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SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument.
Connections Saving data Saving and backing up your data • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Thank you for purchasing this Yamaha PORTATONE! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference. About this Owner’s Manual and Data List This manual consists of the following sections. Owner’s Manual Introduction (page 12).......................... Please read this section first. Quick Guide (page 24)...................
Accessories Guide to Yamaha Online Member Product User Registration Accessory CD-ROM for Windows Owner’s Manual Accessory CD-ROM for Windows Installation Guide Music rest AC Power Adaptor PA-301 or an equivalent* * May not be included depending on your particular area. Please check with your Yamaha dealer.
Table of Contents Introduction What can you do with the PORTATONE? ....... 12 Convenient Functions for Singing Along with Your Own Performance ........................................ 58 Setting an Oriental Scale ................................ 59 Panel Controls ................................................. 14 Playing the Keyboard ...................................... 16 Power Supply ............................................... 16 Powering Up ................................................
Saving Your Scale Settings ........................... 101 Recalling the Scale Setting ........................... 102 Using Your Instrument with Other Devices ........................................ 167 Connecting Audio Devices ............................ 167 Using, Creating and Editing the Auto Accompaniment Styles ........ 103 Style Playback-related Settings ..................... 106 Using External Audio Devices for Playback (1 [OUTPUT] jacks) ...........................................
Introduction Using Your Instrument with Other Devices Quick Guide Basic Operation Reference Using, Creating and Editing Voices Using Oriental Scales Using, Creating and Editing the Auto Accompaniment Styles The Multi Pads Registering and Recalling Custom Panel Setups Using, Creating and Editing Songs Using Your Instrument with Other Devices Appendix PSR-OR700 Owner’s Manual 9
Application Index Starting up before turning the power on • Setting up the music rest.......................................................................................................................................... page 18 • Connecting headphones.......................................................................................................................................... page 18 • Turning the power on/off ...................................................................................
Instantly selecting custom panel settings • Calling up ideal panel setups..................................................................................Music Finder ................... pages 55, 108 • Changing setups to match the Style ........................................................................One Touch Setting .................... page 51 • Saving and recalling custom panel setups...............................................................Registration Memory ..............
Introduction What can you do with the PORTATONE? LCD DEMO SONG Explore the Demos (page 24) Playback previously recorded songs (page 36, 57, 137) These not only showcase the stunning voices and styles of the instrument, they introduce you to the various functions and features — and give you hands-on experience using the PSR-OR700! Enjoy a wide variety of preset songs as well as songs on commercially available disks.
Introduction VOICE Enjoy a huge variety of realistic voices (page 30, 77) MUSIC FINDER Call up the perfect accompaniment style (page 55, 108) The PSR-OR700 features a wealth of exceptionally authentic and dynamic voices — including piano, strings, woodwinds, and more! The instrument also has MegaVoices. MegaVoices feature different performance sounds of the same instrument in different velocity ranges — designed specifically for recorded MIDI data.
Panel Controls Introduction TO DEVICE USB TO HOST IN 71 See page 167 38 10 13 14 11 15 12 16 17 39 21 18 19 20 40 9 1 5 22 41 23 42 24 2 25 43 44 26 27 28 30 6 29 31 32 33 34 35 36 37 55 56 57 58 7 3 4 8 STANDBY/ON 1 [STANDBY/ON] switch .................................................... P. 17 VOLUME 2 [MASTER VOLUME] dial.................................................. P. 17 WHEEL 3 [PITCH BEND] wheel ...................................................... P.
MIDI FOOT PEDAL OUT 1 2 Introduction 45 39 46 47 50 52 53 54 48 51 49 69 59 60 61 62 63 64 65 66 67 68 70 \ [LCD CONTRAST] knob .................................................. P. 19 ] [A]–[J] buttons.................................................................. P. 26 MULTI PAD CONTROL s [SELECT] button ............................................................. P. 130 ^ [BALANCE] button........................................................... P. 41 t [1]–[4] buttons ....
Playing the Keyboard Power Supply Introduction 1 WARNING • Use the specified adaptor (PA-301/PA-300B/PA-300 or an equivalent recommended by Yamaha) only. • The use of an incompatible adaptor may cause irreparable damage to the PSROR700, and may even pose a serious shock hazard! ALWAYS UNPLUG THE AC ADAPTOR FROM THE AC POWER OUTLET WHEN THE PSR-OR700 IS NOT IN USE. 2 3 Make sure that the instrument’s STANDBY/ON switch is set to STANDBY (off). Connect one end of the AC cable to the power adaptor.
Powering Up n 1 Press the [STANDBY/ON] switch. The Main display appears in the display. CAUTION Introduction Before you switch your PSR-OR700 on or off, first turn down the volume of any connected audio equipment. In order to avoid possible damage to the speakers or other connected electronic equipment, always switch on the power of the PSR-OR700 before switching on the power of the amplified speakers or mixer and amplifier.
Setting Up Music Rest Introduction The PSR-OR700 is supplied with a music rest that can be attached to the instrument by inserting it into the slot at the rear of the control panel. Using Headphones CAUTION Do not listen with the headphones at high volume for long periods of time. Doing so may cause hearing loss. 18 PSR-OR700 Owner’s Manual Connect a pair of headphones to the [PHONES] jack.
Changing the Display Language This determines the language used in the display for messages, file names, and character input. 2 Introduction 1 Call up the operation display. [FUNCTION] → [J] UTILITY → TAB[√][®] OWNER Press the [4π†]/[5π†] button to select a language. Display Settings Adjusting the Contrast of the Display You can adjust the contrast of the display by turning the [LCD CONTRAST] knob located to the left of the display.
Adjusting the Brightness of the Display Adjust the brightness of the display. Introduction 1 2 20 PSR-OR700 Owner’s Manual Call up the operation display. [FUNCTION] → [J] UTILITY → TAB[√][®] CONFIG 2 Press the [2π†] button to adjust the brightness of the display.
Entering the Owner Name in the Opening Display 1 2 Introduction You can have your name appear in the opening display (the display that appears when the power is turned on). Call up the operation display. [FUNCTION] → [J] UTILITY → TAB[√][®] OWNER Press the [I] (OWNER NAME) button and call up the Owner Name display. Refer to page 71 for character-entry details.
Handling the Floppy Disk Drive (FDD) and Floppy Disks Introduction An optional floppy disk drive UD-FD01 can be connected to this instrument. It lets you save original data you’ve created on the instrument to floppy disk, and allows you to load data from floppy disk to the instrument. Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.
Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc) This instrument features a built-in [USB TO DEVICE] terminal. By connecting the instrument to a USB storage device with a standard USB cable, you can save data you’ve created to the connected device, as well as read data from the connected device. Be sure to handle USB storage device with care. Follow the important precautions below. age device, refer to the owner’s manual of the USB storage device.
Quick Guide Playing the Demos Quick Guide The Demos are more than just songs — they also provide helpful, easy-to-understand introductions to the features, functions and operations of the instrument. In a way, the Demos are an interactive “mini-manual” — complete with sound demonstrations and text showing what it can do for you. 1 2 Select the desired Language. 1 Call up the operation display. [FUNCTION] → [J]UTILITY → TAB[√][®] OWNER 2 Press the [4π†]/[5π†] buttons to select the desired language.
Showing Specific Demo Topics 1 π†]/[8π π†] buttons in the Demo display to call up the specific Demo Press the [7π menu. To return back to the previous display, press the [J] (Play Overview Demo) button. Quick Guide 2 Press one of the [A]–[H] buttons to show a specific Demo. When the Demo has more than one screen. Press [1π†]–[8π†] buttons corresponding to the screen number. 3 Press the [EXIT] button to exit from the Demos.
Operations in Basic Displays To start with, you should know a little about the basic displays that appear in the Quick Guide. There are three basic displays: Main display ➤ See below. File selection display ➤ page 27 Function display ➤ page 28 Quick Guide Operation of the Main Display The Main display shows the basic settings and important information for the instrument (It is the same display that appears when the instrument is turned on.).
Operation of the File Selection Display In the File Selection display, you can select the Voice (page 30)/Song (page 36)/Style (page 46), etc. In the example here, we’ll call up and use the Song Selection display. 2 Quick Guide 1 3, 5 3, 5 4 1 Press the SONG [SELECT] button to call up the Song Selection display. 2 Press the TAB [√][®] buttons to select the desired drive (PRESET/USER/USB). About PRESET/USER/USB PRESET ..............
Operation of the Function Display In the Function display, you can make detailed settings. In the example here, we’ll call up and use the keyboard touch sensitivity setting display. 1 Press the [FUNCTION] button. Quick Guide Categories of detailed settings are shown. 2 Press the [D] button to select the category CONTROLLER. When the selected category is further divided into sub-categories, the tab(s) will be shown in the display. 3 Press the TAB [√][®] buttons to select the KEYBOARD/PANEL tab.
4 Press the [A] button to select the “1 INITIAL TOUCH.” 4 Quick Guide 5 5 Press the [1π†]/[2π†] button to select touch sensitivity for the keyboard. For details on the touch sensitivity settings, see page 33. Throughout this manual, arrows are used in the instructions, indicating in shorthand the process of calling up certain displays and functions. For example, the instructions above can be indicated in shorthand as: [FUNCTION] → [D] CONTROLLER → TAB [√][®] KEYBOARD/PANEL → [A] 1 INITIAL TOUCH.
