SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Introduction Thank you for choosing a Yamaha PDP-400. Your PDP-400 is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your PDP-400 will give you many years of musical pleasure. ● AWM (Advanced Wave Memory) tone generator system offers a range of 60 rich, realistic voices. ● A maximum of 32-note polyphony permits use of sophisticated playing techniques. ● Piano-like touch response provides extensive expressive control and outstanding playability.
Personal Digital Piano PDP-400 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Owner’s Manual English Bedienungsanleitung Deutsch Mode d’emploi Français Manual de instrucciones Español
Taking Care of Your PDP-400 1 Your PDP-400 will give you years of playing pleasure if you observe the simple rules given below: 1. Avoid Humidity & Heat Avoid placing the PDP-400 in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example. 2. Avoid Dust & Moisture Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture. 3.
2 The Panel Controls % @ # $ ^ 8 9 0 ! 7 2 POWER p 1 63 4 5 MASTER VOLUME MIN MAX DEMO REVERB MAX BASS HALL 1 SOSTENUTO HALL 2 START/STOP COSMIC SOLO STYLEPLAY MIN & STYLE AUTO BASS CHORD CHORD 1 CHORD 2 MAX FULL KEYBOARD SINGLE FINGER START/STOP SYNCHRO START FINGERED SOLO STYLEPLAY MAX SOFT ROOM MIDI/ TRANSPOSE AUTO ACCOMPANIMENT RHYTHM FOOT SWITCH MIN MIN w * ) q ( VOICE BEAT DANCE POP POWER HOUSE 16BEAT BALLAD 16BEAT POP ROCK’N’ ROLL 16BEAT SHUFFLE SLOW ROCK ROC
The Panel Controls OUT MIDI IN THRU FOOT SWITCH e L/L+R R — AUX OUT — DAMPER r L R — AUX IN — OFF ON SPEAKER t y PDP-400 DISK ORCHESTRA / PERFORMANCE MEMORY u SONG NUMBER CLAVINOVA TONE 2 9 CHOIR E.
4 Preparation ■ The Music Stand Attach the supplied music stand to the PDP-400 by inserting it into the groove at the rear of the instrument’s top panel. ■ The Foot Switch DAMPER FOOT SWITCH The supplied FC4 foot switch should normally be connected to the DAMPER jack. It (or an optional FC4 or FC5 foot switch) can also be connected to the FOOT SWITCH jack — see page 14 for details.
The Volume Controls 5 The PDP-400 has several volume controls that give you extra versatility in creating the required sound.
6 Demonstration Playback The PDP-400 features 13 demonstration tunes that demonstrate some of its voices. Here’s how you can select and play the demo tunes. CLAVINOVA TONE PIANO 1 8 2 9 ORGAN CHOIR E.
Voice Selection 7 The PDP-400 has a total of 60 different voices that can be selected in a number of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of drums and percussion instruments on the keyboard.
8 Voice Selection Panel Voices (1 — 12) No. 1 2 3 4 5 6 7 8 9 10 11 12 Name PIANO CLAVINOVA TONE E. PIANO HARPSI VIBES GUITAR STRINGS ORGAN CHOIR UPRIGHT BASS ELEC BASS DRUMS Usable Range A-1 - C7 C1 - C7 C1 - C6 C1 - C6 F2 - F5 E1 - F#4 C0 - C6 C0 - C6 E1 - E5 C0 - F#3 E0 - F#3 — Voices 13 — 60 No. 13 14 15 16 17 18 Name BRASS POP BRASS TRUMPET MUTE TRUMPET HORN SAX Usable Range F0 - C6 F0 - C6 F0 - C6 F#2 - A5 A#0 - F4 A#0 - F#5 No.
Dual Mode 9 The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures.
10 Split Mode The split mode lets you play different voices with the left and right hands — bass with the left and piano with the right, for example. You can assign any of the PDP-400’s voices to the left and right-hand sections of the keyboard.
Split Mode 11 ■ Split Balance 8 TEMPO SPLIT The volume balance between the left-hand and right-hand voices can be adjusted by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] button. The selected balance value (1 … 15) will be shown on the TEMPO display while the [SPLIT] and TEMPO [s] or [▼] buttons are held. ■ A setting of “1” sets the volume of the left voice to maximum and the right voice to minimum (no sound).
12 Digital Reverb Effects The [REVERB] button provides a number of digital effects that you can use for extra depth and expressive power.
