SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Owner’s Manual English Bedienungsanleitung Deutsch Mode d’emploi Français Manual de instrucciones Español
Congratulations! You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-4000 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. The advanced Auto Accompaniment and One Touch Setting features, in particular, are brilliant examples of how Yamaha technology can significantly expand your musical horizons.
Custom Accompaniment 69 Effects ................................................ 73 ■ REVERB DEPTH ............................ 73 ■ CHORUS TYPE & DEPTH .............. 74 ■ PAN ................................................. 74 Edit ..................................................... 75 ■ QUANTIZE ...................................... 75 ■ COPY .............................................. 75 ■ REMOVE EVENT ............................ 76 Store/Clear .........................................
Taking Care of Your PortaTone Your PortaTone will give you years of playing pleasure if you follow the simple rules given below: ■ Location Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage. ● Direct sunlight (e.g. near a window). ● High temperatures (e.g. near a heat source, outside, or in a car during the daytime). ● Excessive humidity. ● Excessive dust. ● Strong vibration.
Taking Care of Your PortaTone ● Internal memory data can be corrupted due to incorrect operation. Be sure to “save” important data to a floppy disk frequently so you have a backup to revert to if something happens to damage the data in memory. Also note that magnetic fields can damage data on the disk, so it is advisable to make a second back-up copy of disks that contain very important data, and keep backup disks in a safe place away from stray magnetic fields (i.e.
Panel Controls 4 5 9 ACCOMPANIMENT LEFT ORCHESTRA ROCK / ROCK’N’ROLL ARRANGER SONG PLAY 6 LATIN BALLAD COUNTRY& WESTERN DANCE MARCH / WALTZ SYNTH / PAD DISCO BALLROOM GUITAR/ PERCUSSIVE RHYTHM & BLUES CUSTOM STYLE CUSTOM VOICE PAD BRASS/ WOODWIND ONE TOUCH SETTING TEMPO 3 7 AUTO BASS CHORD INTRO/ FILL to FADE IN / OUT A ENDING/ rit.
Panel Controls R t y u TOUCH RESPONSE SUSTAIN HARMONY REVERB E DSP EFFECT CHORUS LCD CONTRAST FREEZE ACCORDION/ WORLD TRUMPET/ BRASS ORGAN SYNTH/ PAD SAX/ WOODWIND STRINGS/ CHOIR SOUND EFFECT STRINGS/ CHOIR R2 SAX/ WOODWIND PERCUSSIVE GUITAR/ BASS 2 1 TRUMPET/ BRASS DRUM KIT SYNTH/ PERCUSSIVE DEMO POWER GUITAR/ BASS CUSTOM VOICE CUSTOM VOICE RIGHT 1 RIGHT 2 LEAD Q r LEAD PIANO R1 PART SELECT i o p EXIT T RIGHT ORCHESTRA MEMORY PSR-4000 BANK 1~16 – DISK IN USE
Connections & Music Stand PHONES 1 ■ Check the Voltage (Before you connect the AC cord) ......................................................................... In some areas the PSR-4000 will have a voltage selector on the bottom panel. Make sure that the voltage selector is set for the AC mains voltage in your area. The voltage selector can be set (rotated) by using a screwdriver. If in doubt, contact your Yamaha dealer. 110V 22 0V 0V 24 130V 1 The PHONES Jack ...................................
Connections & Music Stand AUX OUT R CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR. IN L/L+R MIDI OUT THRU FOOT SWITCH FOOT VOLUME 2 TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. 1 AC INLET 5 2 3 4 4 FOOT VOLUME Jack ................................................................................................................................................................
The Demonstration To give you an idea of the PSR-4000’s sophisticated capabilities, it is programmed with 14 demonstration sequences which can be played in a number of ways. Z Switch ON ............................................................................................................................................................................................ Plug the AC power cord into a convenient AC outlet, then press the [POWER] button to turn the PSR-4000 ON.
The Demonstration The Random & Single Demo Play Modes If you play the demo as described above, you’ll hear all 14 demo songs played in random order. By selecting an appropriate play mode you can also play back all the songs sequence, or play a single specified song. Z Select a Play Mode ....................................................................................................................................................................
The PSR-4000 Display & Display-based Controls The Display & Multi-function Controls The PSR-4000 makes general operation and programming easier than ever with a large backlit LCD display panel and multi-function controls. The 8 LCD selectors — four on either side of the display panel — and 8 LCD [▲/▼] controls below the display perform the function indicated by the adjacent section of the display.