Playing Voices The instrument features a wide variety of exceptionally realistic Voices, including piano, guitar, strings, wind instruments and more. VOICE buttons (page 30) Quick Guide [METRONOME] button (page 34) Playing Preset Voices The preset Voices are categorized and contained in appropriate folders. Voice buttons on the panel correspond to the categories of the preset Voices. For example, press the [PIANO] button to display various piano Voices.
2 3 Press one of the VOICE buttons to select a Voice category and call up the Voice selection display. Press one of the [A]–[J] buttons to select the desired Voice. Quick Guide n • The Voice type and its defining characteristics are indicated above the Preset Voice name. For details on the characteristics, see page 77. • You can instantly jump back to the original display by “double-clicking” on one of the [A]–[J] buttons. 4 Play the keyboard.
Playing the Voice Demos To listen to the various Voices and hear how they sound especially in context, listen to the demo songs for each Voice. 1 Quick Guide 2 In the Voice Selection display (page 31 step 3), press the [8†] (DEMO) button to start the Demo for the selected Voice. To stop the Demo, press the [8†] (DEMO) button again.
Setting the touch sensitivity of the keyboard You can adjust the touch response of the instrument (how the sound responds to the way you play the keys). The touch sensitivity type becomes the common setting for all Voices. Call up the operation display: [FUNCTION] → [D] CONTROLLER → TAB [√][®] KEYBOARD/ PANEL → [A] 1 INITIAL TOUCH 2 Press the [1π†]/[2π†] buttons to specify the touch response. HARD 2 ..... Requires strong playing to produce high volume. Best for players with a heavy touch. HARD 1 .....
Using the Modulation Wheel The Modulation function applies a vibrato effect to notes played on the keyboard. This is applied to all the keyboard parts (RIGHT 1, 2 and LEFT). Moving the MODULATION wheel down (towards MIN) decreases the depth of the effect, while moving it up (towards MAX) increases it. PITCH BEND MODULATION Quick Guide n • To avoid accidently applying modulation, make sure the MODULATION Wheel is set at MIN before you start playing.
2 Press the TEMPO [–]/[+] buttons to set the tempo. Pressing and holding either button lets you continuously increase or decrease the value. You can also use the DATA ENTRY dial to adjust the value. To reset the tempo, press the TEMPO [–]/[+] buttons simultaneously. n About the Tempo display The number in the display indicates how many quarter-note beats there are in one minute. The range is between 5 and 500. The higher the value, the faster the tempo.
Quick Guide Practicing with the Preset Songs n Song In this manual, the word “Song” refers to performance data. Playing Back and Listening to Songs Before Practicing The instrument includes several preset Songs. This section covers basic information on playing back the preset Songs. 1 Press the SONG [SELECT] button to call up the Song selection display. 2 Press the [A] button to select the Sample Song category. 2 3 3 Press one of the [A]–[E] buttons to select the desired Song.
5 Press the SONG [J] (STOP) button to stop playback. Playing Songs saved to USER (page 67) 1 2 Press the SONG [SELECT] button to call up the Song selection display. 3 Press one of the [A]–[J] buttons to select the desired Song. Quick Guide Press the TAB [√][®] buttons to select the USER tab. Playing Songs saved to a USB storage device (page 67) CAUTION Before using a USB storage device, be sure to read “Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc)” on page 23.
Boost the volume of the part to be practiced On the instrument, a single Song can contain separate data for up to sixteen MIDI channels. Specify the channel for practicing and increase the playback volume for the channel. 1 Select a Song. The method for selecting a Song is the same as “Playing Back and Listening to Songs Before Practicing” (page 36 step 1–3). 2 Press the [MIXING CONSOLE] button to call up the MIXING CONSOLE display.
Displaying Music Notation (Score) You can view the music notation of the selected Song. We suggest that you read through the music notation before starting to practice. n • The instrument can display the music notation of commercially-available music data or your recorded Songs. • The displayed notation is generated by the instrument based on the Song data.
Set the detailed parameters of the view type as desired. 1 Press the [8π†] (SET UP) button to call up the detailed setting display. 2 Press the [1π†]–[6π†] buttons to set the view type. Quick Guide Determines which MIDI channel in the Song data is used for the left-hand/right-hand part. This setting returns to AUTO when a different Song is selected.
3 Press the SONG [TR 1] button to mute the right-hand part. The indicator of the [TR 1] button goes out. You can now play that part by yourself. 4 Press the SONG [F/K] (PLAY/PAUSE) button to start playback. Practice the muted part viewing the Score display. n Adjusting the tempo Refer to page 34. 5 Press the SONG [J] (STOP) button to stop playback. 6 Turn the [GUIDE] button off.
Practicing the Left-hand Part (TRACK 2) Viewing the Score 1,2 3 Follow the same steps as in “Practice the right-hand part (TR 1)” on page 40. Press the [TR 2] button to mute the left-hand part. The indicator of the [TR 2 (L)] button goes out. You can now play that part by yourself. Quick Guide 4 Press the SONG [F/K] (PLAY/PAUSE) button to start playback and practice the muted part. 5 Press the SONG [J] (STOP) button to stop playback. 6 Turn the [GUIDE] button off.
Other Methods for Specifying the A–B Repeat Range ● Specifying the repeat range while Songs are stopped 1 2 3 4 Press the [H] (Fast Forward) button to advance to the Point A location. Press the [REPEAT] button to specify Point A. Press the [H] (Fast Forward) button to advance to the Point B location. Press the [REPEAT] button again to specify Point B.
7 1 2 Quick Guide 3 4 5 Save the recorded performance. Press the SONG [SELECT] button to call up the Song selection display. Press the TAB [√][®] buttons to select the appropriate tab (USER, USB, etc.) to which you want to save the data. Select USER to save the data to internal memory, or select USB to save the data to a USB storage device. Press the [6†] (SAVE) button to call up the file naming display. Enter the file name (page 71). Press the [8π] (OK) button to save the file.
Press the [8π†] button to turn the [P.A.T.] (Performance Assistant) on. 4 Press the SONG [F/K] (PLAY/PAUSE) button to start playback. 5 Play the keyboard. Quick Guide 3 The instrument automatically matches your performance on the keyboard to the Song playback and chords, no matter what keys you play. It even changes the sound according to the way you play. Try playing in the three different ways below.
Playing Accompaniment with the Auto Accompaniment Feature (Style Playback) Quick Guide The Auto Accompaniment features let you produce automatic accompaniment playback simply by playing “chords” with your left hand. This lets you automatically recreate the sound of a full band or orchestra — even if you’re playing by yourself. The Auto Accompaniment sound is made up of the rhythm patterns of the Styles.
Enabling tempo display above Style name You can select whether the tempo is displayed above the Style name or not. 1 2 Call up the operation display. [FUNCTION] → [J] UTILITY → TAB [√][®] CONFIG 2 Select the [B] (2 DISPLAY STYLE TEMPO) button, and use the [5π†]/[6π†] buttons to switch the tempo display on/off. 2 Quick Guide • ON: Tempo is displayed above the Style name. With the default settings, the Display Style Tempo function is on. • OFF: Tempo is not displayed above the Style name.
6 Automatically play an appropriate ending by pressing any of the [ENDING/rit.] buttons, at the point in the score (page 46) indicated by “Ending.” When Ending playback is finished, the Style automatically stops. Quick Guide n • About the various Styles Refer to the Style List in the Data List available at the Yamaha website. (See page 5.
During Style Playback ● Main This is used for playing the main part of the Song. It plays an accompaniment pattern of several measures, and repeats indefinitely. Each preset Style features four different patterns. Press one of the MAIN [A]–[D] buttons during Style playback. Quick Guide ● Fill In The fill-in sections let you add dynamic variations and breaks in the rhythm of the accompaniment, to make your performance sound even more professional.
About the section button (INTRO/MAIN/ENDING, etc.) lamps • Green The section is not selected. • Red The section is currently selected. • Off The section contains no data and cannot be played. Quick Guide Holding the LEFT part Voice (Left Hold) This function causes the LEFT part Voice to be held even when the keys are released. Non-decaying voices such as strings are held continuously, while decay-type voices such as piano decay more slowly (as if the sustain pedal has been pressed).
Appropriate Panel Settings for the Selected Style — One Touch Setting One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (Voices or effects, etc.) for the currently selected Style, with the touch of a single button. If you’ve already decided which Style you wish to use, you can have One Touch Setting automatically select the appropriate Voice for you. Select a Style (page 46). 2 Press one of the ONE TOUCH SETTING [1]–[4] buttons.
The Multi Pads The Multi Pads can be used to play a number of short pre-recorded rhythmic and melodic sequences that can be used to add impact and variety to your keyboard performances. Multi Pads are grouped in Banks or four each. The PSR-OR700 features a variety of Multi Pad Banks in a variety of different musical genres. Quick Guide Playing the Multi Pads 1 Press the MULTI PAD CONTROL [SELECT] button to call up the Multi Pad Bank selection display, then select the desired Bank.