The Keyboard & Polyphony The PDP-400 has “32-note polyphony” which means you can normally play up to 32 notes at once. This number varies, however, according to the functions being used. 13 Keyboard only 32 notes. Keyboard only (dual) 16 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard (dual) + rhythm 12 notes Keyboard + ABC 12 notes (rhythm 8; ABC 12).
14 The Pedals The PDP-400 allows connection of two pedals which offer a range of advanced expressive capabilities.
Pan 15 MIDI/ TRANSPOSE AUTO ACCOMPANIMENT RHYTHM BASS CHORD 1 REVERB ROOM HALL 1 HALL 2 COSMIC FOOT SWITCH MAX MAX MAX MIN MIN MIN START/STOP MAX SOFT SOSTENUTO START/STOP SOLO STYLEPLAY SINGLE FINGER SYNCHRO START NORMAL FINGERED SOLO STYLEPLAY POP JAZZ ROCK DANCE POP POWER HOUSE 16BEAT BALLAD 16BEAT POP MAX MIN PL5 PL4 PL3 PL2 PL1 ROCK SHUFFLE COUNTRY SHUFFLE VOICE BEAT BLUEGRASS DISK ORCHESTRA / PERFORMANCE MEMORY SONG NUMBER DISK STYLE 1 METRONOME DISK STYLE 2 TA
16 Pitch Control Pitch control makes it possible to tune the PDP-400 over a ±50-cent range (approximate) in approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the PDP-400 to match other instruments or recorded music. ● Tuning Up .........................................................................................................
Accompaniment 17 The PDP-400 has 24 “styles” that can be used as a basis for rhythm accompaniment, or fully orchestrated rhythm, bass, and chord accompaniment (see “Auto Bass Chord” on page 20). • The Accompaniment Style data is not transmitted via the MIDI OUT connector.
18 Accompaniment ■ Starting the Accompaniment There are several ways to start the accompaniment: ● Straight Start ........................................................................................................................................... Press the [START/STOP] button. Each of the styles also has a variation that can be selected by pressing the [VARIATION/FILL TO VARIATION] button (its LED will light) before pressing the [START/ STOP] button.
Accompaniment 19 ● Tap start .................................................................................................................................................. METRONOME 120 TAP This function lets you set the tempo and start the rhythm in one operation. Simply tap the [TAP] button at the required tempo — 3 times for a 3/4 style and 4 times for a 4/4 style. The rhythm will start from the beginning of the next measure at the specified tempo.
20 Auto Bass Chord (ABC) The PDP-400 includes a sophisticated autoaccompaniment system (Auto Bass Chord — ABC) that can provide automated rhythm, bass and chord backing in a number of ways.
Auto Bass Chord (ABC) 21 ■ Fingered Accompaniment The FINGERED mode is ideal if you already know how to play chords on a keyboard, since it allows you to supply your own chords for the Auto Accompaniment feature. Z Select FINGERED ................................................................................................................................... Press the [FINGERED] button to select the FINGERED mode (the FINGERED indicator will light). FINGERED X Select a Style .........................
22 Auto Bass Chord (ABC) ■ Full-keyboard ABC When this advanced auto-accompaniment mode is engaged (press the [FULL KEYBOARD] button so that its indicator lights) the PDP-400 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. You don’t have to worry about specifying the accompaniment chords.
Disk Styles 23 A “Style Disk” is supplied with the PDP-400, providing an extra 50 ABC accompaniment styles. Any two of these patterns can be loaded into the PDP400’s memory at a time. The [DISK STYLE 1] and [DISK STYLE 2] buttons select the loaded disk styles in the same way as the STYLE selectors select the internal styles. NOTES • If no disk styles are loaded as described below, the [DISK STYLE 1] and [DISK STYLE 2] buttons select pre-programmed disk styles contained in internal ROM memory.
24 Disk Styles Disk Style List Group ROCK POP DANCE POP JAZZ No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Name HARD ROCK ROCK’N’ROLL 2 ROCKABILLY 60’S ROCK COUNTRY ROCK RHYTHM & BLUES SOUL ROCK ROCK BALLAD GOSPEL GOSPEL BALLAD 8BEAT FOLK LULLABY 16BEAT BALLAD 16BEAT SHUFFLE 2 16BEAT SHUFFLE 3 8BEAT DANCE 16BEAT DISCO HOUSE POP TECHNO POP BOOGIE 2 STRIDE PIANO DIXIELAND RAGTIME OLD TIME SWING CONTEMPORARY JAZZ BIG BAND 2 Group LATIN STANDARD WALTZ WORLD No.
