Owner’s Manual EN
SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: glasses) containing liquids which might spill into any openings.
Handling caution • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
A message from the MOX6/MOX8 Development Team Thank you for purchasing the Yamaha MOX6/MOX8 Music Production Synthesizer. We, as the development team, have designed this instrument so that players of every genre and level can easily enjoy truly high-quality sounds and advanced functions in creating and performing music.
Accessories • AC adaptor* • USB cable • Owner’s Manual (this book) • Online Manual CD-ROM x 1 (Reference Manual, Synthesizer Parameter Manual, and Data List) • DVD-ROM x 1 (containing DAW software) * May not be included in your area. Please check with your Yamaha dealer. Using the MOX6/MOX8 Manuals Your MOX6/MOX8 synthesizer comes with four different reference guides—the Owner’s Manual (this book), the Reference Manual, the Synthesizer Parameter Manual, and the Data List.
MOX6/MOX8 Main Features MOTIF XS Sound Engine feature The wide range of dynamic and authentic MOTIF XS waveforms (such as the realistic sounds of acoustic piano, electric piano, synthesizer, strings, wind instruments, drums) are all included in this instrument. The sophisticated XA (Expanded Articulation) function has also been included, providing greater performance flexibility and acoustic realism.
Contents A message from the MOX6/MOX8 Development Team........6 Playing the keyboard in the Performance Mode................. 32 Accessories ...........................................................................7 Selecting a Performance........................................................... 32 Changing the timbre of the Voice ............................................. 34 Using the MOX6/MOX8 Manuals ..........................................7 MOX6/MOX8 Main Features ..........................
Control and Functions Top Panel MOX8 6 78 ) @ ^ B 5 2 3 & *( 4 9! A-1 B-1 C0 D0 E0 # $ F0 G0 A0 B0 C1 % A C2 C D C3 1 MOX6 6 78 ) @ ^ B 5 & *( 4 9! 2 E1 1 MOX6/MOX8 Owner’s Manual $ % A C 3 C1 D1 10 # F1 G1 A1 B1 C2 C3 D
Control and Functions E F G N H Q ST M C4 C5 F G E P R I J K L O N H I O C6 P C7 Q ST R J K L C4 M C5 C6 MOX6/MOX8 Owner’s Manual 11
Control and Functions 1 Keyboard 9 [LEVEL] meter The MOX8 features an 88-key keyboard, while the MOX6 has 61 keys. All are equipped with a touch response feature, initial touch. With initial touch, the instrument senses how strongly or softly you play the keys, and uses that playing strength to affect the sound in various ways, depending on the selected Voice. Indicates the level of the signal specified via the [LEVEL] meter switch button. ) @ ^ 2 Pitch Bend wheel Controls the pitch bend effect.
Control and Functions % TRANSPOSE [-] and [+] buttons (page 26) [F] (Play) button Use these buttons to raise or lower the pitch of the note in semitone steps. To restore the normal octave setting, press both buttons simultaneously. Press to start playback/recording from the current point in the Song or Pattern. During recording and playback, the indicator flashes at the current tempo.
Control and Functions E F according to a hierarchical structure. Press this button to exit from the current display and return to the previous level in the hierarchy. Also use it to cancel a Job or a Store operation. G M [ENTER] button H Use this button to call up the display of the selected menu. Also use this button to execute a Job or a Store operation.
Control and Functions edit the parameters commonly applied to all Elements, Parts or Zones in the following modes: Voice Edit, Performance, Song/Pattern Mixing Edit, Mixing Voice Edit and Master Edit. T [TRACK] button Turning this button on in the Song/Pattern mode enables the Number [1] – [16] buttons for selecting corresponding Song/ Pattern Tracks. S T S [PATTERN SECTION/PERFORMANCE CONTROL] button This button is available only in the Performance mode and Pattern mode.
Control and Functions Rear Panel 3 1 5 6 7 8 9 2 1 P Standby/On switch (page 17) Press to turn the power On (O) or Standby (N). [ASSIGNABLE], it can control one of various different assignable functions. 2 DC IN connector (page 17) 6 [FOOT CONTROLLER] jack Connect the supplied power adaptor to this connector. For connection of an optional foot controller (FC7, etc.).