Using Chord Match Many of the Multi Pad phrases are melodic or chordal and you can have these phrases automatically change chords as you do with your left hand. While a style is playing back and [ACMP] is on, simply play a chord with your left hand and press any of the Multi Pads — Chord Match changes the pitch to match the chords you play. You can also use this with the style stopped (with the Stop Accompaniment function). Keep in mind that some Multi Pads are not affected by Chord Match.
Applying Harmony to Your Right-hand Melody (HARMONY/ECHO) Among the Voice Effects, Harmony is one of the most impressive. It automatically adds harmony parts to the notes you play with your right hand — immediately giving you a more full and professional sound. For details on the Harmony/ Echo types, see page 82. An optional foot pedal can also be used to turn the effect on and off (page 168). 1 Quick Guide 2 3 Turn the [Harmony/Echo] button on.
Calling Up Ideal Setups for Each Song (Music Finder) If you want to play in a certain genre of music but don’t know which Style and Voice settings would be appropriate, the convenient Music Finder function can help you out. Simply select the desired music genre from among the Music F inder “Records,” and the instrument automatically makes all appropriate panel settings to let y ou play in that music style. A new record can be created by editing the currently selected one (page 111).
4 Play the keyboard. Notice that the panel settings have been automatically changed to match the music genre of the selected record. Quick Guide n • Tempo Lock Tempo Lock function lets you avoid changing the Tempo during Style playback when selecting another record. To turn on the Tempo Lock function, press the [I] (TEMPO LOCK) button in the Music Finder display. • Parameter Lock You can “lock” specific parameters (e.g., effect, split point, etc.
Singing Along with Song Playback (Karaoke) or Your Own Performance If the selected song has lyric data, you can have the lyrics shown in the display by playing back the song. Sing the song while viewing the lyrics on the display. Quick Guide Singing with the Lyrics Display Try singing while playing back a Song containing lyric data 1 Select a Song (page 36). 2 Press the [LYRICS] button to display the lyrics. 3 Press the SONG [F/K] (PLAY/PAUSE) button to start playback.
Convenient Functions for Karaoke Adjusting the tempo ➤ page 34 Transpose ➤ See below. Transpose Quick Guide You can use this to adjust the key of the Song if it is too high or low. • Transposing the Song key up................ Press the TRANSPOSE [+] button. • Transposing the Song key down ........... Press the TRANSPOSE [–] button. • Resetting the transposition ................... Press the TRANSPOSE [+][–] buttons simultaneously.
4 Press the [EXIT] button to close the TRANSPOSE display. Quick Guide Setting an Oriental Scale The Scale Setting feature lets you easily lower the pitches of specific notes by 50 cents to create your own oriental scales. Up to six scale settings can be stored for instant recall (Scale Memory), whenever you need them. n For details on scale tuning, see page 99. Scale related buttons 1 2 The [SCALE SETTING] buttons simulate an one-octave keyboard (C through B).
Basic Operation Selecting Message Language You can select the desired language of the display messages. 1 2 3 Use [4π†]/[5π†] (LANGUAGE) buttons to select the language. Press the [EXIT] button to return to the previous display. Basic Operation The language selected here is also used for various “Messages” shown during operations. Call up the operation display.
Instant Selection of the Displays — Direct Access Instant Selection of the Displays — Direct Access With the convenient Direct Access function, you can instantly call up the desired display — with just a single additional button press. 1 2 Press the [DIRECT ACCESS] button. A message appears in the display prompting you to press the appropriate button. Basic Operation Press the button corresponding to the desired setting display to instantly call up that display.
Basic Displays (Main Display and File Selection Display) Basic Displays (Main Display and File Selection Display) There are two basic display types – Main and Selection. Here are explanations of each display segment and its basic operation. Main Display The Main display shows the current basic settings of the instrument such as the currently selected Voice and Style, allowing you to see them at a single glance. The Main display is the one you’ll usually see when you play the keyboard.
Basic Displays (Main Display and File Selection Display) ) Voice name • RIGHT 1 (indicated at the right edge of the display): Voice name currently selected for the RIGHT 1 part (page 78). • RIGHT 2 (indicated at the right edge of the display): Voice name currently selected for the RIGHT 2 part (page 78). • LEFT (indicated at the right edge of the display): Voice name currently selected for the LEFT part (page 78). When the Left Hold function is ON, an “H” indication appears (page 50).
Basic Displays (Main Display and File Selection Display) File Selection Display Configuration • Location (drive) of data Preset User Location where pre-programmed Location where recorded or edited data is saved. (preset) data is stored. USB Location where data on USB storage device (USB flash memory, floppy disk, etc.) is saved. Basic Operation Hereafter in this manual, any USB storage device such as USB flash memory, floppy disk drive, etc. will be referred to as “USB storage device.
Basic Displays (Main Display and File Selection Display) File Selection Display Basic Operation 1 Selecting a file saved to the USB storage device. You can also select a specified file in the USB storage device by pressing the [USB] button. [USB] → [A] SONG/[B] STYLE/ [F] VOICE/[G] MULTI PAD → [A]–[J] 3 3 3 Basic Operation 2 4 1 2 3 4 Select the tab containing the desired file by using the TAB [√][®] buttons. Select the page containing the desired file by using the [1π]–[7π] buttons. Select the file.
Basic Displays (Main Display and File Selection Display) File/Folder Operations in the File Selection Display • Saving Files ............................................................................................. page 67 • Copying Files/Folders (Copy & Paste)....................................................... page 68 • Moving Files (Cut & Paste)....................................................................... page 69 • Deleting Files/Folders .................................................
Basic Displays (Main Display and File Selection Display) Saving Files This operation lets you save your original data (such as Songs and Voices you’ve created) to a file. 1 After you’ve created a Song or Voice in the relevant SONG CREATOR or VOICE SET display, press the [SAVE] display button. The File Selection display for the corresponding data appears. Keep in mind that the Save operation is executed from the File Selection display.
Basic Displays (Main Display and File Selection Display) Basic Operation Restrictions for protected Songs Commercially available song data may be copy protected to prevent illegal copying or accidental erasure. They are marked by the indications at the upper left side of the file names. The indications and relevant restrictions are detailed below. Prot. 1 Indicates Preset Songs saved to the User tab display, Disk Orchestra Collection (DOC) Songs, and Disklavier Piano Soft Songs.
Basic Displays (Main Display and File Selection Display) Moving Files (Cut & Paste) This operation lets you cut a file and paste it to another location (folder). 1 2 3 Call up the display containing the file you want to move. Press the [2†] (CUT) button to cut the file. The pop-up window for the Cut operation appears at the bottom of the display. Press one of the [A]–[J] buttons corresponding to the desired file. To cancel the selection, press the same [A]–[J] button again.
Basic Displays (Main Display and File Selection Display) Renaming Files/Folders This operation lets you rename files/folders. 1 2 Basic Operation 3 4 5 6 Call up the display containing the file/folder you want to rename. Press the [1†] (NAME) button. The pop-up window for the Rename operation appears at the bottom of the display. Press one of the [A]–[J] buttons corresponding to the desired file/ folder. Press the [7†] (OK) button to confirm the file/folder selection.
Basic Displays (Main Display and File Selection Display) Creating a New Folder This operation lets you create new folders. Folders can be created, named and organized as desired, making it easier to find and select your original data. 1 2 A new folder cannot be made in the PRESET tab. Press the [7†] (FOLDER) button to call up the naming display for a new folder. Folder directories for the USER tab display In the USER tab display, folder directories can contain up to four levels.
Restoring the Factory-programmed Settings Basic Operation 4 Press the [8π] (OK) button to actually enter the new name and return to the previous display. • Deleting characters Move the cursor to the character you wish to delete by using the DATA ENTRY dial, and press the [7†] (DELETE) button. To delete all characters on the line at once, press and hold the [7†] (DELETE) button. • Entering marks 1 After actually entering a character by moving the cursor, press the [6†] button to call up the mark list.
Restoring the Factory-programmed Settings 2 Select items by pressing the [1π†]–[3π†] buttons. Restores the System Setup parameters to the original factory settings. Refer to the Data List for details about which parameters belong to the System Setup. The Data List is available at the Yamaha website. (See page 5.) MIDI SETUP Restores the MIDI settings including the MIDI templates on the User tab display to the original factory status.
Restoring the Factory-programmed Settings Saving and Recalling Your Original Settings as a Single File For the items below, you can save your Original Settings as a Single File for future recall. 1 2 Basic Operation 3 Press one of the [F]–[I] buttons to call up the relevant display for saving your data. Parameters set on the various displays such as the [FUNCTION] → UTILITY are handled as a single System Setup file. Refer to the Data List for details on which parameters belong to the System Setup.
Data Backup Data Backup For maximum data security Yamaha recommends that you copy or save your important data to a USB storage device. This provides a convenient backup if the internal memory is damaged. 3 4 Data that can be saved Select the USER tab by using the TAB [√][®] buttons. Press the [3†] (COPY) button to copy the file/folder. The pop-up window for the Copy operation appears at the bottom of the display. 1 Song*, Style, Multi Pad, Registration Memory Bank, Scale Memory Bank and Voice.
