■ Dual and Split voice modes Congratulations! …and thank you for purchasing the Yamaha P-150. The P-150 is a high-performance electronic piano with full-scale, weighted action keyboard, a selection of high quality piano and other useful instrument voices, and versatile performance and other advanced features which make it ideal for professional stage and studio applications, as well as for home entertainment and music study use.
■ Location ■ Extended Disuse Do not use the P-150 in locations where it will be exposed to direct sunlight, extreme temperatures, high humidity or excessive dust or vibration. Electrical storms can cause power surges which can damage the P-150’s circuitry even if the power switch is turned off. Therefore, it is best to disconnect the P-150’s power cord from the AC outlet when you will not be using it for an extended period of time. ■ Handling ■ Service and Modification Avoid rough handling.
INTRODUCTION............................................................................................................ 1 PRECAUTIONS ............................................................................................................. 2 UPPER PANEL .............................................................................................................. 4 REAR PANEL ................................................................................................................
UPPER PANEL B VOLUME POWER CS CONTRAST MAX PS1 PS2 -1/NO +1/YES SPLIT TRANSPOSE BALANCE DETUNE MIDI MIN ON/ OFF DATA ENTRY PITCH PAGE MODULATION A 1 1 [PHONES] jack 3 Speakers This jack on the front panel lets you connect a pair of stereo headphones to the P-150 for private listening. The internal speakers will automatically be disconnected when you plug in the headphones. The sound of the internal voices output from the [OUTPUT] jacks is not affected.
IN OUT MIDI THRU FOOT CONTROLLER SOFT L/MONO OUTPUT SOSTENUTO SUSTAIN L/MONO INPUT R R UPPER PANEL 3 OFF ON SPEAKER C STORE EFFECT PERF. A REVERB 1 EDIT PERF.B VOICE PIANO 1 SYSTEM 2 PIANO 2 3 PIANO 3 MIDI FILTER PC TABLE 4 5 6 7 8 9 10 11 12 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN1 ORGAN2 STRINGS BASS CHANNEL LOCAL CS FC PS NAME ORGAN COMBINATION PB MW KBD SENS. INT.
■ UPPER PANEL—A POWER 1 ON/ OFF UPPER PANEL 2 PITCH 3 MODULATION 1 [POWER] switch 3 [MODULATION] wheel This switch turns the power on and off. When the power is turned on, the mode and status designated when the power was previously turned off will still be active. This wheel can be used in various ways.
■ UPPER PANEL— B 2 3 4 5 6 CS VOLUME 8 9 UPPER PANEL 1 CONTRAST MAX PS1 PS2 -1/NO +1/YES SPLIT TRANSPOSE BALANCE DETUNE MIDI MIN DATA ENTRY PAGE C3 7 1 [VOLUME] slider 6 [TRANSPOSE, DETUNE, q] button This slider adjusts the overall volume of sound output from the internal speakers (or headphones, if connected) as well as the sound output from the [OUTPUT] jacks on the rear panel.
■ UPPER PANEL—C 1 3 STORE PERF. A 4 5 6 7 EFFECT REVERB UPPER PANEL EDIT PERF.B 8 VOICE 1 2 3 4 5 6 7 8 9 10 11 12 PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN1 ORGAN2 STRINGS BASS CHANNEL LOCAL CS FC PS NAME ORGAN COMBINATION PB MW KBD SENS. INT.
1 2 3 INPUT SPEAKER ON OFF R L/MONO 4 5 OUTPUT R L/MONO 6 THRU SUSTAIN SOSTENUTO SOFT MIDI OUT IN FOOT CONTROLLER 1 [SPEAKER] switch 5 [FOOT CONTROLLER] jack This switch lets you turn off the P-150’s internal speakers. It does not affect the output from the [OUTPUT] jacks or the [PHONES] jack. This jack lets you connect a foot controller (Yamaha FC7, available separately) for use as an auxiliary controller.
■ Voice Play and Performance Play Modes The P-150 has two basic Play modes, Voice Play mode and Performance Play mode. Within each mode are various Voice and Performance parameters, or settings that you can change, which make up the sound of the selected voice and the specific operating status of the P-150.
ABOUT STORE TYPE You can choose the Store Type—Non Auto Store and Auto Store. When Non Auto Store is selected, the store operation is always required (except when modifying System related parameters; see page 13) if you want to save the current settings. When Auto Store is selected, all changes you make will automatically be stored without the need to perform a specific storing procedure. The default setting for a new (or initialized) P-150 is Non Auto Store.
