PM5D/PM5D-RH V2 DSP5D Owner’s Manual EN
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
ADVARSEL! This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web site: www.eiae.org Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren. VARNING Explosionsfara vid felaktigt batteribyte.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord Water warning • Only use the voltage specified as correct for the device.
• Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers. • Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not place the device in an unstable position where it might accidentally fall over.
Table of Contents — Operating section 1 Introduction.......................................... 10 Thank you ....................................................................... 10 An overview of the PM5D system .................................... 10 Differences between the PM5D model and the PM5D-RH model ........................................... 11 About the channel structure of the PM5D ................................12 About the DSP5D ............................................................
9 Grouping and linking............................81 15 Graphic EQ and Parametric EQ .......118 About DCA Groups and Mute Groups ............................. 81 Items in the ASSIGN MODE section ................................. 81 Items in the DCA strip...................................................... 81 Using DCA Groups........................................................... 82 Assigning channels to DCA groups ............................................82 Controlling DCA groups...............
Table of Contents — Reference section Information shown in the display.......... 163 Output functions .................................... 243 Upper part of the display (always visible)....................... 163 Main area of the display ................................................ 164 Lower part of the display (always visible) ....................... 164 OUTPUT PATCH function .............................................. 243 OUTPUT PATCH screen ......................................................
Input functions ........................................277 Appendices..............................................317 INPUT PATCH function .................................................. 277 INPUT PATCH screen ..............................................................277 DIRECT OUT PATCH screen..................................................278 INSERT PATCH screen ............................................................279 INSERT/DIRECT OUT POINT screen ...................................
Operating section 1 Introduction Thank you Thank you for purchasing the Yamaha PM5D digital mixing console and/or Yamaha DSP5D digital mixing system. In order to take full advantage of the PM5D/DSP5D’s superior functionality and enjoy years of trouble-free use, please read this manual before you begin using the product. After you have read the manual, keep it in a safe place. An overview of the PM5D system The PM5D is an expandable digital mixing console with the following features.
1 Introduction Differences between the PM5D model and the PM5D-RH model The PM5D is available as the standard PM5D model or as the PM5D-RH model which allows internal head amp settings to be programmed. These models differ as follows. ❏ PM5D model ❏ PM5D-RH model • Head amp adjustments (input sensitivity settings, phantom power (+48V) on/off) for the analog inputs (INPUT jacks 1–48, ST IN jacks 1–4) are performed manually, using the controls of the top panel.
1 Introduction ❏ Output channels About the channel structure of the PM5D The PM5D provides the following input channels and output channels. ❏ Input channels This section processes input signals and sends them to the STEREO bus or MIX buses. There are three types of input channel, as follows. • Input channels 1–48 These channels are used to process monaural signals. By default, the input signals from the monaural analog input jacks (INPUT jacks 1–48) are assigned to these channels.
Note • The explanations in chapter 5 and following of this Owner’s Manual are based on the functionality and operating procedures of the PM5D. Supplementary explanations regarding the DSP5D are added only in cases where there is a significant difference in functionality or operating procedure. However, in cases where it is obvious that the abovedescribed differences would make clear differences in operation or in the on-screen display, explanations for the DSP5D will be omitted.
1 Introduction Firmware versions You can download the most recent firmware from the following Yamaha website. http://www.yamahaproaudio.com/ For either the PM5D or the DSP5D, you can check the firmware version in the UTILITY function PREFERENCE 2 screen (➥ p.207). Major new functionality in PM5D firmware V2.0 The major new functionality and improvements that were added in conjunction with the upgrade to firmware V2.0 are as follows.
• • • • ❏ Input/output functions • In the OUTPUT PATCH function OUTPUT PATCH screen, you can now change the patching of output channels to MIX OUT jacks 1–24. (➥ p.243) 1 • In the OUTPUT PATCH function INSERT POINT screen and the INPUT PATCH function INSERT/ DIRECT OUT POINT screen, a SET ALL button and CLEAR ALL button have been added, allowing you to turn all channels on/off in a single operation. (➥ p.
2 Top, front, and rear panels 2 Top, front, and rear panels This chapter explains the names and functions of each part of the PM5D/DSP5D. Details for each section of the top panel are explained in subsequent chapters of this operating section; refer to the appropriate chapter for more information.
O CUE/MONITOR section This section selects the monitor source that is output from the MONITOR OUT jacks, and adjusts the levels. This section also determines the cue point and monitoring method that will be used when you press a [CUE] key for a channel (➥ p.99). Top, front, and rear panels 2 P OSCILLATOR/TALKBACK section This section switches the oscillator or talkback on/off, and adjusts the talkback level (➥ p.105).
2 Top, front, and rear panels Rear panel 3 1 4 6 (PM5D-RH model) 2 (PM5D model) A INPUT jacks 1–48 (PM5D model) These are balanced XLR-3-31 type input jacks for inputting analog audio signals from line level devices or microphones. Nominal input level is –60 dBu to +10 dBu. Male XLR plug 5 1 (ground) 3 (cold) D +48V MASTER switch (PM5D-RH model only) This is the master phantom power (+48V) switch for INPUT jacks 1–48 and ST IN jacks 1–4.
K STEREO OUT A/B jacks These are XLR-3-32 (balanced) jacks that output the analog signals of the STEREO A/B channels. Nominal output level is +4 dBu. 2 3 (cold) Top, front, and rear panels Female XLR plug 8 7 2 (hot) 1 (ground) L MATRIX OUT jacks These are XLR-3-32 (balanced) jacks that output the analog signals of MATRIX channels 1–8. Nominal output level is +4 dBu.
2 Top, front, and rear panels Q GPI connector signals, and a COAXIAL (RCA phono) jack (3) which receives consumer format signals (IEC60958). This is a D-sub 25-pin female connector that allows communication with a GPI-equipped external device. Z CASCADE OUT connector R RS422 REMOTE connector This is a D-sub half-pitch 68-pin female connector that can be connected to another PM5D, DSP5D, DCU5D or DME64N for transmission/reception of control signals and transmission of audio signals.
DSP5D front panel 1 2 Note 2 Top, front, and rear panels • You should use a CAT5 STP (Shielded Twisted Pair) cable to prevent electromagnetic interference. • DSP5D Editor and the DME-N Network driver required for connection with your computer can be downloaded from the Yamaha website listed below. http://www.yamahaproaudio.com/ E WORD CLOCK IN/OUT connectors These are BNC connectors used to input and output word clock signals from and to an external device.
2 Top, front, and rear panels DSP5D rear panel A Cooling fan vents 1 These are the vents for the DSP5D’s internal cooling fans (two locations). When placing the unit, take care that these vents are not obstructed. B FAN switch This switches the rotational speed of the DSP5D’s internal cooling fans between HIGH and LOW. For normal use, set this to LOW. However if the DSP5D is in a location of high temperature or is outside in direct sunlight, set this to HIGH.
3 Basic operation on the PM5D This chapter explains the various types of user interface used to operate the PM5D. 3 Basic operation on the PM5D About the various types of user interface Basic parameters such as mixing and editing the sound of each channel can be controlled by the faders and encoders of the top panel. However to make more detailed settings, you will need to access the appropriate “function” and edit the parameter values in the display.
3 Basic operation on the PM5D ❏ Scroll bar If the displayed items are too numerous to fit into a single screen, you can use the scroll bar to view the portion that is not currently displayed. Data Entry section Controllers used to edit settings and values in the display are gathered into the data entry section. Scroll bar 7 DISPLAY ACCESS section 1 The DISPLAY ACCESS section contains keys that access the desired function or screen in the display.
F Track pad and left/right buttons These are used to move the pointer or select the desired parameter. To adjust a knob-type parameter in the display, hold down the left button or right track pad button while you operate the track pad. G PHONES (Headphone) jack 3 Basic operation on the PM5D This is a stereo phone jack for connecting a set of headphones. External user interface If desired, you can add the following external user interface components.
3 Basic operation on the PM5D Basic operation This section explains the basic procedures you can perform in the PM5D’s display. In general, you will perform operations in the PM5D’s display by combining the operations described here. Click Drag Moving the pointer to a specific parameter in the screen and pressing the left/right track pad button (or the left/ right mouse button) is called “clicking.
3 Accessing a desired screen A desired function/screen can be accessed in the display using either of the following two methods. Click a tab in the screen to select the desired screen. Click a tab ❏ Using the keys of the DISPLAY ACCESS section 2 If you want to switch to another screen within that function, press the same key you pressed in step 1.
3 Basic operation on the PM5D 2 To move quickly to the outer edge of the current window or to a different window, hold down the [SHIFT] key and use the CURSOR [√]/[®]/[π]/[†] keys. You will move from the scroll window in which the cursor is currently located, in the direction of the key you pressed. Scrolling the screen A scroll bar is displayed if there are more items than can be shown in a single screen. To scroll the screen, drag the box shown in the bar.
Operating the buttons Buttons in the display are used to switch parameters on/off or to select one of multiple choices. Adjusting the setting of a knob or fader Knobs and faders in the display are used to adjust the value of specific parameters. 3 Basic operation on the PM5D Adjust the knob value Click Off 1 ➠ On Adjust the fader value Move the pointer to the desired button, and use the left/right buttons of the track pad (or mouse) to click the button.
3 Basic operation on the PM5D 3 Assigning a name On the PM5D you can assign a four-character name to each input channel or DCA group, and assign a title to scene and library data when saving it. For example, the screen shown below is the LIBRARY STORE window that appears when you assign a name to the INPUT EQ library. To input characters in this screen, use the following procedure. When you have finished inputting the name, click the STORE button. The name you input will be stored.
4 Connections and setup This chapter describes examples of expanded systems using the DSP5D, audio input/output connections, and the setup that will be necessary when starting up the PM5D/DSP5D for the first time. Examples of systems expanded with the DSP5D 4 Example of simple input expansion (PM5D + one DSP5D unit) • This system expands the number of input channels to 96 monaural + 8 stereo.
4 Connections and setup Control from DSP5D Editor (one DSP5D unit + PC) • One DSP5D unit is connected to a PC via an Ethernet CAT5 cable, allowing the DSP5D to be controlled from DSP5D Editor.
Audio connections Analog audio connections PM5D model DSP5D Synthesizer Microphone Microphone Synthesizer Connections and setup 4 Effect processor INPUT jacks 1–48 are used mainly to connect microphones or monaural line-level devices. ST IN jacks 1–4 are used mainly to connect stereo line-level devices. Input signal sensitivity, pad on/off, and phantom power (+48V) on/off are controlled from the top panel AD IN section (➥ p.44).
4 Connections and setup Analog output connections PM5D/PM5D-RH Monitor speakers Monitor speakers PW800W power supply MONITOR OUT C CUE OUT R L R L R L R L DC POWER INPUT LA 8 MIX OUT 7 6 5 4 3 2 1 MATRIX OUT STEREO OUT Recorder, relay vehicle, etc. Monitor speakers (foldback) Main speakers MIX OUT jacks 1–24, MATRIX OUT jacks 1–8, and STEREO OUT A/B jacks respectively output the signal from MIX channels 1–24, MATRIX channels 1–8, and the STEREO A/B channels.
DSP5D Monitor speakers (foldback) Connections and setup 4 CASCADE IN Main speakers OUT IN 75Ω TERMINATED OUT IN OUT IN TX RX TX RX PW800W power supply (for backup external power supply) With the default settings, the signals of MIX channels 1–22 are output from OMNI OUT jacks 1–22, and the signals of the STEREO A channel are output from OMNI OUT jacks 23–24.
4 Connections and setup Digital input/output connections R R L L OUT IN 2 N 75 ON OFF SMPTE COAXIAL USB THRU 2TR IN ANALOG OUT 1 3 2 1 3 AES/EBU AES/EBU COAXIAL AES/EBU AES/EBU IN 2TR OUT DIGITAL 2TR IN DIGITAL SLOT Digital I/O card 00.00.00.00 CD player DAT DAT recorder Digital MTR/HDR PM5D/PM5D-RH Use 2TR IN DIGITAL jacks 1–3 to connect digital sources such as CD players or DAT recorders.
Installing an option card Before installing a card, you must check the Yamaha website to make sure that this device is compatible with this card, and to verify the number of cards that can be installed in conjunction with other Yamaha or third-party cards. Yamaha website: http:www.yamahaproaudio.com 4 To install an optional mini-YGDAI card, proceed as follows. Make sure that the power is turned off.
4 Connections and setup Word clock connections and settings This section explains the word clock settings required in order to send or receive digital audio between the PM5D/DSP5D and an external digital device. About word clock When digital audio signals are being sent or received between multiple devices, the devices must process the audio signals at the matching timing.
INT 96, INT 88.2, INT 48, INT 44.1 These settings select the PM5D’s internal clock. If you select one of these settings, the PM5D will operate as the word clock master. As necessary, make settings within your external devices so that they will operate as word clock slaves. W.CLOCK IN The PM5D will follow the word clock signal being input from the rear panel WORD CLOCK IN connector. CASCADE IN The PM5D will follow the clock data being sent from another PM5D connected to the CASCADE IN connector.
4 Connections and setup Restoring the current scene to the default state When the PM5D/DSP5D is in its default state, the input signals from INPUT jacks 1–48 are patched to input channels 1–48 and the input signals from ST IN jacks 1–4 are patched to the ST IN channels, and can then be output via the STEREO bus or MIX buses.
5 Input channel operations This chapter explains the functions and operation of each section related to input channels. About the input channels The input channel section processes the signals that are input via the input patch section, and outputs them to the STEREO buses or MIX buses. There are three types of input channel, as follows. Input channels 1–48 5 Input channel operations These channels are used to process monaural signals.
5 Input channel operations FX RTN channels 1–4 These channels are used mainly to process the return signals (stereo) from the internal effects. When the input patching is in the default state, the left/right channels of internal effects 1–4 are assigned to these channels. • INPUT PATCH This assigns an input signal to the input channel. • ø (Phase) Switches the phase of the input signal. • MS DECODE (Input channels / ST IN channels only) Switches MS decode processing on/off when an MS mic is connected.
AD IN section The AD IN section AD-converts the signals that are input from the rear panel INPUT jacks 1–48 and ST IN jacks 1–4, and sends them to the input patch section. The structure of this section differs between the PM5D model and the PM5D-RH model. PM5D model Items in the AD IN section PM5D model 5 1 6 Input channel operations 2 3 4 5 8 7 PM5D-RH model A [+48V ON/OFF] switch If this switch is on, +48V is supplied to the condenser mic or direct box connected to the INPUT jack 1–48.
5 Input channel operations PM5D-RH model PM5D-RH model/DSP5D On the PM5D-RH model/DSP5D, head amp settings are made by operations within the display. 1 2 1 3 Repeatedly press the [SYS/W.CLOCK] key of the DISPLAY ACCESS section until the HA screen appears. HA A [+48V ON/OFF] LED This LED will light if phantom power (+48V) is being supplied to the corresponding INPUT jacks 1–48 or ST IN jacks 1–4. However, +48V will not be supplied unless the rear panel [+48V MASTER] switch is on.
INPUT channel strip The INPUT channel strip is the section where you can control the principal parameters of the input channels. This section is layered as shown in the following diagram; choose the CH 1-24 layer when you want to control input channels 1–24, or the CH 25-48 layer when you want to control input channels 25–48. Note If the console is cascade-connected to a DSP5D, you can use user-defined keys (➥ p.148) or the FADER MODE key (➥ p.149) to select a DSP5D layer.
5 Input channel operations I [CUE] key This key lets you cue-monitor the signal of the input channel. J [TO ST] LED This LED will light when the signal sent from the input channel to the STEREO bus is on. K [COMP] LED This indicates the operational status of the compressor for the input channel. This will be dark when the gain reduction amount is 0 dB, dimly lit when it is 0–10 dB, and lit when it is greater than 10 dB.
ST IN/FX RTN channel strip In this section you can control the ST IN channels and FX RTN channels. This section is layered as shown in the diagram below; choose the ST IN layer when you want to control the ST IN channels, or the FX RTN layer when you want to control the FX RTN channels. Note If the console is cascade-connected to a DSP5D, you can use user-defined keys (➥ p.148) or the FADER MODE key (➥ p.149) to select a DSP5D layer.
5 Input channel operations FADER FLIP/ENCODER MODE section In the FADER FLIP/ENCODER MODE section you can change the parameter that is assigned to the encoders, and exchange the parameters assigned to the faders and encoders. Items in the FADER FLIP/ENCODER MODE section A FADER [FLIP] key If this key is on, the parameters controlled by the faders and encoders will be exchanged.
Various operations for input channels Selecting the function of the encoders Key Encoder function Display MIX SEND SELECT [1]–[24] keys Send levels to MIX buses 1–24 1–24 [PAN] key Pan (balance) Pn [GAIN/ATT] key Head amp input sensitivity HA [GAIN/ATT] key Attenuator At [ALT LAYER] key Input level for the currently unselected layer*1 AL *1. In the INPUT channel strip, the CH 1-24 layer and the CH 25-48 layer are in a “front/rear” relation.
5 Input channel operations Sending a signal from an input channel to the STEREO bus Here’s how to use the INPUT channel strip or ST IN/FX RTN channel strip to send an input channel signal to the STEREO bus. The explanation here uses the example of an input channel, but the procedure is essentially identical when using a ST IN channel or FX RTN channel. 1 Make sure that an input source is correctly assigned to the input channel, and that the head amp gain is set appropriately.
Signals from input channels or ST IN/FX RTN channels can be sent to the desired MIX bus. This can be done either by specifying the send level sent from all input channels to a specific MIX bus, or by specifying the send level sent from a specific input channel to all MIX buses. The explanation here uses an input channel as the sendsource, but the procedure is the same when using a ST IN channel or FX RTN channel.
Input channel operations 4 Switches the signal sent from the input channel to the MIX bus on/ off. Adjusts the send level of the signal sent from the input channel to the MIX bus. MIX bus To turn off the signal sent from that channel to a MIX bus, press the MIX [ON] key to turn it off. Press the MIX [ON] key once again to turn it back on.
Enabling/disabling pairing Monaural input channels can be paired to link their principal parameters. There are two types of pairing; you can use only one type. • Horizontal pair mode This mode pairs adjacent odd-numbered/even-numbered channels (default setting). ❏ Using horizontal pairing Here’s how to enable or defeat pairing for adjacent oddnumbered/even-numbered channels.
5 Input channel operations Hint When you switch between vertical pair mode and horizontal pair mode, the input channel numbers will change, but the channel names and parameter values will not change. 4 Hold down the [SHIFT] key of the data entry section, and press the [SEL] key of one of the channels you want to pair. A window will appear, allowing you to select how pairing will be handled. 5 Click the appropriate button to choose the source/destination for the parameters that will be copied.
6 Output channel operations This chapter explains the functions and operation of each section related to output channels. About the output channels Output channels mix the signals sent from input channels etc., and send them to the corresponding output jacks or output buses. There are three types of output channel, as follows. Note The DSP5D does not have MIX OUT jacks, MATRIX OUT jacks, or STEREO OUT jacks. Output channels are assigned to OMNI OUT jacks for use.
6 Output channel operations MATRIX channels 1–8 The signals sent from MIX channels or STEREO A/B channels to MATRIX buses are sent via these channels to the MATRIX OUT jacks. • 8 BAND EQ (8 band equalizer) (MIX channels and STEREO A/B channels) This is an eight-band (four upper bands + four lower bands) parametric EQ. • 4 BAND EQ (4 band equalizer) (MATRIX channels) This is a four-band (HIGH, HIGH MID, LOW MID, LOW) parametric EQ.
MIX section The MIX section adjusts the send level of the signals sent from input channels to MIX buses, and adjusts the output level of the MIX channels. trols of the MIX section to edit the send level and on/ off status of the signal being sent from the currently selected input channel to the MIX buses. Controls other than 4–6 will have no effect. When the [MIX MASTER] key is on, you can use the controls of the MIX section to edit the output level and on/off status of the MIX channels.
