch the desired Performance.
Selecting Performances Selecting an Initialized Performance Follow the steps below to select an Initialized Performance. 1 Touch [Init] of the main category in the Category Search display. Playback Audition phrase You can hear a sample of Performance sounds. The sample sound is referred to as “Audition phrase.” 1 Touch [Audition] in the Category Search display. The sample of the currently selected Performance plays. 2 Only initialized Performances are displayed in the Performance list.
Playing the Keyboard You can mix several different parts together in a layer, or split them across the keyboard, or even set up a combination layer/ split. Each Performance can contain up to eight different Parts. Press the [PERFORMANCE (HOME)] button before playing the keyboard. Performance Play display In this condition, playing the keyboard sounds the Performance indicated in the display. The parameters shown in the Performance Play display are briefly explained below.
Playing the Keyboard Switching a Part on/off You can turn the eight Parts of the current Performance on or off as desired. Turning specific Parts on/off (Mute function) You can turn individual Parts on/off by using the Mute function. 1 Press the [PERFORMANCE (HOME)] button. The button lamp lights, indicating that each Part can be turned on/off. 4 To disengage the mute function, with “MUTE” selected, touch the button with the letter “M” shown on it.
Playing the Keyboard Using the Arpeggio function This function lets you trigger rhythm patterns, riffs and phrases using the current Part by simply playing notes on the keyboard. It not only provides inspiration and full rhythmic passages in your live performances, but it gives you fully formed instrumental backing parts of various music genres for ease in creating songs. You can assign the desired eight Arpeggio Types to each Part and play back the Arpeggios of up to eight Parts simultaneously.
Using controllers to change the sound The MODX gives you an amazing amount of control options. In addition to the conventional Pitch Bend and Modulation Wheels, it also features an extensive array of special real time controls—including the Knobs, Super Knob, Control Sliders, and Assignable Switch buttons.
Playing the Keyboard Using the Knobs to change the sound Knobs 1–4 (5–8) let you adjust a variety of parameters for the current Performance or Part, such as effect depth, attack/release characteristics, timbre, and others. The functions assigned to each Knob can be alternatively selected via the Knob Function button or the [ASSIGN] button. There are basically two ways in which the sound can be controlled: controlling the entire Performance or controlling the specific Part.
Playing the Keyboard Using the Super Knob to change the sound 3-2 The Super Knob lets you simultaneously control all parameter values of the functions assigned to Knobs 1–4 (5– 8). You can create complex sounds by using the Super Knob together with the Motion Sequencer. The Super Knob is always active for use. You don’t have to press the Knob Function button or the [ASSIGN] button before using the Super Knob.
Playing the Keyboard 4-8 Adjust other parameters if necessary. Here, set the Curve Polarity (Polarity) to “Bi,” and the Curve Ratio (Ratio) to “+63.” Checking the Super Knob settings This section covers the procedure to check the parameter values changed by operation of the Super Knob. 1 Press the [PERFORMANCE (HOME)] button. The button lights, indicating that you can make common settings for all Parts.
Playing the Keyboard Controlling the Super Knob by using a foot controller You can control the Super Knob by using a foot controller (FC7). Mixing Each Mixing can contain up to 16 Parts and a separate Mixing can be created for each Part. You can adjust the various mixing related parameters for each Part: volume, pan, etc. 1 Connect the foot controller (FC7) to the FOOT CONTROLLER [1]/[2] jack.
Playing the Keyboard Using the Scene function You can store all parameter settings such as Arpeggio type, Motion Sequencer type, and the Part parameter values together as a “Scene.” There are eight Scenes and you can select them by pressing the [SCENE] button. This is useful for simultaneously and drastically changing the Arpeggio type and the Motion Sequencer type while you are playing a single Performance. Changing Scene settings 1 Touch the [Scene] tab on the left side of the Performance Play display.
Creating Your Own Live Sets The Live Set is ideal for live performance situations since it lets you instantly switch among desired Performances. You can create your own Live Set by simply grouping together your favorite Performances. Registering a Performance to a Live Set Sorting registered Performances in a Live Set Follow the instructions below to store Performances to Live Sets. You can change the order of the Performances registered to a Live Set on the Live Set Edit display.
Creating Your Own Live Sets Switching Performances stored in a Live Set by using the footswitch You can switch the Performances by using a connected footswitch (FC4 or FC5). The setting for this operation is as follows. 1 Connect the footswitch (FC4 or FC5) to the FOOT SWITCH [ASSIGNABLE] jack. 2 Press the [UTILITY] button to call up the Utility display, and then touch [Settings] tab [MIDI I/O] tab at the left side of the screen. 3 Set “FS Assign” to “Live Set +” or “Live Set -.