■ Performance Parameters In Performance Play mode, the P-150 has 24 sets of Performance parameters which let you configure settings for specific music situations (i.e., for a certain style of music, or a particular song, or for a practice session, or a live set, etc.). This affords you the convenience of being able to recall those settings instantly at the press of a button when in Performance Play mode.
■ System Settings The P-150’s overall System settings encompass those “global” parameters which are related to the instrument as a whole, and which therefore affect both Voice Play and Performance Play modes. These include master tuning, MIDI transmit enable, MIDI filter transmit and receive parameter settings, MIDI program change table settings, and others.
■ Setting up the P-150 Although setting up the P-150 for basic play is easy and straightforward, be sure to take heed of the Precautions on page 2 before you begin, then carefully follow the simple steps as outlined below. P-150 SETUP PROCEDURE GETTING STARTED 1. Prepare a suitable location. The P-150 is relatively small for an 88-key instrument, but it is very solidly built and therefore quite heavy. First you’ll want to prepare a suitable location for your P-150.
Connect external line-level components. If you wish to monitor the P-150’s output using an external line-level mixer or amplifier, connect the input of the external component to the P-150’s [OUTPUT] jacks on the rear panel. (Use both jacks for stereo output; use the [L/MONO] jack for mono output.
5. Connect MIDI devices. If you wish to connect the P-150 to external MIDI devices such as a rhythm programmer, tone generator or synthesizer, you will need special MIDI cables which plug into the [MIDI] jacks on the rear panel. First, however, you must determine a MIDI system configuration, based on your particular needs or desires. Some examples of MIDI system connections, along with information about MIDI, are provided on page 57. MIDI Cable MIDI OUT MIDI IN Sequencer P-150 6.
■ Playing the Demo Songs After setting up the P-150 and switching on the power, and before you begin exploring the instrument’s various features, you may want to listen to the three preprogrammed Demo songs which demonstrate the P-150’s exceptional sound and performance capabilities. To do so, follow the steps below. HOW TO PLAY THE DEMO SONGS 1. Enter Demo Play mode. Press the [REVERB] and [MODULATION] buttons simultaneously. The following screen appears.
3. Exit Demo Play mode. If you select “Song 1 Play”, “Song 2 Play” or “Song 3 Play” the P-150 will exit the Demo Play mode automatically when the selected song finishes playing. To exit Demo Play mode while a song is playing, simply press the [REVERB] button. EFFECT REVERB MODULATION ROOM CHORUS STAGE SYMPHONIC HALL TREMOLO You cannot enter Demo Play mode (or any other Play mode) when the P150 is in Edit mode. (The LED above the [EDIT] button will blink when the P-150 is in Edit mode.
ENTERING AND EXITING VOICE PLAY MODE 1. Press the [VOICE] button. When you press the [VOICE] button while the P-150 is in Performance Play mode, the LED above the [VOICE] button starts blinking, indicating that Voice Play mode is standing by waiting to be activated. 2. Press a [VOICE SELECT] button. As soon as a [VOICE SELECT] button is pressed, Voice Play Single mode is activated. The LED above the [VOICE] button and the selected [VOICE SELECT] button will light.
■ Single Mode When the P-150 is in Single mode, you can select and play any one of the 12 voices over the full range of the keyboard. You can also apply and adjust reverb and modulation effects, and adjust the graphic equalizer settings. In Single mode, the LED above the currently selected [VOICE SELECT] button lights, and the name of the currently selected Single voice appears in the LCD screen. SELECTING A SINGLE VOICE Press a [VOICE SELECT] button.
■ Stereo/Mono Piano Pressing and holding the [PIANO 1] (or [PIANO 2]) button for a few moments alternately selects the stereo and mono settings. The initial default setting for the PIANO 1 (and PIANO 2) voice is stereo, and polyphony is 16 notes. CHANGING THE PIANO VOICE SETTING Press and hold [PIANO 1] (or [PIANO 2]) for a few moments. After a moment, the MONO screen briefly appears.
As you play the keyboard, you will hear the Upright Bass voice. To change back to the ELECTRIC BASS voice, simply press and hold [BASS] for a few moments again. The ELECTRIC BASS screen briefly appears. Elec./Upright QE Elec.Bass ■ Reverb Effects The P-150’s internal DSP digital signal processor generates three types of realistic reverb effects, or simulated ambient environments, which you can apply to the voices.