Data Backup 3 All data listed in 1 and 2 1 2 3 Insert/connect the backup USB storage device (destination). Call up the operation display. [FUNCTION] → [J] UTILITY → TAB [√][®] OWNER Press the [D] (BACKUP) button to save the data to the USB storage device. To restore the data, press the [E] (RESTORE) button in step 3 above. Basic Operation n • It takes a few minutes to complete the backup/restore operation. • Backup data which has not been created on the PSROR700 cannot be restored.
Using, Creating and Editing Voices Reference Reference to Quick Guide pages Playing Voices ................................................................................ page 30 Playing Preset Voices ............................................................... page 30 Using the Pitch Bend Wheel.................................................... page 33 Using the Modulation Wheel ................................................. page 34 Using the Metronome .............................................
Playing Different Voices Simultaneously Playing Different Voices Simultaneously The PSR-OR700 keyboard features various functions and performance conveniences that are simply unavailable on an acoustic instrument. It allows you to play several different Voices together in a layer, or play one Voice with your left hand while you play a different Voice (or even two layered Voices!) with your right.
Playing Different Voices Simultaneously Playing Two Voices Simultaneously (Right 1 and 2 Parts) You can play two Voices simultaneously with the Right 1 and 2 parts. 1 2 3 For the selected part, the name of the currently selected Voice is highlighted (reverse display) in the Main display. Press the PART ON/OFF [RIGHT 2] button to turn it on. Press one of the VOICE buttons to call up the Voice selection display for the Right 2 part.
Playing Different Voices Simultaneously Playing Different Voices with the Left and Right Hands (Right 1 and Left Parts) You can play different Voices with the Left and Right Hands (Right 1 and Left parts). For the selected part, the name of the currently selected Voice is highlighted (reverse display) in the Main display. 1 2 Using, Creating and Editing Voices 3 4 Make sure the PART ON/OFF [RIGHT 1] button is turned on. Press the PART ON/OFF [LEFT] button to turn it on.
Changing Pitch Changing Pitch Transpose Transpose the pitch of the keyboard up or down (in semitones). • Transposing during performance You can easily set the desired transposition of the overall sound of the instrument by pressing the TRANSPOSE [–]/[+] buttons. • Transposing before performance Change the transpose settings in the MIXING CONSOLE display. You can set the transposition for the keyboard pitch (KBD), song playback (SONG), or overall sound of the instrument (MASTER), respectively.
Selecting the Harmony/Echo type Selecting the Harmony/Echo type You can select the desired Harmony/Echo effect from a variety of types. 1 2 3 4 Turn the [Harmony/Echo] button on. Call up the operation display. [FUNCTION] → [H] HARMONY/ECHO Use the [1π†]–[3π†] buttons to select the Harmony/Echo type. Use the [4π†]–[8π†] buttons to select various Harmony/Echo settings (page 83). The available settings differ depending on the Harmony/Echo type.
Selecting the Harmony/Echo type selected above and the chord specified in the chord section of the keyboard shown below.
Editing the Volume and Tonal Balance (MIXING CONSOLE) Editing the Volume and Tonal Balance (MIXING CONSOLE) The Mixing Console gives you intuitive control over aspects of the keyboard parts and Song/Style channels, including volume balance and the timbre of the sounds. It lets you adjust the levels and stereo position (pan) of each Voice to set the optimum balance and stereo image, and lets you set how the effects are applied.
Editing the Volume and Tonal Balance (MIXING CONSOLE) 6 Save your MIXING CONSOLE settings. • Saving the PANEL PART display settings Register them to Registration Memory (page 131). • Saving the STYLE PART display settings Save them as Style data. 1 Call up the operation display. [FUNCTION] → [F] DIGITAL REC MENU 2 Press the [B] button to call up the STYLE CREATOR display. 3 Press the [EXIT] button to close the RECORD display.
Editing the Volume and Tonal Balance (MIXING CONSOLE) FILTER HARMONIC CONTENT Allows you to adjust the resonance effect (page 94) for each part. BRIGHTNESS Determines the brightness of the sound for each part by adjusting the cutoff frequency (page 94). Using, Creating and Editing Voices TUNE PORTAMENTO TIME Portamento is a function that creates a smooth transition in pitch from the first note played on the keyboard to the next. The Portamento Time determines the pitch transition time.
Editing the Volume and Tonal Balance (MIXING CONSOLE) Song Auto Revoice This feature lets you use the high-quality sounds of the instrument to full advantage with XG-compatible song data. When you play back any commercially available XG song data or that created on other instruments, you can use Auto Revoice to automatically assign the specially created Voices of the PSR-OR700 (Live!, Cool!, etc.) instead of the conventional XG Voices of the same type.
Editing the Volume and Tonal Balance (MIXING CONSOLE) Effect Type ■ Selecting an Effect type Using, Creating and Editing Voices 1–3 Same operation as in the “Basic Procedure” on page 84. In step 2, select the EFFECT tab. 4 Press the [F] (TYPE) button to call up the Effect Type selection display. 5 Use the [1π†]/[2π†] buttons to select the effect BLOCK. DSP: Stands for Digital Signal Processor (or Processing).
Editing the Volume and Tonal Balance (MIXING CONSOLE) 8 Use the [7π†]/[8π†] buttons to select the effect TYPE. If you want to edit the effect parameters, go on to the next operation. ■ Editing and Saving the effect 9 If you have selected one of the DSP 2-4 effect blocks in step 5: You can edit its standard parameters as well as its variation parameter. To select the standard type of parameters, press the [B] button. To select its variation parameter, press the [E] button.
Editing the Volume and Tonal Balance (MIXING CONSOLE) 14 Use the [3π†]–[6π†] buttons to select the destination for saving the effect. The maximum number for effects that can be saved differs depending on the effect block. Using, Creating and Editing Voices 15 14 15 Press the [I] (SAVE) button to save the effect (page 67). When recalling the saved effect, use the same procedure as in step 8.
Editing the Volume and Tonal Balance (MIXING CONSOLE) If you want to edit the EQ parameters, go on to the next operation. ■ Editing and Saving the selected EQ Press the [F] (EDIT) button to call up the MASTER EQ EDIT display. 6 Use the [A]/[B] buttons to select a preset EQ type. Using, Creating and Editing Voices 5 6 9 8 7 8 7 Use the [3π†]–[7π†] buttons to boost or cut each of the five bands. Use the [8π†] button to boost or cut all the five bands at the same time.
Voice Creating — Voice Set Editing the ORGAN FLUTES Voices The editing method is different for the ORGAN FLUTES Voices compared to other Voices. For instructions on editing the ORGAN FLUTES Voices, see page 96. Voice Creating — Voice Set The PSR-OR700 has a Voice Set feature that allows you to create your own Voices by editing some parameters of the existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER/(USB) for future recall.
Voice Creating — Voice Set 7 Press the [I] (SAVE) button to save your edited Voice (page 67). Editable Parameters in the VOICE SET Displays The following covers in detail the editable parameters that are set in the displays explained in step 3 of the “Basic Procedure” on page 92. The Voice Set parameters are organized into five different displays. The parameters in each display are described separately, below.
Voice Creating — Voice Set SOUND ● FILTER Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to produce electronic, synthesizer-like effects. BRIGHTNESS Determines the cutoff frequency or effective frequency range of the filter (see diagram).
Voice Creating — Voice Set ● VIBRATO SPEED Pitch DEPTH DELAY Vibrato: A quavering, vibrating sound effect that is produced by regularly modulating the pitch of the Voice. Time DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a more pronounced Vibrato. SPEED Determines the speed of the Vibrato effect. DELAY Determines the amount of time that elapses between the playing of a key and the start of the Vibrato effect.
Voice Creating — Voice Set Creating Your Original Organ Flutes Voices The PSR-OR700 features a variety of lush, dynamic organ Voices that you can call up with the [ORGAN FLUTES] button. It also gives you the tools to create your own original organ sounds by using the Voice Set function. Just as on a traditional organ, you can create your own sounds by adjusting the levels of the flute footages. Basic Procedure 1 2 Select the desired Organ Flutes Voice to be edited (page 31).
Voice Creating — Voice Set 5 6 Use the [A]–[D], [F]–[H] and [1π†]–[8π†] buttons to edit the Voice. Press the [I] (SAVE) button to save your edited ORGAN FLUTES Voice (page 67). Editable Parameters in the VOICE SET [ORGAN FLUTES] displays The following covers in detail the editable parameters that are set in the displays explained in step 3 of the “Basic Procedure.” The Organ Flutes parameters are organized into three different pages. The parameters in each page are described separately, below.
Voice Creating — Voice Set Using, Creating and Editing Voices VOLUME/ATTACK VOL Adjusts the overall volume of the Organ Flutes. The longer the graphic bar, the greater the volume. RESP Affects both the attack and release (page 94) portion of the sound, increasing or decreasing the response time of the initial swell and release, based on the FOOTAGE controls. The higher the value, the slower the swell and release.
Using Oriental Scales — Scale Setting/Scale Tuning/Scale Memory The Oriental Scales feature lets you simply and easily raise or lower the pitches of specific notes and create your own scales. You can change the scale settings at any time–even when you are playing. Up to six scale settings can be stored for instant recall, whenever you need them. Setting an Oriental Scale — Scale Setting Using Oriental Scales The [SCALE SETTING] buttons simulate an one-octave keyboard (C through B).