The PSR-4000 Display & Display-based Controls ■ The [LIST HOLD] Button ...................................................................................................................................................... When selecting voices (page 14) or accompaniment styles (page 22), or using the ONE TOUCH SETTING feature (page 31), the voice, style, or ONE TOUCH SETTING list will appear on the display, but will automatically disappear after a few seconds if no selections are made.
Playing the PSR-4000 ■ Before You Begin DEMO Before playing your PSR-4000 for the first time, it might be a good idea to re-initialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, turn the [POWER] switch ON while holding the [DEMO] and [EXIT] buttons. POWER EXIT When the display shown to the right appears press the OK LCD button. • When the above initialization procedure is carried out, all internal data (e.g.
Playing the PSR-4000 Z Set Initial Volume Levels ..................................................................................................................................................... Set the [MASTER VOLUME] control to an appropriate level, and make sure that the LEFT, R1, R2, LEAD volume levels in the MIXER MAIN VOLUME display are set to their maximum “100” levels (use the corresponding LCD [▲/▼] controls to set these volume levels if necessary).
Playing the PSR-4000 If you press the EASY SETTING LCD button before it disappears, the easy-setting display for that part will appear providing access to the split point parameters as well as the individual octave, pan, and tune parameters for that part. These same parameters can be accessed via the FUNCTION displays (page 98), but the easy-setting displays offer an easier, more efficient way to set these parameters when selecting parts.
Playing the PSR-4000 Use the page-number LCD [▲/▼] controls the select the page containing the voice you want if more than one page is available, then press the LCD button corresponding to the desired voice. You can also use either of the SELECT LCD [▲/▼] controls to select any of the voices within the selected group. V Play & Adjust Volume ..............................................................................................................................................................
Playing the PSR-4000 Changing the “L” Split Point The PSR-4000 has two programmable split points — one which divides the LEFT and RIGHT/LEAD orchestra parts, and one which divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 27) is engaged.
Transposition, Tuning, & Octave Change The most important and fundamental adjustment for any musical instrument is tuning. The TRANSPOSE, TUNING, and OCTAVE CHANGE functions described below let you control the pitch of the PSR-4000 in a number of ways. TRANSPOSE & TUNE These functions allow the overall pitch of the PSR-4000 to be transposed up or down in semitone steps, and finetuned in 0.2 Hertz steps. Z Press the TRANSPOSE/TUNE LCD Button .................................................................
Transposition, Tuning, & Octave Change OCTAVE CHANGE This function allows the LEFT, RIGHT 1, RIGHT 2, and LEAD voices to be independently transposed up or down by one octave. The LEFT, R1, R2, and LEAD LCD buttons directly set the octave of the corresponding voice. Pressing one of these buttons changes the corresponding octave setting to “+1”, “–1”, and then “0”, in sequence. “+1” shifts the voice up one octave “–1” shifts the voice down one octave, and “0” sets the voice to its normal octave.
Using the Accompaniment Section The PSR-4000 has 120 different preset accompaniment “styles” and up to 12 custom accompaniment styles that can be used to provide fully-orchestrated or rhythm-only accompaniment. The PSR4000’s sophisticated Auto Bass Chord accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style. Z Turn ABC ON .................................................................................................................
Using the Accompaniment Section ● SINGLE FINGER (SF) Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the lefthand section of the keyboard. The abbreviated chord fingerings described below are used: C G F Cm C7 Cm 7 ■ For a major chord, press the root key only. ■ For a minor chord, simultaneously press the root key and a black key to its left.
Using the Accompaniment Section ● FULL KEYBOARD When this advanced auto-accompaniment mode is engaged the PSR-4000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. The name of the detected chord will appear on the display. You don’t have to worry about specifying the accompaniment chords.
Using the Accompaniment Section C Select a Style ................................................................................................................................................................................... ACCOMPANIMENT The PSR-4000 has 120 preset styles organized in 11 groups (see the “Style List” on page 130). Use the ACCOMPANIMENT group buttons to select the group from which you want to select a style. The corresponding style display will appear.
Using the Accompaniment Section B Start the Accompaniment .................................................................................................................................................. There are several ways to start the accompaniment: ● Straight start: Press the [START/STOP] button. If you press the [START/STOP] button, the rhythm will begin playing immediately without bass and chord accompaniment. INTRO/ FILL to FADE IN / OUT A ENDING/ rit.
Using the Accompaniment Section N Play On the ABC Section Of the Keyboard .....................................................................................................
Using the Accompaniment Section < Use Fill-ins .......................................................................................................................................................................................... The PSR-4000 provides two types of automatic breaks or “fill-ins.” ● FILL to A: Press the [INTRO A/FILL to A] button to produce a fill and go (or return) to the MAIN A section. INTRO/ FILL to FADE IN / OUT A ENDING/ rit.