CHANGING REVERB DEPTH 1. Hold the [REVERB] button and move the [DATA ENTRY] slider (or press [–1/NO] or [+1/YES]). As soon as you move the [DATA ENTRY] slider (or press [–1/NO] or [+1/YES]) the REVERB DEPTH screen appears. CS EFFECT REVERB MODULATION ROOM CHORUS STAGE SYMPHONIC HALL TREMOLO + PS1 PS2 -1/NO +1/YES or DATA ENTRY If you move the [DATA ENTRY] slider upward, the depth level increases; if you move the [DATA ENTRY] slider downward, the depth level decreases.
Note that each time you select a modulation type, a message will briefly display in the LCD screen, as follows. MOD SPEED QE 3 This temporary message displays the current speed level for the modulation type that you just selected, between 0 and 7. You can easily change the speed level for the currently selected modulation type. CHANGING MODULATION SPEED 1. Hold the [MODULATION] button and move the [DATA ENTRY] slider (or press [–1/NO] or [+1/YES]).
■ Panel Equalizer The P-150’s three-band equalizer works just like a graphic equalizer found on many home stereo amplifiers. The three sliders provide direct access to the P150’s output in LOW, MIDDLE and HIGH frequency ranges, which gives you considerable control over the quality of the sound. An Internal Equalizer accessible in Edit mode lets you adjust the frequency ranges for each voice. For details, see page 52. ADJUSTING THE EQUALIZATION Move an [EQUALIZER] slider up or down.
■ Dual Mode When the P-150 is in Dual mode, you can play two voices at the same time—a main voice and a sub voice—over the full range of the keyboard. For example, you can blend electric piano and strings sounds together to add depth and texture to a melody line. You can adjust the volume balance of the Dual voices in relation to each other, as well as detune the voices in order to enrich the sound by bringing out the individual characteristics of each Dual voice.
ADJUSTING THE BALANCE OF THE DUAL VOICES 1. Hold the [BALANCE] button and move the [DATA ENTRY] slider. As you move the [DATA ENTRY] slider, the DUAL BALANCE screen appears. CS SPLIT + BALANCE DATA ENTRY DUAL BALANCE QE 0.. Sub Main Moving the slider upwards increases the level of the main voice while decreasing the level of the sub voice. Conversely, moving the slider downwards increases the level of the sub voice while decreasing the level of the main voice.
As you move the [DATA ENTRY] slider, the DUAL DETUNE screen appears. DUAL DETUNE QE 4/\ You can set the detune to any value between 0 (no detuning) and 7 (maximum detuning). Moving the slider upwards increases the detune value. Conversely, moving the slider downwards decreases the detune value. 2. Release the [DETUNE] button. After a moment, the Dual voice names will reappear in the screen.
ENTERING AND EXITING SPLIT MODE Press the [SPLIT] button. When you press the [SPLIT] button, the LED above it will light, and the keyboard will split into two areas, one playing the main voice you selected in Single or Dual mode, and the other playing the voice which was last selected as the Split mode sub voice. (ELECTRIC BASS is the default sub voice designated at the factory.) SPLIT BALANCE The current split point designation and keyboard area assignments briefly appear in the screen.
SELECTING SPLIT VOICES 1. Main Voice: Press a [VOICE SELECT] button. When you press the [SPLIT] button to enter Split mode, the voice you were playing in Single mode (or the main voice you were playing in Dual mode) will be assigned by default to the main keyboard area. To change the main voice, simply press any [VOICE SELECT] button, the same as you would in Single mode. 1 2 3 4 5 6 7 8 9 10 11 12 PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.
Moving the slider upwards increases the level of the main voice while decreasing the level of the sub voice. Conversely, moving the slider downwards increases the level of the sub voice while decreasing the level of the main voice. You can set the balance to any value between -16 and 15. Two indicators to the right of the numeric value display the relative balance of sub and main voices. 2. In this case you cannot use the [–1/NO] and [+1/YES] buttons to change data. Release the [BALANCE] button.
2. Release the [SPLIT] button. After a moment, the Split voice names will reappear in the screen. The split point will remain where you set it until you change it again, even if you exit and reenter Split mode. As you change the split point you can specify whether the main voice will play above or below the split point. In general, the main keyboard area is normally above the split point; however, there may be cases when you’ll want to play the main voice below the split point.