Scale Tuning 4 Change the following settings as necessary. • Tuning the individual notes of the keyboard (TUNE) 1 2 Cent: In musical terms a “cent” is 1/ 100th of a semitone. (100 cents equal one semitone.) Using Oriental Scales Instantly recalling the desired scale Register the desired scale to the Registration Memory. Be sure to checkmark the SCALE item when registering (page 131). Press the [3π†] button to select the note for tuning. Use the [4π†]/[5π†] buttons to set the tuning in cents.
Memorizing the Scale Setting — Scale Memory Memorizing the Scale Setting — Scale Memory The scale settings you set (using the [SCALE SETTING] buttons or in the SCALE TUNE display) are memorized by the Scale Memory function. Up to six scale settings can be stored for instant recall, whenever you need them. 1 2 Set up the scale settings as desired using the [SCALE SETTING] buttons or in the SCALE TUNE display. While holding the [MEMORY] button, press one of the SCALE MEMORY [1]–[6] buttons.
Recalling the Scale Setting 2 Save the settings you’ve made to the SCALE MEMORY buttons as a single Scale Tune Bank file (page 67). The SCALE TUNE EDIT display appears. For details on this display, see below. Using Oriental Scales SCALE TUNE EDIT display The contents of the current Scale Tune Bank are listed in the SCALE TUNE EDIT screen. The names of the stored Scale Settings are shown in the display. From this screen, you can select, name, or delete each of the Scale Settings. Select...........
Using, Creating and Editing the Auto Accompaniment Styles Reference to Quick Guide pages Playing “Mary Had a Little Lamb” with the Auto Accompaniment Feature ..................................................................... page 46 Pattern Variation ...................................................................... page 48 Learning How to Play (Indicate) Chords for Style Playback ...... page 50 Appropriate Panel Settings for the Selected Style (One Touch Setting) ....................................
Playing Only the Rhythm Channels of a Style Using, Creating and Editing the Auto Accompaniment Styles SINGLE FINGER AI: Artificial Intelligence Makes it simple to produce orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the Chord section of the keyboard. This type is available only for Style playback. The abbreviated chord fingerings described at right are used: C For a major chord, press the root key only.
Playing Only the Rhythm Channels of a Style 4 Press the STYLE CONTROL [START/STOP] button to stop the rhythm. Turning channels of the Style on/off A Style contains eight channels: RHY1 (Rhythm 1) – PHR2 (Phrase 2). You can add variations and change the feeling of a Style by selectively turning channels on/off as the Style plays. 1 Press the [CHANNEL ON/OFF] button to call up the CHANNEL ON/ OFF display. When the STYLE tab is not selected, press the [CHANNEL ON/OFF] button again.
Style Playback-related Settings Style Playback-related Settings The PSR-OR700 has a variety of Style playback functions which can be accessed in the display below. 1 2 Call up the operation display. [FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB[√][®] STYLE SETTING Use the [1π†]–[8π†] buttons for each setting.
Split Point Settings • Style Change Behavior There are three types as shown below. Section Set Determines the default section that is automatically called up when selecting different Styles (when Style playback is stopped). When set to “OFF” and Style playback is stopped, the active section is maintained even if the different Style is selected. When any of the MAIN A-D sections is not included in the Style data, the nearest section is automatically selected.
Editing the Volume and Tonal Balance of the Style (MIXING CONSOLE) Setting the Split Point (S) and the Split Point (L) to the same note Split Point (S+L) Chord section + Voice LEFT Voice RIGHT 1and 2 Press the [F] (S+L) button and rotate the DATA ENTRY dial. Setting the Split Point (S) and the Split Point (L) to different notes Specifying the Split Point by note name Press the [1π†]–[4π†] buttons.
Convenient Music Finder feature 3 Press the [6π] (SEARCH 1) button to call up the Search display. 4 Enter the search criteria. Clear the search criteria To clear the entered Music/Keyword/Style, press the [F]/[G]/[H] (CLEAR) button. Using, Creating and Editing the Auto Accompaniment Styles • Search by song title or music genre (MUSIC) or keyword 1 Press the [A] (MUSIC)/[B](KEYWORD) button to call up the character entry display. 2 Enter the song title or music genre, or the keyword (page 71).
Convenient Music Finder feature 5 Press the [8π] (START SEARCH) button to start the search. The Search 1 display appears, showing the results of the search. To cancel searching, press the [8†] (CANCEL) button. Searching other music genres When you want to search other music genres, press the [6†] (SEARCH 2) button in the Music Finder display. The search result is displayed in the SEARCH 2 display.
Convenient Music Finder feature Editing Records You can create a new record by editing the currently selected record. The newly created records are automatically saved in the internal memory. 1 2 3 Select the desired record to be edited in the Music Finder display. Press the [8π†] (RECORD EDIT) button to call up the Edit display. CAUTION You can also change a preset record to create a new one.
Convenient Music Finder feature Saving the Record The Music Finder feature handles all the Records including the presets and additionally created records as a single file. Keep in mind that individual records (panel setups) cannot be handled as separate files. 1 2 Using, Creating and Editing the Auto Accompaniment Styles 3 112 PSR-OR700 Owner’s Manual Call up the Save display. [MUSIC FINDER] → TAB [√][®] ALL → [7π†] (FILES) Press the TAB [√][®] buttons to select the location for saving (USER/ USB).
Convenient Music Finder feature Calling up Music Finder Records Saved to USER/USB To call up the Music Finder records you’ve saved to USER/USB, follow the instructions below. 1 Call up the [MUSIC FINDER] display. [MUSIC FINDER] → TAB [√][®] ALL 2 Press the [7π†] (FILES) button to open the File selection display of the Music Finder. 3 Use the TAB [√][®] buttons to select USER/USB. 4 Press the [A]–[J] buttons to select the desired Music Finder file.
Style Creator Style Creator You can create your own styles — recording them by yourself or by combining the internal Style data. The created Styles can be edited. Style Structure Styles are made up of fifteen different sections and each section has eight separate channels. With the Style Creator feature, you can create a Style by separately recording the channels, or by importing pattern data from other existing Styles. Style Four different Fill-ins are available.
Style Creator Realtime Recording (BASIC) Create a single Style by recording the individual channels one-by-one, using realtime recording. Realtime Recording Characteristics • Loop Recording Style playback repeats the rhythm patterns of several measures in a “loop,” and Style recording is also done using loops. For example, if you start recording with a two-measure main section, the two measures are repeatedly recorded.
Style Creator Specifying sections from the panel buttons You can specify the sections to be recorded by using the Section buttons ([INTRO]/[MAIN]/[ENDING], etc.) on the panel. Pressing one of the Section buttons calls up the SECTION display. Change the sections by using the [6π†]/[7π†] buttons and execute the selection by pressing the [8π] button. 6 Use the [3π†]/[4π†] buttons to select the section (page 114) to be recorded. 7-2 The INTRO 4/ENDING 4 sections cannot be specified with the panel controls.
Style Creator 11 12 13 14 15 Start recording by pressing the Style Control [START/STOP] button. Playback of the specified section starts. Since the accompaniment pattern plays back repeatedly in a loop, you can record individual sounds one by one, listening to the previous sounds as they play. For information on recording to channels other than the rhythm channels (RHY1, 2), refer to the section “Rules when recording non-rhythm channels” (see below).
Style Creator Step Recording (EDIT) Using, Creating and Editing the Auto Accompaniment Styles The explanation here applies when selecting the EDIT tab in step 4 of “Realtime Recording” (page 115). In the EDIT display, you can record notes with absolutely precise timing.
Style Creator Style Assembly (ASSEMBLY) Style Assembly allows you to create a single Style by mixing the various patterns (channels) from existing internal Styles. 1 2 Select the basic Style, then call up the display for Style Assembly. The operation steps are the same as steps 1–4 in “Realtime recording” (page 115). In step 4, select the ASSEMBLY tab. Select the desired section (Intro, Main, Ending, etc.) for your new Style.
Style Creator Playing the Style During Style Assembly While you are assembling a Style, you can play back the Style and select the method of playback. Use the [6π†]/[7π†] (PLAY TYPE) buttons in the Style Assembly display to select the playback method. • SOLO Mutes all but the selected channel in the ASSEMBLY tab display. Any channels set to ON in the RECORD display on the BASIC page are played back simultaneously. • ON Plays back the selected channel in the ASSEMBLY tab display.
Style Creator Changing the Rhythmic Feel (GROOVE) The explanation here applies when you select the GROOVE tab in step 4 of “Basic Operation for Editing Styles” (page 120). 1 Press the [A]/[B] button to select the edit menu (page 122). 1 3 4 2 2 4 Press the [D] (EXECUTE) button to actually enter the edits for each display.
Style Creator ■ GROOVE This lets you add swing to the music or change the “feel” of the beat by making subtle shifts in the timing (clock) of the Style. The Groove settings are applied to all channels of the selected Style. ORIGINAL BEAT Specifies the beats to which Groove timing is to be applied. In other words, if “8 Beat” is selected, Groove timing is applied to the 8th notes; if “12 Beat” is selected, Groove timing is applied to 8th-note triplets.