6 Output channel operations 6 Hint The detection point (metering point) of the signal levels shown in the meters can be changed if desired. For details, refer to p.109. ❏ Sending signals from MIX channels to MATRIX buses Continuing to hold down the MATRIX [SEL] key, turn MIX encoders 1–24 to adjust the level of the signal sent from each MIX channel to the currently selected MATRIX bus. The LEDs around the periphery of the MIX encoder indicate the approximate level.
Use the encoders of the MATRIX section to adjust the send level 5 To adjust the pan of the signal sent from the MIX channel to the STEREO bus, press the MIX [SEL] key of the desired MIX channel and turn the STEREO [PAN] encoder of the SELECTED CHANNEL section. 6 Turn the MIX encoder to adjust the signal level that is sent to the STEREO bus. Hint You can also switch the output to the STEREO bus on/off and adjust the pan from within the MATRIX/ST ROUTING screen (MATRIX/ST function).
6 Output channel operations Signals sent from an input channel to a VARI type MIX bus MIX channel output signals • If the VARI type MIX bus is not paired When the [MIX SEND] key is on, the MIX encoders will adjust the send level of the signals sent to the corresponding MIX bus from the currently selected input channel. • If MIX channels are not paired When the [MIX MASTER] key is on, the MIX encoders will adjust the output level of the corresponding MIX channels.
STEREO A/B channel strip The STEREO A/B channel strip lets you send the signal of the STEREO A/B channels to the MATRIX bus, and adjust the output level of the STEREO A/B channels. Items in the STEREO A/B channel strip A [TO MATRIX] LED This LED will light when the signal sent from the STEREO channel to the MATRIX bus is on. B [COMP] LED This indicates the operating status of the compressor for the STEREO channel.
6 Output channel operations Operations in the STEREO A/B channel strip ❏ Sending signals from the STEREO A/B channels to output jacks ❏ Sending signals from the STEREO A/B channels to MATRIX buses Here’s how the signals sent from input channels or MIX channels to the STEREO bus can be output from STEREO OUT jacks A/B. Here’s how the signal of the STEREO A/B channels can be sent to the MATRIX buses. 1 Make sure that appropriate signals are being sent from the desired channels to the STEREO bus.
MATRIX section In the MATRIX section you can adjust the send levels from MIX channels to MATRIX buses, and adjust the output level of the MATRIX channels. 2 1 2 In the MATRIX section, press the MATRIX [ON] buttons to turn the desired MATRIX channel(s) on. 3 Turn the encoders of the MATRIX section to adjust the output level of the MATRIX channels. The signals sent to the MATRIX bus(es) will be sent from the corresponding MATRIX OUT jack(s).
6 Output channel operations Signals sent from MIX channels and STEREO A/B channels to MATRIX buses Output signals from MATRIX channels • If MATRIX channels are not paired When you are holding down the [SEL] key of a specific MIX channel or STEREO A/B channel in order to adjust the send levels from that channel to all MATRIX buses, the MATRIX encoders will adjust the send level to the corresponding MATRIX bus.
7 Using the Selected Channel section This chapter explains how you can use the SELECTED CHANNEL section to control input channels and output channels. About the SELECTED CHANNEL section The SELECTED CHANNEL section lets you edit the mix parameters of the currently selected input channel or output channel; it corresponds to a channel module of a conventional analog mixer. This section controls the channel that was last selected by pressing its [SEL] key.
7 Using the Selected Channel section F CH [DEC] key G CH [INC] key CHANNEL SELECT The CH [DEC] key decrements the currently selected channel number, and the CH [INC] key increments it. • Input channels 1–48 • ST IN channels 1L/1R–4L/4R • FX RTN channels 1L/1R–4L/4R • MIX channels 1–24 • MATRIX channels 1–8 • STEREO A channel L/R • STEREO B channel L/R Here you can select or copy channels. 1 2 3 5 4 6 7 DELAY Here you can edit delay-related parameters for the currently selected channel.
GAIN/ATTENUATION/ø (Gain / Attenuation / Phase) Here you can edit the head amp, post AD conversion attenuator, and phase parameters for the currently selected channel. This section is available only if an input channel is selected. • [GAIN/ATT] key dark (Attenuator) ➠ – (attenuation) ➠ 0 + (boost) C [ø] key 1 3 This switches the phase of the selected input channel. If this key is on, the phase will be reversed. 2 NOISE GATE Here you can edit noise gate parameters for the selected channel.
7 Using the Selected Channel section H GATE [DECAY] encoder Specifies the hold time of the gate (the time over which the gate will close after the hold time has elapsed). I GATE [THRESHOLD] encoder Specifies the threshold level of the gate (the level at which the gate will open or close). The gate will open when the signal exceeds this level, and will close when the signal falls below this level. J GATE [RANGE] encoder Specifies the amount of attenuation while the gate is closed.
J COMP [GAIN] encoder Hint Specifies the gain of the signal that has passed through the compressor. HPF (High Pass Filter) • Input channels also provide an HPF that is independent of the four-band EQ. • Output channels do not have an independent HPF, but instead allow you to switch the LOW band type to HPF. • Switching the equalizer type to HPF or LPF can be done in the EQ PARAM screen (➥ p.250) Here you can edit high pass filter parameters for the selected channel.
7 Using the Selected Channel section E EQ [Q] encoder H EQ [GAIN] encoder Adjusts the Q (steepness) of each band. This encoder does nothing for bands whose EQ type is set to shelving, LPF, or HPF. Adjusts the amount of cut/boost for each band. I [ ] key If this key is on, the corresponding LOW band EQ will be switched to shelving type. In this case, the LOW band EQ [Q] knob will have no function.
Hint Compressor operations • The type of the currently selected compressor is shown in the COMP PARAM screen (➥ p.253, 291). • The COMP LIBRARY screen also provides other library settings suitable for a wide variety of instruments or purposes. Settings you edit can also be stored in the library. • For a detailed explanation of each type of compressor, refer to the Appendices (➥ p.322). Here’s how you can use the SELECTED CHANNEL section to operate the internal compressor.
7 Using the Selected Channel section Gate operations 4 After selecting a library item, click the RECALL button located at the lower left of the library list. The library item you selected in step 3 will be recalled to the channel you selected in step 1. 5 In the SELECTED CHANNEL section, press the GATE [ON] key to make the LED light. The gate of the selected channel will be activated. 6 You can use the gate controls of the SELECTED CHANNEL section to edit the gate parameters.
Hint EQ/HPF operations 1 2 3 Press a [SEL] key to select the channel you want to control. Four-band EQ (HIGH, HIGH MID, LOW MID, LOW) is provided on all input channels and on MATRIX channels. Eight-band EQ is provided on MIX channels and STEREO A/B channels. (Control is divided into UPPER and LOWER sections of four bands each.) In the SELECTED CHANNEL section, EQ [ON] key make sure that the EQ [ON] key is on.
8 Input Patch / Output Patch operations 8 Input Patch / Output Patch operations This chapter explains how to edit the input patch and output patch settings, and how to use insert connections and direct output. Changing the input patch settings The input patch section lets you assign input ports to input channels. In the PM5D’s default state, the input patch settings assign the following signals to input channels.
4 Click the grid where the desired patch-source and patch-destination intersect. The vertical and horizontal red lines indicate the grid position where the cursor is located. The SELECTED PATCH area in the upper left of the screen shows the input port and input channel for the grid at which the cursor is located. Input channel number Input channel name 5 Click the OK button in the window. The new patch will be finalized, and a “ ” symbol will appear at the corresponding grid.
8 Input Patch / Output Patch operations 3 Use the vertical scroll bar to display the patchsource output channel. The vertical direction of the screen shows the patchsource output channels. The following output channels can be selected.
Inserting an external device into a channel You can insert an effect processor or other external device into the signal route of an input channel or output channel. When doing so, you can specify for each channel the input/output port and insert I/O point that you want to use for insertion.
8 Input Patch / Output Patch operations 3 Patching the insert-out and insert-in Here we will explain how to make insert connections, using an example in which an external device connected to an AD/DA card in a slot is inserted into an input channel. However, the procedure is the same when inserting into an output channel, the only difference being that you will be working in a screen for output channels.
5 Select one of the following as the insert I/O point for each channel, and turn on the corresponding button. PRE EQ Immediately before the EQ POST EQ Immediately after the EQ PRE DELAY Immediately before the delay POST FADER Immediately after the fader The selected point is indicated by the graphic in the upper part of the screen. The INS symbol indicates the insert I/O point for the channel at which the cursor is located. Select the insert I/O point for each channel.
8 Input Patch / Output Patch operations Directly outputting the signal of an input channel Here’s how the signal being input to an input channel or ST IN channel can be output directly from the desired output jack. 1 In the DISPLAY ACCESS section, press the INPUT [PATCH] key several times to access the DIRECT OUT PATCH screen (INPUT PATCH function) shown below. 3 DIRECT OUT PATCH Press the INPUT [PATCH] key several times to access the INSERT/DIRECT OUT POINT screen (INPUT PATCH function) shown below.
9 Grouping and linking This chapter explains DCA Groups and Mute Groups which let you control the level or muting of multiple channels simultaneously, and EQ Link and Compressor Link which let you link EQ or compressor parameters of multiple channels. You can use eight DCA groups and eight mute groups to control multiple channels simultaneously. DCA groups allow the level of multiple channels to be controlled together by the DCA faders 1–8 of the top panel DCA strip.
9 Items in the DCA strip F DCA [CUE] key This key is used to cue-monitor all channels assigned to that DCA group. Using DCA Groups Here we explain how to assign channels to DCA groups and use the DCA faders to control them. Assigning channels to DCA groups From the panel, you can assign channels to DCA groups either by selecting a specific channel and specifying the DCA group to which it will belong, or by selecting a specific DCA group and specifying the channels that will belong to that DCA group.
Controlling DCA groups Here’s how you can use the DCA strip to control DCA groups. 1 In the FADER MODE section, make sure that the FADER MODE [DCA] key LED is lit. The FADER MODE section selects the function of the DCA strip faders. When the FADER MODE [DCA] key LED is lit, you can use the faders of the DCA strip to control DCA groups 1–8. 2 Use the faders of the channel strip to adjust the relative levels between the channels belonging to the DCA group you want to use.
9 Items in the DCA strip ❏ To select the channels that will belong to a specific mute group 1 2 3 In the ASSIGN MODE section, press the ASSIGN MODE [MUTE] key. The ASSIGN MODE [MUTE] key will blink. In the SCENE MEMORY section, the MUTE MASTER LED will also blink. While this key is blinking, you can use the [CUE] key of each channel to assign that channel to a mute group.
Using EQ Link and Compressor Link EQ Link and Compressor Link are functions that respectively link the EQ parameters or compressor parameters of multiple channels. Editing the EQ or compressor parameters of any channel belonging to a link group will similarly edit the other channels in that link group. 1 In the DISPLAY ACCESS section, press the INPUT [DCA/GROUP] key (for an input channel) or OUTPUT [GROUP] key (for an output channel) to access one of the following screens.
9 Items in the DCA strip 2 Click the grid at which the desired channel (assignment source) intersects the desired link group (assignment destination). A “ ” symbol will appear at the corresponding grid. To cancel the assignment, click the “ ” symbol once again. In the case of output channel EQ link groups, MIX channels and STEREO A/B channels can be assigned only to groups A–F, and MATRIX channels can be assigned only to groups G/H. (Unavailable grids are grayed-out.
10 Scene memory This chapter explains how to store and recall the PM5D’s mix parameters as “scenes.” About scenes The PM5D can store and recall the current state of its mix parameters as a “scene.” Scenes are assigned a scene number of 000–500. Scene 000 is read-only, and cannot be overwritten. Other scene numbers may be rewritten freely.
10 Scene memory Items in the SCENE MEMORY section The SCENE MEMORY section lets you store and recall mix parameters as scene memories. Mute operations for mute groups 1–8 are also performed in this section. C SCENE MEMORY [PREVIEW] key This key selects either NORMAL mode or PREVIEW mode as the operation when you recall a scene. PREVIEW mode is selected if this key LED is lit; NORMAL mode is selected if it is dark. Operation will differ as follows according to the selected mode.
Using scene memories As the default choice in which edited library settings will be stored when you store a scene, choose either NEW (select an unused library) or OVERWRITE (select the original library). Storing a scene Here’s how to store the current mix settings (the current scene) into a scene memory.
10 Scene memory Recalling a scene 1 Use the SCENE MEMORY [π]/[†] keys to select the scene number that you want to recall. When you select a new scene number, the scene number and name shown at the top of the display and the scene number shown in the scene number indicator of the SCENE MEMORY section will blink. 2 Press the SCENE MEMORY [RECALL] key. A message in the display will ask you to confirm the recall operation.
Using the Auto Store function With the PM5D’s default settings, pressing the SCENE MEMORY [STORE] key will open the SCENE STORE window where you can name the scene and store it. If you enable the Auto Store function, you can execute the Store operation simply by pressing the SCENE MEMORY [STORE] key twice. Here’s the procedure. 1 In the DISPLAY ACCESS section, press the [UTILITY] key several times to access the PREFERENCE 1 screen shown below.
10 Scene memory 5 In the SCENE MEMORY section of the console, press one of the SCENE MEMORY [1]–[8] keys. The LED of the corresponding key will light, and the scene assigned to that key will be recalled. Using the Selective Recall function “Selective Recall” is a function that lets you restrict the parameters or channels that will be updated when you recall a specific scene, or, conversely, specify for each scene parameters or channels that will be excluded from recall operations.
❏ Other parameters 1 4 In the upper left of the screen, switch the SELECTIVE RECALL ENABLED/DISABLED button to ENABLED. When this button is set to ENABLED, the Selective Recall function will apply to subsequently-stored scenes. 5 Store the current scene. The settings of the SELECTIVE RECALL screen will be saved as part of the scene. When you recall this scene, only the selected channels/parameters will be excluded from (or subject to) Recall.
10 Scene memory Using the Recall Safe function “Recall Safe” is a function that excludes only specific parameters/channels from Recall operations. This differs from the Selective Recall settings (➥ p.92) made for individual scenes in that Recall Safe settings are common to all scenes. 1 3 In the DISPLAY ACCESS section, press the [SCENE] key several times to access the RECALL SAFE screen shown below.
Using the Fade function “Fade” is a function that smoothly changes fader and pan to their new values over a specified duration when you recall a scene. The settings of the Fade function are made independently for each scene. 1 In the DISPLAY ACCESS section, press the [SCENE] key several times to access the FADE TIME screen shown below. In this screen you can select the channels that will use the Fade function, and specify the fade time and start offset time.
10 Scene memory Using the Tracking Recall function “Tracking Recall” is a function that adds a specified offset value to each fader or level value when a scene is recalled. Tracking Recall settings are common to all scenes. For example if the original level of a certain sound source has changed, or if an actor was replaced by an understudy, this function provides a convenient way to adjust the level of that specific channel for all scenes.
Using the Global Paste function “Global Paste” is a function that lets you copy and paste settings of the desired channel or parameter from the current scene to scene data in memory (multiple selections are allowed). This is a convenient way in which changes to the current scene can be applied to scenes that have already been stored. 1 In the DISPLAY ACCESS section, press the [SCENE] key several times to access the GLOBAL PASTE screen shown below.
10 Scene memory • When PASTE MODE = DCA, GEQ, EFFECT Select DCA groups, GEQ modules, and internal effects. 5 Click the PASTE button. The selected items of the current scene will be pasted to the scene(s) in memory. Note • If the parameter settings differ between the copy-source and paste-destination, exception handling may be applied when the data is pasted (➥ p.188). • Only the parameters selected by PASTE MODE will be pasted.
11 Monitor and Cue This chapter explains the PM5D’s Monitor and Cue functions. About the MONITOR and CUE sections The MONITOR section sends the signal selected as the monitor source to the MONITOR OUT jacks. You can select the following signals as the monitor source.
11 Monitor and Cue • MONITOR SELECT Selects the monitor source. • MONITOR DELAY Delays the monitor signal. • CUE OUT DELAY Delays the cue signal. • METER Switches the signal that is shown in the meter section or in the display. • DIM (Dimmer) Attenuates the monitor/cue signal by a fixed amount. • OUT ATT. (Output attenuator) Attenuates/boosts the monitor/cue signal. • ON (On/off) Switches the monitor signal on/off. • PHONES LEVEL Adjusts the output level of the top panel and front panel PHONES jacks.
4 Monitoring a signal Use the keys of the MONITOR section to select the monitor source from the following. Here we explain how you can use the MONITOR section to monitor the desired source. [2TR IN A1]/[2TR IN A2] keys The input signal from 2TR IN ANALOG jacks 1/2 1 Make sure that your monitor system is connected to the rear panel MONITOR OUT jacks L/R/C. If you want to monitor through headphones, make sure they are connected to the top panel or front panel PHONES jack.
11 Monitor and Cue Using the Cue/Solo functions Items in the CUE section About CUE mode and SOLO mode 1 4 2 5 3 A [INPUT]/[DCA]/[OUTPUT] LEDs These LEDs indicate the monitoring status. If even one [CUE] key is on, the LED of the group to which that key belongs will light. If a special Cue signal such as KEY IN CUE or EFFECT CUE is active, all three LEDs will light. The PM5D lets you select either SOLO mode or CUE mode when using the [CUE] key to monitor signals.
Cue and Solo groups The PM5D’s cue and solo signals can be categorized into the following four groups. • INPUT CUE group The cue/solo signals of input channels make up this group. This group becomes active when a [CUE] key of an input channel, ST IN channel, or FX RTN channel is pressed to turn it on. Input channel [CUE] key ST IN/FX RTN channel [CUE] key • DCA CUE group The cue/solo signals of DCA groups make up this group.
11 Monitor and Cue Using the Cue function This section explains how you can use the [CUE] key of a desired channel or DCA group to monitor the Cue signal. 3 Make sure that the [SOLO] key in the CUE section is turned off. 4 Press the [CUE] key of a desired channel or DCA group to turn it on. The cue signal of the corresponding channel will be output from the CUE OUT jacks and the MONITOR OUT jacks. 5 To defeat Cue, press the currently-on [CUE] key once again.
12 Talkback and Oscillator This chapter explains how to use talkback and oscillator. About the TALKBACK/OSCILLATOR sections The TALKBACK and OSCILLATOR sections let you send the signal of a mic connected to the TALKBACK jack or the signal of a test oscillator to the desired output jacks. Signal flow in the TALKBACK/OSCILLATOR sections is as follows. PM5D DSP5D Items in the TALKBACK/OSCILLATOR sections A TALKBACK jack This is a balanced XLR-3-31 jack to which a talkback mic can be connected.
12 Talkback and Oscillator Using talkback Here’s how the talkback signal input from the TALKBACK jack can be sent to the desired bus(es). 1 4 Repeatedly press the [MON/CUE] key of the DISPLAY ACCESS section until the TALKBACK screen appears. TALKBACK TALKBACK area BUS ASSIGN area To enable talkback, press the TALKBACK [ON] key in the TALKBACK section of the panel to turn it on.
Using the oscillator The PM5D contains a test oscillator. By outputting the oscillator signal to the desired bus you can check the operation of connected devices or test the acoustics of a hall. 1 Repeatedly press the [MON/CUE] key of the DISPLAY ACCESS section until the OSCILLATOR screen appears. OSCILLATOR OSC MODE area 4 BUS ASSIGN area Click a button in the BUS ASSIGN area to select the oscillator signal output destination from the following choices.
13 Meters 13 Meters This chapter explains meter-related operations. Items in the meter section The meter section shows the input levels of the input channels and the output levels of the output channels. A INPUT/MIX meters Depending on the key you press, these meters indicate the input levels of input channels 1–24 or 25–48, or the output levels of MIX channels 1–24.