Using the Accompaniment Section ■ Fade-ins and Fade-outs ....................................................................................................................................................... The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs when starting and stopping the accompaniment. To produce a fade-in, press the [FADE IN/OUT] button so that its indicator lights before starting the accompaniment.
Using the Accompaniment Section Changing the “A” Split Point The “L” split point has already been described on page 16. The “A” split point divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 19) is engaged. Like the “L” split point, the “A” split point can be changed as required via the ABC EASY SETTING display, or the SPLIT POINT/ABC MODE/M. PAD function display (pages 102).
Using the Accompaniment Section The Chord Assist Function The Chord Assist function is essentially an electronic “chord book” that will show you appropriate fingerings for chords you enter via the display. The fingerings are indicated by dots on the graphic keyboard in the display, and correspond to those recognized in the ABC FINGERED 1 mode. You can also play chords on the keyboard in the same way as in the ABC FINGERED 1 mode. Z Select the Chord Assist Function .........................................
Using the Accompaniment Section V Hear the Chord ............................................................................................................................................................................... At this point you can “play” and hear the specified chord by pressing the ENTER LCD button — i.e. the specified chord accompaniment will sound and the chord will appear in notation form on the musical staff under “played CHORD” in the upper half of the display.
Using the Accompaniment Section The Arranger Buttons The ARRANGER buttons make it possible to individually mute accompaniment parts to create the blend and accompaniment “size” you want. When an ARRANGER button is pressed so that its indicator goes out, the corresponding accompaniment part(s) are muted. Muted parts can be turned back on by pressing the appropriate ARRANGER button so that its indicator lights.
One Touch Setting The PSR-4000’s 120 internal styles each have 4 different preset “panel setups” that can be selected via the [ONE TOUCH SETTING] buttons to create different musical textures — e.g. different voices for the accompaniment parts. Z Engage the One Touch Setting Feature ..............................................................................................................
One Touch Setting X Adjust The Settings If Necessary .............................................................................................................................. Any of the parameters set by the ONE TOUCH SETTING feature can be adjusted to create the desired sound after a ONE TOUCH SETTING setup has been selected. NOTES • See page 131 for a complete listing of the ONE TOUCH SETTING setup parameters • One Touch Settings can also be stored in the REGISTRATION memory.
Expression & Effects ■ Harmony ................................................................................................................................................................................................ Press the [HARMONY] button to turn the HARMONY effect on or off. When HARMONY is on (indicator lit), playing single notes or chords on the right-hand section of the keyboard produces automatic harmony matched to the accompaniment chords.
Expression & Effects ■ Reverb ..................................................................................................................................................................................................... Press the [REVERB] button to apply the reverb effect specified by the REVERB TYPE and DEPTH functions described on page 110. The [REVERB] button alternately turns the reverb effect on (indicator lit) or off (indicator out).
Expression & Effects ■ Left Hold ................................................................................................................................................................................................ This function causes the LEFT orchestra part voice to be held even when the keys are released. Non-decaying voices such as strings are held continuously, while decay-type voices such as piano decay more slowly (as if the sustain pedal has been pressed).
The Multi Pads The PSR-4000 features 8 “MULTI PADs” above the keyboard that can be used in two ways: ● PHRASE/CHORD: When the PHRASE/CHORD mode is selected, the 4 pads marked “PHRASE” and the 4 pads marked “CHORD” can be used to record and play back short sequences of notes and chords, respectively. ● PERCUSSION: In the PERCUSSION mode the pads can be used to play 8 different drum and percussion instruments selected from the PSR-4000’s DRUM KIT voices and Custom Voice DRUM KIT voice.
The Multi Pads ■ Recording Phrases .................................................................................................................................................................... Z Select a PHRASE Pad For Recording PERCUSSION REC/STOP Press the PHRASE pad you intend to record to while holding the [REC/STOP] button. The REC/ STOP indicator will flash, indicating that the selected pad is ready to record.
The Multi Pads ■ Phrase Playback .......................................................................................................................................................................... As long as the PHRASE/CHORD mode is selected, any recorded phrase can be played back simply by pressing the corresponding PHRASE pad. The phrase will play back whether the accompaniment is playing or not, but will always play at the currently set tempo.
The Multi Pads X Play the Required Chords Recording begins automatically as soon as you play a chord on the left-hand section of the keyboard, and the REC/STOP indicator will light continuously as long as recording continues. C Stop Recording PERCUSSION REC/STOP Press the [REC/STOP] button or the pad being recorded to stop recording when you’ve finished playing the chords. The [REC/STOP] button indicator will go out when recording ends.
