User Manual

Appendices
8
12 E.B.Finger [COMP] A compressor that evens out the attack and volume of a finger-plucked electric bass.
13 E.B.Slap [COMP] A compressor that evens out the attack and volume of a slapped electric bass.
14 Syn.Bass [COMP] A compressor that evens out the level of a synth bass and emphasizes it.
17 E.Guitar [COMP] Suitable for electric guitar backing such as chording and arpeggios. Try making vari-
ous adjustments according to the tone or playing technique.
18 A.Guitar [COMP] Suitable for acoustic guitar strumming or arpeggios.
22 BrassSection [COMP] Suitable for sounds with a fairly rapid rise or strong sense of attack.
23 Syn.Pad [COMP] Pulls together sounds that tend to lack cohesiveness. Suitable for instruments that are
pleasant to the ear but can tend to be diffuse, such as synth pads.
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
12 –12 2 — 15m 4.5 SOFT 2 — 470m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
13 –12 1.7 — 6m 4.0 HARD — 133m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
14 –10 3.5 — 9m 3.0 HARD — 250m — —
15 Piano1 [COMP]
16 Piano2 [COMP]
Piano1 makes the sound stand out slightly and brightens it. In contrast, Piano2 has a
deeper threshold and evens out the overall level and sense of attack.
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
15 –9 2.5 — 17m 1.0 HARD — 238m — —
16 –18 3.5 — 7m 6.0 SOFT 2 — 174m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
17 –8 3.5 — 7m 2.5 SOFT 4 — 261m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
18 –10 2.5 — 5m 1.5 SOFT 2 — 238m — —
19 Strings1 [COMP]
20 Strings2 [COMP]
21 Strings3 [COMP]
These are compressors suitable for strings. No.20 and 21 can also be used on low-
range instruments (cello, contrabass).
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
19 –11 2 — 33m 1.5 SOFT 2 — 749m — —
20 –12 1.5 — 93m 1.5 SOFT 4 — 1.35m — —
21 –17 1.5 — 76m 2.5 SOFT 2 — 186m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
22 –18 1.7 — 18m 4.0 SOFT 1 — 226mm — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
23 –13 2 — 58m 2.0 SOFT 1 — 238m — —