■ Transpose The P-150 has a multi-faceted transpose feature that lets you transpose the pitch at the touch of a button while you play. The P-150 has four independent transpose paths, which let you set transpose values for the internal main voice as well as the sub voice, and which also let you set transpose values for the MIDI main and sub voices which will affect external devices. Transpose is particularly useful in the Dual and Split modes.
As you play in Split mode, the pitch of both voices will transpose according to main and sub voice settings when you press the [TRANSPOSE] button. You can play two-handed duets with different instruments by transposing the sub voice up or down two octaves to match the pitch range of the main voice. If the P-150 is in Dual mode and the MIDI transmit switch is enabled, the TRANSPOSE screen will display internal and MIDI main voice and internal sub voice transposition values.
C3 (middle C) is the normal pitch, or 0 value, so all you need to do is press any key above or below C3 to set the transpose amount. For example, if you want the transpose amount to be one octave below normal keyboard pitch, simply press C2. To return the transpose amount to normal pitch, simply press C3 again. You can also change the transpose amount setting one semitone at a time by holding the [TRANSPOSE] button and pressing the [–1/NO] and [+1/YES] buttons.
MIDI MAIN VOICE: To set the transpose value for the MIDI main voice, press and hold [TRANSPOSE], then hold [MIDI], then press a key on the keyboard (or press the [ –1/NO] or [+1/YES] buttons). 1 TRANSPOSE DETUNE + + 2 MIDI PAGE 3 TRANSPOSE MIDI MAIN QE +12 MIDI SUB VOICE: To set the transpose value for the MIDI sub voice, press and hold [TRANSPOSE], followed by [SPLIT], then [MIDI], then press a key on the keyboard (or press the [–1/NO] or [+1/YES] buttons).
■ MIDI Panic Although MIDI is very reliable, it is in fact so sophisticated that it is not without its occasional faults. For example, sometimes a connected tone generator or synthesizer responds to a Note On message, but not a Note Off message, thus causing a note to get stuck, which can be quite frustrating, especially in a live performance setting.
ENTERING AND EXITING PERFORMANCE PLAY MODE 1. Press the [PERF. A] or [PERF. B] button. If you press the [PERF. A] button, the LED above it will start blinking to indicate that the P-150 is standing by to enter the PERFORMANCE-A bank. Likewise, if you press the [PERF. B] button, the LED above it will start blinking to indicate that the P-150 is standing by to enter the PERFORMANCE-B bank. PERF. A PERF. B 2. PERFORMANCE PLAY MODE Press a [PERFORMANCE SELECT] button.
SELECTING A PERFORMANCE Press a [PERFORMANCE SELECT] button. Pressing any of the 12 [PERFORMANCE SELECT] buttons will access a Performance in the currently selected Performance bank. The name of the Performance appears in the LCD screen. The P-150 comes with 24 Preset Performances designed for various musical purposes. Take a moment and try out each one in both A and B banks. For a list of the Preset Performances, see page 64.
■ Selecting Dual Voices Within Performance Play mode you can easily select Dual voices in the current Performance. The procedure is slightly different than in Voice Play mode. SELECTING DUAL VOICES IN PERFORMANCE PLAY MODE Hold the [EDIT] button, then press two [VOICE SELECT] buttons. This activates Dual mode from within Performance Play mode. The names of the voices appear in the LCD screen. EDIT + 1 2 3 4 5 6 7 8 9 10 11 12 PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.
2. Main Voice: Hold the [EDIT] button, then press a [VOICE SELECT] button. EDIT + 1 2 3 4 5 6 7 8 9 10 11 12 PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN1 ORGAN2 STRINGS BASS CHANNEL LOCAL CS FC PS NAME ORGAN COMBINATION PB MW KBD SENS. INT.EQ SYSTEM Sub Voice: Hold the [SPLIT] button and press a [VOICE SELECT] button. SPLIT BALANCE + 1 2 3 4 5 6 7 8 9 10 11 12 PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.