The Multi Pads ■ The Repeat & Chord Match Settings ...................................................................................................................... The repeat and chord match settings for PHRASE/ CHORD pad playback can be accessed by pressing the EASY SETTING LCD button that appears when the [PERCUSSION - PHRASE/CHORD] button is pressed.
The Multi Pads Use the [▲/▼] LCD controls to turn the chord match function for the corresponding pads ON or OFF as required. NOTES • Phrases to be played back using the CHORD MATCH function must be recorded in the key of C major 7. • The chord match function is only available for pads 1 through 4 (the PHRASE pads). • The default chord match settings are:1 and 2 OFF; 3 and 4 ON.
The Multi Pads C Assign the Instruments A new drum/percussion instrument is assigned to a pad simply by playing the key corresponding to the desired instrument while holding the pad to which it is to be assigned. The reverse also works: press the pad while holding the key. The velocity at which you play the key (how hard you press the key = how loud the note sounds) is also recorded to the specified pad.
Registration Memory The PSR-4000 Registration Memory feature can be used to memorize 128 complete control-panel setups (16 banks, 8 setups each) that you can recall whenever needed. NOTES • Registration data can be saved to and loaded from floppy disk as required (page 90). • The disk provided with the PSR-4000 contains a number of sample registration settings. Registering the Panel Settings Z Set Up the Controls as Required .................................................................................
Registration Memory Entering a Registration Name You can enter descriptive names up to 16 characters in length for each registration setup via the NAME function accessible via the registration EASY SETTING display. The same function is also available via the FUNCTION display — page 114. Z Select the NAME Function ................................................................................................................................................
Registration Memory Recalling the Registered Panel Settings Simply select the appropriate bank using the BANK [–] or [+] button and press the desired REGISTRATION button at any time to recall the memorized settings. The memorized settings are actually recalled only when a REGISTRATION button is pressed — selecting a different bank does not change the settings. FREEZE MEMORY BANK 1~16 – + 1 2 3 4 5 6 7 8 REGISTRATION The selected bank and registration number appears at the top of the display.
Registration Memory The Freeze Function If you press the [FREEZE] button so that its LED lights, selecting a different registration setup will not change the settings specified in the FREEZE GROUP SETTING display accessed either via the registration EASY SETTING display or the [FUNCTION] button (page 114).
Song Playback & Recording Song Playback The PSR-4000 SONG PLAY mode allows song data to be played back from a floppy disk. The song file types which can be played by the PSR-4000 are: songs recorded on the PSR-4000, DOC (Disk Orchestra Collection), Disklavier and GM song (SMF format). Refer to the DOC or SMF disk manuals as necessary. Z Insert a Song Disk .........................................................................................................................................................
Song Playback & Recording C Select a Play Mode .................................................................................................................................................................... Use the MODE LCD [▲/▼] controls to select a play mode: SINGLE Plays the single song selected via the SONG SELECT controls. ALL Plays all songs in the song list in order. CHAIN Plays the songs specified in the CHAIN LIST in the specified order. Set this via the MAKE CHAIN button.
Song Playback & Recording Chain Playback Chain playback allows any number of songs to be grouped together in any order for playback. To program a chain: Z Press the MAKE CHAIN LCD Button ..................................................................................................................... The MAKE CHAIN LCD button will take you to the chain programming display. X Select and Insert the Required Songs ...........................................................................................
Song Playback & Recording V Save the Chain List, If Necessary ............................................................................................................................. The completed chain list can be saved to disk by pressing the LIST SAVE LCD button. A confirmation display will appear (“OK to save chain data?”): press YES to save the list or NO to cancel. NOTES • Chain list data cannot be saved to a DOC or Disklavier disk. B Return to the Song Select Display ..........................
Song Playback & Recording The number of volume parameters in the TRACK VOLUME display will depend on the type of song being played. If an original song recorded on the PSR-4000 using the QUICK RECORD mode is being played, two volume parameters will be available: MANUAL and ACCOMP. If an original song recorded on the PSR-4000 using the MULTITRACK RECORD mode or a GM song is being played, individual parameters for all 16 tracks will be available: TR1 through TR16.
Song Playback & Recording Song Recording The PSR-4000 SONG RECORD mode allows anything you play to be recorded to floppy disk. A QUICK RECORD mode provides an easy way to record a melody with accompaniment, while a MULTITRACK record mode allows independent recording on up to 16 tracks. There’s also a CHORD SEQUENCE record mode available via the QUICK record mode. Z Insert a Recordable Disk .....................................................................................................................
