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MODX Reference Manual
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192
Reference
Local Control
This determines whether or not the tone generator of the instrument responds to your keyboard playing.
Normally, this should be set to “on”—since you’ll want to hear the sound of the instrument as you play it.
Even if this is set to “off,” the data will be transmitted via MIDI. Also, the internal tone generator block will
respond to messages received via MIDI.
Settings: Off, On
Arp MIDI Out (Arpeggio MIDI Out)
Determines whether to output MIDI data of Arpeggio playback or not.
Settings: Off, On
MIDI Sync
You can set various parameters related to MIDI clock and synchronization here.
Determines whether Arpeggio/Motion Sequencer/Song playback will be synchronized to the instrument’s
internal clock, an external MIDI clock, or the Audio signal input from the A/D INPUT [L/MONO]/[R] jacks.
Settings: Internal, MIDI, A/D In
Internal: Synchronization to internal clock. You can use this setting when this tone generator is to be used alone or
as the master clock source for other equipment.
MIDI: Synchronization to a MIDI clock received from an external MIDI instrument via MIDI. Use this setting when the
external sequencer is to be used as master.
A/D In: Synchronization to the tempo of the Audio signal received via the A/D INPUT [L/MONO]/[R] jacks.
Clock Out
Determines whether MIDI clock messages will be transmitted via MIDI or not.
Settings: Off, On
Receive (Receive Sequencer Control)
Determines whether the Sequencer Control signals—start and stop of Song—will be received via MIDI or
not.
Settings: Off, On
Transmit (Transmit Sequencer Control)
Determines whether the Sequencer Control signals—start and stop of Song—will be transmitted to MIDI or
not.
Settings: Off, On
Hold/Reset (Controller Hold/Reset)
Determines the status of the controllers (Modulation Wheel, Aftertouch, Foot Controller, Breath Controller,
Knobs, etc.) when switching between Performances. When this is set to “Hold,” the controllers are kept at
the current setting. When this is set to “Reset,” the controllers are reset to the default states (below).
Settings: Hold, Reset
If you select “reset,” the controllers will be reset to the following states/positions:
FS Assign (Foot Switch Assign Control Number)
Determines the Control Change number generated by using the Foot switch connected to the FOOT
SWITCH [ASSIGNABLE] jack. Even when the instrument receives MIDI message with the same Control
Change Number specified here from the external equipment, the instrument assumes that the message is
generated by using the Foot switch.
Settings: Off, 1–95, Arp SW, MS SW, Play/Stop, Live Set+, Live Set-, Oct Reset
Pitch Bend Center
Modulation Wheel Minimum
Aftertouch Minimum
Foot Controller Maximum
Foot Switch Off
Ribbon Controller Center
Breath Controller Maximum
Expression Maximum
Assignable Switches 1 and 2 Off
Motion Sequencer Hold Off
Each Lane of Motion Sequencer 0 (minimum) when Lane Motion Sequencer Polarity is set to “Unipolar”
64 (center) when Lane Motion Sequencer Polarity is set to “Bipolar”