ESPAÑOL FRANÇAIS DEUTSCH ENGLISH
SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way.
Introduction Thank you for choosing the Yamaha Electronic Piano P-80. Your P-80 is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your P-80 will give you many years of musical pleasure. ● Stereo sampling of the acoustic piano voices offers unmatched realism and expressive power, while the AWM (Advanced Wave Memory) tone generator system offers rich, realistic reproductions of all other voices.
Contents The Control Panel .......................................................... 6 ■ F3.1: Dual Balance ............................................... 28 F3.2: Dual Detune ................................................ 28 Connections ................................................................... 8 Selecting & Playing Voices .......................................... 10 F3.3: 1st Voice Octave Shift ................................. 28 F3.4: 2nd Voice Octave Shift ...........................
The Control Panel % 1 MIN MELLOW MASTER VOLUME BRILLIANCE 2 MAX BRIGHT DEMO START/ STOP TEMPO/ FUNCTION# 7 FUNCTION 3 4 5 6 – / NO + / YES 9 PRESET TRACK START/ STOP REC 0 8 MIN MELLOW MASTER VOLUME BRILLIANCE ROOM HALL 1 HALL 2 STAGE CHORUS SYMPHONIC TREMOLO DELAY GRAND PIANO HARD MEDIUM SOFT ON HARPSICHORD CLASSICAL PIANO JAZZ PIANO ROCK PIANO E. PIANO 1 E.
The Control Panel Music Stand E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 The P-80 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel. 9 TRACK [1] and [2] Buttons The P-80 has a 2-track recorder, and these buttons are used to select the track(s) to be recorded or played back. See page 23 for details.
Connections SUSTAIN IN MIDI OUT HOST SELECT MIDI PC-2 5 DC IN 12V 6 STANDBY / TO HOST Mac PC-1 7 ON OUTPUT PHONES 1 2 L R 3 L /L+R R 4 DC IN 12V Side panel 1 DC IN 12V Jack Make sure that the STANDBY/ON switch of the P-80 is set to STANDBY. Connect the AC adaptor (PA-3B or other adaptor specifically recommended by Yamaha) to the DC IN 12V jack. Plug the AC adaptor into an AC outlet. When turning the power OFF, simply reverse the procedure.
Connections 3 OUTPUT Jacks : L and R Pin jacks, L/L+R and R Phone Jacks The P-80 is equipped with both Pin and Phone OUTPUT jacks to deliver the output of the P-80 for connection to an instrument amplifier, mixing console, PA system or recording equipment. The Pin connectors (L and R) provide easy connection to a home audio system, etc. The L/L+R Phone Jack allows connection of the P-80 to a monaural sound system.
Selecting & Playing Voices Before turning the power ON or OFF for all components, set all volume levels to minimum. For instructions on connecting the P-80 to an amplifier/speaker system, see page 9. 1 Turn Power On ..........................................................................................
Playing the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the P80’s voices. There are also 50 preset songs that you can play individually, all in sequence, or in random order. Here’s how you can select and play the demo tunes. NOTE • The demo or preset song mode cannot be engaged while a user song (page 23) is being played back. • No MIDI reception occurs in the demo/preset song mode. • The demo/preset song data is not transmitted via the MIDI connectors.
Playing the Demonstration Tunes Preset Song 1 Engage the Preset Song Mode .............................................. Press the [PRESET] button to engage the preset song mode — the [PRESET], TRACK [1] and [2] indicators will light. 2 Play a Preset Song PRESET TRACK START/ STOP REC ..............................................................................
Playing the Demonstration Tunes Preset Song A-B Repeat The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases. 1 Specify the Beginning (A) of the Phrase ..................... Select and play a preset song, then press the [FUNCTION] button at the beginning of the phrase you want to repeat.
Playing the Demonstration Tunes Preset Song Part Cancel The 50 preset songs have separate left- and right-hand parts that can be turned on and off as required so you can practice the corresponding part on the keyboard. The right-hand part is played by TRACK [1], and the left-hand part is played by track [2]. (Some of the songs are arrangements for four-hands, tracks [1] and [2] correspond to primo and secondo parts of the arrangement.) 1 Turn the Desired Part Off .........................................
The Dual Mode The dual mode makes it possible to play two voices simultaneously across the entire range of the keyboard. To activate the dual mode simply press two voice selectors at the same time (or press one voice selector while holding another). The voice indicators of both selected voices will light when the dual mode is active. To return to the normal single-voice play mode, press any single voice selector.
The Split Mode The split mode makes it possible to play two different voices on the keyboard — one with the left hand and another with the right hand. The Left Voice is played on all keys to the left of (and including) a specified “split point” key, while the Right Voice is played on all keys to the right of the split point key. To activate the split mode simply press the [SPLIT] button so that its indicator lights.
Reverb The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. To select a reverb type press the [REVERB] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb is produced when all indicators are off. ROOM HALL 1 HALL 2 STAGE OFF No reverb effect is selected when no REVERB indicator is lit.
