Owner’s Manual INPUT MIC MIC MIC OUTPUT MIC MIC MIC MIC MIC 9L B REC –10dBV TAPE 10 R LINE LINE LINE LINE LINE LINE LINE R 12 R B LINE 11 L L R ST 2 (MONO) (MONO) R ST SUB 1 R ST SUB 2 +4dB +4dB MONO +4dB +4dB MONI 1 L L (MONO) A R ST 1 +4dB R B 9L (MONO) A FOOT SW L L L 11 L B MONI 2 EFFECT +4dB +4dB INS I/O INS I/O INS I/O INS I/O 1 2 3 4 5 GAIN GAIN GAIN GAIN GAIN 0dB INSERT I/O OUT IN 10 R 12 R A 6 7 8 GAIN GAIN GAIN A 9/10 11/1
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
2 Introduction Thank you for purchasing the Yamaha EMX2000 Powered Mixer. In order to take full advantage of the EMX2000 and enjoy long, trouble-free performance, please read this owner’s manual carefully, and keep it in a safe place for future reference. Features • The EMX2000 provides versatile inputs, such as two stereo input channels and two stereo sub inputs, as well as eight monaural input channels compatible with mic/line signals.
3 Precautions 1. Avoid excessive heat, humidity, dust and vibration Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage. 2. Ventilation Allow a distance of 30 cm between the unit and the wall so that heat generated from the unit will be released effectively.
4 Front and rear panel Control panel ■ Channel control section In this section, you can adjust equalization (frequency response), volume level, effect and monitor output levels for the input signal of each channel.
5 6 Effect control (EFFECT) For each channel, this controls the amount of signal that is sent to the EFFECT bus. The signal of the EFFECT bus is sent to the EFFECT jack (input/output panel A). It is also sent to the built-in effect when the ON switch P in the EFFECT section is turned on. ■ Stereo sub input section In this section, you can adjust the input level of external equipment connected to the ST SUB 1/2 jacks on the input/output panel.
6 ■ Master control section I MONO (monaural) fader In this section, you can adjust the final level of the outputs. AFL AFL AFL AFL AFL 0 0 0 0 0 5 10 5 10 5 10 5 10 5 10 15 15 15 15 15 20 20 20 20 20 25 30 40 50 25 30 40 50 25 30 40 50 25 30 40 50 25 30 40 50 ∞ ∞ ∞ ∞ J The MONO fader adjusts the final level of the monaural signal output from the STEREO bus to the MONO jack (input/output panel 0).
7 ■ Digital effect section ■ Graphic equalizer section This section enables you to turn the built-in digital effect on/off and select the effect type. M MONI 1 10 125 N MONI 2 0 0 ST 10 0 10 ON DIGITAL EFFECT 6 7 8 9 5 4 3 2 1 16 15 PROGRAM 10 11 12 13 14 This section enables you to adjust the tone of the STEREO bus signal.
8 U LEVEL controls These knobs enable you to adjust the level of the signals input from the mixer section to the power amp section. Rotating the knob clockwise will raise the level of the input signal. Use a screwdriver of a width of 3mm or less to adjust the knob. If an external piece of equipment is connected to the P.AMP IN jacks (input/output panel 6), these knobs adjust the input sensitivity of the power amp (the input level that will provide the maximum output level in the power amp section).
9 Input/output panel 57 INPUT MIC MIC MIC OUTPUT MIC MIC MIC MIC MIC 9L B REC –10dBV TAPE 1 10 R 12 R B LINE LINE LINE INS I/O INS I/O INS I/O INS I/O 1 2 3 4 LINE LINE LINE LINE R 11 L (MONO) A (MONO) A 10 R 12 R L (MONO) L (MONO) R ST 1 +4dB L R B 9L FOOT SW L L L 11 L B LINE 8C 0 R ST 2 MONO +4dB +4dB MONI 1 MONI 2 5 OUT IN A 6 7 2 8 A 9/10 11/12 R R ST SUB 1 ST SUB 2 +4dB +4dB 3 L R PAMP IN BRIDGE 4 PHONES/ C-R OUT (+4dB) +4
10 3 Channel input jacks 9~12A Channel input jacks 9~12B These are the input jacks for channels 9/10~11/12 and are used to connect to the stereo output jacks of electronic instruments, cassette decks, or CD players. Use the A/B switch (control panel 2) to select phone jacks (A) or phono jacks (B). The nominal input level –34 dB~+10 dB. Note: Use only the L phone (A) jacks to connect a monaural device that has phone jacks.