Switching the metering point The metering point for the level meters (i.e., the position at which the level is detected) can be specified separately for input channels and output channels. Specifying the metering point for input channels Here’s how to specify the metering point for input channels and ST IN/FX RTN channels. 1 Specifying the metering point for output channels Here’s how to specify the metering point for output channels, MONITOR channels, and the CUE bus.
13 Meters Viewing the gain reduction of the internal gates and compressors The amount of gain reduction produced by the gates/compressors of the input channels and the amount of gain reduction produced by the compressors of the output channels can be viewed in the display. Viewing the gain reduction for input channels Here’s how to view the amount of gain reduction produced by the gates/compressors provided on input channels 1–48 and ST IN channels 1–4.
14 Effects This chapter explains the functionality and operation of the PM5D’s internal effects. About the internal effects The PM5D contains eight internal effect modules. For each module, you can choose one of 55 effect types for the module to use. Note The eight effects can also be used as GEQ modules (➥ p.119). To use an internal effect via send/return, assign the output of a MIX channel to the input of the effect, and assign the output of the effect to an input channel.
14 Effects Using an internal effect via a MIX bus This section explains how to use an internal effect via a MIX bus. As an example, we will choose effect 1 for our operations, assign MIX bus 1 to the effect input, and assign the effect output to FX RTN channels 1/2. 1 In the DISPLAY ACCESS section, repeatedly press the INPUT [PAN/ROUTING] key to access the CH to MIX screen.
10 11 In the MIX section, press the [MIX MASTER] key to turn it on (LED lit). When the [MIX MASTER] key is on, you can use the controls of the MIX section to control MIX channels 1–24. 12 In the FX RTN channel strip, press the FX RTN channel 1 [ON] key to turn it on. 13 Use the FX RTN channel 1 fader to adjust the effect return level. Hint Press the MIX channel 1 MIX [ON] key to turn it on. Use the MIX encoder of that MIX channel to adjust the master send level of the signal sent to the effect.
14 Effects Basic operations in the effect screen This section explains how to store or recall effect library data, and how to edit effect parameters. 2 Note Data created by versions earlier than PM5D V2.0 can be loaded into the PM5D V2.0 or the DSP5D. However, you must move library number 55 to number 56 or later before loading. On PM5D version 2.0 or later, library number 55 will be deleted.
Editing the effect parameters Here’s how to edit the parameters of an internal effect. 1 In the DISPLAY ACCESS section, repeatedly press the [EFFECT] key to access the EFFECT PARAM screen. The lower part of the screen will show knobs and buttons for editing the parameters of the currently selected effect. The content of the parameters will depend on the type of the currently selected effect.
14 Effects 4 Click the STORE button. The EFFECT LIBRARY STORE window will appear, allowing you to name the library item you are saving. 5 Use the character palette to assign a name to the library item. For details on using the character palette, refer to p.30. 6 Click the STORE button. A window will ask you to confirm the Store operation. 7 To execute the Store operation, click the OK button. The data will be stored, and you will return to the previous screen.
Using the Freeze effect Here’s how to use the “FREEZE” effect type, which provides the functionality of a simple sampler. When this effect type is selected, you can perform operations in the screen to record (sample) and play back a sound. 1 In the EFFECT LIBRARY screen, recall a library item that uses the FREEZE effect type. 2 In the DISPLAY ACCESS section, repeatedly press the [EFFECT] key to access the EFFECT PARAM screen.
15 Graphic EQ and Parametric EQ 15 Graphic EQ and Parametric EQ The PM5D provides twelve units of 31-band graphic EQ or 8-band parametric EQ (expandable to a maximum of twenty units). This chapter explains how to use the graphic EQ and parametric EQ. Patching the GEQ modules The GEQ module built into the PM5D can be inserted into the insert-out/in of the desired channel. As an example, here’s how to insert GEQ module into the STEREO A channel.
Expanding the GEQ modules The GEQ modules provided by the PM5D can be expanded to a maximum of 20 modules by re-purposing the eight internal effects. 1 In the DISPLAY ACCESS section, repeatedly press the [GEQ] key to access the GEQ ASSIGN screen. In this screen, you can view the overall settings and input/output levels for the GEQ modules, specify the signal routing, and turn the module on/off.
15 Graphic EQ and Parametric EQ 2 Click the / buttons at the left and right of the MODULE box to select the GEQ module you want to operate. At this time make sure that the GEQ ON/OFF button is on. Also make sure that the corresponding module is inserted into an appropriate channel, and that insertin/out is enabled for that channel. 2 Hint Hint • The upper part of the GEQ PARAM screen functions as a spectrum analyzer.
6 Operate DCA faders 1–8. The corresponding frequency region will be boosted or cut. 8 Hint If the fader of a graphic EQ is at the 0 dB position, the [NOMINAL] LED of the DCA fader will light. If it is at other than the 0 dB position, the DCA [MUTE] key will light. While the DCA [MUTE] key is lit, pressing the DCA [MUTE] key will reset the corresponding band to 0 dB. 7 If you want to use the DCA faders to control a different region, repeat steps 5–6.
15 Graphic EQ and Parametric EQ Hint Controlling the parametric EQ from the SELECTED CHANNEL section • GEQ module settings are saved as part of the scene. You can also save desired GEQ module settings in a library. For details, refer to the Reference section GEQ LIBRARY screen (➥ p.174). • When the display switches to another screen, the UPPER or LOWER assignments are forcibly defeated, and you won’t be able to operate this even if you once again access the GEQ PARAM screen.
16 Remote control This chapter explains how you can use MIDI or GPI to control the PM5D’s parameters from an external device, or conversely how you can use the PM5D to control external devices. MIDI on the PM5D The PM5D can use MIDI to perform the following operations. • Program Change transmission and reception When you execute a specific event (scene/effect library recall) on the PM5D, a program change message of the corresponding number can be transmitted to an external device.
16 Remote control 3 5 In the PROGRAM CHANGE SETUP area at the left of the screen, you can select the way in which program changes will be transmitted and received, and switch reception and transmission on/off. The MODE area of PROGRAM CHANGE SETUP lets you choose one of the following as the way in which program changes will be transmitted and received. • SINGLE If this button is on, program changes will be transmitted/received on a single MIDI channel (Single mode).
In this window you can select the type of event (a scene, or a library item for effect 1–8) and its number. 7 When you have finished making settings, click the OK button in the MIDI PGM CHANGE window. 8 Assign events to other program numbers in the same way. With these settings, executing the specified event on the PM5D will cause a program change (or bank select + program change) message to be transmitted to the external device.
16 Remote control 3 In the CONTROL CHANGE SETUP area at the left of the screen, you can select the way in which control changes will be transmitted and received, and switch reception and transmission on/off. The MODE area of CONTROL CHANGE SETUP lets you choose one of the following as the way in which control changes will be transmitted and received.
Hint • You can use the CLEAR button above the list to erase all assignments to control numbers. The PRESET button will return all control number assignments to their default state. • The contents of the control change table are not saved in the scene. If desired, you can save this data on a memory card as a MIDI CTRL TABLE.
16 Remote control 3 In the DISPLAY ACCESS section, press the [MIDI/REMOTE] key several times to access the MIDI REMOTE screen shown below. LATCH button MIDI message box LEARN button MIDI REMOTE You can assign a MIDI message to a controller in any of the following three ways. A Directly inputting hexadecimal values In this method you directly input the message as hexadecimal values.
If you set a value to SW, ENC, or FAD, that value will be linked to the state of the controller. For example if you have made settings as shown in the following screen, the last value will be linked with the fader position, and will change in the range of 0–127. When you have finished inputting data in the MIDI REMOTE SETUP window, click the OK button. The hexadecimal values will be input in the MIDI message box of the MIDI REMOTE screen.
16 Remote control When you have specified all of the values, click the “ ” button in the screen; the hexadecimal values for that message will be input in the input box of the MIDI REMOTE SETUP window. As necessary, you can edit the message by clicking an input box and turning the [DATA] encoder. Hexadecimal values that were input C Using the LEARN button The LEARN button lets you assign a MIDI message to a controller by receiving that message from an external device.
Using MIDI remote channels Here’s how to recall banks A–D to which you assigned MIDI messages, and operate MIDI remote channels. In the DISPLAY ACCESS section, press the [MIDI/REMOTE] key several times to access the following MIDI REMOTE screen. MIDI REMOTE BANK SELECT area 2 In the BANK SELECT area at the upper right of the screen, use the A–D buttons to select the bank you want to use.
16 Remote control Transmitting MIDI events when you switch scenes You can register a desired MIDI message for each scene in scene memory so that this message will be transmitted from the MIDI OUT connector when you recall the scene. For example you can use this to switch programs on an external MIDI-compatible effect processor when the scene changes. 1 Connect the MIDI OUT connector of the PM5D to the MIDI IN connector of the external device.
Using GPI (General Purpose Interface) The GPI connector on the rear panel can be used as a GPI (General Purpose Interface) input/output connector. This connector provides four GPI IN ports and twelve GPI OUT ports. For example you can use an external switch or joystick to control the PM5D’s parameters, or conversely use the PM5D’s keys and faders to send control signals to an external device. The following diagram is an example of an external circuit that can operate GPI via the GPI connector.
16 Remote control When controlling a continuously-variable parameter, that parameter will be at its minimum value when the voltage is at low level, and at its maximum value when the voltage is at high level.
Specify the function and parameter for other GPI IN ports in the same way. With these settings when you operate an external device to make the GPI IN port active, the corresponding PM5D function will be executed. (If a continuously-variable parameter is assigned, the parameter value will vary according to the change in voltage.) 4 Turn on the CALIBRATION button. The red line (or red square) in the GPI IN monitor area will temporarily disappear, and only the yellow symbol will remain.
16 Remote control ❏ FADER START Using GPI OUT Here’s how you can use the GPI OUT ports of the GPI connector to control an external device from the PM5D’s faders or keys. 1 To the PM5D’s GPI connector, connect the external device that you want to control from the PM5D. 2 In the DISPLAY ACCESS section, press the [MIDI/REMOTE] key several times to access the GPI screen. 3 In the POLARITY column of the GPI OUT area, select the polarity of the signal that is output from each GPI OUT port.
❏ USER DEFINED KEYS ❏ TALLY (other) Operation of a User Defined key on the PM5D will be the trigger for outputting a signal from the GPI OUT port. To edit the setting, click the button at the left to open the GPI OUT PORT ASSIGN window; from the list, select the User Defined key bank (A–D) and number (1–25), and choose the trigger mode (how the trigger will operate when the key is pressed). You can choose one of the following trigger modes.
17 Using memory cards 17 Using memory cards This chapter explains how to save/load PM5D/DSP5D internal data using a memory card. Using memory cards with the PM5D You can insert a commercially available memory card into the memory card slot located on the front panel of the PM5D, and use it to save or load various types of data. You can use PCMCIA Type II PC flash ATA cards, or CompactFlash media inserted in a PC card adaptor. (In either case, media with a power supply voltage of 3.
Button To move to a lower directory, click the directory line to select it (that line will move to the center of the list), and click the directory name shown in the FILE NAME column. If the file list contains a directory above the current level, it will be shown as “. .” in the FILE NAME column and “[DIR]” in the TYPE column.
17 Using memory cards 9 10 To execute the Save operation, click the OK button. A window will appear, indicating the progress of the Save operation. If you click the CANCEL button instead of the OK button, the Save operation will be aborted. Do not insert or remove the memory card while it is being accessed. A BUSY indicator at the upper right of the display will light while the card is being accessed.
• COMMENT column This shows the comment assigned when the file was saved. To input a comment, scroll the file list horizontally and click the COMMENT column for the currently selected file. Hint By clicking the headings at the top of the list, you can sort the list in ascending or descending order of that item. The text of the currently selected button will turn red, and an arrow indicating ascending (↑) or descending (↓) order will appear.
18 Surround pan 18 Surround pan This chapter explains how to use the surround pan functionality. About surround pan “Surround pan” is functionality that, when used with a multi-channel playback system, lets you place the signal of an input channel in two-dimensional space or move the sound image between front/back and left/right. (To move the surround pan image, you can use the mouse, the CURSOR [√]/[®]/[π]/[†] keys, or the MIX encoders etc.
Bus configuration and operation in surround mode When any of the three surround modes (3-1ch, 5.1ch, 6.1ch) are selected, the PM5D’s bus configuration and operation will change as follows. About the surround buses How the MIX section will operate While a surround mode is selected, MIX buses 1–8 or MIX buses 9–16 can be used as surround buses. (The choice of whether to use MIX buses 1–8 or MIX buses 9–16 is made in the MATRIX/ST function SURR SETUP screen.
18 Surround pan ❏ If the MIX section [MIX MASTER] key is on A Output level The encoders adjust the output level of each surround channel. 1 Basic settings for surround buses Here’s how to choose either 3-1ch, 5.1ch, or 6.1ch as the surround mode, and make settings for the MIX buses you will use as surround buses. 1 According to the surround mode you intend to use, connect an appropriate playback system to MIX OUT jacks 1–8 or MIX OUT jacks 9–16.
6 Use the knobs and buttons in the lower part of the screen to adjust the volume, delay, on/off status, and cue for each surround channel. For details on these knobs and buttons, refer to SURR PARAM screen (➥ p.309) in the Reference section. 7 In the MIX section, make the [MIX MASTER] key light, and turn on the MIX [ON] keys of all MIX buses that will be used as surround buses. The signal of each surround bus is now sent from the corresponding MIX OUT jack.
18 Surround pan • Using the MIX encoders If you turn on the [MIX SEND] key of the MIX section, you can use MIX encoders 1 or 9 to adjust the left/right position of the input channel, and MIX encoders 2 or 10 to adjust the front/rear position. The SURR PARAM screen MIX SECTION ASSIGNMENT area shows the parameters assigned to each MIX encoder. • Using MIDI control changes or GPI If you assign surround pan parameters to MIDI control changes or GPI, you can use an external device to control surround pan.
Notes regarding surround pan Here are some notes and limitations that you should be aware of when using surround pan. ❏ Scene recall operations • The surround mode selection and the surround pan settings of each channel are stored as part of the scene. • If you recall a scene whose surround mode differs from the current scene, the screen and panel display will change accordingly. The surround mode is recalled regardless of Selective Recall or Recall Safe settings.
19 Other functions 19 Other functions This chapter explains other functionality of the PM5D not covered elsewhere. Using the user defined keys You can assign the desired functions to the User Defined keys in the USER DEFINED section of the top panel, and press these keys to execute the defined function. Items in the USER DEFINED section BANK SELECT area USER DEFINE 2 In this screen you can make User Defined key assignments for each of four banks; A–D.
5 Assign functions to other keys and banks in the same way. Hint The User Defined key assignments are not saved in the scene. If desired, you can save the assignments on a memory card as USER DEFINED KEY data. Executing functions assigned to the User Defined keys Here’s how to use the USER DEFINED [1]–[25] keys to execute the functions that have been assigned to them. 1 In the DISPLAY ACCESS section, repeatedly press the [UTILITY] key to access the USER DEFINE screen.
19 Other functions 2 4 Use the channel selection boxes for the desired layer (A–F) to select the channel assigned to each fader 1–8. Channel selection box As desired, use the INPUT box and ST IN/FX RTN box for the layer (A–F) you want to operate to select the INPUT channel strip and ST IN/FX RTN channel strip layers. To select a layer, move the cursor and turn the [DATA] encoder and press the [ENTER] key to confirm. 5 To select a channel, move the cursor to the box and turn the dial.
Locking the PM5D (Security functions) The PM5D lets you prohibit changes to certain parameters (Parameter Lock), disabling file loading (Load Lock), or prohibit operation of the console (Console Lock). For example, this lets you prevent an unauthorized person from operating the console while the engineer is taking a break.
19 Other functions 3 Using Parameter Lock or Console Lock Here’s how to lock parameters or the console. You can also lock using the password you specified. 1 In the DISPLAY ACCESS section, repeatedly press the [UTILITY] key to access the SECURITY screen. Note LOCK PARAMETER SELECT area If the LOAD LOCK button is on, synchronization can occur only from this unit to PM5D Editor/DSP5D Editor (not the reverse) when synchronizing with PM5D Editor/DSP5D Editor.
Using cascade connections You can share buses by cascade-connecting a PM5D and DSP5D, multiple PM5D units (maximum of four units), or a PM5D with an external mixer (Yamaha DM2000/02R96, etc.). When multiple PM5D/DSP5D units are cascade-connected, operations such as scene store/recall, cue/solo, and dimmer can also be linked. Hint Example of cascade connections between the PM5D and DSP5D • If you want to daisy-chain two to four PM5D units (i.e.
19 Other functions • For machine ID #1 OUT Basic settings for cascade connection Here we will explain the basic settings needed when cascade-connecting the PM5D and DSP5D, and when cascade-connecting two PM5D units bi-directionally. IN OUT IN TX RX TX RX ❏ Cascade-connecting the PM5D and DSP5D • For machine ID #2 OUT 1 IN In the DISPLAY ACCESS section, repeatedly press the [SYS/W.CLOCK] key until the MIXER SETUP screen appears.
❏ Cascade master (bi-directional cascade connections between PM5D units) 1 5 Select “PM5D” in the CASCADE FROM field and in the CASCADE TO field. In the DISPLAY ACCESS section, repeatedly press the [SYS/W.CLOCK] key until the MIXER SETUP screen appears. MIXER SETUP CASCADE FROM field CASCADE TO field CASCADE CONNECTION area 3 4 In the CASCADE FROM field, select one of the following as the type of the external device that is sending signals to the PM5D via the cascade connection.
19 Other functions through which audio signals will be transmitted to and received from the cascade-connected external device. If “PM5D” or “DM2000/02R96” are selected as the other cascade-connected device, only “CASCADE IN” can be selected for the CASCADE IN PORT SELECT field. In the CASCADE OUT PORT SOURCE SELECT field, you can choose from the output channels of slots 1–4 as well as “CASCADE OUT” (➥ p.225).
• SCENE STORE/EDIT Scene store operations, store undo operations, title editing, sorting • CUE/SOLO LOGIC Cue/Solo operations • DIMMER ON/OFF Dimmer effect (including talkback dimmer) • PAGE CHANGE Switching the display screen • DCA FADER MODE Switching the mode of the top panel FADER MODE section • ENCODER MODE Switching the mode of the top panel ENCODER MODE section • PANEL/LCD BRIGHTNESS BRIGHTNESS settings in the PREFERENCE 2 screen (UTILITY function) • INPUT METER POINT/OUTPUT METER POINT/ PEAK HOLD In
19 Other functions Connecting the PM5D to your computer via USB The PM5D Editor application can be installed in a computer and used to control the PM5D’s parameters or to backup and restore the contents of the PM5D’s memory. Here we will explain the operations required in order to establish a USB connection between the PM5D and a computer. Note Note The following procedure assumes that the PM5D Editor program and USB-MIDI driver have already been correctly installed in the computer.
Connecting the DSP5D to your computer via Ethernet You can use the DSP5D Editor program installed in your computer to control the DSP5D’s parameters and to back up and restore the contents of its memory. Here we will explain the necessary steps for using an Ethernet cable to connect the DSP5D to your computer. within the network. Set this so that it does not conflict with the IP address of other devices on the network.
19 Other functions Initializing the PM5D’s internal memory If an error occurs in the PM5D’s internal memory, or if you are unable to return to normal operation because you have forgotten the system password, use the following procedure to initialize the internal memory. 2 When you initialize the internal memory, the content that had been previously been saved in memory (including read-only scene memories) will be lost. You must use extreme caution when performing this operation.
Adjusting the faders and input/output gain (Calibration) Depending on the conditions of use, discrepancies may occur in the behavior of the motor faders. you can use the Calibration function to correct such discrepancies. If necessary, you can also make fine adjustments to the analog input/output gain. 2 While holding down the [ENTER] key of the panel, turn on the power of the PW800W power supply. After the opening screen, the following calibration menu screen will appear.