Style Creator Editing Data for Each Channel (CHANNEL) The explanation here applies when you select the CHANNEL tab in step 4 of “Basic Operation for Editing Styles” (page 120). 1 Press the [A]/[B] button to select the edit menu (see below). 1 4 5 2 2 4 5 Use the [1π†]/[2π†] (CHANNEL) buttons to select the channel to be edited. The selected channel is shown at the upper left of the display.
Style Creator Making Style File Format Settings (PARAMETER) Special Parameter Settings Based on Style File Format Editing of Style File Format data is related only to note conversion. Editing the rhythm channels has no effect. Source Pattern SOURCE ROOT (Chord Root setting of a Source Pattern) SOURCE CHORD (Chord Type setting of a Source Pattern) Chord change via the chord section of the keybaord.
Style Creator 2 Use the [1π†]/[2π†] (CHANNEL) buttons to select the channel to be edited. The selected channel is shown at the upper left of the display. 3 Use the [3π†]–[8π†] buttons to edit the data. For details on editable parameters, see below. 4 CAUTION The edited Style will be lost if you change to another Style or you turn the power off without executing the Save operation. Press the [I] (SAVE) button to call up the Style Selection display to save your data.
Style Creator Using, Creating and Editing the Auto Accompaniment Styles ■ NTT (Note Transposition Table) This sets the note transposition table for the source pattern. BYPASS When NTR is set to ROOT FIXED, the transposition table used does not do any note conversion. When NTR is set to ROOT TRANS, the table used only converts the root note. MELODY Suitable for melody line transposition. Use this for melody channels such as Phrase 1 and Phrase 2. CHORD Suitable for chord transposition.
Style Creator ■ NOTE LIMIT This sets the note range (highest and lowest notes) for voices recorded to the style channels. By judicious setting of this range, you can ensure that the voices sound as realistic as possible — in other words, that no notes outside the natural range are sounded (e.g., high bass sounds or low piccolo sounds). The actual notes that sound are automatically shifted to the set range. Example — When the lowest note is C3 and the highest is D4.
The Multi Pads Reference to Quick Guide pages The Multi Pads .............................................................................. page 52 Multi Pad Creating (Multi Pad Creator) This feature lets you create your original Multi Pad phrases, and also allows you to edit existing Multi Pad phrases to create your own. Multi Pad Realtime Recording 1 2 The Multi Pads 3 4 5 6 7 Select a Multi Pad Bank to be edited or created (page 130). Call up the operation display.
Multi Pad Creating (Multi Pad Creator) 10 11 12 13 Turn Repeat of each pad On or Off by using the [1π†] - [4π†] buttons. If the Repeat parameter is on for the selected pad, playback of the corresponding pad will continue until the MULTI PAD [STOP] button is pressed. If the Repeat parameter is off for the selected pad, playback will end automatically as soon as the end of the phrase is reached.
Multi Pad Editing (Multi Pad Creator) Multi Pad Editing (Multi Pad Creator) 1 2 Press the MULTI PAD CONTROL [SELECT] button to call up the Multi Pad Bank selection display, then select a Bank to be edited on the USER drive. Press the [8†] button to call up the [MULTI PAD EDIT] display, then select a Pad to be edited by pressing any of the [A], [B], [F], and [G] buttons. The Multi Pads The number above the Pad name corresponds to the MULTI PAD [1]–[4] buttons.
Registering and Recalling Custom Panel Setups — Registration Memory The Registration Memory function allows you to save (or “register”) virtually all panel settings to a Registration Memory button, and then instantly recall your custom panel settings by pressing a single button. The registered settings for eight Registration Memory buttons should be saved as a single Bank (file).
Recalling the Registered Panel Setups Saving the Registered Panel Setups You can save all the eight registered panel setups as a single Registration Memory Bank file. Bank 4 Bank 3 Bank 2 Bank 1 1 2 Press the REGIST BANK [+] and [–] buttons simultaneously to call up the REGISTRATION BANK Selection Display. Press the [6†] button to save the Bank file (page 67).
Recalling the Registered Panel Setups Parameter Lock You can “lock” specific parameters (e.g., effect, split point, etc.) to make them selectable only via the panel control — in other words, instead of via Registration Memory, One Touch Setting, Music Finder, Song or incoming MIDI data, etc. 1 Call up the Parameter Lock display. [FUNCTION] → [J] UTILITY → TAB [√][®] → CONFIG 1 → [B] 3 PARAMETER LOCK 2 Select the desired parameter by using the [1π†]–[7π†]buttons, then lock it with the [8π] (OK) button.
Recalling the Registered Panel Setups Disabling Recall of Specific Items (Freeze Function) Registration Memory lets you recall all the panel setups you made with a single button press. However, there may be times that you want certain items to remain the same, even when switching Registration Memory setups. For example, you may want to switch Voices or effect settings while keeping the same accompaniment Style. This is where the Freeze function comes in handy.
Recalling the Registered Panel Setups 4 5 Use the [E] button to determine how Registration Sequence behaves when reaching the end of the sequence (SEQUENCE END). STOP .....................Pressing the TAB [®] button or the “advance” pedal has no effect. The sequence is “stopped.” TOP .......................The sequence starts again at the beginning. NEXT BANK...........The sequence automatically moves to the beginning of the next Registration Memory Bank in the same folder. Program the Sequence order.
Using, Creating and Editing Songs Reference to Quick Guide Pages Practicing with the Preset Songs .................................................. page 36 Playing Back and Listening to Songs Before Practicing ............ page 36 Displaying Music Notation (Score) .......................................... page 39 Muting the Right- or Left-hand Part Viewing the Score ............. page 40 Practicing by Using the Repeat Playback Function .................. page 42 Recording Your Performance.................
Operations for Song Playback Operations for Song Playback This section explains detailed operations and functions related to Song playback which are not covered in the “Quick Guide.” ■ Starting/Stopping a Song Press the SONG [F/K] (PLAY/PAUSE) button to start Song playback, and press the SONG [J] (STOP) button to stop. In addition, there are several other convenient ways to start/stop a Song. Depending on the particular Song data, the Style will also play back at the same time.
Operations for Song Playback ■ Top/Pause/Rewind/Fast Forward Moving to the top position of the Song Press the SONG [J] (STOP) button, regardless of whether the Song is stopped or playing back. Pausing the Song Press the SONG [F/K] (PLAY/PAUSE) button during Song playback. Press the SONG [F/K] (PLAY/PAUSE) button again and the Song will resume from the current position.
Operations for Song Playback ■ Queuing the Next Playback Song While a Song is playing back, you can queue up the next Song for playback. This is convenient for chaining it to the next Song smoothly during stage performance. Select the Song you want play next in the Song Selection display, while a Song is playing back. The “NEXT” indication appears at the upper right of the corresponding Song name. To cancel this setting, press the [8†] (Cancel) button. Parameter Lock You can “lock” specific parameters (e.
Adjusting the Volume Balance and Voice Combination, etc. (MIXING CONSOLE) Reading Song data automatically when inserting a USB storage device You can have the instrument automatically call up the first Song (not contained in a folder) on a USB storage device, as soon as the device is connected to the [USB TO DEVICE] terminal. 1 Call up the operation display. [FUNCTION] → [J] UTILITY → TAB [√][®] MEDIA 2 Press the [3π]/[4π] (SONG AUTO OPEN) button to select “ON.
Practicing Songs with the Guide Functions Changing Voices 1–4 5 6 7 8 The operation steps are the same as in the “Adjusting the Volume Balance of Each Channel” (see page 140). Press the [H] button to select the “VOICE.” Press one of the [1π†]–[8π†] buttons to call up the Voice selection display for the channel. Press one of the [A]–[J] buttons to select a Voice. You can save the changed Voice selection to the Song in the Setup operation (page 162).
Practicing Songs with the Guide Functions For Keyboard Performance Follow Lights When this is selected, Song playback pauses, waiting for you to play the notes correctly. When you play the correct notes, Song playback continues. Follow Lights was developed for the Yamaha Clavinova series. This function is used for practicing purposes, with built-in lamps on the Clavinova keyboard indicating the notes to be played.
Recording Your Performance to MIDI Recording Your Performance to MIDI You can record your own performances and save them to the User tab display or a USB storage device. Several different recording methods are available: Quick Recording which lets you record performance conveniently and quickly, Multi track Recording which lets you record several different parts to multiple channels, and Step Recording which lets you enter notes one by one.
Recording Your Performance to MIDI 2 Make the desired panel settings for your keyboard performance. Below are some example settings you may want to try. • Recording the RIGHT 2 and/or LEFT parts The [RIGHT 2] and/or [LEFT] keyboard parts should be turned on. Select the voice for each keyboard part (RIGHT 2, LEFT) by calling up the Voice selection display (page 79, page 80). The RIGHT 2 and/or LEFT parts are recorded onto separate tracks. • Recording Styles 1 Select a Style (page 46).
Recording Your Performance to MIDI 5 Press the SONG [J] (STOP) button to stop recording. When recording is finished, a message prompting you to save the recorded performance data appears. To close the message, press the [EXIT] button. See step 7 for instructions on saving your recording. 6 Listen to your newly recorded performance. Press the SONG [F/ K] (PLAY/PAUSE) button to play back the performance you just recorded.
