Specifications

Style Functions
PSR-K1 Owner’s Manual 49
● Fingered chords that are recognized
* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation] Normal Voicing Chord (C) Display
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C9
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6
9
*
Major seventh [M7] 1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7
9
*
Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
CM7
#11
*
Flatted fifth [(b5)] 1 - 3 - b5 C
b5
*
Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7
b5
*
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - #5 Caug
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug *
Minor [m] 1 - b3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm9
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6
Minor seventh [m7] 1 - b3 - (5) - b7 Cm7
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7
9
Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7
11
*
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7
9
*
Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Cm7
b5
Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7
b5
*
Diminished [dim] 1 - b3 - b5 Cdim
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C7
Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 C7
b9
Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7 C7
b13
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7
9
Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C7
#11
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7
13
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7
#9
Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 C7
b5
*
Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4
Suspended second [sus2] 1 - 2 - 5 Csus2 *
• Notes in parentheses can be omit-
ted.
• Playing two same root keys in the
adjacent octaves produces accom-
paniment based only on the root.
• A perfect fifth (1 + 5) produces
accompaniment based only on the
root and fifth which can be used
with both major and minor chords.
• The chord fingerings listed are all
in “root” position, but other inver-
sions can be used — with the fol-
lowing exceptions:
m7, m7 b 5, 6, m6, sus4, aug,
dim7, 7 b 5, 6(9), sus2.
• Inversion of the 7sus4 and m7(11)
chords are not recognized if the
notes shown in parentheses are
omitted.
• The auto accompaniment will
sometimes not change when related
chords are played in sequence (e.g.
some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a
chord based on the previously
played chord.
• It may occur that the chord name
indication shown in the MAIN dis-
play may not match that of the song
data, even though the actual note/
chord is the same. For example, a
C # chord may actually be indicated
as D b .
NOTE
C
C
(
9
)
C6
(
9
)
C6
CM7
CM7
(
9
)
CM7
(
#11
)
C
(
b5
)
CM7
(
b5
)
Csus4
Caug
CM7aug
Cm
(
9
)
Cm
Cm6
Cm7
Cm7
(
9
)
Cm7
(
11
)
CmM7
CmM7
(
9
)
Cm7
(
b5
)
CmM7
(
b5
)
Cdim
Cdim7
C7
C7
(
b9
)
C7
(
b13
)
(
9
)
C7
(
#11
)
C7
(
13
)
C7
(
#9
)
C7
C7b5
C7aug
C7sus4
Csus2