Setting Up Power supply Make connections for the supplied power adaptor (page 68) in the following order. Before you connect the power adaptor, make sure that the power of this instrument is set to the Standby status. 1 Connect the plug of the power adaptor to the DC IN terminal on the rear panel. 2 Connect the other end of the power adaptor to an AC outlet.
Setting Up Adjusting the volume and the brightness of the display NOTE For details about Banks, see pages 24 and 32. Adjust the volume levels of this instrument and the connected amplifier/speaker system. Selecting programs NOTE When connecting to a set of powered speakers or PA equipment, set the MASTER VOLUME to about 70%, then raise the volume of the powered speakers or PA equipment to the appropriate level.
Setting Up Resetting User Memory to the initial factory settings The original factory settings of this synthesizer’s User Memory can be restored as follows. NOTICE When the factory settings are restored, all the Voice, Performance, Song, Pattern, and system settings in the Utility mode you created will be erased. Make sure you are not overwriting any important data. Be sure to save all important data to your USB flash memory device before executing this procedure (page 57).
Basic Operation Moving the cursor Use these four buttons to navigate the display, moving the cursor around the various selectable items and parameters in the screen. When selected, the relevant item is highlighted (the cursor appears as a dark block with inverse characters). You can change the value of the item (parameter) at which the cursor is located by using the [DATA] dial, [INC] and [DEC] buttons.
Basic Operation Naming (inputting characters) Selecting a note type You can freely name the data you’ve created, such as Voices, Performances, Songs, Patterns and files saved to a USB flash memory device. When the cursor is located on such a naming parameter, the “CHAR” icon appears at the lower right corner of the display. When pressing the [SF6] button in this status, the Input Character window appears as shown below.
Quick Guide Modes There are several operation modes in this instrument, and they can be selected by using the ten Mode buttons, 1 – ). In addition, there are three “global” modes (Edit, Job and Store) common to all of these modes, and they can be selected by using buttons ! – #. No. 22 Button Mode ) 1 2 3 4 5 6 7 8 9 ! @ # Description 1 [VOICE] Voice mode This synthesizer has a wealth of high quality, dynamic sounds—also referred to as “Voices.
Quick Guide Basic Instructions Voices—the basic building blocks of the MOX6/MOX8 Selecting a Preset Voice ..................................................................................................... page 24 Editing a Voice .................................................................................................................... page 27 Combining several Voices to create a Performance Creating a new Performance in the Voice mode by using your favorite Voices (Performance Creator) .......
Quick Guide Playing the keyboard in the Voice mode In the Voice Play display (the top display of the Voice mode), you can select and play a single Voice. The Voices of this instrument are divided into the following two types: NOTE For details about Voices, refer to “Basic Structure.” For a list of the Preset Voices, refer to the separate Data List PDF file. Selecting a Preset Voice 1 Press the [VOICE] button. Normal Voice This calls up the Voice Play display.
Quick Guide Using the Category Search function Grouping your most-used Voices together—Favorite Category The Voices are conveniently divided into specific Categories, irrespective of their bank locations. The categories are divided based on the general instrument type or sound characteristics. The Category Search function gives you quick access to the sounds you want.
Quick Guide Selecting a Voice from the Favorite Category 1 Press the [FAVORITE] button in the Voice Play display. The list of Voices registered to the Favorite Category will be shown. 2 Select the Voice with the Cursor [u]/[d] buttons or [DATA] dial. 3 Press the [ENTER] button to actually call up the Voice. Changing the Arpeggio type Arpeggio types are assigned to each of the [SF1] – [SF6] buttons, the corresponding tabs of which are indicated by 8th note icons ( ) at the right of “ARP1” – “ARP6.
Quick Guide NOTE This parameter is same as “Octave” and “Transpose” in the Function of currently operated Knob Current value GENERAL display of the Utility mode. Making a setting here automatically changes the setting of that parameter as well. Changing the tonal qualities of the Voice Knobs 1 – 8 let you adjust a variety of parameters for the current Voice, such as effect depth, attack/release characteristics, timbre, and others.
Quick Guide NOTE To cancel the Store operation, press the [EXIT] button before Basic Procedure for Voice Edit 1 2 pressing the [ENTER] button. NOTICE Press the [EDIT] button in the Voice mode. Edit the current Voice. I When a Normal Voice is selected: To edit Common parameters, press the [COMMON] button. Never attempt to turn off the power while data is being written to Flash ROM (while an “Executing...” or “Please keep power on” message is shown).