Song Playback & Recording V Enter a Song Name, If Necessary ............................................................................................................................. You can enter an original name for the song at this point. Song names can be up to 12 characters long. Use the < > LCD [▲/▼] control to move the name cursor to the various character positions, then use the A~Z, a~z, or 0~9… LCD [▲/▼] control to select the required character for each position.
Song Playback & Recording Quick Record The QUICK RECORD mode, as its name suggests, makes track selection and recording easy by grouping the accompaniment and manual tracks. Z Set the Track Modes ................................................................................................................................................................. Use the MANUAL and ACCOMP.
Song Playback & Recording C Turn the Metronome On If Required ....................................................................................................................... Use the METRONOME LCD [▲/▼] controls to turn the metronome ON if you want to record while monitoring the metronome sound (the metronome sound is not recorded). V Start Recording .......................................................................................................................................................
Song Playback & Recording ■ THE TRACK INDICATORS ................................................................................................................................................... The track indicators above the track mode selectors indicate which tracks contain data and which are muted. Tracks which do not contain data are indicated by a dotted circle outline while tracks which contain data have a solid outline.
Song Playback & Recording Chord Step Recording The CHORD STEP recording feature makes it possible to record accompaniment chord changes one at a time with precise timing. Since the changes don’t have to entered in real time, it is easy to create even complex accompaniments before recording the melody. Select the CHORD STEP display via the [ ] or [ ] LCD button to the right of the display. Z Select an Entry Point ..............................................................................................
Song Playback & Recording C Enter the Specified Event(s) ........................................................................................................................................... Once the event or events to be entered have been specified as described in the preceding step, press the SET LCD button to actually enter the event at the current cursor position. A dot will appear on the CHORD STEP data line and the cursor will advance to the top of the next measure. V Repeat Until Done ........
Song Playback & Recording Quick Record Mode Edit Functions The QUICK RECORD mode EDIT display includes only one function: SONG DELETE. Select the EDIT display via the [ ] LCD button to the right of the display. ■ SONG DELETE ............................................................................................................................................................................... This function deletes the specified song file from the disk.
Song Playback & Recording Multitrack Record The MULTITRACK record mode allows independent recording and playback on any of 16 tracks, so even complex songs can be built up track by track. Z Set the Track Modes .................................................................................................................................................................
Song Playback & Recording C Set Up For the Recording .................................................................................................................................................. Select the required voice(s), select a style, turn AUTO BASS CHORD on if required. Set up all parameters as desired for recording. NOTES • If you turn the panel [AUTO BASS CHORD] button on, the accompaniment tracks will automatically be set to the REC mode.
Song Playback & Recording ■ THE TRACK INDICATORS ................................................................................................................................................... The track indicators above the track mode selectors indicate which tracks contain data and which are muted. Tracks which do not contain data are indicated by a dotted circle outline while tracks which contain data have a solid outline.
Song Playback & Recording ■ PLAYBACK ......................................................................................................................................................................................... Recorded tracks are automatically set to the PLAY mode when recording is stopped, so you can simply press the START LCD button or the [START] panel button to hear what you’ve recorded immediately after recording.
Song Playback & Recording X Select a Start Trigger Type ................................................................................................................................................. Use the TRIGGER LCD [▲/▼] controls to select the FIRST KEY or START SW start trigger. When FIRST KEY is selected recording will begin when the first key is played on the keyboard. When START SW is selected recording will begin when the START LCD button or panel [START/STOP] button is pressed.
Song Playback & Recording N Start Playback ................................................................................................................................................................................. Press the START LCD button or panel [START/ STOP] button to start playback from the current PAUSE location. M Start Recording at the Punch-in Point .................................................................................................................
Song Playback & Recording Track Volume Control The MULTITRACK RECORD VOLUME display provides independent volume parameters for each of the 16 tracks. Select the VOLUME display via the [ ] or [ ] LCD button to the right of the display, and use the TR1 through TR16 LCD [▲/▼] controls to set the volume of the corresponding tracks. The TR1-8 or TR9-16 LCD button selects track groups 1 through 8 and 9 through 16, respectively. Press the EXECUTE LCD button to save the edited volume data to disk.
Song Playback & Recording X Quantize the Track Press the EXECUTE button. “Executing” will appear on the display while the data is being quantized. After quantization the EXECUTE button changes to an UNDO button which can be used to undo the quantize operation if the results are not satisfactory. ■ TRACK COPY/MIX ......................................................................................................................................................................