Editing the Settings This instrument has various edit displays for Parts, Performances, effects, and Arpeggios. This chapter explains how to create an original Performance by combining multiple Parts. Performance Editing “Performance Editing” refers to the process of creating a Performance by changing the parameters that make up the Performance. This can be done in the Performance Edit display. 1 Press the [STORE] button to call up the Store display.
Editing the Settings Part Editing Drum Part Edit “Part Editing” refers to the process of creating a Part by changing the parameters that make up the Part. This can be done in the Element Common/Key Common/Operator Common Edit display and the Element/Key/Operator Edit display. The actual parameters that are available differ depending on the Part type.
Editing the Settings Element Common Edit display Part Effect Editing Indicates that the Element Common Edit display is active. This instrument features a wide variety of Effects, letting you add Variation and Reverb processing to the selected Part for your keyboard performance. Simply changing the Effect type applied to the preset Part lets you instantly come up with different sounds.
Editing the Settings 8 Touch the [Ins A] tab at the left side of the screen. The display for editing effect parameters selected in Step 4 appears. How Parts are assigned to a Performance By default (when shipped from the factory), various types of Performances are provided in the Preset Banks. For some of these Performances, it may not be immediately obvious how to play them or use them, since they are quite complicated.
Editing the Settings Performance Structure Using Arpeggios With this method, you can play all the parts of a band by yourself. With the MODX, you can assign different Arpeggio types to each of the eight Parts in a Performance. For example, you could assign four different Arpeggio types to four Parts, as shown below, so that Bass Arpeggios are played on the lower range of the keyboard, Guitar and Piano Arpeggios on the upper range, and Drum Arpeggios on all ranges of the keyboard.
Editing the Settings Split 8 Press the Slider Function [PART]/[ELEMENT/ You can play different Parts with the left and right hands by assigning one Part to Part 1, with a note range in the lower section of the keyboard, and a different Part to Part 2, with a note range in the higher section of the keyboard. 9 Use the Control Sliders 1 and 2 to adjust the OPERATOR] button to select “PART.” volume for Parts 1 and 2.
Editing the Settings Using the Rhythm Patterns [Common] tab The [Rhythm Pattern] button provides a simple way to add a rhythm part to the current Performance. By combining rhythm patterns and the Envelope Follower, you can modify the patterns even further. Here, as an example, we explain how to add the rhythm pattern “8Z Trance Basics 1” to the Performance “Supertrance,” and then modify the sound with the Envelope Follower.
Editing the Settings 5 Press the [PERFORMANCE (HOME)] button or [EXIT] button to set the Rhythm Pattern. The Rhythm Pattern display closes. 3 Adjust settings as needed. Here, in this example, set the Curve Polarity (Polarity) to “Bi,” the Curve Ratio (Ratio) to “-63,” and the Gain (Gain) to “-12dB.” NOTE You can also touch the HOME icon to confirm the selection. 6 To stop the rhythm pattern, press the [ARP ON/OFF] button or the [J] (Stop) button.
Recording and Playback You can record MIDI data as Songs on this instrument itself or record your performance (audio data) on a USB flash drive plugged into the MODX. Terminology 3 Press the [I] (Record) button. The Record Setup display appears. Song NOTE A Song on this instrument is effectively the same as a song on a MIDI sequencer, and playback automatically stops at the end of the recorded data. The MODX can store up to 128 Songs.
Recording and Playback Recording with the click Follow the steps below to use the click during MIDI recording. 1 Press the [UTILITY] button and touch [Tempo Settings] (or Touch the [Click Settings] button where available) on the screen to call up the Tempo settings display. Set the Click “Mode” to “Rec.” 3 Punch Out: 006:01 Recording ends at this point and normal playback of the recording Track starts.
Recording and Playback Playing a Song In this section, you’ll learn how to use convenient mute/solo functions while playing back a recorded song. Song playback 1 Press the [R] (Play) button to start the Song. Recording your performance as audio Your performances on the MODX can be recorded as WAV format (44.1-kHz, 24-bit, stereo) audio files to a USB flash drive.
Recording and Playback 6 Press the [R] (Play) button. If you have set the trigger level to “manual,” recording will begin immediately right after you press the [R] (Play) button. While the recording, the [I] (Record) button will light red and the [R] (Play) button will light green. If you have set a value between 1 and 127 as the trigger level, the recording will begin automatically whenever the playback volume exceeds that level. 7 Play the keyboard.