Recording Your Performance to MIDI Setting all of the 5–16 channels to “REC” simultaneously While holding the SONG [REC] button, press the SONG [EXTRA TR] button. 2 While holding the SONG [REC] button, While holding the SONG [REC] button, press the [2π] button to set the press the [1π†]–[8π†] buttons to channel 2 to “REC.” set the desired channels to “REC.
Recording Your Performance to MIDI 7 8 To record another channel, repeat steps 2 through 6. Press the SONG [SELECT] button to call up the Song Selection display for saving your data, then save the data in the Song Selection display (page 67). About Song channels Default channel/part assignments are shown below. Channels 9 10 11 12 13 14 15 16 Keyboard parts RHYTHM1 RHYTHM2 BASS CHORD1 CHORD2 PAD PHRASE1 PHRASE2 Style parts Multi Pad parts RIGHT1 RIGHT1 RIGHT1 RIGHT1 M.Pad1 M.Pad2 M.Pad3 M.
Recording Your Performance to MIDI Step Recording This method lets you record regular music data such as melodies and chords. Basic Operations for Step Recording 1 2 3 4 Press the SONG[REC] and SONG[J] (STOP) buttons simultaneously. A blank Song (“New Song”) is called up for recording. Call up the operation display. [FUNCTION] → [F] DIGITAL REC MENU Press the [A] button to call up the Song Creator display for recording/ editing a Song. Select the appropriate tab by using the TAB [√][®] buttons.
Recording Your Performance to MIDI Recording Melodies This section explains how to step-record notes, using three music score examples. Example 1 The explanations here apply to step 7 of the section “Basic Operations for Step Recording” on page 148. 3–5 1 Since the music score displayed on the instrument is generated from the recorded MIDI data, it may not appear exactly the same as shown here. 6 7 2 * The numbers shown in the notation correspond to the following operation step numbers.
Recording Your Performance to MIDI 6 Press the [6π†] button to enter a quarter-note rest. To enter the rest, use the [4π†]–[8π†] buttons. (Press the button once to select the rest value, and once again to actually enter it.) A rest having specified note length will be entered. 7 Play the C4 key. 8 Press the SONG [J] (STOP) button to move the cursor to the beginning of the Song. 8 9 Press the SONG [F/K] (PLAY/PAUSE) button to hear the newly entered notes.
Recording Your Performance to MIDI About items which can be selected via the [G] [H] [I] buttons in the Step Record display [G] button ........... Determines the velocity (loudness) of the note to be entered. Items Kbd.Vel fff ff f mf mp p pp ppp Velocity to be recorded Actual velocity you play the keyboard with 127 111 95 79 63 47 31 15 About velocity Velocity is determined by how strongly you play the keyboard.
Recording Your Performance to MIDI Example 2 The explanations here apply to step 7 of the “Basic Operations for Step Recording” on page 148. 2–5 Since the music score displayed on the instrument is generated from the recorded MIDI data, it may not appear exactly the same as shown here. 6–8 10–13 14–16 9 1 * The numbers shown in the sheet correspond to the following operation step numbers.
Recording Your Performance to MIDI 6 7 8 9 10 11 12 13 14 15 16 17 After releasing the F3 key, press the [H] button to select “Staccato.” Press the [7π†] button to select the eighth-note length. Play the keys E3, F3, and A3 in order, according to the notation example. Press the [G] button to select “ Press the [H] button to select “Tenuto.” Press the [I] button to select “dotted.” Press the [5π†] button to select the dotted half-note length. Play the A3 key on the keyboard, as specified in the example.
Recording Your Performance to MIDI Example 3 The explanations here apply to step 7 of the “Basic Operations for Step Recording” on page 148. Since the music score displayed on the instrument is generated from the recorded MIDI data, it may not appear exactly the same as shown here. 1–4 5 6 7 * The numbers shown in the sheet correspond to the following operation step numbers.
Recording Your Performance to MIDI 5 6 7 9 10 11 While holding the C3, E3 and G3 keys on the keyboard, press the [7π†] button. Do not release the C3, E3 and G3 keys yet. Keep holding them while executing the following steps. While holding the C3, E3, G3 and C4 keys on the keyboard, press the [7π†] button, and successively press the [5π†] button. After you press the [5π†] button, release the keys.
Recording Your Performance to MIDI Recording Chords You can record Chords and Sections (Intro, Main, Ending, and so on) one at a time with precise timing. These instructions show how to record chord changes using the Step Record function. The explanations here apply to step 7 of the “Basic Operations for Step Recording” on page 148. 1 4 7 MAIN A BREAK MAIN B C F G F 2, 3 G7 5, 6 C 8,9 * The numbers shown in the notation correspond to the following operation step numbers.
Recording Your Performance to MIDI 5 6 7 Press the [6π†] button to select the quarter-note length. Play the chords F, and G7 in the chord section of the keyboard Press the STYLE CONTROL [MAIN VARIATION B] button. 7 9 C 8 8 9 10 11 12 13 14 Press the [4π†] button to select the whole-note length. Play the chord C in the chord section of the keyboard. CAUTION Press the SONG [J] (STOP) button to move the cursor to the beginning of the Song.
Recording Your Performance to MIDI Editing a Recorded Song You can edit the Songs you’ve recorded with any recording method — Quick Recording, Multi Track Recording, or Step Recording. Basic Editing Operation 1 2 3 Using, Creating and Editing Songs 4 Select a Song for editing. Call up the operation display. [FUNCTION] → [F] DIGITAL REC MENU Press the [A] button to call up the SONG CREATOR display to record or edit Songs. Select the appropriate tab by using the TAB [√][®] buttons and edit the Song.
Recording Your Performance to MIDI Re-Recording a Specific Section — Punch In/ Out (REC MODE) When re-recording a specific section of an already-recorded Song, use the Punch IN/OUT function. In this method, only the data between the Punch In point and the Punch Out point is overwritten with the newly recorded data. Keep in mind that the notes before and after the Punch In/Out points are not recorded over, although you will hear them play back normally to guide you in the Punch In/Out timing.
Recording Your Performance to MIDI Examples of re-recording with various Punch In/Out settings This instrument features several different ways you use the Punch In/Out function. The illustrations below indicate a variety of situations in which selected measures in an eight-measure phrase are re-recorded.
Recording Your Performance to MIDI 4 Press the [I] (SAVE) button to call up the Song Selection display for saving your data, then save the data in the Song Selection display (page 67). ■ QUANTIZE menu The Quantize function allows you to align the timing of all the notes in a channel. For example, if you record the musical phrase shown at right, you may not play it with absolute precision, and your performance may have been slightly ahead of or behind the precise timing.
Recording Your Performance to MIDI ■ Mixing (merging) the data of the specified two channels (MIX menu) This function lets you mix the data of the two channels and place the results in a different channel. It also lets you copy the data from one channel to another. SOURCE 1 Selects the channel (1–16) to be mixed. All MIDI events in the selected channel are copied to the destination channel. SOURCE 2 Selects the channel (1–16) to be mixed.
Recording Your Performance to MIDI Editing Note or Chord Events (CHORD, 1–16) The explanations here apply to the CHORD and 1–16 tab displays in step 4 of the Basic Editing Operation on page 158. 1 2 3 When the 1–16 tab display is elected, press the [F] button to select the channel to be edited. Move the cursor to the desired data. To move the cursor up or down ..............................Use the [A]/[B] button. To move the cursor to the top data ..........................Press the [C] button.
Recording Your Performance to MIDI About Clock A unit of note resolution. The Quantize size is the number of clocks per quarter note. On the PSR-OR700, one clock is equal to 1/1920th of a quarter note. About the events shown in the display 1 2 Example 3 001 : 1 : 1440 Beat Clock Measure number (BAR) 1 Indicates the location (position) of the corresponding event. Same as the indication at the lower left of the display. 2 Indicates the event types (see below). 3 Indicates the event values.
Recording Your Performance to MIDI Displaying Specific Types of Events (FILTER) In the edit displays various types of events are shown. It may sometimes be difficult to pinpoint the ones you want to edit. This is where the Filter function comes in handy. It lets you determine which event types will be shown in the edit displays. 1 2 3 4 Press the [H] (FILTER) button in the edit displays. Select the event type by using the [2π†]–[5π†] buttons.
Recording Your Performance to MIDI Editing Lyrics (LYRICS) The explanations here apply to the LYRICS tab display in step 4 of the Basic Editing Operation on page 158. From this display, you can edit the recorded Lyrics events. The operations here are basically the same as in the section “Editing Note or Chord Events” on page 163. Lyrics Events Name Allows you to enter the Song name. Lyrics Allows you to enter lyrics. Codes CR Enters a line break in the lyrics text. LF Unavailable on the instrument.
Using Your Instrument with Other Devices P. 172 P. 171 P. 171 6 5 4 TO DEVICE 1 P. 167 2 USB TO HOST P. 168 3 MIDI IN FOOT PEDAL 1 OUT 2 P. 167 CAUTION Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.
Connecting Audio Devices Using the Footswitch or Foot Controller (3 [FOOT PEDAL 1/2] jacks) Assigning Specific Functions to Each Foot Pedal Two FOOT PEDAL jacks can be used via the following functions at the initial default setting (factory setting). • FOOT PEDAL 1 jack Plug an optional Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off. The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.