Solo Styleplay 25 This sophisticated feature not only provides automatic rhythm, bass and chord accompaniment, but it also adds appropriate harmony notes (two or three harmonized notes) to a melody you play on the upper keyboard.
26 Disk Orchestra Using Yamaha Disk Orchestra disks (one is supplied with the PDP-400, others are available from Yamaha), the PDP-400 will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically. You can also play “in ensemble” with the complete Disk Orchestra arrangement. • The Disk Orchestra Collection playback data is not transmitted via the MIDI OUT connector.
Disk Orchestra NOTES 27 • Please note that playback cannot be started while the PDP-400 is searching the disk for a selected song. • With some songs the displayed measure numbers may not match those marked on the score. • Some songs start after a click count-in. • The playback tempo can be changed freely as required. The preset tempo for the selected song can be recalled at any time by pressing the TEMPO [▲] and [▼] buttons simultaneously.
28 Disk Orchestra ■ Volume Control RHYTHM Drum and Percussion parts (track 15). BASS Bass part (track 3). CHORD 1 Other backing parts except Bass (track 4-10). CHORD 2 Main left- and right-hand parts (track 1 & 2).
Disk Orchestra 29 ■ Repeat Functions ● Phrase Repeat Use this function if you want to practice a specific phrase within a song, as indicated by the phrase marks on the Disk Orchestra Collection score. Z Select a Song .......................................................................................................................................... Press the [SONG SELECT] button so that its indicator lights and select the desired song by using the [▲] and [▼] buttons below the SONG NUMBER display.
30 Disk Orchestra ■ Other Playback Controls ● Pause ....................................................................................................................................................... Press the [oPAUSE] button to temporarily stop DISK ORCHESTRA playback. Press the [oPAUSE] button again (or the [START/STOP] button) to resume playback from the same point. PAUSE ● Rewind and Fast Forward ....................................................................................................
Performance Memory 31 The PDP-400 features a built-in “sequencer” which can be used to independently record up to ten separate parts of a single musical composition, plus a rhythm track. Each part is recorded on one of the Performance Memory “tracks” accessed via the [RIGHT/1TR], [LEFT/2TR], [ORCH/3-10TR], and [RHYTHM] buttons. The music data that you record is stored on a 3.5" floppy disk loaded into the PDP-400’s disk drive unit.
32 Performance Memory B Start Recording ....................................................................................................................................... Play on the keyboard. Recording will begin automatically as soon as you start playing. NOTES • You can turn the metronome on before or during recording (the metronome sound will not be recorded). N Stop Recording ........................................................................................................................
Performance Memory 33 B Select the Track(s) to Record ................................................................................................................ SONG NUMBER r 6 RIGHT/1TR LEFT/2TR ORCH/3-10TR ● Recording with Rhythm To record a rhythm in addition to the part you play on the keyboard, select the desired style via the STYLE selectors and press the [RHYTHM] button so that its indicator glows red. “rhY” will appear on the SONG NUMBER display while the [RHYTHM] button is held.
34 Performance Memory ■ Adding New Tracks When you’ve finished recording the first track, you can simply play it back as described in the previous section or add a new track to your song. To record a new track: Z Select a Voice ......................................................................................................................................... Select a voice and other parameters for the new track. Try out the voice and selected parameters before proceeding.
Performance Memory 35 ■ Punch-in Recording “Punch-in recording” allows you to start recording from any point within a previously-recorded track, leaving all recorded material up to the punch-in point intact. Z Play the Song .......................................................................................................................................... Play back the song in order to locate the point you want to punch-in from.
36 Performance Memory ■ Playback Original Performance Memory recordings can be played back and controlled in the same way as described in the Disk Orchestra section, beginning on page 26. You can individually select tracks to play back (page 27), use the guide function with the data recorded on tracks 1 and 2 (page 28), and use the A-B repeat function (page 29).
Performance Memory 37 data (the voice played via the keyboard can be changed). The Chord Sequence Function The CHORD SEQUENCE function provides a convenient way to enter chord sequences and style changes one at a time. Z Engage the Chord Sequence Function CHORD SEQUENCE Press the [CHORD SEQUENCE] button. The [ORCH/3-10TR] and [RHYTHM] track button indicators will glow red, and the ABC FINGERED mode will be automatically selected — switch to the SINGLE FINGER mode if you prefer.
38 Disk Control This chapter describes several important disk control functions: Formatting new disks, copying songs, and deleting songs.