The Effect The [EFFECT] button allows you to select one of the effects that can give your sound greater depth and animation. To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [EFFECT] button is pressed). No effect is produced when all indicators are off. CHORUS SYMPHONIC TREMOLO DELAY OFF No effect is selected when no EFFECT indicator is lit.
Brilliance This control can be used to change the tonality or “timbre” of the sound output. The control range is from MELLOW to BRIGHT. For a brighter or “sharper” tone, slide the control towards the BRIGHT position. For a “rounder” more mellow tone, slide the control towards the MELLOW position. NOTE MELLOW BRILLIANCE BRIGHT • When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted.
Touch Sensitivity Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — can be selected to match different playing styles and preferences. To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). HARD MEDIUM SOFT HARD The HARD setting requires the keys to be played quite hard to produce maximum loudness.
Tuning Tuning makes it possible to adjust the pitch of the P-80 over a 427.0 Hz … 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2 Hertz intervals. Pitch control is useful for tuning the P-80 to match other instruments or recorded music. Tuning Up ...................................................................................................... A -1 B -1 C3 B3 Z To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously. X Press any key between C3 and B3.
The Metronome & Tempo Control The P-80 built-in metronome is a convenient feature for practice, and it can also provide a solid rhythmic guide when recording with the User Song Recorder feature, described in the next section. The Metronome START/ STOP TEMPO/ FUNCTION# The metronome sound is alternately turned on and off by pressing the METRONOME [START/STOP] button. When on, the beat indicator flashes at the current tempo. – / NO + / YES Beat indicator Metronome Time Signature ........................
Using the User Song Recorder The P-80 features a two-track user song recorder that lets you record what you play on the keyboard and then play it back. Two tracks mean that you can “overdub” one part on top of another, using a different voice if you like. The user song recorder feature is a useful adjunct to any keyboard study program, since it lets you hear exactly how you sound from the listener’s perspective. It can also be just plain fun.
Using the User Song Recorder 4 Start Recording ....................................................................................... Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording. • If the metronome was on when you started recording, you’ll be able to keep time with the metronome while recording, but the metronome sound will not be recorded.
Using the User Song Recorder Playback To play back what you’ve recorded, first make sure that the green track indicators of the tracks you want to play are lit. If not, press the corresponding track button(s) so that they are lit. Then press the SONG [START/STOP] button. Playback starts from the beginning of the recorded data, and will stop automatically at the end of the recorded data. You can also stop playback at any time by pressing the SONG [START/STOP] button.
The Function Mode The [FUNCTION] button provides access to a range of functions that give the P-80 extraordinary versatility. The functions are categorized in groups as follows: F1 F2 F3 F4 F5 F6 F7 F8 F9 Tuning ................................................................... Scale ...................................................................... Dual Mode Functions ........................................... Split Mode Functions ........................................... Sound Board Depth .......
The Function Mode F1 Tuning In addition to the tuning method described on page 21, overall tuning can also be accomplished via the F1 function. After selecting “F1”, use the [–/NO▼] and [+/YES▲] buttons to lower or raise the pitch in approximately 0.2 Hz increments (the first time the [–/NO▼] or [+/YES▲] button is pressed simply switches to the tuning value display without actually changing the tuning). The overall tuning range is from 427.0 Hz to 453.0 Hz (corresponding to the A3 note’s Hz).
The Function Mode F3 Dual Mode Functions After selecting “F3.Y”, press the [+/YES▲] button to engage the dual-mode function submode, then use the [TEMPO/FUNCTION# ▼,▲] buttons to select the desired dual mode function, as listed below. If the Dual mode is not engaged “F3.-” will appear instead of “F3.Y” and the Dual mode functions cannot be selected. If this happens engage the Dual mode and proceed.
The Function Mode F3.5: 1st Voice Effect Depth ............................................................................................................ F3.6: 2nd Voice Effect Depth .......................................................................................................... These functions make it possible to individually set the depth of the effect for the 1st and 2nd dual-mode Voices (“1st” and “2nd” is explained on page 15).
The Function Mode F4.3: Right Voice Octave Shift ...................................................................................................... F4.4: Left Voice Octave Shift .......................................................................................................... Depending on which voices you combine using the split mode, the combination may sound better if one of the voices is shifted up or down an octave.
The Function Mode F6 Metronome Volume ■ SHORTCUT: You can jump directly to the metronome functions by pressing the [FUNCTION] button while holding the METRONOME [START/STOP] button. The volume of the metronome sound can be changed. After selecting “F6”, use the [–/NO▼] and [+/YES▲] buttons to set the metronome volume as required. The volume range is from 1 through 20. A setting of “1” produces minimum sound, while a setting of “20” produces maximum metronome volume.
The Function Mode F8 MIDI Functions ● A Brief Introduction to MIDI MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and MIDI Cable equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.
The Function Mode In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. A “Multi-timbre” receive mode is also available, which allows simultaneous reception of different parts on all 16 MIDI channels, allowing the P-80 to play multichannel song data received from a music computer or sequencer. There’s also a “1-2” mode which allows simultaneous reception on channels 1 and 2.