Using as a Master Keyboard The Master Keyboard function lets you assign up to eight separate Zones in each Performance for use as a master keyboard controller. You can call up the settings for controlling an external MIDI device instantly anytime you need by combining with the Live Sets. Accordingly, you can change and control the connected external MIDI tone generator in sequence while performing live.
Connecting a Microphone or Audio Equipment Playing the keyboard along with the sound input from the A/D INPUT [L/MONO]/[R] jacks You can have the A/D input sound—such as your voice through a microphone, a CD player, or a synthesizer— assigned as an Audio Input Part. Various parameters such as volume, pan, and effects can be set to this Part and the sound is output together with the sound of your keyboard performance.
Making Global System Settings You can set various parameters in the Utility display. In particular, you can set the parameters that apply to the entire system of this instrument by touching the [Settings] tab. The changes you make in the Utility display are activated once you press the [EXIT] button to return to the original display. This section describes some useful functions related to the entire system settings.
Making Global System Settings Turning the beep sound on/off Changing the Master Tuning You can turn the beep sound (that confirms operations, menu/parameter selection, etc.) on/off as follows. You can adjust the tuning of the MODX. This is useful when playing in an ensemble to match the pitch of other instruments which cannot be easily tuned (such as a piano). 1 Press the [UTILITY] button to call up the Utility display, then touch [Settings] tab [System] tab.
Making Global System Settings Changing the Velocity Curve These five curves determine how the actual velocity will be generated and transmitted according to the velocity (strength) with which you play notes on the keyboard. The graph shown in the display indicates the velocity response curve. (The horizontal line represents the received velocity values (strength of your playing), while the vertical line represents the actual velocity values transmitted to the internal/external tone generators.
Connecting External MIDI Instruments With a standard MIDI cable (commercially available), you can connect an external MIDI instrument, and control it from the MODX. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on the MODX. Below are several different MIDI connection examples; use the one most similar to your intended setup.
Using a Connected Computer By connecting the MODX to your computer, you can use a DAW or sequence software on the computer to create your own original songs. NOTE The acronym DAW (digital audio workstation) refers to music software for recording, editing and mixing audio and MIDI data. The main DAW applications are Steinberg Cubase, Ableton Live, and Apple Logic. Connecting to a computer 5 Set “MIDI IN/OUT” to “USB.
Using a Connected Computer Precautions when using the [USB TO HOST] terminal When connecting the computer to the [USB TO HOST] terminal, make sure to observe the following points to avoid freezing the computer and corrupting or losing the data. NOTICE • Use an AB type USB cable. USB 3.0 cables cannot be used. • Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the [USB TO HOST] terminal. -Quit any open application software on the computer.
Using a Connected Computer Creating a Song with a computer By using the MODX with DAW software on a computer connected to the MODX, you can take advantage of the following functions and applications. • MIDI recording and audio recording of your MODX performance to the DAW software. sound the MIDI data generated by playing the keyboard as MIDI data from channel 3.
Using a Connected Computer Song playback from a computer using the MODX as a tone generator The instructions below show how to use this instrument as a MIDI tone generator. In this case, actual MIDI sequence data is transmitted from DAW software on the computer, letting you take advantage of the dynamic sounds of the MODX, while giving you the added benefit of saving processing power on your computer by avoiding the use of software synths. Setting up the MODX 1 Select the Performance to be edited.
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Saving/Loading Data The Utility display provides tools for transferring the entire system setting and data (such as Performances and Live Sets) between the MODX and a USB flash drive connected to the [USB TO DEVICE] terminal. This section explains how to save/load all the data on the user memory of this instrument as a “User” file. Saving the settings to a USB flash drive 1 Connect a USB flash drive to the [USB TO 6 The Text input display appears. Input the file name to be stored.
Saving/Loading Data Precautions when using the [USB TO DEVICE] terminal This instrument features a built-in [USB TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below. NOTE Using USB flash drives By connecting the instrument to a USB flash drive, you can save data you’ve created to the connected device, as well as read data from the connected device.
Shift Function List Some of the important functions and operations on the instrument can be executed with convenient panel control shortcuts. Simply hold down the [SHIFT] button and press the indicated button (as described below). Operation 62 Function [SHIFT] + KNOB POSITION [1] Stores Assign 1–8 assigned to Knobs in Value 1. [SHIFT] + KNOB POSITION [2] Stores Assign 1–8 assigned to Knobs in Value 2. [SHIFT] + OCTAVE [-] Decreases the transpose value by 1.
Display Messages LCD indication Description ** will be deleted. This message appears when the specified operation you are about to execute will cause the specified data to be deleted. ** will be overwritten. This message appears when a file/folder having the same name as the one you are about to save already exists. Activate the source controller to assign. You can assign the parameter to the controller you are about to activate. Advanced settings will be initialized.