19 Other functions Adjusting the analog input gain (PM5D-RH model only) If necessary, you can make fine adjustments in steps of 0.1 dB to the gain of the specified analog input port. Since the input levels of all ports are set to match each other when the PM5D is shipped from the factory, you will normally not need to change these settings. Adjusting the output gain If necessary, you can make fine adjustments in steps of 0.01 dB to the gain of the specified output port. The factory setting is 0.00 dB.
Information shown in the display Reference section The Reference section explains the functionality and operations for every screen of the PM5D, organized into four main areas; function menu, global functions, output functions, and input functions. The following illustration is a typical screen on the PM5D. Note • You can move the cursor to the scene number and turn the [DATA] encoder to select a scene.
Main area of the display • PRESENT TIME Indicates the present time. The time can be specified in the UTILITY function PREFERENCE 1 screen. • TIME CODE Indicates the internal time code being generated by the PM5D (machine #1), or the time code being received from an external device. This is the same as the time code shown in the SCENE function EVENT LIST screen.
Function menu D Encoder/Fader mode F FADER MODE This is linked with the FADER MODE section on the panel, and indicates the function that is assigned to the faders of the DCA strip. You can also move the cursor and turn the [DATA] encoder to change this directly.
Global functions Global functions EFFECT functions C Input patch This box lets you select the signal path that will be patched to the L/R input channels of the internal effect. Move the cursor to this box and turn the [DATA] encoder or click the / buttons at left or right to display the desired signal path, and then press the [ENTER] key to finalize the change. You can choose the following signal paths.
9 J K L Information shown in the display 8 5 6 This button cue-monitors the output of the effect shown in the screen. Cue is automatically defeated when you switch to a different screen. (However, cue will be held if you switch to the EFFECT ASSIGN screen.) H Output meter Indicates the level of the signal being output from the effect. I Output patch This box lets you select the signal path that will be patched to the L/R output channels of the internal effect.
EFFECT functions F Output patch EFFECT ASSIGN screen This screen lists the effect types used by internal effects 1–8, and shows their input levels.. Here you can also assign signals to input/output channels, and make settings for bypass and cue. EFFECT ASSIGN This box indicates the signal path that is patched to the L/R output channels of the internal effect. You can also directly assign the signal path in this box.
6 Information shown in the display EFFECT LIBRARY screen Here you can recall, store, rename, or delete items in the effect library. Function menu EFFECT LIBRARY 7 8 9 K 1 2 F Library effect type Global functions J G RECALL Recalls the library item shown in the list into the currently selected effect. Note When you recall an Add-On effect, other effects may be muted briefly. Output functions Indicates the effect type of the library item selected in the list.
GEQ function GEQ function PLUG-IN screen In this screen you can make settings for Waves Y96K plugin DSP cards installed in slots 1–4. For details on operation, refer to the Y96K operating manual. PLUG-IN GEQ PARAM (GEQ parameter) screen Here you can adjust the boost/cut for a 31-band graphic EQ or 8-band parametric EQ, specify the input/output patching, and assign a GEQ to faders. GEQ PARAM Please note that Y96K cards will operate as follows.
• • • Note • When you select the insertion destination here, insert in/out will be patched simultaneously, and insertion will automatically be turned on for the channel into which the graphic EQ module was inserted. • If you move the cursor away without pressing the [ENTER] key, the setting will revert to its original state. D GEQ/PEQ button M N OP H SLOW/FAST Switches the fall speed of the spectrum analyzer between slow or fast.
GEQ function N LIMIT U EQ FLAT The range and direction of adjustment controlled by the faders can be selected from the following: ±15 dB, ±12 dB, ±6 dB (these are valid in both the boost and cut directions), or –24 dB (valid only in the cut direction). This resets the GAIN parameter of all bands to the initial value (±0.0 dB). When you click this button, a confirmation message will appear.
GEQ ASSIGN F DSP CONFIGURATION This box lets you change the number of assignments for the internal effects and GEQ modules. If you decrease the number of internal effects, the number of available GEQ modules will increase by one. The number of internal effects can be changed between eight units (twelve GEQ modules) to zero available internal effects (twenty GEQ modules). Note Global functions If you change the DSP CONFIGURATION setting, the internal effects or GEQ modules may be muted briefly.
GEQ function J GEQ LIBRARY screen Here you can recall, store, rename, or delete items in the GEQ library. GEQ LIBRARY 6 7 8 9 K 1 2 3 F RECALL 4 Recalls the library item selected in the list into the currently selected GEQ module. G STORE Stores the settings of the currently selected GEQ module into the selected location in the list. When you click this button a window will appear, allowing you to name and save the GEQ module settings.
E SEL.RECALL (Selective recall) SCENE screen For each scene, you can specify whether the Selective Recall function will be used when recalling the scene. If the Selective Recall function is enabled (➥ p.180), scenes for which this button is turned on can recall only specific parameters. (Alternatively, you can exclude only specific parameters from the recall.) If the scenes are sorted in order of TITLE, a check mark is displayed for scenes for which this is turned on.
SCENE function J TX ON/OFF (MIDI event transmission on/ off) Display Specifies whether the assigned MIDI event will be transmitted. Polarity None Transmission method Disabled High active K DELAY This specifies the timing of the program change or MIDI event that will be transmitted when the scene is recalled. When you click the button at the left, the following MIDI EVENT DELAY window will appear.
EVENT LIST screen The Event List function lets you register scenes in the order of use, so that these scenes can be recalled either manually or automatically according to the specified time code or interval. Note The setting screen for the PM5D is always shown, even if the DSP5D is cascade-connected. • • • • • EVENT LIST Global functions • Function menu P EDIT These buttons let you rearrange the order of the scenes in memory.
SCENE function B Event list In this list you can register the scenes to be recalled, and the conditions under which the scenes will be recalled. Click a line to select the event of that line for editing; it will be highlighted in the center of the list. • No. Indicates the event number. • EVENT TRIGGER This column specifies the condition that will recall each event. Click the button, and in the window that appears, use the following three buttons to select the condition. MANUAL . . . . .
• The MOVE UP/DOWN buttons are available only for events whose EVENT TRIGGER field is shown as “[MANUAL]” or the “ ” symbol. • If the EVENT TRIGGER field of the selected event shows a time code, these buttons will be grayed-out and unavailable. G MANUAL INSERT This button inserts a new event at the location selected in the event list. The EVENT TRIGGER field of the new event will be “[MANUAL],” and its SCENE TITLE field will be “no assignment.” You can change these as desired.
SCENE function Note If the time code source is OFF, the EVENT TRIGGER column will be “[MANUAL].” If the time code source is TIME CODE, MIDI, USB, or SLOT 1–4, the offset value has been added to the rewritten time code value. M SCENE INSERT This button inserts one or more consecutive scenes from scene memory into the event list.
This area indicates the number of assigned channels for each parameter. G SET ALL These buttons turn on the buttons of all channels or all buttons of the corresponding parameter. H CLEAR ALL Information shown in the display F ASSIGN 6 J K I OTHER SAFE/RECALL PARAMETERS 7 8 D SAFE ON/OFF buttons RECALL ON/OFF buttons The function of these buttons will depend on the SELECTION MODE (2) setting.
SCENE function When using Selective Recall, parameters of which only one instance for every two adjacent odd-numbered/even-numbered channels/modules will be handled as follows if only one of the channels/modules is set to Selective Recall. • PAIR These parameters will not be recalled. RECALL SAFE screen Here you can specify parameters/channels that will be excluded from recall operations for all scenes.
5 9 6 Information shown in the display 3 4 Function menu J Note If you scroll the scroll bar downward, you will see that the CH column of the SAFE PARAMETERS area shows not only input channels but also the following input ports. AD1-AD48 . . . .INPUT jacks 1-48 AD1L-AD4R . . .L/R channels of ST IN jacks 1-4 ExHA1-1–ExHA8-8. . . . .
SCENE function When using Recall Safe, parameters of which only one instance for every two adjacent odd-numbered/even-numbered channels/modules will be handled as follows if only one of the channels/modules is set to Recall Safe. • PAIR The setting will be forcibly turned off (pairing will be disabled). FADE TIME screen Here you can specify how fader and pan will change smoothly to their new values over a specified duration when the scene is recalled.
4 This button enables the Fade function for all input channels or output channels. F CLEAR ALL This button disables the Fade function for all input channels or output channels. Information shown in the display E SET ALL Function menu • When the START OFFSET button is on Edit the time (start offset time) after which the fader or pan parameter of the corresponding channel will begin changing when you recall a scene for which the Fade function is enabled.
SCENE function TRACKING RECALL screen Here you can make settings for the Tracking Recall function, which adds a specified offset value to the value of each fader when you recall a scene. 6 TRACKING RECALL 7 F ON (Tracking On) These buttons enable/disable tracking for each channel. If the TRACKING RECALL ENABLED/ DISABLED button is set to ENABLED, tracking is enabled on channels for which this button is ON.
1 A PASTE MODE Select the type of copy-source parameter from the following choices. You cannot select more than one type simultaneously. INPUT . . . . . . Input channel parameters OUTPUT . . . . Output channel parameters DCA, GEQ, EFFECT . . . .
MIDI REMOTE function 3 MIDI REMOTE function 4 Note The various MIDI REMOTE function screens other than the DME CONTROL screen are invalid if the DSP5D is selected. MIDI SETUP screen Here you can select the types of MIDI message transmitted and received by the PM5D, and select the MIDI port that will be used. MIDI SETUP C DESTINATION SCENE (Paste-destination scene) This list lets you select the scenes to which the data will be pasted.
Parameter changes are a method by which PM5D parameters are transmitted in the form of system exclusive messages. • MIDI THRU Tx (Thru output) Select the port from which messages input to MIDI THRU Rx will be output. The selection method is the same as for MIDI PORT Tx. • • • • B Tx (MIDI transmission) Here you can make various settings for transmission of MIDI messages. • MIDI PORT Tx (MIDI transmission port) Select the port at which the PM5D will transmit MIDI messages.
MIDI REMOTE function MIDI PGM CHANGE (MIDI program change) screen 5 In this screen you can select the scene or effect library assigned to each MIDI program number. MIDI PGM CHANGE 6 7 E MMC OUTPUT PORT This selects the port that will transmit MMC (MIDI Machine Control). F MIDI REMOTE OUTPUT PORT (MIDI remote output port) Here you can select the port from which MIDI messages will be transmitted by the MIDI Remote function, for each of the four banks.
6 4 MIDI CTRL CHANGE (MIDI control change) screen Here you can select the PM5D parameter (fader operation, [ON] key operation, etc.) assigned to each control number. D List E PRESET Clicking this button will restore all event assignments in the list to their default state. F CLEAR ALL Clicking this button will delete all event assignments in the list. 1 3 A MIDI SETUP Input functions 2 Select the ports that the PM5D will use to transmit and receive MIDI messages, and the MIDI channels.
MIDI REMOTE function multiple MIDI channels according to the assignments in the list (4). MIDI REMOTE screen C ECHO ON/OFF This selects whether control changes received from an external device are echoed-out from the MIDI transmission port. This item is linked with the settings in the MIDI SETUP screen. Here you can assign MIDI messages to panel faders, CH [ON] keys, encoders, and ENCODER [ON] keys, and make settings for the MIDI Remote function used to control external devices.
This button erases the currently selected bank (all MIDI messages will be deleted). 6 7 8 • MIDI messages assigned using the LEARN button can be a maximum of 16 bytes long (the 17th and subsequent bytes are discarded). If the message is less than 16 bytes long, END will be immediately after the last data value.
MIDI REMOTE function GPI screen FUNCTION PARAMETER NO ASSIGN — Here you can make settings for GPI (General Purpose Interface) input/output, used to transfer control signals between the PM5D and an external device.
❏ GPI OUT MN O P Q 8 6 9 Information shown in the display ❏ GPI IN MONITOR KL This button calibrates the range of voltage variation used by the PM5D to determine active/inactive status, so that the range will be appropriate for the voltages being input from the GPI PORT. (For details on using calibration ➥ p.135) When you turn this button on, the range of voltage variation will be temporarily cleared; the range will be updated every time the GPI IN voltage changes.
MIDI REMOTE function P USER DEFINED KEYS This area indicates the User Defined keys that are assigned as triggers to each GPI OUT port, and their operations. To edit the setting, click the button at the left to open the GPI OUT PORT ASSIGN window; from the list, select the User Defined key bank (A–D) and number (1–25), and how the trigger signal will be transmitted.
⇔ D CLEAR ALL Information shown in the display Output functions Clears the Output Type field assignments of all channels. Function menu Note that the GPI-related settings you make in the FADER START screen are linked with the FADER START field of the GPI screen.
MIDI REMOTE function TRANSPORT screen 3 Here you can use MMC/RS422 protocol commands to remotely control transport/locate operations on a recorder or other external device from the PM5D. TRANSPORT 4 5 6 C Transport A MMC DEVICE No. These buttons operate the transport of an external device. When you click a button, the corresponding MMC/RS422 command (from the left, REWIND, FAST FORWARD, STOP, PLAY, REC) will be transmitted.
DME CONTROL screen Here you can remotely control various functions of a Yamaha DME series digital mixing engine. Hint As of this writing (April 2007), this function can be used with the DME series models DME64N, DME24N, DME8i-C, DME8o-C, DME4io-C, DME8i-ES, DME8o-ES and DME4ioES. (This function cannot be used with the DME32.) E Time code This field indicates the time code that is specified for each locate point.
MIDI REMOTE function ❏ Connecting the PM5D with a DME series unit C MONITOR When you click the monitor source select button (@), the MONITOR POINT SELECT window will appear, allowing you to select the monitor source for the DME series. When you turn the MONITOR button on, the EXTERNAL CUE indicator in the upper part of the display will turn on, and the monitor signal of the DME series will be sent to the PM5D’s CUE bus.
OUT connectors — 1 (DME64N only) This method is a uni-directional connection that sends audio signals from the DME64N to the PM5D via its CASCADE IN connector. 5 Connections using the DSP5D If the PM5D and DSP5D are cascade-connected, install a MY-16CII CobraNet card in a slot of the DSP5D (machine #2), and use an Ethernet cable to connect it to the DME series.
MIDI REMOTE function 2 Connection using a DCU5D unit You can use an Ethernet cable to connect the DSP5D and DME series via a DCU5D digital cabling unit. CASCADE IN/OUT connectors when a scene is recalled on the PM5D. This allows scenes to be recalled on the DME in tandem with scene recall operations on the PM5D.
Setting in the CASCADE OUT PORT SELECT field (MIXER SETUP screen) Items available in the OUTPUT PORT field CASCADE OUT ----, SLOT1–SLOT4 2 In the upper left of the screen, use the component type / component selection areas to select the component you want to control. If a component other than SETUP is selected, internal parameters of the DME can be controlled from the PM5D screen. The following illustration is an example of when the SLOT OUTPUT component is selected.
UTILITY function UTILITY function PREFERENCE 1/2 screens 1 Preference settings for the PM5D are divided into two screens. PREFERENCE 1 2 3 4 5 A STORE/RECALL • PREFERENCE 2 • • • • PREFERENCE 2 These buttons let you turn on/off options related to scene store/recall operations. You can select the following options. AUTO STORE Turns the Auto Store function on/off.
D DCA MUTE TARGET 6 Information shown in the display This specifies whether the DCA [MUTE] key will mute the send to the MIX bus when the send-source to the MIX bus is PRE FADER. If you specify “POST ONLY,” the PRE FADER signal will not be muted. If you specify “PRE & POST,” it will be muted regardless of the send-source position.
UTILITY function Button name OUTPUT MASTER Corresponding parameters Screen that appears MIX/MATRIX channel output level OUTPUT VIEW function FADER VIEW screen ❏ PREFERENCE screen 2 • MAKE PAIR ON PANEL If this button is on, you can use the [SEL] keys to set/ defeat pairing. In Horizontal Pair mode, you can set/ defeat pairing by simultaneously pressing the [SEL] keys of two pairable channels.
J K • ENCODER VALUE When you operate an encoder (pan setting), the name display will switch to indicating that value. • FADER VALUE When you operate a fader, the name display will switch to indicating that value. Information shown in the display M CHANNEL NAME NUMERIC DISPLAY Function menu L M J UPPER PART DISPLAY K NAME DISPLAY ([NAME] indicator display) Choose one of the following as the content that will be shown by the [NAME] indicators of the INPUT channel strip and DCA strip.
UTILITY function 1 USER DEFINE screen 3 Here you can assign functions to the User Defined keys (USER DEFINED [1]–[25] keys). USER DEFINE 2 A BANK Select a bank A–D (groups of functions assigned to the User Defined keys). B CLEAR BANK Clears the currently selected bank. C List This area lists the functions and option parameters assigned to the User Defined keys in the currently selected bank.
PARAMETER 2 Explanation — When an output channel is selected, turn talkback transmission on/off for that channel SELECTED CH ASSIGN TALKBACK ASSIGN DIRECT ASSIGN MIX 1–24, MATRIX 1–8 DIMMER ON — Control the Tap Tempo function in the displayed screen EFFECT 1–EFFECT 8 Control the Tap Tempo function of the specified effect — SELECTED CH, ODD CH, EVEN CH GRAB — The [NAME] indicator for each fader will show the port name only while you hold down the key UNLATCH NAME The [NAME] indicator for e
UTILITY function FUNCTION PARAMETER 1 PARAMETER 2 Explanation SET NOMINAL LEVEL — — If you hold down this key and press the [SEL] key, the fader of that channel will be set to nominal level. (While you hold down this key, only the [SEL] keys of channels not at nominal level will light.) Alternatively, you can set the level to nominal level by moving the cursor to an on-screen knob (level, EQ gain) or fader, and then pressing the [ENTER] key while holding down this key.
In BASIC mode you can save all scene memory and library data (or just a selected portion of data) to a card. If BASIC is selected, the left side of the screen will show the items listed in the following table. Hint BASIC button If the PM5D and DSP5D are cascade-connected, the settings of each machine can be consecutively saved by a single operation. 3 SAVE Function menu Here you can save PM5D scenes and library data on a memory card inserted in the MEMORY CARD slot.
UTILITY function If the SCENE MEMORY, HA, INPUT PATCH, or OUTPUT PATCH button is on, you can use the box at the right to specify the starting number and ending number of the scenes or library items that will be saved. Starting number box will change automatically as the starting number is edited.
G LIBRARY TITLE L Information shown in the display K H CHANNEL NAME From the following table, select the parameters that will be written (e.g., library title, channel name).
UTILITY function N Number of files / Free area This displays the number of files and directories in the current directory, and the free area on the memory card. Note A maximum of 99 files and directories can be displayed in the file list. If there are more than 99, a blinking message of “Too Many Files” will be displayed. In this case, please delete unneeded files or move files to another directory. ➠ O SAVE This saves the data selected in the left side of the screen to the currently selected directory.
In this screen, scene or library data from a memory card inserted in the MEMORY CARD can be loaded into the PM5D. This cannot be used while in PREVIEW mode. D Mode Here you can select the mode in which files will be loaded. If a file other than CSV is selected in the file list, you will be able to select BASIC mode or ADVANCED mode. (The CSV button will be grayed-out and unavailable.) If a CSV file or directory is selected in the file list, CSV IMPORT mode will be selected automatically.
UTILITY function F LOAD Hint This button loads the data selected in the left side of the screen into the parameters you specify. When you click this button, a message will ask you to confirm the Load operation. (This is common to all modes.) Note If cascade connection is enabled, you can’t execute the load operation. • Even if you’ve selected data that was saved in BASIC mode, you can switch to ADVANCED mode and load only specific numbers.