Song Playback & Recording ■ INITIAL EDIT ..................................................................................................................................................................................... Allows the initial REVERB DEPTH, CHORUS DEPTH, and DSP EFFECT depth settings for each track to be edited as required.
Custom Accompaniment The CUSTOM ACCOMPANIMENT RECORD mode allows you to create original accompaniment styles that can be later recalled and played at any time, just like the presets. Up to 12 custom accompaniment styles can be maintained in internal memory at the same time, and any number can be saved to disk for later reloading and use. 5 sections can be created for each custom style: MAIN A, MAIN B, INTRO, FILL IN, and ENDING. The basic custom style recording procedure is outlined below.
Custom Accompaniment V Copy the Data For the A or B Variation ............................................................................................................... The COPY parameter makes it possible to copy the A or B variation to the selected section, depending on the variation you want to program.
Custom Accompaniment Parts can be cleared completely before recording if you want to record “from scratch”, or change the number of measures in the section, as described below. When the DEL LCD button is pressed DELETE will appear for tracks which contain data. Select DELETE via the track LCD [▲/▼] controls while holding the DEL button to delete all data in the corresponding tracks. The data is actually deleted when the DEL button is released.
Custom Accompaniment < Record the Selected part .................................................................................................................................................... You can now add new notes to the selected part by playing the keyboard at the appropriate timing. All parts must be entered in the key of C major 7. If both the RHY1 and RHY2 parts are cleared the metronome will sound to provide a timing guide (the metronome sound is not recorded).
Custom Accompaniment [ Go On to EFFECTS, EDIT, and STORE ................................................................................................................ You can now stop the accompaniment by pressing the [START/STOP] button (or leave it running, as required), and go on to the EFFECTS and EDIT functions described below. When your custom accompaniment is complete, be sure to use the STORE function, also described below, to store the style to one of the CUSTOM memory locations.
Custom Accompaniment ■ CHORUS TYPE & DEPTH .................................................................................................................................................... Use the ▲ and ▼ buttons to the left of the display to select the CHORUS TYPE/DEPTH parameters. To select a chorus type use the TYPE LCD button to select the CHORUS TYPE display. Use the LCD [▲/▼] controls to select the desired chorus type.
Custom Accompaniment Edit Select the EDIT display via the [ ] or [ ] LCD button to the right of the display. If not already selected, press the SETTING LCD button to access the QUANTIZE, COPY, and REMOVE EVENT parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function. ■ QUANTIZE ...........................................................................................................................................................................................
Custom Accompaniment X Select the Top, Last, and Destination Measures Use the TOP and LAST LCD [▲/▼] controls to specify the first and last measures in the region to be copied. Use the DEST LCD [▲/▼] control to specify the top of the measure to which the data is to be copied. C Copy the Data Press the EXECUTE button. The “Completed” display will appear briefly when the copy operation has finished.
Custom Accompaniment Store/Clear Select the STORE display via the [ ] LCD button to the right of the display. If not already selected, press the SETTING LCD button to access the STORE and CLEAR CUSTOM STYLE parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function. ■ STORE ...................................................................................................................................................................................................
Custom Voice Edit This mode makes it possible to create new voices by editing some parameters of the preset voices. A simple EASY EDIT mode and fullparameter FULL EDIT mode are available. Both modes can be used to customize voice data loaded from disk. Up to 32 custom voices can be retained in memory and selected via the RIGHT 1, RIGHT 2, LEFT, and LEAD voice [CUSTOM] buttons. Engaging the Easy/Full Edit Mode Z Engage the CUSTOM VOICE EDIT Mode ..............................................................
Custom Voice Edit The Easy Edit Parameters Use the [ ] and [ ] LCD buttons to the right of the display to select the EDIT and STORE/CLEAR display pages. Use the ▲ and ▼ buttons to the left of the display to select the various parameters within each page. The COMPARE LCD button can be used during editing to compare the sound of the original voice with the edited voice. EDIT ■ NAME .............................................................................................................................
Custom Voice Edit ■ TONE ......................................................................................................................................................................................................... The timbre of the voice can be varied via the BRILLIANCE and RESONANCE LCD [▲/▼] controls. “0” is the preset value for both parameters. “+” BRILLIANCE settings produce a brighter sound, while “+” RESONANCE settings produce a more “peaky” sound. ENVELOPE .............................
Custom Voice Edit STORE/CLEAR ■ STORE ..................................................................................................................................................................................................... Stores the edited custom voice data in the specified custom voice memory location. When this function is selected the size of the current voice and the remaining memory capacity available for voice storage are displayed to the right of the display.