Connecting Audio Devices Details on the pedal functions are listed here. For functions indicated with “ “, use only the foot controller; proper * operation cannot be done with a footswitch. Assignable Pedal Functions Allows you to use a foot controller to control the volume. SUSTAIN Allows you to use a pedal to control the sustain. When you press and hold the pedal, all notes played on the keyboard have a longer sustain. Releasing the pedal immediately stops (damps) any sustained notes.
Connecting Audio Devices BASS HOLD While the pedal is pressed, the Accompaniment Style bass note will be held even if the chord is changed during Style playback. If the fingering is set to “AI FULL KEYBOARD,” the function does not work. PERCUSSION The pedal plays a percussion instrument selected by the [4π†]–[8π†] buttons. You can use the keyboard to select the desired percussion instrument. RIGHT1 ON/OFF Same as the PART ON/OFF [RIGHT 1] button.
Connecting to a computer and USB device Connecting External MIDI Devices (4 [MIDI] terminals) Use the built-in [MIDI] terminals and standard MIDI cables to connect external MIDI devices. MIDI IN OUT MIDI IN Receives MIDI messages from an external MIDI device. MIDI OUT Transmits MIDI messages generated by the instrument. For a general overview of MIDI and how you can effectively use it, refer to the following sections: • What is MIDI?..............................................
Connecting to a computer and USB device • Connection by [MIDI] terminals There are two ways to connect the instrument via MIDI to a computer. If you have a MIDI interface built into your computer, connect the MIDI OUT terminal of the computer interface to the [MIDI IN] terminal of the instrument, and connect the [MIDI OUT] terminal of the instrument to the MIDI IN terminal of the interface.
Connecting to a computer and USB device Backing up your data to a computer ■ Backing up the instrument data to a computer Once you’ve saved data to a USB storage device, you can copy the data to the hard disk of your computer, then archive and organize the files as desired. Simply reconnect the device as shown below. Saves internal data to a USB storage device.
What is MIDI? What is MIDI? Put simply, MIDI is a data transfer standard that allows easy and comprehensive control among electronic/digital music instruments and other devices. To get a better idea of what MIDI does, let’s first consider acoustic instruments, such as a grand piano and a classical guitar. With the piano, you strike a key, and a hammer inside hits some strings and plays a note. With the guitar, you directly pluck a string and the note sounds.
What is MIDI? Finally, we’ll take a look at the actual data that gets recorded and that serves as the basis for playing the sounds. For example, let’s say you play a “C” quarter note using the grand piano sound on the instrument’s keyboard. Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as “with what voice,” “with which key,” “about how strong,” “when was it pressed” and “when was it released.
What is MIDI? Example: Recording a performance with the auto accompaniment (Style playback) sound of the instrument to an external sequencer ■ Controlling from an external MIDI keyboard MIDI receive MIDI IN MIDI OUT Instrument MIDI cable PSR-OR700 track (channel) External sequencer RIGHT 1 RIGHT 2 Channel 1 Channel 2 Track 2 LEFT STYLE instrument STYLE instrument STYLE instrument Channel 3 Channel 4 Channel 5 Channel 6 Track 3 Track 4 Track 5 Track 6 STYLE instrument STYLE instrument STYLE instr
MIDI Settings Voice Allocation Format With MIDI, Voices are assigned to specific numbers, called “program numbers.” The numbering standard (order of voice allocation) is referred to as the “voice allocation format.” Voices may not play back as expected unless the voice allocation format of the song data matches that of the compatible MIDI device used for playback. The PSROR700 is compatible with the following formats.
MIDI Settings 4 Use the TAB [√][®] buttons to call up the relevant setting display.
MIDI Settings Pre-Programmed MIDI Templates Template name Description All Parts Transmits all parts including the keyboard parts (RIGHT 1, 2, and LEFT), with the exception of Song parts. KBD & STYLE Basically the same as “All Parts” with the exception of how keyboard parts are managed. The right-hand parts are handled as “UPPER” instead of RIGHT 1 and 2 and the left-hand part is handled as “LOWER.
MIDI Settings SYSTEM display MIDI System Settings The explanations here apply to the SYSTEM display to be called up in step 4 of the “Basic Operation” on page 177. ● RECEIVE TRANSPOSE Determines whether or not the instrument’s transpose setting (page 58) is applied to the note events received by the instrument via MIDI. ● START/STOP Determines whether incoming FA (start) and FC (stop) messages affect Song or Style playback. ■ MESSAGE SW ● SYS/EX.
MIDI Settings ● Tx MONITOR The dots corresponding to each channel (1-16) flash briefly whenever any data is transmitted on the channel(s). n When different parts are assigned to the same transmit channel If the same transmit channel is assigned to several different parts, the transmitted MIDI messages are merged to a single channel — resulting in unexpected sounds and possible glitches in the connected MIDI device.
MIDI Settings BASS display The operation procedure is basically the same as that of the BASS display. Setting the Bass Note for Style Playback via MIDI Receive The explanations here apply to the BASS display to be called up in step 4 of the “Basic Operation” on page 177. These settings let you determine the bass note for Style playback, based on the note messages received via MIDI.
Appendix Troubleshooting Overall The instrument does not turn on. • Securely insert the female plug into the socket on the instrument, and the male plug into a proper AC outlet. A click or pop is heard when the power is turned on or off. • Electrical current is being applied to the instrument. This is normal. Noise is heard from the instrument’s speakers. • Noise may be heard if a mobile phone is used near the instrument or if the phone is ringing.
Voice The Voice selected from the Voice Selection display does not sound. • Check whether or not the selected part is turned on (page 78). • To select the Voice for the right-hand key range, press the PART SELECT [RIGHT 1] button. For the Voice to be layered in the right-hand range, press the PART SELECT [RIGHT 2] button. To select the Voice for the left-hand key range, press the PART SELECT [LEFT] button. The sound seems strange or different than expected when changing a rhythm Voice (drum kit, etc.
When playing back one Style and selecting another, the newly selected Style doesn’t play at the proper Tempo. • You can select whether the appropriate tempo will be called up automatically or not by using the TEMPO parameter in the STYLE CHANGE BEHAVIOR function. Starting a Song while playing back a Style stops Style playback. This is because Song playback has priority. The two ways shown below let you play back a Style and Song simultaneously. • Set the Song to Synchro Start standby, then start the Style.
The Song last selected before turning off the power is no longer available. • If the Song last selected before turning off the power is contained in a USB storage device, you’ll need to reconnect the same USB storage device to call up the Song again. The measure number is different from that of the score in the Song Position display, shown by pressing the [G]/[H] (REW/FF) buttons. • This happens when playing back music data for which a specific, fixed tempo is set.
Specifications PSR-OR700 Sound Source AWM Stereo Sampling Keyboard 61 keys (C1–C6 with Initial Touch) Display 320 x 240 dots QVGA B/W LCD Music Score, Lyrics Polyphony (max) 96 360 voices + 480 XG voices 22 Drum/SFX Kits + GM2 + GS voices for GS Song playback Voice Selection Voice MegaVoice 10 Live! Voice 14 Cool! Voice 18 Sweet! Voice 11 Organ Flutes! Voice 10 Regular Voice 297 Voice Editing (Voice Set) Effect Blocks Effects 6 Reverb/Chorus/DSP Reverb: 34 Preset + 3 User Chorus: 29
PSR-OR700 Demo Language for Display Others Direct Access Transpose Scale Type Computer Connection USB to HOST USB to DEVICE YES Keyboard/Song/Master 9 YES YES VOLUME, SUSTAIN, SOSTENUTO, SOFT, GLIDE, PORTAMENTO, PITCHBEND, MODULATION, DSP VARIATION, SONG PLAY/PAUSE, STYLE START/STOP, etc. Pedal Functions Amplifiers 12 W ✕ 2 Speakers (12 cm + 5 cm) ✕ 2 Power Consumption 35 W Dimensions [W ✕ D ✕ H] 1003 mm ✕ 433 mm ✕ 148 mm (39 5/8" ✕ 17 1/8" ✕ 5 7/8") Weight 11.5 kg (25 lbs.
Index Numerics 1–16 .................................................................. 148, 158 A A-B Repeat ................................................................... 42 AI ............................................................................... 104 AI FINGERED ............................................................. 104 AI FULL KEYBOARD .................................................. 104 Any key ...................................................................... 142 ASSEMBLY ..
L Language ...................................................................... 19 LCD ............................................................................. 12 Left ............................................................................... 78 Left Hold ...................................................................... 50 Live! ............................................................................. 77 Lyrics ..................................................................
Synchro Stop Window ................................................ 106 SYS/EX. ....................................................................... 158 SYSTEM ...................................................................... 180 T Tap function ............................................................... 137 TAP TEMPO ................................................................. 48 Tempo .......................................................................... 34 Time Signature ...........
Panel Button Chart The position of the button on the panel can be confirmed by the Panel Controls (page 14). Number [1π†]–[8π†] ...................................................................... d A [A]–[J]............................................................................ ] [ACMP] ......................................................................... T [AUTO FILL IN] ............................................................. S O B [BALANCE]............................................
Limited Warranty 90 DAYS LABOR 1 YEAR PARTS Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
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Yamaha Home Keyboards Home Page (English only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2007 Yamaha Corporation WJ21200 70?APZC?.