PERFORMANCE MENUS ■ Edit Menu Tree 4. CHANNEL Edit mode lets you access and edit functions related to System parameters (1. ~ 3.), Performance parameters (4. ~ 9.) and Voice parameters (10. ~ 12. plus REVERB and MODULATION). Page 1.CHANNEL TRANSMIT * RECEIVE * 5. LOCAL The Edit Menu Tree below outlines the Edit mode functions and pages. (Pages can be selected with the [PAGE] button or by pressing the specific [EDIT SELECT] button continually.
SELECTING AN EDIT FUNCTION Press an [EDIT SELECT] button. The LED above the button you press starts blinking, and the name of the currently active parameter page appears in the LCD screen. The Edit function page numbers appear in the upper right corner of the screen. When Non Auto Store is selected and Edit mode is engaged, the letter S, P or V will appear to the right of the page number to indicate which type of parameters you are editing System, Performance or Voice parameters, respectively.
2. Change the parameter using the [–1/NO] and [+1/YES] buttons, or by moving the [DATA ENTRY] slider up or down. Parameters may consist of numeric values or specific settings which you can select. REVERB 2 active ● ACTIVE When the Active setting is selected, the P-150’s on-board reverb effects will function as normal. If the P-150 is in Auto Store status, the changes you make will be stored automatically in the current location.
● OTHERS (1 ~ 5) PERFORMANCE ENABLE You can have all other popup screens display between one and five seconds. (The default setting is 3.) The Performance Enable function lets you switch between System (“Sys”) settings and Performance (“Perf”) settings for MIDI channel assignments, local on/off status and controller assignments. This function lets you apply the System settings designated in Voice Play mode to all of the Performances.
■ MIDI Filter ■ Program Change (PC) Table The MIDI Filter function lets you select the various types of MIDI data which will be transmitted or received. (Note: The abbreviation “TX” stands for “Transmit” and the abbreviation “RX” stands for “Receive”.) Position the cursor over the Message type or on/off status using the [1] and [q] buttons. The Program Change Table function lets you assign program change numbers to incoming and outgoing program change messages.
Whenever the P-150 receives a program change message, it will check the program change receive table to determine whether a voice or Performance has been assigned to the Received program change number. If so, the main voice will automatically switch to the voice indicated by the program change receive table. (If the P-150 is in Dual mode, this will cause it to shift to Single mode.) If the program change function has been turned off for that number the message will simply be ignored.
● TRANSMIT CHANNEL (Off, 1 ~ 16) The P-150 can be set to transmit MIDI messages on any one of 16 MIDI channels. When set to Off the P-150 will not transmit MIDI messages. If you select Sys for LOCAL in the Performance Enable function (System menu), the Local On/Off setting you have designated previously for the currently selected Performance may actually be different, since the current setting (System setting) in the Voice Play mode will be active.
● CONTINUOUS SLIDER ASSIGN (see chart) INTERNAL CONTROL For assigning a specific function to the CS. (Default is main volume.) No function assigned Reverb Depth Controls the reverb depth level Mod.
■ Panel Switch (PS) ■ Organ Combination The Panel Switch function lets you assign a function to each of the two Panel Switches for realtime control of an external MIDI sequencer. The Organ Combination function lets you freely edit the Organ 1 voice. This feature gives you considerable control over the timbre and characteristics of the organ sound, so that the range of possibilities are practically limitless.
■ Keyboard Sensitivity The right-most parameter, Attack mode, determines which notes in a held cluster of notes are given an attack sound. With the (first) setting, only the first note played will have an attack; all other notes played while the first note is held will have no attack. The Keyboard Sensitivity function lets you control how the volume of the internal voices and connected MIDI instruments respond to your playing. With the [E] (Each) setting, all notes played will have an attack sound.
Velocity Curves ■ Internal Equalizer The P-150 has 10 different types of sensitivity settings for both internal voices and external MIDI instruments, organized in four categories: Normal, Soft-1~3, Hard-1~3, and Fixed-1~3. The Internal Equalizer function lets you adjust the volume of the low, middle and high EQ ranges for the currently selected internal voice.
OVERWRITING IN PLAY MODE When Auto Store is designated all parameter changes are stored automatically as you make them. Thus, you can jump back and forth between voices and Voice and Performance modes freely as you play, since all settings will remain as you set them. In this case, necessary storing is literally a matter of copying one Performance to a specific Performance bank and number. 1. In Voice Play mode, press the [STORE] button. The LED above the [STORE] button starts blinking.