Custom Voice Edit The Full Edit Parameters The FULL EDIT mode can be entered as described on page 78. The FULL EDIT mode can be used to edit both internal voices and voices in the custom voice group. Use the [ ] and [ ] LCD buttons to the right of the display to select the E1:BASIC, E2:CONTROLLER, E3:ENVELOPE, E4:EFFECTS and STORE/CLEAR display pages. Use the ▲ and ▼ buttons to the left of the display to select the various parameters within each page.
Custom Voice Edit ■ TUNE (except for the DRUM KITS) ............................................................................................................................................. These parameters adjust the pitch of the voice. COARSE tunes in semitone steps and FINE tunes in 1-cent steps (a cent is 1/100th of a semitone). The maximum COARSE range is from –24 to +24 semitones (plus or minus two octaves), and the maximum FINE range is from –50 to +50 cents.
Custom Voice Edit ■ MODULATION WHEEL ........................................................................................................................................................... The PMD (phase modulation), AMD (amplitude modulation), and Q BIAS (resonance) LCD [▲/▼] controls set the corresponding modulation parameter. “0” is the preset value. “+” settings increase the maximum modulation depth while “–” settings decrease the maximum modulation depth achievable with the modulation wheel.
Custom Voice Edit E3:ENVELOPE AMPLITUDE ENVELOPE ..................................................................................................................................................... RATE These parameters set the rate of output level variation. Higher values produce faster variation. ATTACK: Sets the speed of variation from key-on to the maximum attack level.
Custom Voice Edit ■ FILTER ..................................................................................................................................................................................................... The FILTER ENVELOPE LCD [▲/▼] controls are used to set the filter envelope RATE and LEVEL parameters. Use the RATE or LEVEL LCD button to select the corresponding group of parameters. RATE Set the rate of cutoff frequency variation. Higher values produce faster variation.
Custom Voice Edit E4:EFFECTS ■ LFO ............................................................................................................................................................................................................. The LFO parameters set the LFO (Low Frequency Oscillator) to produce cyclic pitch and amplitude modulation. PMD: Sets the phase modulation depth. Higher values produce deeper modulation. AMD: Sets the amplitude modulation depth.
Custom Voice Edit STORE/CLEAR ■ STORE ..................................................................................................................................................................................................... Stores the edited custom voice data in the specified custom voice memory location. When this function is selected the size of the current voice and the remaining memory capacity available for voice storage are displayed to the right of the display.
Custom Voice Edit The Drum Kit Edit Mode When a drum kit voice is selected for editing the parameters and functions available are essentially the same as those for the orchestra voices in the FULL EDIT mode. Many parameters of individual percussion voices within the DRUM KIT can be edited independently. The only differences are in the E1:BASIC display: ● Use the PERCUSSION parameter function to select the desired percussion sound for editing.
Disk Operations The PSR-4000 [DISK] button accesses a range of functions that are used for storage and retrieval of floppy disk data. To select a disk operation first press the [DISK] button, then press the LCD button corresponding to the operation you want to perform. SONG PLAY CUSTOM VOICE EDIT SONG CUSTOM RECORD ACCOMP. REC FUNCTION DISK NOTES • Please note that no other PSR-4000 functions will operate while a disk function is in progress.
Disk Operations The LCD [▲/▼] controls can now be used to select the type(s) of data to be loaded from the selected file. Data types which are turned ON are loaded. SETUP All setup data — see list on page 131. STYLE REVOICE All STYLE REVOICE settings - page 108. MULTI PAD All MULTI PAD phrase, percussion, and chord data - page 36. REGISTRATION All REGISTRATION memory data page 131. CUSTOM STYLE All CUSTOM STYLE data - page 69. CUSTOM VOICE All CUSTOM VOICE data - page 78.
Disk Operations Save To Disk Saves the data listed below to a floppy disk inserted into the PSR-4000 disk drive. NOTES • If an unformatted disk or a disk which has not been formatted for use with the PSR-4000 is inserted, the “Wrong disk type or format! Format disk?” confirmation message will appear when the SAVE TO DISK function is selected. Press YES to format the disk or NO to cancel. If the FILE LIST display shown to the right is not showing, press the LIST LCD button to select it.
Disk Operations Press the LIST LCD button when you want to go back to the FILE LIST display. When the file and data types have been specified, press the EXECUTE LCD button to actually begin the save operation — the confirmation display shown to the right will appear. If you want to give the file to be saved an original file name, be sure to do so before pressing the YES LCD button. File names can be up to 8 characters long.