6 Information shown in the display FADER ASSIGN screen Here you can assign the desired input channels / output channels to the eight faders in the DCA section of the panel. Here you can also assign the machine, INPUT channel layer, and ST IN/FX RTN layer that will be switched in tandem with the FADER MODE. FADER ASSIGN The parameter assigned to each fader of the DCA fader section is shown here. This will depend on the currently selected fader mode.
UTILITY function B PARAMETER LOCK SECURITY screen In this screen you can prohibit console operation (Console Lock), prohibit editing for specific parameters (Parameter Lock) or disabling file loading (Load Lock). Two passwords of differing levels can be specified to allow locking and unlocking. This button sets/defeats Parameter Lock for the parameters selected in the LOCK PARAMETER SELECT area (5). If not even one parameter is selected, these buttons will be grayed-out and cannot be turned on.
SYS/W.CLOCK function 7 WORD CLOCK screen Here you can select the word clock on which the PM5D will operate. You can also view and edit settings for cards installed in slots 1–4. This is a temporary password (maximum of eight characters) that is separate from the system password. The password you specify here is valid for the CONSOLE LOCK button (7). The method for setting or changing the password is the same as for the system password.
SYS/W.CLOCK function Note 34 • For the DSP5D, you cannot select 2TR IN D1–D3 or SLOT 3–4. For CASCADE IN, you can choose either the D-sub 68pin connector or the RJ-45 connector. • If you make cascade or other connections using the DCU5D’s CASCADE OUT (RJ-45) connector, it will not be possible to synchronize to the word clock from the DCU5D’s CASCADE OUT (D-sub) connector. In this case, you’ll need to provide a separate connection for the word clock.
1 2 3 4 A +48V MASTER (DSP5D only) This is the master phantom power (+48V) switch for INPUT jacks 1–48 and ST IN jacks 1–4. If this switch is off, the +48V button shown in the display will be disabled. B VIRTUAL SOUNDCHECK This temporarily switches the input signals without affecting the scene memory (input patching).
SYS/W.CLOCK function 5 7 8 • 3-1ch This mode uses four channels: L (front left), C (front center), R (front right), and S (surround). L (front left) C (front center) R (front right) S (surround) 6 E BUS SETUP This area indicates the MIX bus mode (VARI/FIXED) for every two adjacent odd-numbered/even-numbered MIX buses. You can edit the setting by clicking the / buttons at the left and right. • 5.
Click this window to access the CASCADE TYPE SELECT window, where you can select the type of cascade connection. Note Global functions In the CASCADE CONNECTION area of the MIXER SETUP screen, the color of the route (heavy arrow) between machines indicate the type or status of the route as follows.
SYS/W.CLOCK function • PM5D-DCU5D — DSP5D-DCU5D — DSP5D Display Source device Available cascade input port DM2000 /02R96 Yamaha DM2000 or 02R96 CASCADE IN MIXER [30BUS] A mixer other than the above (maximum 30 bus) SLOT 3/4, SLOT 1-4 [CH1-8], SLOT 1-4 [CH9-16] MIXER [16BUS] A mixer other than the above (maximum 16 bus) SLOT 4 Parameter linkage Not possible *1. Linked parameters are specified in the CASCADE screen.
SLOT 1/2 32 channels SLOT IN 3 (CH 1–16) SLOT IN 4 (CH 1–16) CH 1-32 CASCADE IN • SLOT 1-4 [CH1-8] Up to 30 channels of audio signals can be received via input channels 1–8 of I/O cards installed in slots 1–4. (Since channels 7/8 of SLOT 4 are not used, only 30 channels are actually available.) If you choose this setting, the signals from the CASCADE IN connector (channels 1–32) will be assigned to channels 1–8 of the SLOT IN 1–4 ports instead.
SYS/W.CLOCK function In this state, the SLAVE unit will follow when you operate the MASTER unit. The same mix will be output from both PM5D units. If you daisy-chain two to four PM5D units (i.e., connect the first unit’s CASCADE OUT → second unit’s CASCADE IN, and the second unit’s CASCADE OUT → third unit’s CASCADE IN. Up to four units can be connected.), set the PM5D located last in the chain to MASTER, and the remaining PM5D units to SLAVE. Turn the BI-DIRECTION button Off for all units.
Destination bus MIX 1 BUS 1 SLOT4- 1 MIX 1 MIX 2 BUS 2 SLOT4-2 MIX 2 MIX 3 BUS 3 SLOT4-3 MIX 3 MIX 4 BUS 4 SLOT4-4 MIX 4 MIX 5 BUS 5 SLOT4-5 MIX 5 MIX 6 BUS 6 SLOT4-6 MIX 6 MIX 7 BUS 7 SLOT4-7 MIX 7 MIX 8 BUS 8 SLOT4-8 MIX 8 MIX 9 AUX 1 SLOT4-9 MIX 9 MIX10 AUX 2 SLOT4-10 MIX10 MIX11 AUX 3 SLOT4-11 MIX11 MIX12 AUX 4 SLOT4-12 MIX12 MIX13 AUX 5 SLOT4- 1 MIX13 MIX14 AUX 6 SLOT4- 2 MIX14 MIX15 AUX 7 SLOT4- 3 MIX15 MIX16 AUX 8 SLOT4- 4 MIX16 *3 MIX
SYS/W.CLOCK function C Slot/Channel HA (Head Amp) screen In this screen you can make settings such as phantom power (+48V), gain, and HPF for each of the internal head amps (PM5D-RH model and DSP5D only), or for each channel of an external head amp device that supports remote control via the dedicated protocol (e.g., Yamaha AD8HR or AD824). Here you can view/select the slot and channels to which the audio output of the external head amp device is connected.
In this screen you can specify the amount of attenuation for each output channel and for each output channel of an I/O card. DITHER screen In this screen you can turn dithering on/off and specify the bit depth for dithering. These settings are made individually for each digital output jack and each output channel of the digital I/O cards.
SYS/W.CLOCK function HA LIBRARY screen 8 In this screen you can recall, store, rename, or delete items in the HA library. HA LIBRARY 9 J 4 5 6 7 D RECALL Recalls the HA library item selected in the list into memory. E STORE 1 Stores the current settings of the HA screen into the location selected in the list. When you click this button a window will appear, allowing you to name and save the settings. F TITLE EDIT Edits the title of the library item selected in the list.
METER function INPUT METER screen This screen contains meters that show the input level of the input channels (input channels 1–48, ST IN channels 1–4, FXTRN channels 1–4). Information shown in the display • If the recall-source and recall-destination head amp devices have the same ID number but are assigned to different slots/ channels, the data will not be recalled to head amps of those ID numbers. • AD8HR data can be recalled into an AD824, and AD824 data can be recalled into an AD8HR.
METER function OUTPUT METER screen 4 This screen contains meters that show the output level of output channels (MIX channels 1–24, MATRIX channels 1–8, STEREO A/B channels), MONITOR (L/R/C), and CUE (L/R). OUTPUT METER 5 D Meters These peak level meters indicate the input level of each channel. The current fader value is shown in the box below. If clipping occurs at any point PRE ATT, POST EQ, POST GATE, POST COMP, INSERT IN, or POST FADER, the ∑ segment will light.
4 This screen contains meters that show the amount of gain reduction produced by the gate/compressor for each input channel (input channels 1–48, ST IN channels 1–4). Information shown in the display INPUT GR (Input Gain Reduction) screen Function menu INPUT GR 5 D Meters Global functions These peak level meters indicate the output level of each channel. The current master level value is shown in the box below.
MON/CUE function MON/CUE function OUTPUT GR (Output Gain Reduction) screen This screen contains meters that show the amount of gain reduction produced by the compressor for each output channel (MIX channels 1–24, MATRIX channels 1–8, STEREO A/B channels). TALKBACK screen In this screen you can switch talkback on/off, and select the talkback destination.
5 4 9 Information shown in the display 3 C Talkback input selection E Level meter (Analog input level meter) This level meter indicates the peak level of the signal being input from the analog input selected in (3). F ON/OFF (Analog input on/off) This button switches the talkback input selected in (3) on/off. Here you can select the bus(es) or output jack(s) from which the talkback signal will be sent. (Multiple selections are allowed.) MIX 1–24 . . . . . . . . MIX bus 1–24 MATRIX 1–8 . . . . .
MON/CUE function • If SINE WAVE 1CH is selected OSCILLATOR screen 4 ’Here you can make settings and perform operations related to the internal oscillator. 5 OSCILLATOR • If SINE WAVE 2CH is selected 4 5 4 5 8 9 • If PINK NOISE is selected 1 4 2 6 7 • If BURST NOISE is selected 4 6 7 3 A OSC ON/OFF (Oscillator on/off) Turns the Oscillator on/off. This is linked with the OSCILLATOR [ON] switch of the top panel.
2TR I/O screen If burst noise is selected, these knobs select the duration of the noise itself (WIDTH) and the duration of silence between noise bursts (INTERVAL). The range is 0.1–10 sec for WIDTH, and 1–30 sec for INTERVAL. (The current setting is shown in the box below each knob.) This screen contains various settings and indications for 2TR IN / 2TR OUT. Note The 2TR I/O screen is disabled if the DSP5D is selected.
MON/CUE function MONITOR screen Here you can make settings and perform operations related to monitoring. 5 MONITOR 6 7 E Output level meter Indicates the output level of 2TR OUT DIGITAL jacks 1–3. F SRC (Sampling Rate Converter) These are on/off and output frequency select switches for the sampling rate converters built into 2TR OUT DIGITAL jacks 1–3. As the output frequency you can select either 44.1 kHz or 48 kHz. The on/off button selects either ON or THROUGH (off).
Here you can select one of the following two ways in which the signal will be output from the MONITOR OUT jacks. STEREO . . . . The L/R channels will be output in stereo. MONO . . . . . The L/R channels will be mixed, and output in monaural. The status of these two buttons is linked with on/off operations of the [MONO] key in the MONITOR section of the panel.
MON/CUE function CUE/SOLO screen Here you can make settings and perform operations related to the Cue/Solo function. J CUE/SOLO K L M J Level meter These peak level meters indicate the level of the output signal from the MONITOR OUT jacks. You can select the level detection point to be immediately before the delay that is provided on the MONITOR/CUE bus output (when the PRE DELAY button is on) or immediately after the delay (when the POST DELAY button is on).
These buttons let you turn on/off various functions related to Cue. You can select the following functions. • MIX CUE LINK Specifies whether cue operations will be linked to MIX channel selection. If this button is on, pressing the mix key selected in the ENCODER MODE section of the panel once again will simultaneously switch on the [CUE] key of that channel. • CUE/SEL LINK Specifies whether channel selection will be linked with cue operations.
MON/CUE function 8 9 J K H OUTPUT SOLO SAFE Here you can specify output channels that will be excluded from Solo operations. (You can specify more than one.) The buttons correspond to the following output channels.
OUTPUT PATCH function C ASSIGN For each output channel, this indicates the number of output ports that are currently assigned. OUTPUT PATCH screen Information shown in the display Output functions Here you can make patch settings to send output channel signals to the outputs of I/O cards installed in the MIX OUT jacks and slots, to the input of internal effects, and to the 2TR OUT DIGITAL jacks. OUTPUT PATCH This grid lets you patch output ports (horizontal rows) to output channels (vertical columns).
OUTPUT PATCH function INSERT PATCH screen 6 In this screen you can patch the input/output ports into which external devices will be inserted. Select the output port in the left side of the screen, and the input port in the right side of the screen. INSERT PATCH F LIBRARY button This button accesses the OUTPUT PATCH LIBRARY screen (➥ p.247), where you can store/recall patch library settings for output channels.
E Grid For each output channel (vertical column), this grid lets you can patch one or more output ports (horizontal row) to be used as insert-outs. Currently-patched grids are indicated by a symbol. By clicking a grid location you can set/cancel patching. The red lines at the left and top indicate the grid location to which you move the cursor.
OUTPUT PATCH function 2 INSERT POINT screen 3 4 In this screen you can select the position at which the insert-in/out of each output channel will be patched. Here you can also switch insert-in on/off. INSERT POINT 56 B OUTPUT CH (Output channel) 1 This is the number and name of the output channel you are editing. Two paired channels are indicated by a heart symbol shown at the left; settings 3–4 will be linked for these channels. You can click this symbol to enable/disable pairing.
OUTPUT PATCH LIBRARY screen Here you can assign names to the output channels. However, display in the CH COPY, GLOBAL PASTE, and CSV IMPORT/EXPORT functions is not supported. Here you can recall, store, rename, or delete items in the output patch library. OUTPUT PATCH LIBRARY Global functions Function menu NAME Information shown in the display NAME screen 2 3 1 Output functions 1 Input functions 2 A Channel B Name This is the name currently assigned to the output channel.
OUTPUT INSERT function OUTPUT INSERT function 7 INSERT IN MIX 1-24 screen INSERT IN MATRIX/STEREO/MONITOR screen Here you can make settings for the internal HA (PM5DRH model only) or external HA assigned to the insert-in of an output channel or MONITOR L/C/R channel. 3 INSERT IN MIX1-24 4 5 6 8 C RECALL Recalls the output patch library item selected in the list into memory. D STORE Stores the current settings of the OUTPUT PATCH screen into the location selected in the list.
2 3 This screen is shared with HA LIBRARY in the SYS/ W.CLOCK function (➥ p.230). HA LIBRARY 4 Information shown in the display HA LIBRARY screen 1 5 Function menu 6 A +48V Switches phantom power (+48V) on/off for each channel. B HPF (High Pass Filter) Turns the HPF on/off for each channel. Global functions C Cutoff frequency Specifies the HPF cutoff frequency for each channel. Move the cursor to the box, and turn the [DATA] encoder to adjust the cutoff frequency in a range of 20– 600 Hz.
OUTPUT EQ function OUTPUT EQ function 1 2 3 6 4 EQ PARAM (EQ Parameter) screen Here you can edit the EQ parameters of the selected output channel. EQ PARAM 5 9 8 7 A Channel selection Select the output channel that you want to edit. You can use eight-band EQ (four UPPER bands + four LOWER bands) for MIX channels and STEREO A/B channels, and four-band EQ for MATRIX channels. If a channel is paired (or if a STEREO A/B channel is selected), a heart symbol is displayed at the right.
NO MIX 1-24 screen MATRIX/STEREO screen J These screens list the EQ settings for all output channels. Here you can also copy EQ settings between output channels. Information shown in the display LM MIX 1-24 Function menu K J Knobs These knobs adjust the Q, FREQ (center frequency), and GAIN (amount of boost/cut) for each band. K BYPASS These buttons bypass each band of the EQ. L (LOW shelving) Global functions If this button is on, the LOW EQ will function as a shelving-type EQ.
OUTPUT EQ function 4 1 2 OUTPUT EQ LIBRARY screen Here you can recall, store, rename, or delete items in the output EQ library. OUTPUT EQ LIBRARY 3 A EQ graph This mini-graph shows the approximate EQ response for each output channel. When you click the graph at which the cursor is currently located, the EQ PARAM screen for that channel will appear. In this screen you can drag and drop the mini-graph from the desired channel to copy its EQ settings.
COMP PARAM (Compressor parameter) screen Here you can edit the compressor parameters of the selected output channel. Information shown in the display OUTPUT COMP function 9 Function menu COMP PARAM 5 6 7 Global functions 8 J E RECALL G TITLE EDIT Edits the title of the library item selected in the list. When you click this button a window will appear, allowing you to edit the title. H CLEAR Deletes the library item selected in the list.
OUTPUT COMP function ❏ Key-in signal flow when Link= On LINK= ON Key-in signal of odd- THR numbered channel Key-in signal of even- THR numbered channel Detect the maximum level ATTACK processing GR ATTACK processing GR ❏ Key-in signal flow when Link= Off 5 LINK= OFF Key-in signal of odd- THR Detect the numbered channel maximum level ATTACK processing GR Detect the Key-in signal of even- THR maximum level numbered channel ATTACK processing GR Note E Level meters These meters indicate the am
K L M N O MIX 1-24 screen MATRIX/STEREO screen These screens show the compressor settings for all output channels. Here you can also copy compressor settings between output channels. J THRESHOLD (Threshold level) MIX 1-24 Function menu Specifies the threshold level at which the compressor will operate. The input signal will start being compressed when the key-in signal exceeds this level; compression will be removed when the signal falls below this level.
OUTPUT COMP function popup window will ask you to confirm the copy operation.) COMP LIBRARY (Compressor library) screen Here you can recall, store, rename, or delete items in the compressor library. The contents of this screen are in common with the COMP LIBRARY screen of the INPUT GATE/COMP function. COMP LIBRARY You can also copy compressor settings between the MIX 1-24 screen and the MATRIX/STEREO screen.
MIX 1-24 screen MATRIX/STEREO screen Here you can edit the delay parameters of the selected output channel. Information shown in the display OUTPUT DELAY function 9 Function menu MIX1-24 5 6 7 Global functions 8 J E RECALL Recalls the compressor library item selected in the list into memory. Output functions MATRIX/STEREO F STORE Stores the compressor settings of the currently selected channel into the location selected in the list.
OUTPUT DCA/GROUP function • SAMPLE The delay time is shown as a number of samples. If you change the sampling frequency at which the PM5D operates, the number of samples will change accordingly. • msec (milliseconds) The delay time is shown in units of milliseconds. If this button is on, the boxes above and below the delay time knob (3) will show the same values. • BEAT The delay time is shown in units relative to the note length (considered as 1.0) specified by the tempo (BPM) and note value (NOTE).
Here you can specify the output channels that will be assigned to mute groups 1–8. Muting can be switched on/ off together for channels assigned to the same mute group. 4 5 MUTE GROUP ASSIGN Information shown in the display MUTE GROUP ASSIGN screen D SET BY CUE (Assign by [CUE] key) Function menu This specifies whether the [CUE] key will be used to make/cancel DCA group assignments.
OUTPUT DCA/GROUP function D MUTE SAFE These buttons temporarily defeat the muted state of a channel. When a button is displayed as “–”, clicking it will change its display to “ON,” and the corresponding output channel will be excluded from mute groups. Clicking the button once again restores the original state. EQ LINK ASSIGN screen Here you can specify the output channels that will be assigned to EQ link groups A–H. EQ parameters are linked for channels belonging to the same group.
Here you can specify the output channels that will be assigned to compressor link groups A–H. Compressor parameters are linked for channels belonging to the same group. COMP LINK ASSIGN 4 Function menu 3 Information shown in the display COMP LINK ASSIGN (Compressor link assign) screen C SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel EQ link group assignments.
MATRIX/ST function MATRIX/ST function MATRIX/ST ROUTING screen Here you can send the signal from MIX channels and STEREO A/B channels to the STEREO bus or the desired MATRIX bus. 3 4 MATRIX/ST ROUTING C SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel compressor link group assignments.
MIX channel 1 ↓ MATRIX bus 1 MIX channel 1 ↓ MATRIX buses 1/2 to MATRIX1 LEVEL …… MIX channel 2 ↓ MATRIX buses 1/2 MATRIX 1 MATRIX 2 MATRIX 1 MATRIX 2 MIX channel 2 ↓ MATRIX bus 1 MIX CHANNEL 1 ON MIX CHANNEL 1 FADER ON to MATRIX 1/2 PAN ON LEVEL Information shown in the display LEVEL knobs Adjust the send level of the signals sent from the MIX channels and STEREO A/B channels to each MATRIX bus.
MATRIX/ST function MIX to MATRIX VIEW screen 3 This screen lists the signals sent from the MIX channels to the MATRIX buses. You can also edit the settings from within this screen. 4 5 MIX to MATRIX VIEW 7 6 8 C MIX TO MATRIX ON/OFF This button is an on/off switch for the signal sent from each MIX channel or STEREO A/B channel to the MATRIX buses. If this button is off, no signal will be sent from that channel to the MATRIX buses.
dow appears, select one of the following choices to copy, and click the OK button. Function menu You can view the status of the signals sent from all MIX channels or STEREO A/B channels to a specific MATRIX bus. Information shown in the display ❏ When the MTRX from MIX button is on B SEND LEVEL/SEND POINT Select one of the following two parameters to view in the grid.