2. To overwrite the current Performance: Press [+1/YES]. (Press [–1/NO] if you want to cancel the store operation and return to the previous mode.) This effectively stores the changes you have made in Edit mode (except for changes made in the overall System settings in the System, MIDI Filter and PC Table functions, which are stored automatically) in the current Performance location, and thus will be retained the next time you enter Performance Play mode. 3.
■ Bulk Dump 4. The Bulk Dump feature lets you offload parameter settings by sending it to an external MIDI data storage device (such as the Yamaha MDF2 MIDI Data Filer), as well as load it back into the P-150 by receiving it from an external storage device. This gives you the luxury of being able to build a library of P150 settings by storing them on floppy disks.
■ Initialize VOICE SETTINGS: Similarly, you can initialize only the Voice parameter default settings. To do so, first turn the power off, then hold both the [MIDI] and [VOICE] buttons and turn the power back on. The Initialize feature lets you restore the initial factory default settings with a quick and simple operation. Before initializing the settings, make sure to first offload any data that you want to save using the Bulk Dump operation.
■ Using MIDI System messages also come in a number of varieties. SYSTEM REALTIME messages are used to start, stop and synchronize the sequencing devices in a MIDI system. SYSTEM EXCLUSIVE messages allows for the transmission of data specific to individual devices. This data can be either individual parameter settings, which are transmitted as PARAMETER CHANGE messages, or large blocks of settings, which are usually referred to as BULK DUMPS.
MIDI Terminals P-150 MIDI Controllers MIDI devices transmit messages to each other via special MIDI cables, which are connected to special MIDI terminals on each device. There are three types of MIDI terminals: IN, OUT, and THRU. The P-150’s MIDI controllers include the two [PS] buttons, the [CS] slider, [PITCH] and [MODULATION] wheels and [FC] Footswitch. You can set the controllers to transmit specific control messages, and assign the external tone generators to respond accordingly.
A more sophisticated MIDI setup is required if you want to connect a sequencer, several tone generators and perhaps an effects device. The series, or “daisy chaining” method is shown in the following illustration.
■ Error Messages Occasionally you may encounter certain error messages which appear in the LCD screen. Below is a list with descriptions of each. *** ERROR1 *** REPLACE BATTERY *** ERROR2 *** MIDI RX OVERFLOW *** ERROR3 *** MIDI DATA ERROR *** ERROR4 *** MIDI BULK ERROR *** ERROR5 *** MIDI FILTER ON ! *** ERROR6 *** DEVICE NO. ERROR *** ERROR7 *** MERGE SW ON ! The internal backup battery charge is low and the battery should be replaced. (See page 2.) Too much MIDI data is being received at once.
■ Troubleshooting The P-150 is a rather sophisticated electronic instrument with many parameter settings which affect its operation status. As such, occasionally you may find that it does not function as you think it should. If this happens, before rushing the P-150 to the service center, carefully and methodically try to isolate the problem. Most of the time you’ll find the problem to be of an extremely simple nature.
Cannot transmit MIDI messages Check that message types are turned off in the MIDI Filter menu of Edit mode, and that the even though the MIDI Transmit Transmit channel is not set to off in Edit mode. (See page 47.) switch is on The sound of the connected MIDI instruments is too soft (or too loud) Check that the Keyboard Sensitivity settings are appropriate. (See page 51.
■ Specifications Keyboard 88-key (A-1 to C7), velocity sensitive, Action Effect II Tone Generator AWM; 32-note maximum polyphony Voices PIANO 1 ~ 2 (STEREO/MONO); PIANO 3 ~ 4; ELECTRIC PIANO 1 ~ 3; VIBES; ORGAN 1 ~ 2; STRINGS; BASS (ELECTRIC/UPRIGHT) Play Modes Voice Play mode; Performance Play mode Performances Performance Bank A (1 ~ 12); Performance Bank B (1 ~ 12) Effects REVERB (ROOM, STAGE, HALL, OFF); MODULATION (CHORUS, SYMPHONIC, TREMOLO, OFF) Panel Equalizer LOW; MIDDLE; HIGH Edit S
■ FACTORY DEFAULT SETTINGS SYSTEM MIDI TRANSMIT ENABLE SW SYSTEM on MASTER TUNE 440.