The Function Mode F8.5: Control Change ON/OFF ...................................................................................................... Normally the P-80 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected).
The Function Mode F9 Backup Functions After selecting “F9.Y”, press the [+/YES▲] button to engage the backup function sub-mode, then use the [TEMPO/FUNCTION# ▼,▲] buttons to select the desired backup function, as listed below. • The backup settings themselves, and the contents of the user song recorder memory, are always backed up. • Even if the Backup is turned on, factory presets can be recalled at any time (see page 38). The factory setting list is found on page 40.
Connecting to a Personal Computer Although the P-80 can be connected to a personal computer via the MIDI IN/ OUT connectors and a MIDI interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT personal computers for sequencing and other music applications without the need for a separate MIDI interface. Connecting to an Apple Macintosh Series Computer ........................................................................................................
Connecting to a Personal Computer Connecting to an IBM-PC/AT Series Computer ...... Connect the TO HOST connector of the P-80 to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB cross cable. Set the HOST SELECT switch to the “PC-2” position. Refer to your software owner’s manual for information on any settings you might have to make on the computer side. HOST SELECT MIDI PC-2 TO HOST Mac PC-1 Set to the “PC-2” position.
Factory Preset Recall STANDBY / ON All dual mode, split mode, reverb, effect, touch sensitivity, tuning settings, and the settings affected by the Backup Functions can be restored to their original factory preset values by holding the C7 key (rightmost key on the keyboard) while turning the [STANDBY/ON] switch ON. This also erases all user song recorder data, and sets all Backup on/off settings (F9) to “OFF”. NOTE • The factory setting list is found on page 40.
Demo and Preset Song List/Verzeichnis der Demo- und Preset-Songs/ Liste des morceaux de démonstration et preset/ Lista de canciones de demostración y canciones preajustadas Voice Demo Tune Titles Voice Name GRAND PIANO CLASSICAL PIANO JAZZ PIANO ROCK PIANO E.PIANO 1 E.PIANO 2 HARPSICHORD STRINGS PIPE OPRGAN CHURCH ORGAN JAZZ ORGAN BASS Title Fantaisie Impromptu Für Elise Original Original Original Original Gavotte (French Suite) Eine Kleine Nachtmusik 3rd Mov.
Factory Setting List/Liste der Vorgabeeinstellungen/ Liste des réglages/Lista de ajustes de fábrica Backup Group Voice Dual Mode Split Mode Split Mode Left Voice Reverb Type Reverb Depth Effect Type Effect Depth Touch Sensitivity Volume in the FIXED Mode Metronome Metronome Time Signature Tempo Transpose GRAND PIANO OFF OFF BASS Preset for each voice Preset for each voice Preset for each voice Preset for each voice MEDIUM 64 OFF 0 (no accent) 120 0 F9.1 — F9.1 — F9.3 “—”: Not memorized Function F1 F2.
MIDI Data Format/MIDI-Datenformat/ Format des données MIDI/Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computergenerated MIDI messages, the data provided in this section can help you to control the P-80.
MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI 4. PROGRAM CHANGE Data format: [CnH] -> [ppH] 7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number Normal Voice (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [ll H] -> [mmH] -> [F7H] VARIATION Voice MSB LSB P.C.# MSB LSB P.C.
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [ll H] -> [ddH] -> [F7H] F0H 43H 1nH 4CH hhH mmH ll H ddH | F7H = Exclusive status = YAMAHA ID = When received, n=0~F. When transmitted, n=0. = Model ID of XG = Address High = Address Mid = Address Low = Data = End of Exclusive 9.
MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI
MIDI Parameter Change table ( SYSTEM ) Address (H) 00 00 00 01 02 03 Size (H) 4 Data (H) Parameter 020C - 05F4(*1) MASTER TUNE 04 05 06 7E 7F TOTAL SIZE 1 1 1 00 - 7F — 34 - 4C(*2) 00 00 MASTER VOLUME — TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 → bit 15 - 12 2nd bit 3 - 0 → bit 11 - 8 3rd bit 3 - 0 → bit 7 - 4 4th bit 3 - 0 → bit 3 - 0 0 - 127 Default value (H) 00 04YAMAHA [Electronic Piano] Model: P-80 Function Transmitted Basic Default Channel Changed Date: 7/31, 1999 Version: 1.
Specifications/Technische Daten/Caractéristiques techniques/Especificaciones KEYBOARD 88 KEYS (A-1 ~ C7) POLYPHONY 64 NOTES MAX.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
Yamaha Manual Library (English versions only) http://www2.yamaha.co.jp/manual/english/ This document is printed on chlorine free (ECF) paper with soy ink. Auf Umweltpapier mit Sojatinte gedruckt. Ce document a été imprimé sur du papier non blanchi au chlore avec de l’encre d’huile de soja. Este documento se ha impreso en papel sin cloro alguno, con tinta de soja. M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 1999 Yamaha Corporation V442090 012POCP3.