MATRIX/ST function To change the position from which the signal is sent, move the cursor to the vertical column for the desired channel, and press the [ENTER] key, click, or turn the [DATA] encoder. (The position of all signals sent from that channel to all MATRIX buses will change simultaneously.) If the SEND POINT button is on, the send position for all grid locations can be changed simultaneously. To do so, hold down the [SHIFT] key and click the desired grid.
Signal sent to the L channel Information shown in the display LCR Signal sent to the C channel Signal sent to the R channel L C R [PAN] encoder When the PAN knob ([PAN] encoder) is in the center position, the signal level of the CENTER channel will be at maximum, and no signal will be sent to the L/R channels. Function menu Here you can make settings for LCR mode, which allows three-channel playback by adding a CENTER channel to the L/R channels of the STEREO bus.
MATRIX/ST function D MIX channel This is the number and name of the MIX channel you are editing. Paired MIX channels are indicated by a heart symbol displayed at the right. You can click this symbol to enable/disable pairing. The values of parameters 2–3 are linked for paired channels. SURR SETUP screen Here you can make various settings related to surround functionality, such as selecting the surround mode, and assigning MIX buses to surround channels.
B Bus assignments This area indicates the surround channels assigned to the MIX buses that are being used as surround buses. You can edit these settings by clicking the / buttons at the left and right. When you change the surround channel assignment, the MIX bus whose channel assignment you changed will be exchanged with the MIX bus that had been previously assigned to that channel. Note The MIX buses used are fixed for each surround mode. For surround mode 3-1, MIX buses 1–4 or 9–13 can be used.
OUTPUT VIEW function OUTPUT VIEW function If you click the mini-graph, the EQ PARAM screen for that channel will appear. C Compressor CH VIEW (Channel view) screen This area shows the amount of gain reduction and the output level of the compressor, a mini-graph showing the approximate response of the compressor, and the compressor on/off status. You can click the COMP ON/OFF button to switch the compressor on/off in this screen.
O Fader This controls the output level of the channel. P CUE This button cue-monitors the signal of the channel. This is linked with the [CUE] key of the corresponding channel. Q ON/OFF (Channel on/off) L Information shown in the display • To switch the signal sent to the MATRIX bus on/off Click the ON/OFF button located below. You can also switch this on/off by moving the cursor to a bar graph in the list and pressing the [ENTER] key. The bar graph is colored blue when on, and gray when off.
OUTPUT VIEW function SIGNAL FLOW screen This screen shows the signal flow for adjacent odd-numbered/even-numbered MIX/MATRIX channels or for STEREO A/B channels. In this screen you can also edit some of the parameters, and access other screens. You can also determine the location within the signal flow at which clipping occurred. 3 C Level meters These meters indicate the levels within the signal flow. Levels are detected at the following locations.
This screen shows the on/off status, level, and cue monitor status of the output channels and DCA groups. 6 FADER VIEW Function menu 5 Information shown in the display FADER VIEW screen E TO MATRIX (only for MIX channels and STEREO A/B channels) This area shows the on/off status of the signal sent from the MIX channel or STEREO A/B channel to the MATRIX buses, and the point from which the signal is sent.
OUTPUT VIEW function CH JOB (Channel job) screen 4 In this screen you can copy the desired parameter(s) from the selected output channel into a memory buffer, and paste the same type of channel (you may select more than one paste-destination). 7 8 CH JOB 5 6 D EXECUTE When you click this button, the specified parameters will be copied from buffer memory to the specified paste-destination channel.
Here you can select the paste-destination channel(s). You can only select channels of the same type as the copy-source. OUTPUT CH LIBRARY screen Here you can recall, store, rename, or delete items in the output channel library. Hint OUTPUT CH LIBRARY If the copy-source MIX/MATRIX channel is paired, the oddnumbered channel is copied to the odd-numbered channel(s), and the even-numbered channel is copied to the even-numbered channel(s).
OUTPUT VIEW function 8 4 5 6 7 9 D RECALL Recalls the channel library item selected in the list into memory. If the channel selected in (1) is of a different type than the channel selected in the list, this button is grayedout and the Recall operation is unavailable. (However, Initial Data can be recalled to any output channel.) E STORE Stores the settings of the currently selected output channel into the location selected in the list.
INPUT PATCH screen Here you can assign input ports (INPUT jacks, ST IN jacks, 2TR IN DIGITAL/ANALOG jacks, input channels of slots, outputs of internal effects) to input channels. This grid lets you patch input ports (horizontal rows) to input channels (vertical columns). Currentlypatched grids are indicated by a symbol. By clicking a grid location you can set/cancel patching. The red lines at the left and top indicate the grid location to which you move the cursor.
INPUT PATCH function 6 7 8 9 DIRECT OUT PATCH screen Here you can patch an input channel to an output port so that the input signal will be output directly from that port. F PRESET DIRECT OUT PATCH This button resets the input port → input channel assignments to the following default settings.
From the top, this area indicates the type of output port, the ID number, the output channel number, and the number of input channels assigned. The following types of output port can be selected. SLOT OUT Output channels of an I/O card installed in slots 1–4 2TR OUT L/R channels of 2TR OUT DIGITAL jacks 1–3 INSERT PATCH screen In this screen you can patch the input/output ports by which external devices will be inserted into each input channel.
INPUT PATCH function E Grid For each input channel (vertical column), this grid lets you can patch one or more output ports (horizontal row) to be used as insert-outs. Currently-patched grids are indicated by a symbol. By clicking a grid location you can set/cancel patching. The red lines at the left and top indicate the grid location to which you move the cursor. 8 Hint Operations in the grid are the same for all of the patching screens. For details, refer to the Hint on p.277.
2 3 4 Information shown in the display INSERT/DIRECT OUT POINT screen For each input channel, you can specify the point at which insert in/out will be patched, and the point from which direct output will be taken. Here you can also switch Insert or Direct Output on/off. B INPUT CH (Input channel) This is the number of the input channel you are editing. Two paired channels are indicated by a heart symbol shown at the left; settings 3–6 will be linked for these channels.
INPUT PATCH function 7 8 NAME screen Here you can assign a name to each input channel and DCA group. NAME 9 J G DIRECT OUT ON/OFF These buttons switch direct output on/off for each channel. 1 H DIRECT OUT 2 3 Here you can select one of the following as the direct output location for each channel.
Here you can recall, store, rename, or delete items in the input patch library. INPUT PATCH LIBRARY INPUT HA/INSERT function CH 1-24 (Input channel 1-24) screen CH 25-48 (Input channel 25-48) screen Information shown in the display INPUT PATCH LIBRARY screen Here you can make settings for internal HAs (PM5D-RH model only) or external HAs assigned to input channels.
INPUT HA/INSERT function 1 INSERT 1-24 screen 2 3 INSERT 25-48 screen INSERT STIN screen 4 Here you can make settings for internal HAs (PM5D-RH model only) or external HAs assigned to the insert-in of input channels. 5 6 INSERT 1-24 A +48V B HPF (High Pass Filter) C Cutoff frequency D GAIN E Input port These items are the same as in the OUTPUT INSERT function INSERT IN MIX1-24 screen and INSERT IN MATRIX/STEREO/MONITOR screen (➥ p.248).
2 3 This screen is the same as HA LIBRARY in the SYS/ W.CLOCK function (➥ p.230). HA LIBRARY 4 Information shown in the display HA LIBRARY screen 1 5 Function menu 6 A +48V B HPF (High Pass Filter) C Cutoff frequency D GAIN Global functions E Input port These items are the same as in the OUTPUT INSERT function INSERT IN MIX1-24 screen and INSERT IN MATRIX/STEREO/MONITOR screen (➥ p.248). F Channel This area shows the number and name of the channel you are editing.
INPUT ø/EQ function INPUT ø/EQ function EQ PARAM (EQ parameter) screen Here you can edit the EQ parameters of the selected input channel. 7 6 8 J 9 F ATT (Attenuation) EQ PARAM This knob adjusts the amount of attenuation/gain immediately following AD conversion in a range of –96 dB to +24 dB. This is linked with the ATT knob in the ø/ATT 1-48 screen and ø/ATT STIN/FXRTN screen. The current value is displayed in the box located below the knob. G EQ TYPE Selects the type of EQ.
1 2 Information shown in the display 4 EQ 1-24 screen EQ 25-48 switch EQ STIN/FXRTN screen You can also copy EQ settings between the three screens EQ 1-24, EQ 25-48, and EQ STIN/FXRTN. First drag the mini-graph over the EQ 1-24, EQ 25-48, or EQ STIN/FXRTN tabs in the screen (the screen will switch). Then drag and drop the mini-graph onto the desired channel, and a window will appear, asking you to confirm the copy operation.
INPUT ø/EQ function ø/ATT 1-48 (Phase/Attenuation 1-48) screen 1 2 ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN) screen 3 Here you can adjust the amount of attenuation/gain immediately following AD conversion, and reverse the phase. 4 ø /ATT 1-48 A GANG When you turn this button on, attenuation/gain settings will be linked for adjacent odd-numbered/evennumbered channels (or the L/R sides of an STIN/ FXRTN channel).
Here you can recall, store, rename, or delete items in the input EQ library. GATE PARAM (Gate parameter) screen INPUT EQ LIBRARY Here you can edit the gate parameters of the selected input channel. Information shown in the display INPUT GATE/COMP function INPUT EQ LIBRARY screen Except for the fact that these are EQ settings for the input channels, display and operations are the same as in the OUTPUT EQ function OUTPUT EQ LIBRARY screen. Refer to p.252.
INPUT GATE/COMP function ❏ Key-in signal flow when Link= Off E Level meters These meters indicate the amount of gain reduction (GR), the peak level before (PRE) and after (POST) the gate, and the peak level of the key-in signal (KEY IN) that causes the gate to operate. If the signal clips, the OVER segment will light. If stereo link is turned on for the input channel (or if a ST IN channel is selected), level meters for two channels are displayed.
This button cue-monitors the currently selected key-in signal. Note Here you can edit the compressor parameters of the selected input channel. COMP PARAM O P Q Global functions N M THRESHOLD (Threshold level) Specifies the level at which the gate will open and close. The gate will open when the key-in signal exceeds this level, and will close when the signal falls below this level.
INPUT GATE/COMP function F Level meters These meters indicate the amount of gain reduction (GR), the peak level before (PRE) and after (POST) the compressor, and the peak level of the key-in signal (KEY IN) that causes the compressor to operate. If the signal clips, the OVER segment will light. J J KEY IN SOURCE 6 Select the desired key-in signal from the following choices.
1 4 Information shown in the display 2 CH 1-12 (Input channel 1–12) screen CH 13-24 (Input channel 13–24) screen 5 Function menu CH 37-48 (Input channel 37–48) screen 3 6 ST IN (ST IN channel) screen These screens list the gate/compressor settings for the input channels. Here you can also copy gate/compressor settings between input channels. CH 1-12 7 A Gate graph This mini-graph shows the approximate gate response for each input channel.
INPUT GATE/COMP function 9 GATE LIBRARY screen Here you can recall, store, rename, or delete items in the gate library. GATE LIBRARY 5 6 7 8 J E RECALL 1 Recalls the gate library item selected in the list into memory. F STORE Stores the gate settings of the currently selected channel into the location selected in the list. When you click this button a window will appear, allowing you to name and save the settings. 2 G TITLE EDIT Edits the title of the library item selected in the list.
Here you can recall, store, rename, or delete items in the compressor library. COMP LIBRARY INPUT DELAY function CH 1-24 (Input channel 1–24) screen CH 25-48 (Input channel 25–48) screen Information shown in the display COMP LIBRARY (Compressor library) screen Here you can edit the delay parameters of the selected input channel.
INPUT DCA/GROUP function INPUT DCA/GROUP function 2 DCA GROUP ASSIGN screen 3 Here you can specify the input channels that will be assigned to DCA groups 1–8. The level of input channels belonging to the same DCA group can be adjusted as a whole using DCA faders 1–8. 4 5 DCA GROUP ASSIGN B GANG C Delay time knob D DELAY ON/OFF These are the same as in the OUTPUT DELAY function (➥ p.258). E Channel This area shows the number and name of the input channel you are editing.
Here you can specify the input channels that will be assigned to mute groups 1–8. Muting can be switched on/ off together for channels assigned to the same mute group. MUTE GROUP ASSIGN D SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel DCA group assignments. While the DCA group SET BY CUE button is on, pressing the [CUE] key of an input channel that can be assigned to the corresponding group will assign the channel to the group.
INPUT DCA/GROUP function EQ LINK ASSIGN screen Here you can specify the input channels that will be assigned to EQ link groups 1–8. EQ parameters are linked for channels belonging to the same group. EQ LINK ASSIGN 3 4 C SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel EQ link group assignments.
Here you can specify the input channels that will be assigned to compressor link groups 1–8. Compressor parameters are linked for channels belonging to the same group. PAN/ROUTING function CH to MIX (Channel to mix) screen Here you can send signals from input channels to the desired MIX bus. In this screen you can also switch the type (VARI or FIXED) of each MIX bus, and specify the location from which the signal will be sent.
PAN/ROUTING function ❏ POST ON ❏ Type = FIXED, Pairing = disabled The signal will be sent from immediately after the [ON] key. FADER ON MIX1 (VARI) LEVEL Input channel 1 ↓ MIX bus 1 Input channel 2 ↓ MIX bus 1 …… PAN TO ST …… STEREO L STEREO R MIX1 MIX2 POST ON/POST TO ST= INPUT CHANNEL 1 Input channel 2 ↓ MIX bus 2 Input channel 1 ↓ MIX bus 2 SEND ON/OFF button On/off switch for the signal sent from input channels to each MIX bus.
❏ Type = VARI, Pairing = disabled Input channel 2 ↓ MIX buses 1/2 Input channel 1 ↓ MIX buses 1/2 Input channel 2 ↓ MIX bus 2 Input channel 1 ↓ MIX bus 2 Input channel 1 ↓ MIX bus 1 Input channel 2 ↓ MIX bus 1 Information shown in the display ❏ Type = FIXED, Pairing = enabled FADER ON …… …… PAN PRE/POST button Selects either PRE (pre-EQ or pre-fader) or POST (post ON or post TO ST) as the location from which the signal will be sent from input channels to each MIX bus.
PAN/ROUTING function ❏ Type = VARI, Pairing = enabled 5 8 9 Input channel 2 ↓ MIX buses 1/2 Input channel 1 ↓ MIX buses 1/2 SEND ON/OFF button On/off switch for the signal sent from input channels to the two MIX buses. 6 SEND LEVEL knob Adjusts the level of the signal sent from input channels to the two MIX buses. 7 MIX PAN/BALANCE knob Specifies the panning of the signal sent from input channels to the two MIX buses.
J MIX MINUS Information shown in the display K Input channel This is the source input channel (or channels). Paired input channels (or a ST IN channel) are indicated by a heart symbol displayed between them. For an input channel, you can click this symbol to enable/disable pairing.
PAN/ROUTING function ALL OFF [ALL CH ] ALL ON [ALL CH ] Switch the signals sent from all input channels to the selected MIX bus on or off together. ALL OFF [ALL CH x ALL MIX] ALL ON [ALL CH x ALL MIX] Switch the signals sent from all input channels to all MIX buses on or off together. • Mix send position Move the cursor to a PRE/POST button in the CH to COPY area; then hold down the [SHIFT] key and click (or press the [SHIFT] key + [ENTER] key) to access the following window.
MIX SEND VIEW screen This screen lists the signals sent from the input channels to the MIX buses. You can also edit the settings from within this screen. • This operation is ignored by unpaired MIX buses and FIXED-type MIX buses. • You cannot copy PAN parameters to BALANCE parameters (or vice versa). • Copying is invalid for channels whose VARI button (in the FOLLOW PAN area) is on. Output functions 2 3 A CH to MIX/MIX from CH Select one of the following two types of screen display.
PAN/ROUTING function B SEND LEVEL, PRE/POST (Send level / Send point) Select one of the following two parameters to view in the grid. ❏ When the SEND LEVEL button is on The send levels of the signals sent from input channels to MIX buses are shown in the grid as bar graphs. Except for the fact that the send-sources are input channels and the send-destinations are MIX buses, the bar graph display is the same as in the MIX to MATRIX VIEW screen (MATRIX/ST function) (➥ p.264).
This screen lists the signals sent from the input channels to the buses and direct outputs. You can also set or cancel these assignments from within this screen. Function menu FIX ASSIGN VIEW Information shown in the display FIX ASSIGN VIEW screen Global functions ALL PRE [ALL MIX ] Specify pre-fader as the send position for signals sent from the specified input channel to all MIX buses.
PAN/ROUTING function D TO ST (To stereo) LCR screen If this button is on, the corresponding input channel is assigned to the STEREO bus. This is linked with the TO ST button of the CH to MIX screen (PAN/ROUTING function). Here you can make settings for LCR mode, which allows three-channel playback by adding a CENTER channel to the L/R channels of the STEREO bus.
SURR PARAM An F knob for controlling the front divergence and an R knob for controlling the rear divergence are displayed. Use these two knobs to specify the proportion (0–100) at which a signal positioned in the center will be sent to the center buses (C, S, Bs) and the left/right buses (L, R, Ls, Rs). In 6.1ch mode, a LINK button that links the front and rear divergence is displayed between the F knob and R knob.
PAN/ROUTING function 8 9 J SURR VIEW (Surround view) screen This screen shows the surround settings for each input channel. From this screen you can also jump to the SURR PARAM screen for the desired channel. SURR VIEW H STEREO LINK This specifies whether sound image movement will be linked between the two channels shown in the screen. To link the movement of the two channels, use the / buttons at left and right to select one of the eight link patterns.
For two adjacent odd-numbered/even-numbered input channels (or ST IN channel L/R), these settings convert the two-channel signal from an MS mic into L/R signals. M/S CH VIEW (Channel view) screen This screen lists the mix parameters of the currently selected input channel. In this screen you can also edit the principal parameters and access other screens.
INPUT VIEW function D EQ P Refer to the explanation of the OUTPUT VIEW function CH VIEW screen (➥ p.270). J E GATE Q This area shows the amount of gain reduction and the output level of the gate, a mini-graph showing the approximate response of the gate, and the gate on/off status. You can also switch the gate on/off from this screen. If you click the mini-graph, the GATE PARAM screen for that channel will appear.
This screen shows the signal flow for two adjacent oddnumbered/even-numbered input channels or ST IN channels. In this screen you can also edit some of the parameters, and access other screens. You can also determine the location within the signal flow at which clipping occurred. SIGNAL FLOW 5 3 • • A Channel B Insert Except for the fact that this screen depicts input channels, the contents are the same as the OUTPUT VIEW function SIGNAL FLOW screen. Refer to p.272.
INPUT VIEW function FADER VIEW screen This screen shows the on/off status, level, and cue monitor status of the input channels and DCA groups. FADER VIEW CH JOB screen In this screen you can copy the desired parameter(s) from the selected input channel into a memory buffer, and paste or move them to the same type of channel (you may select more than one paste-destination).
C BUFFERED CH (Channel in the buffer) This shows the channel that is currently copied into buffer memory. If you selected the MOVE operation, this will be grayed. Note • The same buffer memory is used to copy channel settings for both input channels and output channels. • If output channel settings have been copied to the buffer memory, a message of “TYPE CONFLICT!” is displayed below, and you cannot paste to an input channel. • The contents of the buffer memory are erased when the PM5D is powered-off.
INPUT VIEW function INPUT CH LIBRARY (Input channel library) screen Here you can recall, store, rename, or delete items in the input channel library. INPUT CH LIBRARY Except for the fact that these settings are for input channels, this is the same as the OUTPUT VIEW function CH LIBRARY screen. Refer to p.275.