Quick Guide 3 Select the Effect Category and Type of Insertion Effect B with the same instruction as step 2. Changing the Arpeggio Type assignment 4 Select the Effect connection of Insertion A and B. Try changing the Arpeggio Types assigned to the [SF1] – [SF6] buttons of the Preset Voice. Move the cursor to the position shown below then use the [INC]/[DEC] buttons or [DATA] dial. 1 Insertion Effect connection 5 Press the ARP [EDIT] button. The Arpeggio Edit display appears.
Quick Guide Creating a new Performance by using your favorite Voice (Performance Creator) 4 Select the desired Voice from the list, then press the [ENTER] button. The Performance Play display will appear. A program in which multiple Voices (parts) are combined in a layer, or in other configurations is referred to as a “Performance.” Each Performance can contain up to four different parts (Voices).
Quick Guide The Voice selected in the Voice mode will be assigned to Part 1, and the Voice selected after pressing the [SPLIT] button will be assigned to Part 2. These two Voices are sounded in different areas of the divided keyboard as a “Performance.” You can confirm what Voices are assigned on the display 3 called up via the [F2] VOICE button. Move the cursor to “SPLITPOINT” then set the Split Point.
Quick Guide 4 Select the desired Drum Voice from the list, then press the [ENTER] button. The Performance Play display will appear. Playing the keyboard in the Performance Mode A program in which multiple Voices (parts) are combined in a layer, or in other configurations is referred to as a “Performance.” This instrument contains 128 Performances in each of the User Banks 1 – 2 and you can play them by pressing the [PERFORM] button.
Quick Guide Soloing a specific Part Turning Arpeggio playback on/off for each Part The Solo function is the opposite of Mute, and lets you instantly solo a specific Part and mute all others. You can turn Arpeggio playback on or off for each Part of the Performance as described below. 2 1 2 1 1 Press the [SOLO] button. The SOLO lamp lights, indicating that Solo is enabled. 1 Press the [PERFORMANCE CONTROL] button.
Quick Guide Changing the timbre of the Voice Just as in the Voice mode, the sound of the Performance (consisting of a maximum of four Parts or Voices) can be edited via the Knobs in the Performance mode. There are two ways to edit the Performance: editing the entire Performance, and editing only one specific Part (Voice) assigned to the Performance.
Quick Guide [F5] CLICK 9 (click on) Press the [F5] button to turn the metronome on if you wish to use the metronome. 5 Press any note to start recording. Play the keyboard in time with the metronome. You can change the Arpeggio type and settings by pressing any of 4 the [SF1] – [SF6] buttons while recording. Set the following parameters on each of the Performance Record displays. 6 [F1] SETUP display Press the [J] (Stop) button to stop recording.
Quick Guide Connecting a microphone or audio equipment 5 Press [UTILITY] [F3] VCE A/D [SF1] OUTPUT, then set the “Mono/Stereo” parameter. This parameter determines the signal configuration for the audio signal via the A/D INPUT [L]/[R] jacks, or how the signal or signals are routed (stereo or mono). When connecting the audio device as shown in step 2, set this parameter to “stereo” or “LRMono.
Quick Guide 8 Press the [LEVEL] meter button so that the [A/D INPUT] lamp lights, then adjust the input level by using the [GAIN] knob. 3 NOTE Adjust the [GAIN] knob to raise the input level as far as Press [EDIT] [COMMON] [F6] EFFECT [SF1] CONNECT, then set the “InsEF Connect” parameter to “vocoder.” NOTE The “InsEF Connect” parameter is automatically set to possible without allowing distortion to occur. “vocoder” if you select a Voice from the Vocoder Category in step 2.
Quick Guide Creating an original Song Song playback This instrument features a built-in multi Track sequencer for recording your keyboard performance as MIDI data. This function by itself is enough to create full, complex multiinstrument arrangements and complete Songs. You have already learned how to play back Songs on page 18. In this section, you’ll learn how to use convenient mute/solo functions during playback. Track mute Terminology This lets you mute a specific Track or Tracks of the Song.