PRESET VOICE LIST SINGLE DUAL PLAY MODE SPLIT SINGLE VOICE MAIN Piano1 SUB Strings PIANO 1 STEREO/MONO PIANO 2 STEREO/MONO stereo BASS ELECTRIC/UPRIGHT electric ORGAN COMBINATION Bass stereo HOLD ATTACK 16' 6 8' 5 5-1/3' 5 4' 0 2-2/3' 0 2' 0 1-1/3' 0 1' 0 RESPONSE 0 4' 0 2-2/3' 5 2' 0 LENGTH 3 EACH/FIRST Each BALANCE 0 DETUNE 0 0 SPLIT POINT C2 SPLIT MAIN VOICE AREA TRANSPOSE Higher Note Range off ENABLE SWITCH INTERNAL MIDI MAIN +12 SUB 0 MAIN
PRESET PERFORMANCE LIST PERF. A 01 SINGLE PERF. A 02 SPLIT SINGLE DUAL SINGLE PLAY MODE VOICE MAIN Piano1 SUB Strings PERF. A 03 SPLIT SINGLE Piano2 PERF. A 04 SPLIT SINGLE Bass Strings PERF.
DUAL PERF. A 07 SPLIT DUAL PERF. A 08 SPLIT Bass Bass E.P.2 PERF. A 09 SPLIT E.P.2 SINGLE DUAL PERF. A 10 SPLIT E.P.1 DUAL PERF. A 11 SPLIT Bass Piano1 DUAL PERF. A 12 SPLIT E.P.1 SINGLE DUAL E.
PERF. B 01 SINGLE DUAL PERF. B 02 SPLIT SINGLE SINGLE PLAY MODE VOICE MAIN Organ1 SUB Strings PERF. B 03 SPLIT SINGLE SINGLE Strings DUAL PERF. B 04 SPLIT SINGLE SINGLE Organ1 Bass stereo PIANO 1 STEREO/MONO DUAL stereo PERF.
DUAL PERF. B 07 SPLIT DUAL DUAL PERF. B 08 SPLIT SINGLE Vibes E.P.1 SINGLE stereo PERF. B 09 DUAL SPLIT DUAL Strings Bass SINGLE stereo DUAL PERF. B 10 SPLIT SPLIT Piano1 Bass Strings SINGLE stereo Strings DUAL PERF. B 11 SPLIT SPLIT Piano2 Bass Strings SINGLE stereo Strings DUAL PERF. B 12 SPLIT SPLIT E.
■ Blank Chart SYSTEM PARAMETERS MIDI TRANSMIT ENABLE SW SYSTEM on, off MASTER TUNE 424.0Hz ~ 440.0Hz ~ 456.
PERFORMANCE SINGLE DUAL PLAY MODE MAIN (1) Piano 1 ~ (12) Bass SUB (1) Piano 1 ~ (12) Bass PIANO 1 STEREO/MONO stereo, mono PIANO 2 STEREO/MONO stereo, mono BASS ELECTRIC/UPRIGHT electric, upright HOLD ATTACK 16' 0~7 8' 0~7 5-1/3' 0~7 4' 0~7 2-2/3' 0~7 2' 0~7 1-1/3' 0~7 1' 0~7 RESPONSE 0~7 4' 0~7 2-2/3' 0~7 2' 0~7 LENGTH 0~7 EACH/FIRST 0~7 BALANCE -16~+15 DETUNE 0~7 SPLIT POINT A-1 ~ C7 SPLIT MAIN VOICE AREA TRANSPOSE -16~+15 on, off ENABLE SWITCH INTERNAL M
■ MIDI DATA FORMAT 2.MIDITRANSMISSION/RECEPTION 1. MIDI DATA FLOW 2.1MIDITransmissionCondition ACTIVE SENSING FE KEYBOARD PANIC INTERNAL VELOCITY CURVE MIDI VELOCITY CURVE Split NOTE ON/OFF 9n PITCH BEND En MODULATION Bn (01H) PS 1/2 FA, FB, FC CONTINUOUS SLIDER Bn (00~77H) Dn, (F0) FOOT CONTROLLER Bn (00~78H) Dn, (F0) Tx+1ch Tx Filter KBD OFFSET Min/Max MIDI SW Txch P.C. Tx TABLE PROGRAM CHANGE Cn MIDI TRANSPOSE Device No. BULK DUMP Device No.