Information shown in the display Appendices EQ Library List HIGH PEAKING PEAKING PEAKING H.SHELF G +3.5 dB –3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz Q 02 Bass Drum 2 1.25 10.0 0.90 — PEAKING PEAKING PEAKING LPF G +8.0 dB –7.0 dB +6.0 dB ON F 80.0 Hz 400 Hz 2.50 kHz 12.5 kHz Q 03 Snare Drum 1 Snare Drum 2 0.0 dB +3.0 dB +4.5 dB 132 Hz 1.00 kHz 3.15 kHz 5.00 kHz 1.25 4.5 0.11 — L.SHELF PEAKING PEAKING PEAKING G +1.5 dB –8.5 dB +2.
GATE Library List # Parameter Title Female Vo. 27 1 Female Vo. 2 Chorus & 29 Harmo 30 Total EQ 1 32 Total EQ 3 33 Bass Drum 3 Snare Drum 3 PEAKING PEAKING PEAKING +1.0 dB +1.5 dB +2.0 dB F 118 Hz 400 Hz 2.65 kHz 6.00 kHz 0.18 0.45 0.56 0.14 L.SHELF PEAKING PEAKING H.SHELF G –7.0 dB +1.5 dB +1.5 dB +2.5 dB F 112 Hz 335 Hz 2.00 kHz 6.70 kHz Q — 0.16 0.20 — PEAKING PEAKING PEAKING PEAKING G –2.0 dB –1.0 dB +1.5 dB +3.0 dB F 90.0 Hz 850 Hz 2.12 kHz 4.
3 Expand Compander (H) EXPAND COMPAND-H COMPAND-S 6 A. Dr. BD A. Dr. BD COMP COMPAND-H 8 A. Dr. SN A. Dr. SN COMP EXPAND 30 Attack (ms) 38 Out gain (dB) 0.0 10 A. Dr. Tom COMPAND-S EXPAND A. Dr. OverTop COMPAND-S 2 Out gain (dB) –3.5 Width (dB) 54 Release (ms) 250 Release (ms) 842 Threshold (dB) –23 Threshold (dB) –12 Ratio ( :1) 1.7 Ratio ( :1) 2 Attack (ms) 1 Attack (ms) 15 Out gain (dB) 4.5 Out gain (dB) 3.5 12 E. B.
Compressor Library List # 21 Title Strings3 Type COMP Parameter BrassSection COMP Syn. Pad COMP 25 26 27 28 SamplingPerc Sampling BD Sampling SN Hip Comp Solo Vocal1 COMPAND-S COMP COMP COMPAND-S COMP COMP 2 Attack (ms) 76 Attack (ms) 1 Out gain (dB) 2.5 COMP EXPAND Out gain (dB) Knee 2 2.0 2 Release (ms) 284 Threshold (dB) –18 Threshold (dB) –14 Ratio ( :1) 1.7 Ratio ( :1) 2.5 Attack (ms) 18 Attack (ms) Out gain (dB) 4.
Each channel has a GATE section (input channels and ST IN channels only) and a COMP section. The Gate section includes Gate and Ducking types. The Comp section includes Compressor, Expander, Compander Hard (COMP. (H)), and Compander Soft (COMP. (S)) types. GATE section Information shown in the display Dynamics Parameters ❏ GATE RANGE (dB) –∞, –69 to 0 (71 points) This determines the amount of attenuation when the gate closes.
Dynamics Parameters COMP section ❏ Compressor (COMP) The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the threshold. This means that the limiter’s output level never actually exceeds the threshold. Parameter Range Description THRESHOLD (dB) –54 to 0 (55 points) This determines the level of input signal required to trigger the compressor. RATIO 1.0:1, 1.1:1, 1.
Information shown in the display ❏ COMPANDER HARD (COMP.(H)) ❏ COMPANDER SOFT (COMP.(S)) Output Level The hard and soft companders combine the effects of the compressor, expander and limiter. 0dB Input Level The companders function differently at the following levels: 1 0 dB and higher . . . . . . . . . . . . . . . . . . Functions as a limiter. 2 Exceeding the threshold . . . . . . . . . . Functions as a compressor. 3 Below the threshold and width . . . . Functions as an expander.
Effect Library List Effect Library List This is a list of the built-in effects. No. Title Description No. 001 Reverb Hall REVERB HALL Concert hall reverberation simulation with gate 002 Reverb Room REVERB ROOM Room reverberation simulation with gate Title Type Description 041 Multi.Filter MULTI.FILTER 3-band parallel filter (24 dB/ octave) 042 Freeze FREEZE Simple sampler 043 Stereo Reverb ST REVERB Stereo reverb M.BAND DYNA.
0.3–99.0 s Reverb time ROOMSIZE 0.1–20.0 Reflection spacing 0.0–500.0 ms Initial delay before reverb begins LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live) INI. DLY 0.0–500.0 ms Initial delay before reverb begins DIFF. 0–10 Reflection diffusion (left–right reflection spread) DENSITY 0–100% Reflection density HI. RATIO 0.1–1.0 High-frequency feedback ratio ER NUM. 1–19 Number of early reflections FB GAIN –99 to +99% Feedback gain HPF THRU, 21.2 Hz– 8.
Effects Parameters ❏ MOD. DELAY ❏ ECHO One input, two output basic repeat delay with modulation. Parameter DELAY FB. GAIN Range Description Two input, two output stereo delay with crossed feedback loop. 0.0–2725.0 ms Delay time Parameter DELAY L 0.0–1350.0 ms Left channel delay time –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) DELAY R 0.0–1350.0 ms Right channel delay time FB.DLY L 0.0–1350.
Parameter Range 0.05–40.00 Hz Modulation speed FREQ. DEPTH 0–100% Modulation depth DEPTH 0–100% Modulation depth MOD. DLY 0.0–500.0 ms Modulation delay time DIR. *1 Panning direction FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) WAVE Sine, Tri, Square Modulation waveform LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency WAVE Sine, Tri Modulation waveform LSH G –12.0 to +12.
Effects Parameters ❏ DUAL PITCH ❏ MOD. FILTER Two input, two output pitch shifter. Parameter Two input, two output modulation filter. Range Description Parameter Range Description PITCH 1 –24 to +24 semitones Channel #1 pitch shift FREQ. 0.05–40.00 Hz FINE 1 –50 to +50 cents Channel #1 pitch shift fine DEPTH 0–100% Modulation depth LEVEL 1 –100 to +100% Channel #1 level (plus values for normal phase, minus values for reverse phase) PHASE 0.00–354.
Description One input, two output reverb and chorus effects in parallel. Parameter Range REV TIME 0.3–99.0 s Description Reverb time SOURCE INPUT, MIDI Control source: input signal or MIDI Note On velocity INI. DLY 0.0–500.0 ms Initial delay before reverb begins SENSE 0–100 Sensitivity HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIR. UP, DOWN Upward or downward frequency change DIFF.
Effects Parameters ❏ REV+FLANGE ❏ REV+SYMPHO. One input, two output reverb and flanger effects in parallel. One input, two output reverb and symphonic effects in parallel. Parameter Range REV TIME 0.3–99.0 s INI. DLY HI. RATIO Description Parameter Range Description Reverb time REV TIME 0.3–99.0 s 0.0–500.0 ms Initial delay before reverb begins INI. DLY 0.0–500.0 ms Initial delay before reverb begins 0.1–1.0 High-frequency reverb time ratio HI. RATIO 0.1–1.
INI. DLY HI. RATIO Description Parameter Range Description Reverb time DELAY L 0.0–1000.0 ms Left channel delay time 0.0–500.0 ms Initial delay before reverb begins DELAY R 0.0–1000.0 ms Right channel delay time 0.1–1.0 High-frequency reverb time ratio FB. DLY 0.0–1000.0 ms Feedback delay time DIFF. 0–10 Spread DENSITY 0–100% Reverb density FB. GAIN –99 to +99% HPF THRU, 21.2 Hz– 8.
Effects Parameters ❏ DELAY→REV ❏ MULTI FILTER One input, two output delay and reverb effects in series. Parameter Range Description DELAY L 0.0–1000.0 ms Left channel delay time DELAY R 0.0–1000.0 ms Right channel delay time FB. DLY 0.0–1000.0 ms FB. GAIN Two input, two output 3-band multi-filter (24 dB/octave).
REV TIME 0.3–99.0 s REV TYPE Hall, Room, Stage, Plate Reverb time Reverb type INI. DLY 0.0–100.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 LO. RATIO Two input, two output 3-band compressor, with individual solo and gain reduction metering for each band. Parameter Range Description LOW GAIN –96.0 to +12.0 dB Low band level MID GAIN –96.0 to +12.0 dB Mid band level HI. GAIN –96.0 to +12.0 dB High band level High-frequency reverb time ratio L-M XOVR 21.2 Hz–8.
Effects Parameters ❏ COMP276 ❏ COMP260 This effect emulates the characteristics of analog compressors that are widely used in recording studios. It will produce a thick, strong frame sound suitable for drums and bass. You can control two monaural channels independently. This effect emulates the characteristics of mid 70’s compressors/limiters that are the standard for live SR. You can control two monaural channels independently. You can also link several parameters via stereo links.
Range Description HPF-2/1, LSH-1/2 Type of EQ1 LO F 16.0 Hz to 20.0 kHz Cut-off frequency of EQ1 LO G –18.0 to +18.0 dB Gain of EQ1 MID1 Q 0.50–16.00 Q of EQ2 MID1 F 16.0 Hz to 20.0 kHz Center frequency of EQ2 MID1 G –18.0 to +18.0 dB Gain of EQ2 MID2 Q 0.50–16.00 Q of EQ3 MID2 F 16.0 Hz to 20.0 kHz Center frequency of EQ3 MID2 G –18.0 to +18.0 dB Gain of EQ3 INPUT –18.0 to +18.0 dB Input gain OUTPUT –18.0 to +18.0 dB Output gain MID3 Q 0.50–16.00 Q of EQ4 MID3 F 16.
Effects Parameters Effects and tempo synchronization Some of the PM5D’s effects allow you to synchronize the effect with the tempo. There are two such types of effect; delay-type effects and modulation-type effects. For delay-type effects, the delay time will change according to the tempo. For modulation-type effects, the frequency of the modulation signal will change according to the tempo. • Parameters related to tempo synchronization The following five parameters are related to tempo synchronization.
001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 1
Scene Memory/Effect Library to Program Change Table ❏ Preset Bank/Ch# 3 Program Change# 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 338 Scene/ Effect Preset# Scene 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 28
Preset# No Assign Scene/Effect Preset# No Assign Program Change# 001 002 003 : 128 Scene/Effect Effect6 Preset# 001 002 003 : 128 Preset# No Assign Program Change# 001 002 003 : 128 Scene/Effect Effect7 Preset# 001 002 003 : 128 ❏ Preset Bank/Ch# 16 Scene/Effect Preset# No Assign Program Change# 001 002 003 : 128 Scene/Effect Effect8 Preset# 001 002 003 : 128 ❏ Preset Bank/Ch# 9 Scene/Effect Effect1 Preset# 001 002 003 : 128 Input functions Program Change# 001 002 003 : 128 ❏ Pre
Scene Memory/Effect Library to Program Change Table ❏ Bank/Ch# _ Program Change# 340 Scene/ Effect User# Program Change# Scene/ Effect User# Program Change# 001 044 087 002 045 088 003 046 089 004 047 090 005 048 091 006 049 092 007 050 093 008 051 094 009 052 095 010 053 096 011 054 097 012 055 098 013 056 099 014 057 100 015 058 101 016 059 102 017 060 103 018 061 104 019 062 105 020 063 106 021 064 107 022 065 108 023 066 109 0
INPUT CH 1–CH48 STIN1L–STIN4R FXRTN1L–FXRTN4R OUTPUT MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR INPUT CH 1–CH48 STIN1L–STIN4R FXRTN1L–FXRTN4R OUTPUT MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR FADER H FADER L MODE PARAMETER 1 MATRIX 1 ON– MATRIX 8 ON ST TO MATRIX MATRIX 1 LEVEL H– MATRIX 8 LEVEL H MATRIX 1/2 PAN– MATRIX 7/8 PAN ON IN DELAY TIME HIGH OUTPUT MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR INPUT CH 1–CH48 STIN1L–STIN4R FXRTN1L–FXRTN4R TIME LOW LOW Q INPUT C
Parameters that can be assigned to control changes MODE PARAMETER 1 MODE PARAMETER 2 ON L LOW BYPASS ATTACK L LOW Q THRESHOLD L LOW FREQ OUTPUT COMP L LOW GAIN L LOW MID GAIN L HIGH MID BYPASS MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR GEQ1–GEQ20 KNEE/WIDTH LFE H LFE L DIVERGENCE F L HIGH MID Q L HIGH MID FREQ SURROUND L HIGH BYPASS FRONT-REAR PAN L HIGH Q L HIGH FREQ EFFECT U LOW BYPASS MIX BALANCE U LOW FREQ GEQ U LOW GAIN ON GAIN 1–GAIN31 DCA U LOW MID Q FADER H MIX 1
Control Change# MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 CH14 77 CH14 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 MIX 1 88 INPUT
Control change parameter assignments ❏ PRESET CHANNEL2 Control Change# MODE PARAMETER 1 Control Change# MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 CH38 77 CH38 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21
MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 MIX 9 88 13 INPUT EQ LO
Control change parameter assignments ❏ PRESET CHANNEL4 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# MODE PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH
MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 CH11 74 CH11 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 MIX 1 88 11 12 13 INPUT EQ LOW
Control change parameter assignments ❏ PRESET CHANNEL6 PARAMETER 2 Control Change# 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 C
1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 CH11 74 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 MIX17 88 MIX18 89 CH 1 MIX19 90 CH 2 MIX20 91 CH 3 92 CH 4 M
Control change parameter assignments ❏ PRESET CHANNEL8 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# MODE PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH
MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 MATRIX 1 88 13 INPUT EQ
Control change parameter assignments ❏ PRESET CHANNEL10 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# MODE PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 C
MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 CH 1 88 CH 2 89 CH 1 C
Control change parameter assignments ❏ PRESET CHANNEL12 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# MODE PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 C
MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 CH24 87 25 CH25 88 CH26 89 CH 1 C
Control change parameter assignments ❏ PRESET CHANNEL14 Control Change# MODE PARAMETER 1 Control Change# MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 C
1 CH 1 64 2 CH 2 65 3 CH 3 66 4 CH 4 67 5 CH 5 68 6 CH 6 69 7 CH 7 70 8 CH 8 71 9 CH 9 72 10 CH10 73 11 CH11 74 CH12 75 CH13 76 14 CH14 77 15 CH15 78 16 CH16 79 17 CH17 80 18 CH18 81 19 CH19 82 20 CH20 83 21 CH21 84 22 CH22 85 23 CH23 86 24 CH24 87 25 DCA 1 88 26 DCA 2 89 DCA 3 90 DCA 4 91 12 13 27 SURROUND DCA LEFT-RIGHT PAN FADER H 28 29 30 31 NO ASSIGN MUTE MASTER MASTER 1 93 MASTER 2 94 33 CH 1 95 34 CH 2 10
Control change parameter assignments ❏ PRESET CHANNEL16 Control Change# MODE PARAMETER 1 Control Change# 1 CH25 64 2 CH26 65 3 CH27 66 4 CH28 67 5 CH29 68 6 CH30 69 7 CH31 70 8 CH32 71 9 CH33 72 10 CH34 73 11 CH35 74 CH36 75 CH37 76 14 CH38 77 15 CH39 78 16 CH40 79 17 CH41 80 18 CH42 81 19 CH43 82 20 CH44 83 21 CH45 84 22 CH46 85 23 CH47 86 24 CH48 87 25 DCA5 88 26 DCA6 89 DCA7 90 DCA8 91 12 13 27 SURROUND DCA LEFT-RIGH
1 64 2 65 3 66 4 67 5 68 6 69 7 70 8 71 9 72 10 73 11 74 12 75 13 76 14 77 15 78 16 79 17 80 18 81 19 82 20 83 21 84 22 85 23 86 24 87 25 88 26 89 27 90 28 91 29 92 30 93 31 94 33 95 34 102 35 103 36 104 37 105 38 106 39 107 40 108 41 109 42 110 43 111 44 112 45 113 46 114 47 115 48 116 49 117 50 118 51 119 MODE PARAMETER 1 PARAMETER 2 Function menu Control Change# Global functions PARAMETER 2 Output f
NRPN parameter assignments NRPN parameter assignments CHANNEL MIX1-20,MATRIX1-8,ST A LR MIX9 SEND MIX10 SEND MIX11 SEND MIX12 SEND MIX13 SEND MIX14 SEND MIX15 SEND MIX16 SEND MIX17 SEND MIX18 SEND MIX19 SEND MIX20 SEND MATRIX1 SEND MATRIX2 SEND MATRIX3 SEND MATRIX4 SEND MATRIX5 SEND MATRIX6 SEND MATRIX7 SEND MATRIX8 SEND MIX TO ST CHANNEL MIX1-20,MATRIX1-8,ST A LR MIX9 SEND MIX10 SEND MIX11 SEND MIX12 SEND MIX13 SEND MIX14 SEND MIX15 SEND MIX16 SEND MIX17 SEND MIX18 SEND MIX19 SEND MIX20 SEND MATRIX1 SEND
EFFECT 1-8 GEQ 1-6 SURROUND FADER CH to Mix LEVEL 2BEA 2BF0 2BF6 2BFC 2C02 2C08 2C0E 2C14 2BEF 2BF5 2BFB 2C01 2C07 2C0D 2C13 2C19 MIX21-24, ST B LR to Matrix LEVEL MIX21-24 to ST LEVEL ON MIX TO ST 2C1A 2C29 MIX21-24,ST B LR 2C2A 2C2F PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Reference section Information shown in the display MATRIX1 SEND MATRIX2 SEND MATRIX3 SEND MATRIX4 SEND MATRIX5 SEND MATRIX6 SEND MATRIX7 SEND MATRIX8 SEND Function menu TO (HEX) 27C9 27CF 27D5 27DB 27E1 27E7 27ED 27F3 2
NRPN parameter assignments MIX1 SEND MIX2 SEND MIX3 SEND MIX4 SEND MIX5 SEND MIX6 SEND MIX7 SEND MIX8 SEND MIX21 SEND MIX22 SEND MIX23 SEND MIX24 SEND MATRIX SEND MIX TO ST MIX21-24,ST B LR FROM (HEX) 2C30 2C70 2CB0 2CF0 2D30 2D70 2DB0 2DF0 2E30 2E70 2EB0 2EF0 2F30 2F36 2F46 TO (HEX) 2C6F 2CAF 2CEF 2D2F 2D6F 2DAF 2DEF 2E2F 2E6F 2EAF 2EEF 2F2F 2F35 2F45 2F4B MIX1 SEND MIX2 SEND MIX3 SEND MIX4 SEND MIX5 SEND MIX6 SEND MIX7 SEND MIX8 SEND MIX21 SEND MIX22 SEND 2F4C 2F8C 2FCC 300C 304C 308C 30CC 310C 314C
GEQ PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Information shown in the display Global functions Function menu *1. For EQ or COMP parameters that include INPUT CH and OUTPUT, the OUTPUT is assigned starting at 96 (60h) after the first number. Thus, the numbers from immediately after INPUT CH until immediately before OUTPUT are unassigned.
Channel Library List Channel Library List This table lists the parameters that are saved in the channel library for INPUT/ST IN channels, MIX channels, MATRIX channels, and STEREO A/B channels.
The following table illustrates which parameters for the paired channels can be linked and which settings for each parameter can be selected for Recall Safe or OUTPUT ISOLATION operation. : Parameters of paired channels are linked.