Quick Guide Creating a Drum part via Step Recording Now, try creating a Song. First, record a 4-measure drum phrase as shown below to Track 1 by using Step Recording. 5 Press the [F] (Play) button to enter the Step Record mode. The [F] button lamp lights and the Step Record display appears. 6 Set the “Step Time” to “480.” The “Step Time” parameter determines to what position the pointer will advance after a note has been entered. Here, the pointer will advance in quarter-note steps.
Quick Guide 14 Press the [JOB] button, followed by the [F3] EVENT button to call up the EVENT JOB SELECT display. To create a four-measure drum pattern (which repeats the recorded drum phrase), use the Copy Event Job. 15 Select “02: Copy Event” then press the [ENTER] button. Creating a bass part via Realtime Recording Next, record the bass line via Realtime Recording to Track 2. 1 In the Song Play mode, select the same Song (created above) to which the Drum part has already been recorded.
Quick Guide 6 Press the [REC] button to return to the Song Record display. 7 Press the [P] (Top) button to return to the top of the Song, then press the [F] (Play) button to start recording. Punch In point Playback of the recording Track is turned off from this point, and your keyboard performance will be recorded to the Track. As soon as the lead-in count (1-measure) is finished, play the following notation.
Quick Guide 5 Press ARP [EDIT] or [F3] ARP ED [F3] MAIN, then set the Switch parameter to “on” and set the “VoiceWithARP” parameter to “off.” With the “Switch” parameter “on,” the Arpeggio of Track 3 can be played back. If the “VoiceWithARP” parameter is set to “on,” selecting the Arpeggio Type will change the Voice from the one selected in step 4. This is why you should set the “VoiceWithARP” parameter to “off” here.
Quick Guide Completing the Song by editing the Mixing HINT Storing Mixing settings as a template In this final step (other than storing your precious work, which we’ll cover next), you can mix down your Tracks with the Song Mixing function – adjusting the volume balance and pan setting of all the parts and tweaking the effect levels. The Mixing settings you make can be stored as a Template— letting you create your own custom Mixing/Voice configurations for future use in recording Songs.
Quick Guide 4 Press the [STORE] button, followed by the [F1] SEQ button. The Store display appears. 5 Creating an original Pattern The Pattern mode also lets you record your rhythm patterns or riffs to the different Sections as you wish—and as the inspiration hits—then combine the Sections into a Pattern Chain to create a complete Song. Along with the Arpeggio feature and Performance recording, you have a wide range of easy-to-use tools to quickly create fully arranged, professional sounding Songs.
Quick Guide Creating a Pattern (Section A) by using Arpeggio 7 Press the [F2] TYPE button then select the desired Arpeggio Type assigned to the [SF1] – [SF6] buttons. In addition to creating a Pattern by recording your keyboard performance conventionally, you can also use the powerful Arpeggio playback features of this instrument. Here, create data for Section A by recording Arpeggio playback to Track 1 as the drum part, Track 2 as the guitar part and Track 3 as the bass part.
Quick Guide 13 Record Phrases to the other Tracks of Section A 4 as desired using the same operation. Press the [ENTER] button to execute the Pattern Copy Job. Record a bass line to Track 2, then record guitar backing to All the data of Section A will be copied to Section B. Track 3 by repeating steps 4 – 13 above. 14 Press [STORE] [F1] SEQ [ENTER] to store the 5 Press the [EXIT] button a few times to return to Pattern Play.
Quick Guide 9 (“patt”) Track lets you record Section changes at the desired Press the [F] (Play) button to hear the recorded Phrase. measure points in the Song. Here, set “RecTrack” to “patt.” If necessary, adjust the octave setting or velocity setting of the guitar part by using the [F2] NOTE Jobs. For details about the available parameters, see the “Reference Manual” PDF document.
Quick Guide For the destination, select the Song and the top measure. Editing the Pattern Chain The Pattern Chain Edit mode makes it possible to edit the order of the Sections in a chain as well as inserting tempo, and scene/mute event data. 1 In the Pattern Play mode, select the Pattern created in the previous section. 2 Press [F6] CHAIN [EDIT] to enter the Pattern Chain mode, then edit each of the Tracks.
Quick Guide Connecting external MIDI instruments With a standard MIDI cable (available separately), you can connect an external MIDI instrument, and control it from the MOX6/MOX8. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on the MOX6/MOX8. Below are several different MIDI connection examples; use the one most similar to your intended setup.
