User Manual

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2-3 エフェクトパラメーター .................................... 56
2-3-1 A ............................................. 56
2-3-2 B ............................................. 56
2-3-3 C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
2-3-4 D ............................................. 57
2-3-5 E.............................................. 58
2-3-6 F.............................................. 59
2-3-7 G ............................................. 59
2-3-8 H ............................................. 60
2-3-9 I .............................................. 60
2-3-10 L.............................................. 61
2-3-11 M............................................. 62
2-3-12 N ............................................. 63
2-3-13 O ............................................. 63
2-3-14 P ............................................. 63
2-3-15 R ............................................. 64
2-3-16 S ............................................. 64
2-3-17 T.............................................. 65
2-3-18 V ............................................. 65
2-3-19 W............................................. 65
3 MIDI............................................. 66
3-1 概要 ................................................... 66
3-1-1 MIDI について .................................... 66
3-1-2 MIDI チャンネル .................................. 66
3-1-3 MIDI ポート ..................................... 67
3-1-4 MIDI メッセージ .................................. 67
3-2 チャンネルメッセージ...................................... 68
3-2-1 NoteOn/Off( ノートオン / ノートオフ ) ............... 68
3-2-2 PitchBend( ピッチベンド ) ........................ 68
3-2-3 ProgramChange( ログラムチェンジ ).............. 68
3-2-4 ControlChange( ントロールチェンジ ).............. 68
3-2-5 ChannelModeMessage
( チャンネルモードメッセー ) ....................... 71
3-2-6 ChannelAfterTouch( チャンネルアフタータッチ ) ...... 71
3-2-7 PolyphonicAfterTouch
( ポリフォニックアフタータッ )..................... 71
3-3 システムメッセージ....................................... 72
3-3-1 システムエクスクルーシブメッセージ .................. 72
3-3-2 システムコモンメッセージ .......................... 72
3-3-3 システムリアルタイムメッセージ ..................... 73