List of parameters available for Pair, Recall Safe or OUTPUT ISOLATION operation ❏ MATRIX channels Parameter Pair ❏ STEREO channels Recall Safe ISOLATION Parameter Pair Recall Safe ISOLATION Recall Safe — Recall Safe — Fade Time MATRIX FADER, ALL Fade Time ST FADER, ALL Insert MATRIX INSERT, MATRIX ALL MATRIX ALL On MATRIX ALL Fader BALANCE MATRIX FADER, ALL — Comp MATRIX ALL MATRIX COMP, ALL EQ MATRIX EQ, ALL Delay On Delay TIME MATRIX DELAY, ALL GANG MATRIX DELAY, ALL Mute A
❏ Parameters that are copied when pairing is enabled MIX MATRIX MIX MATRIX Mix Send 1-24 Level To Matrix On/Off LCR On/Off Fade Time On/Off Selective Recall On Fade Time Start Offset Selective Recall Parameter Fade Time Fading Time Recall Safe On Insert In On/Off Recall Safe Parameter Function menu To Matrix Point LCR Center-Side Ratio Mute Safe On Insert Point Tracking On/Off Direct Out On/Off Tracking Level Direct Out Point Solo Safe On/Off On/Off CH COPY CH SELECT GATE Key In Sou
MIDI Data Format MIDI Data Format This section explains the format of the data that the PM5D is able to understand, send, and receive. In addition to the messages described here, you can use the MIDI REMOTE function or the MIDI EVENT settings of the SCENE function to transmit any type of command. 1 CHANNEL MESSAGE 1.1 NOTE OFF Equation for converting a Control Value to parameter data paramSteps add mod curValue (8n) Reception These messages are echoed to MIDI OUT if [OTHER ECHO] is ON.
If MULTI is selected The RX and TX channels will be the same. The assignment table will use the settings for each MIDI channel. Bank select messages will not be added. You can make settings for up to sixteen MIDI channels. STATUS DATA 1100nnnn Cn Program change 0nnnnnnn nn Program number (0-127) F0 7F dd 01 … F7 MIDI TIME CODE rx 2.1 TIMING CLOCK 3.2 Bulk Dump rx/tx rx/tx STATUS 11111000 F8 Timing clock 2.
MIDI Data Format 4.2 Current Scene, Setup, Backup, Input Patch, Output Patch, HA Data – Parameter request – [Recovery from bulk data to actual data] d[0. 6]: actual data b[0. 7]: bulk data for( I=0; I<7; I++){ b[0] <<= 1; d[I] = b[I+1]+(0x80&b[0]); } 4.2.1 Format 3.3 PARAMTER CHANGE Reception This message is echoed if [Parameter change ECHO] is ON. This message is received if [Parameter change RX] is ON and [Rx CH] matches the Device number included in the SUB STATUS.
“LibUnStr” “LibRcl__” “LibUnRcl” 4.4 Function Call – Library Edit – (Parameter change) 4.4.
MIDI Data Format 4.4.
“SCENE___” number 0-500,512 (0:response only) 4.5.7 Link format size 16 (Parameter change) Reception This message is received if [Parameter change RX] is ON and [Rx CH] matches the Device number included in the SUB STATUS. This message is echoed if [Parameter change ECHO] is ON. When the message is received, the link settings of the specified memory/library will be edited. Transmission In response to a request, a Parameter Change message is transmitted on the [Rx CH].
MIDI Data Format 4.6 Exist Library Range 4.6.1 Format (Parameter change) Transmission When PM5D receives Library Exist request command from outside, the answer will be sent back with the following Parameter change. This packet shows smallest library number range that exists and not read only. Top number is requested number or more.
tx In Comp 0-55 *1 tx Mix Comp 256- 279 *2 tx Matrix Comp 512- 519 *3 tx Stereo Comp 1024-1027 *4 tx GEQ 0-19 *6 tx Effect 0-7 *7 tx Surround 0 tx *1 0:CH1–47:CH48, 48:STIN1L–55:STIN4R, 56:FXRTN 1L– 63:FXRTN 4R *2 256:MIX1–279:MIX24 *3 512:MATRIX1–519:MATRIX8 *4 1024:STEREO1L–1027:STEREO2R *5 Use 512 if the recall-destination or store-source data is single *6 0:GEQ1–19:GEQ20 *7 0:Effect1–7:Effect8 *8 1280:GEQ1 – 1299:GEQ20 4.7.
MIDI Data Format 4.10 Level Meter Data – Parameter change – 4.11 Time Counter Data – Time Code – 4.10.1 Format (Parameter change) Once a Level Meter Request is received to enable transmission, the specified meter data will be transmitted at 50 msec intervals for a duration of ten seconds. If you want meter data to be transmitted continuously, you must transmit a Request at intervals of no longer than ten seconds. 4.11.
#xxx of Scene is Read Only! You attempted to overwrite (store) a read-only scene. #xxx of Scene is Protected! You attempted to overwrite (store) a protected scene. Cannot Undo! You pressed the SCENE MEMORY [UNDO] key when Undo was not available. Cannot Assign! You clicked an unavailable (grayed-out) grid in the patch screen, or pressed an invalid key on the panel (e.g., a DCA/MUTE assign key that is unavailable due to the selected channel).
Warning Messages Message 378 Meaning Parameter Locked. Parameter Lock has been enabled. Parameter Unlocked. Parameter Lock has been defeated. This Parameter is Locked. The parameter you attempted to control is locked. Channel Copied. The selected channel settings were copied to the memory buffer. Channel Pasted. The channel settings in the memory buffer were pasted to the selected channel. Nothing to Paste! Paste cannot be performed because there is no data in the memory buffer.
Failed to recall a scene memory or library. Memory Card Full! You attempted to save a file that was larger than the available capacity of the memory card. File Not Found! The file/directory does not exist on the memory card. Couldn’t Read File. Failed to read the file from the memory card. Couldn’t Write File. Failed to write the file to the memory card. Couldn’t Delete File. Failed to delete the memory card file. Couldn’t Open File. Failed to open the file from the memory card.
Troubleshooting Troubleshooting Power does not turn on, panel LEDs and the LCD display do not light ❍ Are the PM5D/DSP5D and PW800W correctly connected by the special power cable? ❍ Is the PW800W’s POWER switch turned on? ❍ In the UTILITY function PREFERENCE 2 screen, could the LED brightness have been turned down? (➥ p.206) ❍ If the power still does not turn on, contact your Yamaha dealer. Sound is not input ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ ❍ Is the optional I/O card installed correctly? (➥ p.
❍ Could those channels/parameters be set to Recall Safe or Selective Recall? (➥ p.92, 94) You turn on a CUE button in the EFFECT PARAM screen, but it is automatically defeated ❍ This is defeated automatically when you switch screens in the display. (➥ p.167) Can’t make boost settings with the GEQ ❍ In the GEQ PARAM screen, could LIMIT be set to –24 dB? (➥ p.119) When you recall a scene, it takes a certain amount of time for the faders to stop ❍ Could you have specified a fade time? (➥ p.
General Specifications ❏ Analog Input (1-48) Connector XLR-3-31 Type (Balanced) x48 Phantom Power PM5D: PM5D-RH: +48V DC is supplied to Input by individual mechanical switch +48V DC is supplied to Input by individual software control Pad Switch PM5D: 0/26 dB attenuation PM5D: 44 dB detented –60 dB to –16 dB (PAD=OFF), –34 to +10 dB (PAD=ON) 72 dB by software control –62 dB to 10 dB (1 dB step) Gain Control PM5D-RH: Peak Indicator Red LED is lit when post HA level reaches 3 dB below clipping S
Sampling Frequency Internal: External: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz 42.9975 kHz to 49.200 kHz (Normal Rate) 85.995 kHz to 98.400 kHz (Double Rate) Less than 2.5 ms INPUT to OMNI OUT (@Fs=48kHz) Less than 1.25 ms INPUT to OMNI OUT (@Fs=96kHz) Maximum Voltage Gain 86 dB INPUT1-48/ST IN1-4 to OMNI OUT1-24 Crosstalk (@1kHz) –80 dB Adjacent Input Channels (INPUT1-48/ST IN1-4), GAIN: Min.
Input/output characteristics Input/output characteristics ❏ Analog Input Characteristics (PM5D) Input Terminals PAD GAIN Actual Load Impedance Input Level For Use With Nominal GAIN SW *4 –60dB 0 3kΩ INPUT 1-48 –16dB 50-600Ω Mics & 600Ω Lines — 26 –34dB ST IN1-4 [L,R] — Sensitivity *1 Nominal Max. Before Clip –80 dBu (0.0775 mV) –60 dBu (0.775 mV) –40 dBu (7.75 mV) –36 dBu (12.3 mV) –16 dBu (123 mV) +4 dBu (1.23 V) –10 dBu (245 mV) +10 dBu (2.45 V) +30 dBu (24.51 V) –54 dBu (1.
For Use With Nominal 3kΩ 50-600Ω Mics & 600Ω Lines 3kΩ 50-600Ω Mics & 600Ω Lines –62 dB INPUT 1-48 +10 dB –62 dB ST IN 1-4 [L,R] +10 dB Input Level Nominal Max. before clip –82 dBu (61.6 µV) –62 dBu (0.616 mV) –42 dBu (6.16 mV) –10 dBu (245 mV) +10 dBu (2.45 V) +30 dBu (24.5 V) –82 dBu (61.6 µV) –62 dBu (0.616 mV) –42 dBu (6.16 mV) –10 dBu (245 mV) +10 dBu (2.45V) +30 dBu (24.5 V) Sensitivity *1 Connector XLR-3-31 type (Balanced) *2 XLR-3-31 type (Balanced) *2 *1.
Input/output characteristics ❏ Digital Input Characteristics (PM5D, PM5D-RH) Terminal 2TR IN DIGITAL Format Data Length Level Connector 1 AES/EBU AES/EBU 24bit RS422 XLR-3-31 Type (Balanced)*1 2 AES/EBU AES/EBU 24bit RS422 XLR-3-31 Type (Balanced)*1 3 COAXIAL IEC-60958 24bit 0.5Vpp/75Ω CASCADE IN — RS422 RCA Pin Jack D-Sub Half Pitch Connector 68P (Female) *1. XLR-3-31 type connectors are balanced.
5 6-7 1 2 3 fixed Emphasis Fs Lock Sampling Frequency 0-3 Channel Mode 4-7 Users Bit Management 0-2 Use of AUX 3-7 Source 0-7 Multi Channel 0-1 Digital Audio Reference Signal 3-6 7 fixed fixed 2 4 variable fixed Sampling Frequency professional use 0 audio 0x4 off 0 lock 0x0 others 0x3 32kHz 0x2 44.1kHz 0x1 48kHz 0x1 2ch mode 0x0 — 0x1 24bits Audio Data 0x00 — 0x00 — 0x0 fixed — description 1 — 0 variable 0x0 others 0x5 88.
Input/output characteristics ❏ Control I/O Characteristics (PM5D, PM5D-RH) Terminal TO HOST Format USB Level B Type USB Connector IN MIDI Connector USB 1.1 THRU — MIDI DIN Connector 5P OUT TIME CODE IN SMPTE SMPTE IN WORD CLOCK 0.3Vpp(Min)/10.0Vpp(Max), 10kΩ TTL/75Ω (ON/OFF) — OUT BNC Connector TTL/75Ω GPI D-Sub Connector 25P (Female)*3 — — HA REMOTE KEYBOARD PS/2 MOUSE LAMP 1,2,3 D-Sub Connector 9P (Female) — DIN Connector 6P XLR-4-31 Type*2 2.5V - 11.
PM5D/PM5D-RH All faders are nominal when measured. Output impedance of signal generator:150ohms ❏ Frequency Response Input Fs= 44.1 kHz or 48 kHz @20 Hz–20 kHz, referenced to the nominal output level @1 kHz Fs= 88.2 kHz or 96 kHz @20 Hz–40 kHz, referenced to the nominal output level @1 kHz Output RL Conditions Min. Typ. Max. Unit 0.0 0.5 dB Min. Typ. Max. Unit 2.0 4.0 6.0 2.0 4.0 6.0 Information shown in the display Electrical characteristics 600Ω MONITOR OUT PM5D: PM5D-RH: –1.
Electrical characteristics ❏ Hum & Noise Input EIN= Equivalent Input Noise Output RL Conditions Min. Typ. Master fader at nominal level and one INPUT fader at nominal level. INPUT 1-48 STEREO A,B 600Ω 2TR IN ANALOG 1,2 STEREO A,B 600Ω STEREO A,B MATRIX OUT Rs= 150Ω, GAIN: Max., PAD: Off –64 PM5D-RH: Rs= 150Ω, GAIN: Max. –62 Master fader at nominal level and one INPUT fader at nominal level. PM5D: Rs= 150Ω, GAIN: Min., PAD: On PM5D-RH: Rs= 150Ω, GAIN: Min.
❏ Frequency Response Input Fs= 44.1kHz or 48 kHz @20 Hz-20 kHz, referenced to the nominal output level @1 kHz Fs= 88.2 kHz or 96 kHz @20 Hz-40 kHz, referenced to the nominal output level @1 kHz Output RL OMNI OUT 1-24 600Ω ❏ Gain Error Output RL INPUT 1-48 OMNI OUT 1-24 600Ω Internal OSC ❏ Total Harmonic Distortion Input Max. Unit –1.5 0.0 0.5 dB Output Conditions Min. Typ. Input level: –62 dBu, GAIN: Max. → Output level: +4.0 dBu (Typ.) –2.0 0 +2.0 Input level: +10 dBu, GAIN: Min.
Electrical characteristics ❏ Dynamic Range Input Output RL INPUT 1-48 ST IN 1-4 OMNI OUT 1-24 — 600Ω Conditions AD + DA, GAIN: Min Min. Fs=44.1/48 kHz Typ. Max. Unit 108 Fs=88.2/96 kHz 106 DA Converter dB 110 * Dynamic range are measured with a 6 dB/octave filter @12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation. ❏ Sampling Frequency Parameter External Clock Frequency Range Conditions Typ Max 42.9975 49.200 Double Rate 85.995 98.
❏ Output Function Name Number Function Total Parameter Scene Memory Preset 1 + User 500 501 Frequency= 20 Hz to 20 kHz Input Patch Library Preset 1 + User 99 100 Gain= –18 dB to +18 dB Output Patch Library Preset 1 + User 99 100 Input Channel Library Preset 1 + User 199 200 Output Channel Library Preset 1 + User 199 200 Input EQ Library Preset 40 + User 159 199 Output EQ Library Preset 3 + User 196 199 GATE Library Preset 4 + User 195 199 COMP Library Preset 36 + User 163 1
Pin Assignment Pin Assignment 34 3 2 1 68 37 36 35 ❏ CASCADE IN ❏ CASCADE OUT Pin Signal Pin Signal Pin Signal Pin 1 GND 35 GND 1 GND 35 GND 2 Input 1-2(+) 36 Input 1-2(–) 2 Output 1-2(+) 36 Output 1-2(–) 3 Input 3-4(+) 37 Input 3-4(–) 3 Output 3-4(+) 37 Output 3-4(–) 4 Input 5-6(+) 38 Input 5-6(–) 4 Output 5-6(+) 38 Output 5-6(–) 5 Input 7-8(+) 39 Input 7-8(–) 5 Output 7-8(+) 39 Output 7-8(–) 6 Input 9-10(+) 40 Input 9-10(–) 6 Output 9-10(+) 40 O
3 2 1 4 8 14 15 20 7 13 6 12 19 18 23 25 1 2 3 9 Information shown in the display 13 5 11 16 17 22 10 21 16 15 14 Pin Signal Name Pin Signal Name Pin Signal Name Pin Signal Name 1 GPO1 14 GPO2 1 +24V 13 GND 2 GPO3 15 GPO4 2 +24V 14 GND 3 GPO5 16 GPO6 3 +24V 15 GND 4 GPO7 17 GPO8 4 +24V 16 GND 5 GND 18 GND 5 +24V 17 GND 6 GND 19 GND 6 +24V 18 GND 7 GND 20 GND 7 +24V 19 CAUTION(+) 8 GND 21 +5V 8 +24V 20 CAUTION(–) 9 +5
MIDI Implementation Chart YAMAHA [Digital Mixing Console] Model: PM5D/PM5D-RH Function... Date: 30-Apr-2004 MIDI Implementation Chart Version: 1.
A Accessing a screen ......................... 27 AD IN section ............................... 43 Adjusting the input gain (PM5D-RH) ............. 162 Adjusting the output gain ............ 162 ADVANCED mode .............. 212, 216 Analog audio connections ............. 33 Analog output connections............ 34 Appendices ................................. 317 Assign ASSIGN MODE section............ 81 Assigning a name ..................... 30 Assigning MIDI messages ....... 127 GEQ ASSIGN ................
Index EVENT LIST ............................... 177 AUTO CAPTURE .................. 178 DISABLE......................... 163, 177 ENABLE ......................... 163, 177 EVENT RECALL .................... 178 EVENT TRIGGER.................. 178 MOVE DOWN ...................... 179 MOVE UP.............................. 179 Events .................................. 123, 125 Examples of systems ................ 31, 32 Exchanging the fader and encoder functions .................... 49 EXTERNAL CUE indicator .
KEY IN CUE indicator ................ 164 Keyboard ...................................... 25 Knobs ...................................... 23, 29 L LATCH ....................................... 193 Layer ........................................ 45, 47 [CH 1-24]/[CH 25-48] keys ...... 45 [ST IN 1-4]/[FX RTN 1-4] keys 47 INPUT CH............................. 165 ST IN/FX RTN ....................... 165 LCR ..................................... 267, 308 LCR [B] indicator........................
Index PATCH .................................. 243 PATCH function .................... 243 PATCH LIBRARY .................. 247 SIGNAL FLOW ...................... 272 SURR SETUP ......................... 268 VIEW function ....................... 270 Output channel ....................... 12, 55 Channel strip............................ 61 MATRIX channels 1–8 ............. 56 MATRIX section ...................... 63 MIX channels 1–24................... 55 MIX section..............................
Information shown in the display W Warning Messages ....................... 377 Word clock ...................... 15, 38, 219 Function menu SURR VIEW .......................... 310 Surround mode ............ 142, 143, 222 Surround pan ....................... 142, 222 Divergence ............................. 146 LFE ........................................ 146 Notes ..................................... 147 Pattern ................................... 146 Surround buses ......................
Index MEMO 402 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Reference section
PM5D/PM5D-RH Block Diagram
DSP5D Block Diagram PreATT PreGate PreFader IN METER METER PostFader STA MIX1-24 PFL/ AFL/ Post PAN PostON STB (C) CUE CUE To METER IN METER INSERT To METER MSDECODE OUT METER ATT INSERT OUT OUT METER METER GR GR INSERT METER METER 4BAND EQ HPF GATE KEYIN METER Keyin Self Pre EQ/ Self Post EQ/ Mix21-24 / Keyin Filter CH1-8 Post EQ/ CH9-16 Post EQ/ ...
PM5D Level Diagram Analog Analog dBu Digital dBFS PAD GAIN Digital AD INPUT PATCH Digital EQ INSERT GATE COMP INSERT DELAY LEVEL DCA INSERT ON MSHPF INSERT (x4) PHASE ATT.
PM5D-RH Level Diagram Analog Analog dBu Digital dBFS GAIN Digital AD INPUT PATCH Digital EQ INSERT GATE COMP INSERT DELAY LEVEL DCA INSERT ON MSPHASE ATT.
DSP5D Level Diagram Analog Analog dBu Digital dBFS GAIN Digital AD INPUT PATCH Digital EQ INSERT GATE COMP INSERT DELAY LEVEL DCA INSERT ON MSPHASE ATT.
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
Yamaha Pro Audio global web site: http://www.yamahaproaudio.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G.