Quick Guide HINT Splitting the sound between the MOX6/MOX8 and an external tone generator by MIDI channel Using the connection example shown above, you can play both instruments and have them separately sound different parts— for example, having your keyboard performance sound the external instrument while the Song/Pattern plays the sounds of the MOX6/MOX8. To use this feature, you must set the MOX6/ MOX8’s output channel and the external tone generator’s receive channel to the same channel number.
Quick Guide 3 Make sure that the USB [TO HOST] terminal of this instrument is enabled. Press the [UTILITY] button to call up the Utility mode, then press the [F6] MIDI button followed by the [SF4] OTHER button to call up the OTHER display. Set the “MIDI IN/OUT” parameter to “USB.” 4 Set the input and output settings for audio data and MIDI data as desired to suit your personal preferences. These settings can be set in the [F5] USB I/O display and [F6] MIDI display of the Utility mode.
Quick Guide Creating a Song with a computer 4 By using the MOX6/MOX8 with the DAW software on the computer connected to the MOX6/MOX8, you can take advantage of the following functions and applications. In the Performance/Song/Pattern mode, set the output channel of the Audio signal for each part. When the output setting for the audio signal (“Mode” parameter) is set to “2StereoRec” in Step 1, you can change the audio output channel for each part.
Quick Guide 2 Select the Song or Pattern to be edited. 3 Press the [MIXING] button to call up the Mixing display. 4 Set up the Mixing for parts 1 – 16 as necessary. MOX6/MOX8 Remote Tools can be downloaded from the following Yamaha web site. For details on operating the MOX6/ MOX8 Remote Editor, see the PDF manual supplied with the MOX6/MOX8 Remote Editor. http://www.yamahasynth.
Quick Guide J Cubase Using the MOX6/MOX8 Editor The settings will be completed by installing MOX6/MOX8 Remote Tools. About the MOX6/MOX8 Editor J SONAR 1 Pull down the [Options] menu and select [MIDI Devices] to call up the “MIDI Devices” window. 2 Add “Yamaha MOX6/MOX8-2” to the Input Device, then add “Yamaha MOX6/MOX8-2” to the Output Device. 3 Pull down the [Options] menu and select [Control Surfaces] to call up the Control Surface window.
Quick Guide Using as a Master Keyboard The Master mode lets you: Making settings for use as a master keyboard I Create and store up to 128 programs, each containing a Voice, a Performance, a Song, or a Pattern, and each of which can be instantly called up for use. I Assign up to four separate Zones in each Master program for use as a master keyboard. It is a good idea to memorize master keyboard functions to the Master when using external multiple MIDI tone generators.
Quick Guide Making Global System Settings (Utility Mode) Click (metronome) settings In the Utility mode, you can set parameters that apply to the entire system of this instrument. To enter the Utility mode, press the [UTILITY] button. Pressing the [EXIT] button returns to the original display. This section describes some useful functions in the Utility mode. Determines the tempo, volume and output destination of the click (metronome).
Quick Guide Saving/Loading Data (File Mode) button, you can assign the name in the Character List display. By pressing the [SF2] SET NAME button, the file/ directory name which selected in the file/directory selection box is copied to the file name field. The File mode provides tools for transferring data (such as Voice, Performance, Song, and Pattern) between the MOX6/ MOX8 and external USB flash memory device connected to the USB [TO DEVICE] terminal. To enter the File mode, press the [FILE] button.
Quick Guide 4 Press the [SF1] EXEC button to load the file. NOTICE The Load operation overwrites any data previously existing in the specified destination internal memory. Important data should always be saved to a USB flash memory device connected to the USB [TO DEVICE] terminal. Precautions when using the USB [TO DEVICE] terminal This instrument features a built-in USB [TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care.
Appendix Shift Function List Some of the important functions and operations on the instrument can be executed with convenient panel control shortcuts. Simply hold down the [SHIFT] button and press the indicated button (as described below). Mode Operation Function All modes [SHIFT] + [INC]/[DEC] Increases/decreases the value by 10. (Program number in the Play mode; parameter value in the Edit mode) All modes [SHIFT] + [DATA] dial Increases/decreases the value by 10.