3.CHANNELMESSAGES 3.2Reception 3.2.1 Note On/Off 3.1Transmission 3.1.1 Note On/Off 1. [9nH]->[kk]->[vv] [9nH]->[kk]->[vv] 9nH : Note on/off status kk : Key note 9nH : Note on/off Status n : Channel No. kk : Key No. Transpose vv n : channel no. Reception vv : 0 (C-2) — 127 (G8) : Velocity : 21 (A-1) -108 (C7) Key on : 1-127 Key off :0 : Velocity Key on : 0-127 Key off :0 2. [8nH]->[kk]->[vv] n : channel no.
4. SYSTEM REAL TIME MESSAGES RX Program Change No. Voice 13 Perf. A01 14 Perf. A02 When Start, Continue, or Stop is assigned to PS1/2 controller, System Realtime messages are transmitted. 5.SystemExclusiveMessages 35 Perf. B11 36 Perf. B12 5.1ParameterChange 5.1.1SystemSetup * Any Bank Select message is ignored. 11110000 01000011 0001nnnn 00101010 00100000 00000000 00000000 0ppppppp 00000000 0vvvvvvv 11110111 3.2.4Aftertouch Aftertouch is not received. 3.2.
● For more information about bulk dump format, see page 77. 5.1.5 MIDI Filter Table 11110000 01000011 0001nnnn 00101010 00101100 00000000 00000000 0ppppppp 0000000i 0vvvvvvv 11110111 ● You can assign the device number in Edit mode, System function; see page 44. F0 43 nnnn=Device Number 2A 2C 00 00 ppppppp=N2 i=Send switch vvvvvvv=Data Value F7 ● When the device number is set to Off, bulk dump send and receive operations cannot be executed.
6. PARAMETER CHANGE TABLE 6.1SystemSetup F0H, 43H, 1nH, 2AH, 20H, 00H, 00H, N2H, 00H, V2H, F7H n : Device Number N2H : Parameter Number V2H : Parameter Value 2 N2 data name V2 (data range) note 0 1 2 3 4 5 6 7 8 9 00 01 02 03 04 05 06 07 08 09 10 0A DEVNUM -64 – +63 (o/b) off/on bypass/active off/on sys/perf sys/perf sys/perf off, 1, ....., 5 1, ....
7. BULK DUMP 6.5 MIDI Filter 7.1 System Setup & Dump Request F0H, 43H, 1nH, 2AH, 2CH, 00H, 00H, N2H, 00H, 2VH, F7H n : Device Number N2H : Parameter Number V2H : Parameter Value 2 SYSTEM SETUP DUMP REQUEST data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 N2 data name V2 (data range) note 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 off/on off/on off/on off/on off/on off/on off/on off/on off/on off/on off/on off/on Tx MIDI Filter Note on/off Tx MIDI Filter Ctrl Change Tx MIDI Filter Prog.
7.2Voice VOICE type 1: 00H type 2: Voice Number type2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ↓ 29 30 31 VOICE NUMBER 00H 01H 02H 03H 04H 05H 06H 07H 08H 09H 0AH 0BH Voice 01 Voice 02 Voice 03 Voice 04 Voice 05 Voice 06 Voice 07 Voice 08 Voice 09 Voice 10 Voice 11 Voice 12 0CH 0DH 0EH 0FH 10H 11H 12H 13H 14H 15H 16H 17H Perf. A01 Voice Perf. A02 Voice Perf. A03 Voice Perf. A04 Voice Perf. A05 Voice Perf. A06 Voice Perf. A07 Voice Perf. A08 Voice Perf. A09 Voice Perf. A10 Voice Perf. A11 Voice Perf.
7.3 Keyboard Mode 7.4 MIDI Filter Table Bulk Dump type 1: 00H type 2: Performance Number P.C. TX TABLE DUMP REQUEST data type2 00H : : 0BH 0CH : : 17H 18H PERFORMANCE NUMBER Perf. A01 : : Perf. A12 Perf. B01 : : Perf.
7.5 Program Change Transmit Table Bulk Dump 7.6 Program Change Receive Table Bulk Dump type 1: 00H type 2: Voice No. type 2 00H 01H 02H P.C. Tx TABLE VOICE NUMBER 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ↓ 31 P.C.Data Bank Select MSB Bank Select LSB P.C.
■ INDEX A N APPENDIX ..........................................................................55 Auto Store............................................................................45 Name (Performance) ...........................................................50 B Organ Combination .............................................................50 O Backup Battery ......................................................................2 Balance (Dual) .................................................