Display Messages LCD indication 64 Description Library full. The maximum overall number of Libraries has been exceeded when executing the related operations. MIDI buffer full. Failed to process the MIDI data because too much data was received at one time. MIDI checksum error. An error occurred when receiving bulk data.
Display Messages LCD indication Description USB device is full. The USB flash drive is full and no more data can be saved. Use a new USB flash drive, or make space by erasing unwanted data from the storage device. USB device is write-protected. This message appears when you have attempted to write to a protected USB flash drive. USB device read/write error. An error occurred while reading or writing to/from a USB flash drive. USB device will be formatted.
Troubleshooting No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the product is faulty. Many problems can be solved by executing Data Initialization (page 19), after backing up your data to a USB flash drive (page 60). If the problem persists, consult your Yamaha dealer. Touch panel does not respond correctly. Is the point you touch on the touch panel lined up properly with the target item in the display underneath? Calibrate the touch panel.
Troubleshooting Are the volume or expression settings too low? [UTILITY] [Settings] [Sound] Tone Generator “Volume” [EDIT] [General] “Volume” [EDIT] Part selection Element/Key/Operator [Common] [Part Settings] [General] “Volume” [EDIT] Part selection Element/Key/Operator [Common] [Part Settings] [General] “Dry Level” • In case of Normal Part (AWM2) and Drum Part [EDIT] Part selection Element/Key selection [Amplitude] [Level/Pan] “Level” • In case of Normal Part
Troubleshooting Playback continues without stopping. When the [ARP ON/OFF] button is turned on, press it so that the button is turned off. When in the Song display, press the [J] (Stop) button. When the effect sound such as Delay continues, check the effect setting or select the Performance again. When the click sound continues, check the following parameter setting.
Troubleshooting When the Part produces a wrong pitch, is the appropriate tuning system selected from the Micro Tuning parameter? • In case of Normal Part (AWM2) [EDIT] Part selection Element/Key/Operator [Common] [Part Settings] [Pitch] “Micro Tuning Name” • In case of Normal Part (FM-X) [EDIT] Part selection Element/Key/Operator [Common] [Pitch/Filter] [Pitch] “Micro Tuning Name” When the Part produces a wrong pitch, is the LFO Pitch Modulation Depth set too high? • In case of
Troubleshooting Is the Arpeggio Type parameter set to “off”? [EDIT] Part selection [Arpeggio] [Individual] “Name” Check the Arpeggio Switch parameter. If this parameter for the current Part is set to off, Arpeggio playback will not be triggered by your keyboard performance even if the [ARP ON/OFF] button is turned on. [PERFORMANCE (HOME)] Part selection “Arp On” Is the [Arp Bypass] button set to “on”? [UTILITY] [Effect Switch] Cannot stop the Arpeggio.
Specifications Keyboards Tone Generator block MODX8: 88 keys, GHS Keyboard (Initial Touch) MODX7: 76 keys, Semi-weighted Keyboard (Initial Touch) MODX6: 61 keys, Semi-weighted Keyboard (Initial Touch) Tone Generator Motion Control Synthesis Engine AWM2: 8 Elements FM-X: 8 Operators, 88 Algorithms Polyphony AWM2: 128 (max.; stereo/mono waveforms) FM-X: 64 (max.) Multi Timbral Capacity 16 Parts (internal), Audio Input Parts (A/D*1, USB*1) *1 stereo Part Waveforms Preset: 5.
GNU GENERAL PUBLIC LICENSE GNU LESSER GENERAL PUBLIC LICENSE Note on source code distribution For three years after the final factory shipment, you may request from Yamaha the source code for any portions of the product which are licensed under the GNU General Public License or GNU Lesser General Public License by writing to the following address: DMI Marketing Group, DMI Division Musical Instruments Business Division YAMAHA Corporation 10-1 Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, JAPAN The source code
Index A H A/D INPUT [GAIN] knob ........................................................... 10 Headphones..............................................................................18 A/D INPUT [L/MONO]/[R] jacks................................................ 17 A/D INPUT [ON/OFF] button..................................................... 10 I ABS (Audio Beat Sync)............................................................. 17 [INC/YES] button ....................................................
Index O U OCTAVE [-] and [+] buttons ..................................................... 11 Undo..........................................................................................46 Operator.................................................................................... 38 [USB TO DEVICE] terminal..................................................17, 61 Operator Common Edit............................................................. 38 [USB TO HOST] terminal.............................
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Manual Development Group © 2018 Yamaha Corporation Published 02/2018 MWTY*.