Appendix Display Messages LCD indication 60 Description All remote templates stored. Appears when you store the Control Template in the Remote mode. Are you sure? Confirms whether you want to execute a specified operation or not. Arpeggio memory full. The internal memory for Arpeggio data is full, preventing storing the recorded sequence data as an Arpeggio. Arpeggio type copied. The Arpeggio Types are copied to the [SF1] – [SF6] buttons. Bad USB device.
Appendix LCD indication Part ** is used for Split. Description This message appears when the Part switches of all Parts are set to on, and the Split function uses Part ** for the Split Part in the Performance mode. The ** mark indicates the Part number. Phrase limit exceeded. The maximum number of Phrases (256) has been exceeded when recording, executing a Pattern Job, or editing. Please keep power on. The data is being written to Flash ROM.
Appendix Troubleshooting No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the product is faulty. Many problems can be solved by executing the Factory Set operation (page 19), after backing up your data to an USB flash memory device (page 57). If the problem persists, consult your Yamaha dealer. No Sound. Is this instrument properly connected to related external equipment (e.g.
Appendix When playing the keyboard in the Performance/Song/Pattern mode produces no sound, has a Voice been properly assigned to each Part? [PERFORM] [F2] VOICE [SONG]/[PATTERN] [MIXING] [F2] VOICE When Song/Pattern playback produces no sound, are the output channel of each Track in the play mode and the receive channel of each Part in the Mixing mode set appropriately? [SONG]/[PATTERN] [F3] TRACK [SONG]/[PATTERN] [MIXING] [EDIT] Part selection [F1] VOICE [SF2] MODE “ReceiveCh”
Appendix Are the filter settings appropriate? Excessively high filter resonance settings can cause distortion.
Appendix Have any or all of the effect types been set to “thru” or “off”? When this occurs in the Performance mode/Song mode/Pattern mode, check whether the Insertion Switch (INS SW) parameters are set properly or not. [PERFORM] [F6] EFFECT [SF2] INS SW [SONG]/[PATTERN] [MIXING] [F3] EFFECT [SF2] INS SW The Edit Indicator appears, even when parameters are not being edited.
Appendix Song/Pattern (Phrase) cannot be recorded. Is there enough free memory for recording? The total memory capacity determines the number of Songs/Patterns (phrases) that can be recorded. For example, if the memory contains Songs/Patterns (phrases) that use up a large amount of memory, the memory may become full even though the available Pattern or Song numbers are not all used. Cannot enter the Pattern Job mode/Pattern Mixing mode even when pressing the [JOB] button in the Pattern mode.
Appendix About the accessory disk SPECIAL NOTICE • The software included in the accessory disk and the copyrights thereof are under exclusive ownership by Steinberg Media Technologies GmbH. • Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
Appendix Specifications Keyboards MOX8 88 keys, GHS keyboard (Initial Touch) MOX6 61 keys, semi-weighted keyboard (Initial Touch) Tone Generator Tone Generator block Polyphony Multi-timbral Capacity Sequencer block AWM2, with Expanded Articulation 64 notes 16 parts (Internal), A/D input part Wave 355MB (when converted to 16-bit linear format), 2,670 waveforms Voice Preset: 1,024 Normal Voices + 64 Drum Kits GM: 128 Normal Voices + 1 Drum Kit User: 128 x 3 (selected and copied from Preset bank),
Appendix Index A [FOOT CONTROLLER] jack ....................................................16 A/D INPUT [GAIN] knob ......................................................... 12 FOOT SWITCH [ASSIGNABLE]/[SUSTAIN] jacks ...................16 A/D INPUT [L] and [R] jacks ............................................. 16, 36 Format .....................................................................................58 A/D INPUT [ON/OFF] button ...................................................
Appendix O U OCTAVE [-] and [+] buttons ............................................. 12, 26 USB [TO DEVICE] terminal ......................................................58 OUTPUT [L/MONO] and [R] jacks .......................................... 16 USB [TO HOST] terminal .........................................................51 USB flash memory device .................................................57, 58 P USB terminals ..........................................................................
Memo MOX6/MOX8 Owner’s Manual 71
Memo 72 MOX6/MOX8 Owner’s Manual
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
Yamaha Web Site (English) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Digital Musical Instruments Division © 2011 Yamaha Corporation 111MWXX*.