11 Rear panel 1 SPEAKERS R 2 1 BRIDGE L 2 1 POWER ON Caution: When using a bridge connection, do not connect anything to the SPEAKERS L or SPEAKERS R jacks. Likewise, when using the SPEAKERS L and/ or SPEAKERS R jacks, do not connect anything to the BRIDGE jack. OFF 2 1 SPEAKERS (speaker output) jacks Speakers can be connected to these jacks.
12 Connections When connecting various devices, be sure to use cables and plugs of the appropriate standard. Connecting speakers There are three ways in which speakers can be connected to the EMX2000. 1 Connecting a single speaker to each of 3 BRIDGE connection: the L and R jacks: A single speaker each can be connected to either jack 1 or jack 2 of SPEAKERS L and of SPEAKERS R. A single speaker can be connected to the BRIDGE jack. For each of these, the required speaker impedance will differ.
13 Basic operation Connecting microphones and instruments 1 Before connecting mics or instruments, make sure that the power of all equipment (where applicable) is turned off. Also make sure that each channel fader and the faders in the master section are turned down. Check to see if the Power amp select switch on the control panel is set to ST L-ST R.
14 Example setups This section provides some ways in which the EMX2000 can be used, and explains connections and operation. As a band PA Here is an example of using the EMX2000 as a small PA for a band. In this example, the monitor speakers are being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is also being used. ■ Connections • Connect mics or instruments, such as keyboards, to channel input jacks 1~8.
15 As a conference/entertainment hall sound system Here is an example of using the EMX2000 as a conference or entertainment hall sound system.
16 ■ Sending an independent mix to the monitor speakers ■ Using an external effect processor You may sometimes want to use an external effect processor, such as an echo machine or a multieffect unit. In this case, refer to the diagram on page 13 for connection information and follow the steps below. 1 Set the MONI 1 or MONI 2 fader to the “10” position. 2 Raise the MONI 1 or MONI 2 controls for the channels that you wish to hear from the monitor speakers.
17 Specifications ■ General specifications Maximum output power Frequency response Total harmonic distortion STEREO: 200 W+200 W/4Ω @0.5% THD at 1 kHz BRIDGE: 400 W/8Ω @0.5% THD at 1 kHz 20 Hz~20 kHz +1 dB, –3 dB @1 W output into 8Ω (SPEAKER OUT) All channel Gain controls at minimum. 20 Hz~20 kHz +1 dB, –3 dB @+4 dB output into 600Ω (ST OUT, MONO OUT, EFFECT SEND, MONITOR OUT) All channel Gain controls at minimum. Less than 0.5% @20 Hz~20 kHz, 100 W output into 4Ω (SPEAKER OUT) Less than 0.
18 ■ Input specifications Gain trim Actual load impedance For use with nominal MIC INPUT (1–8) MAX MIN 5 kΩ LINE INPUT (1–8) MAX MIN ST INPUT (9–12) MAX MIN Input terminals Input level Connectors on mixer Sensitivity1 Max. before clip 50~600Ω Mics –60 dB (775 µV) –16 dB (123 mV) –40 dB (7.75 mV) +4 dB (1.23 V) XLR-3-31 type2 50 kΩ 600Ω Lines –34 dB (15.5 mV) +10 dB (2.45 V) –14 dB (155 mV) +30 dB (24.5 V) PHONE JACK (TRS)2 10 kΩ 600Ω Lines –34 dB (15.5 mV) +10 dB (2.
19 Dimensions 167.6 D: 454 277.
20 ST L R MIC HA AFL/PFL PEAK MONITOR +48V PHANTOM EFFECT Block/Level Diagram 1 2 L R 3 Band EQ PAN INPUT 1–4 PAD LINE L GAIN LOW MID EFFECT HIGH AFL ST 1 MONI 1 R INS I/O MONI 2 LIMITER L P AMP IN L/BRIDGE PEAK PFL 1 LEVEL L/BRIDGE L GRAPHIC EQUALIZER MIC HA 2 3 Band EQ GAIN LOW MID 8k PAD LINE 4k 125 INPUT 5–8 250 PAN ON (ST 1) from MONI 1 SPEAKERS EFFECT HIGH P AMP IN R MONI 1 LEVEL LIMITER R BRIDGE GRAPHIC EQUALIZER MONI 2 1 from MONO PEAK R PFL HA
YAMAHA CORPORATION VZ42360 R1 1 IP 24 NP Printed in Taiwan Pro Audio Division, #18/3 P.O.