Disk Control 39 ■ Copying Songs Song data can be “backed up” by copying to a new song number or a different disk, as follows: Z Select the Source Song ......................................................................................................................... Press the [SONG SELECT] button and use the [▲] and [▼] buttons below the SONG NUMBER display to select the number of the song you wish to copy. SONG NUMBER 2 X Engage the Copy Function ................................................
40 Disk Control ■ Deleting a Song You can delete any song from a loaded disk as follows: ZEngage the Delete Function ................................................................................................................. MIDI/ TRANSPOSE Press the [COPY] button while holding the [MIDI/TRANSPOSE] button. The [COPY] LED will flash and “d80” will appear on the SONG NUMBER display. COPY XSelect the Song to Delete ....................................................................................
Utility Mode 1 41 The “general utility functions” in this group apply to a wide range of functions and features.
42 Utility Mode 1 U2: Accompaniment Volume Mode Normally the Auto Accompaniment volume controls are used to adjust the volume of the Rhythm, Chord 1, Chord 2, and Bass accompaniment parts, as labelled on the PDP-400 panel. This function can be used to assign these volume controls to other operations. 1: Rhythm, Chord 1, Chord 2, and Bass volume control. 2: Modulation, Pitch Bend +, Pitch Bend -, and Expression.
Utility Mode 1 43 U5: Auto Synchro Start Switching This function determines whether the “Synchro Start” mode will automatically be turned ON and OFF when an ABC mode is turned ON and OFF (refer to page 20, 21). n: Auto synchro start switching OFF — synchro start is not turned on and off with ABC. Y: Auto synchro start switching ON — synchro start is automatically turned on and off with ABC. NOTES • Auto synchro start switching is automatically turned ON (Y) whenever the POWER switch is turned on.
44 Utility Mode 2 DANCE POP POWER HOUSE This group of utility functions covers a range of disk-related jobs. There are 6 functions in the group which are accessed as follows: NOTES BIG BAND BOOGIE • Utility Mode 2 functions can only be accessed when a disk is present in the PDP-400 disk drive.
Utility Mode 2 45 u2: Save Panel Settings This function saves the current settings of all panel controls to disk. The data can then be reloaded at any time by using the Load Panel Settings function (u3), described next. ZInsert the Disk and Select a Song Number .......................................................................................... Make sure that a properly formatted disk is loaded in the PDP-400 disk drive and select the song number you want to save the data to.
46 Utility Mode 2 u5: Load Individual Key Tuning This function reloads the individual key tuning data saved to disk by the Save Individual Key Tuning function (u4), described above. ZInsert the Disk and Select a Song Number .......................................................................................... Make sure that the disk containing the saved tuning data is loaded in the PDP-400 disk drive and select the song number you want to load the data from. XSelect and Execute the Function ........
MIDI Functions 47 MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.
48 MIDI Functions ■ Local Control ON/OFF MIDI OUT MIDI Sequencer MIDI IN Tone Generator Played from PDP-400 keyboard. MIDI IN MIDI OUT PDP-400 Local control OFF. Played from MIDI Sequencer. E.PIANO = local control OFF. E.PIANO = local control ON. “Local Control” refers to the fact that, normally, the PDP-400 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard.
MIDI Functions 49 ■ The Multi-Timbre Mode The Multi-Timbre mode is a special mode in which the PDP-400 voices can be independently controlled on different MIDI channel numbers (1 through 15) by an external MIDI device. The Multi-Timbre mode is off when the power is initially turned on. The Multi-Timbre mode can be activated as follows: = Multi-Timbre mode ON. Z Hold [MIDI/TRANSPOSE] and press [GUITAR]. = Multi-Timbre mode OFF. X Release [MIDI/TRANSPOSE].
50 MIDI Functions ■ MIDI Clock Select This function determines whether the PDP-400’s rhythm and ABC timing is controlled by the PDP-400’s own internal clock or an external MIDI clock signal received from external equipment connected to the MIDI IN connector. The Clock Mode is automatically set to INTERNAL when the power is initially turned on. ORGAN = EXTERNAL. Z Hold [MIDI/TRANSPOSE] and press the [ORGAN]. X Release [MIDI/TRANSPOSE]. ORGAN = INTERNAL.
The Connectors 51 Although the PDP-400 is a self-contained musical instrument that simply be plugged into the AC mains outlet and played, it also features a number of connectors for system expansion. ● AUX IN L and R Jacks ............................................................................................................................ These jacks are intended primarily for use with external synthesizers or tone generator modules.
52 Troubleshooting If you encounter what appears to be a malfunction, please check the following points before assuming that your PDP-400 is faulty. 1. No Sound When the Power is Turned On Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level? 2. No Rhythm, ABC, or Performance Memory Sound Check the Auto Accompaniment volume control settings.
Index 53 A H Power switch ................................................. 4 A-B repeat ................................................... 29 Harmonization, Solo Styleplay .................... 25 Precautions ................................................... 1 ABC, recording with .................................... 33 Headphones .................................................. 4 Program change on/off ............................... 48 Accompaniment volume mode ....................
i MIDI Data Format/ MIDI-Datenformat/ Format des If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the PDP-400. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Hardware-Steuerung einsetzen, werden Ihnen die nachfolgend aufgeführten Daten bei der Steuerung des PDP-400 wahrscheinlich hilfreich sein. 1.
donées MIDI/Formato de datos MIDI • OMNI ON/All notes OFF [BnH] [7DH] [00H] n= MIDI channel number 4.
iii MIDI Data Format/ MIDI-Datenformat/ Format des donées MIDI/Formato de datos MIDI [Panel Data Contents] (1) ABC ON/OFF (2) SSP ON/OFF (3) SSP NO. (4) MANUAL VOICE (5) MANUAL VOLUME (6) RHYTHM NO.
iv Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H] [knH] [enH] [slH] [36H] [5bH] [10H]: F#0 Brush Roll reverb depth set to -30H. [01H] [5bH] [xxH]: Reverb depth for all keys set to default (±0). [02H] [5bH] [20H]: Reverb depth for all keys set to -20H. • Pan Set Switching [F0H] [43H] [73H] [34H] [11H] [0nH] [30H] [47H] [knH] [pnH] [F7H] 11H: PDP special control code 0nH: MIDI Channel Number * Received only on channel 15 (0EH) in the PDP-400, affecting all tracks.
v Specifications/Technische Daten/Spécifications/Especificaciones PDP-400 KEYBOARD 88 KEYS (A-1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) VOICE SELECTORS & CONTROLS PIANO, CLAVINOVA TONE, E.
Fingering Chart/Akkordliste/Tablature/Gráfica de digitado vi * All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.
vii Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Major seventh Dur-Akkord mit großer Septime Majeure septième Mayor de séptima Minor major seventh Moll-Akkord mit großer Septime Septième majeure sur mineur Menor de séptima mayor Augmented Übermäßig Augmenté Aumentado Diminished Vermindert Diminué Disminuida CM 7 CmM 7 Caug Cdim C# M 7 (Db M 7) C# mM7 (Db mM 7 ) C# aug (Db aug) C# dim (Db dim) DM 7 DmM 7 Daug Ddim D #M 7 (Eb M 7) D #mM 7 (Eb mM 7) D #aug (Eb aug) D #dim (Eb
Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Sixth Dur-Akkord mit hinzugefügter Sexte Sixte Sexta Suspended fourth Vorgehaltene Quarte Quarte sur sensible Cuarta suspendida Minor seventh flatted fifth Moll-Septakkord mit verminderter Quinte Quinte diminuée sur mineure septième Menor de séptima y quinta bemol viii Major seventh flatted fifth Dur-Akkord mit großer Septime und verminderter Quinte Quinte diminuée sur majeure septième Mayor de séptima y quinta bemol C6 Csus 4 Cm 7 -5 CM 7 -
ix Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Half diminished (minor major seventh flatted fifth) Halbvermindert (Moll-Akkord mit großer Septime und verminderter Quinte) Demi diminué (Septième majeure sur mineur quinte diminué) Medio disminuida (menor mayor de séptima y quinta bemol) Minor sixth Moll-Akkord mit hinzugefügter Sexte Mineure sixte Menor de sexta Seventh suspended fourth Dur-Septakkord mit vorgehaltener Quarte Quarte sur septième sensible Séptima y cuarta suspendida Major fl
Fingering Chart/Akkordliste/Tablature/Gráfica de digitado Minor flatted fifth Moll-Akkord mit verminderter Quinte Mineure quinte diminuée Menor de quinta bemol Seventh flatted fifth Dur-Septakkord mit verminderter Quinte Quinte diminuée en septième Séptima y quinta bemol x Seventh sharp fifth Dur-Septakkord mit erhöhter Quinte Septième ajoutée sur quinte Séptima y quinta sostenida Major seventh sharp fifth Dur-Akkord mit großer Septime und erhöhter Quinte Majeure septième ajoutée sur quinte Mayor de sé
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the 2.
IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.
M.D.G., EMI Division © Yamaha Corporation 1995 VT06630 501POCP1.