Disk Operations The LISTEN LCD button which appears when the SONG LIST is selected can be used to listen to the currently selected song — press LISTEN again to stop playback when done. When the user or song file to be renamed has been selected, press the EXECUTE LCD button. The following display will appear. Song file names can be up to 12 characters long and user file names can be up to 8 characters long.
Disk Operations Delete File/Song Deletes the specified song or user file from the disk. Press the SONG LCD button to if the SONG LIST is not showing in order to delete a song file, or the USER FILE LCD button if the USER FILE LIST is not showing in order to delete a user file. Use the FILE or SONG LCD [▲/▼] controls to select the file you want to delete.
Disk Operations Format FD Formats a floppy disk for use with the PSR-4000. After inserting a new floppy disk into the disk drive, press the EXECUTE LCD button to actually begin the format operation — the “OK to format?” confirmation display will appear. If you want to execute the format operation press the YES LCD button (or press the NO LCD button to cancel the operation).
Disk Operations When the source song has been selected press the DESTINATION LCD button and use the DIR ▲▼ LCD [▲/▼] controls to select the destination disk. Select “another FD” to copy to a different floppy disk, or “FLOPPY DISK” to copy to the same floppy disk. Press the EXECUTE LCD button to begin the copy operation. At this point the display shown below will appear and you will have a chance to change the song name before it is copied.
The PSR-4000 “Functions” The PSR-4000 [FUNCTION] button selects 8 groups of functions that access a number of related parameters. Here’s a list of the functions and the manual page numbers on which they are described in detail. [F1] SCALE (ARABIC)/VOICE PART .................................................. 100 [F2] SPLIT POINT/ABC MODE/MULTI PAD ....................................... 102 [F3] CONTROLLER .............................................................................104 [F4] STYLE REVOICE ..
The PSR-4000 “Functions” In cases where the number of parameters included in the function group is too large to fit on a single display page, several pages may be available, and LCD buttons. selectable via the In all cases the selected parameter can be edited via the appropriated labeled or positioned LCD [▲/ ▼] controls. ■ The [EXIT] Button ....................................................................................................................................................................
F1: Scale (Arabic)/Voice Part The PSR-4000 has a range of advanced tuning and other voicerelated functions which are all included in the F1 function group. ■ SCALE (ARABIC) ......................................................................................................................................................................... Selects either the normal equal temperament scale or an “arabic” scale in which each note can be tuned over a 127-cent range.
F1: Scale (Arabic)/Voice Part ● OCTAVE Shifts the pitch of the LEFT, RIGHT 1, RIGHT 2, or LEAD voice up one octave (“+1”) or down one octave (“–1”). A setting of “0” produces the normal pitch for that voice. Use the LEFT, R1, R2, or LEAD LCD [▲/▼] control to set as required. NOTES • These parameters are also available in the Octave Change function — page 18. • Some voices may exhibit sudden pitch changes in the highest and lowest ranges of the keyboard when shifted up or down by an octave.
F2: Split Point/ABC Mode/Multi Pad The F2 functions all pertain to the PSR-4000’s accompaniment features — i.e. the accompaniment split point, the ABC mode, and the multi-pad repeat and chord match modes. ■ SPLIT POINT/ABC MODE ...................................................................................................................................................
F2: Split Point/ABC Mode/Multi Pad ■ MULTI PAD .......................................................................................................................................................................................... The repeat and chord match settings for PHRASE/CHORD MULTI PAD playback can be accessed via this display. The repeat and chord match parameters can be accessed by pressing the REPEAT or CHORD MATCH LCD button.
F3: Controller The F3 function group includes a range of functions that affect how the PSR-4000 responds to control via the keyboard, a foot controller plugged into the rear-panel FOOT VOLUME jack, footswitches plugged into the rear-panel FOOT SW jacks, the [SUSTAIN] button, the PITCH BEND wheel, and the MODULATION wheel. ■ FOOT CONTROLLER ...............................................................................................................................................................
F3: Controller When the SUSTAIN, SOSTENUTO, or SOFT type is selected, use the LEFT, R1, R2, and LEAD LCD [▲/▼] controls to turn footswitch control for the corresponding parts ON or OFF as required. NOTES • The sustain effect is applied to the specified orchestra part(s) only when the panel [SUSTAIN] button is turned on or when the sustain pedal is pressed. • The panel [SUSTAIN] button will not function while a footswitch to which the sustain effect is assigned is used.
F3: Controller ■ PANEL CONTROLLER ........................................................................................................................................................... ● SUSTAIN BUTTON Determines to which of the PSR-4000 voices the panel [SUSTAIN] button will apply. Use the LEFT, R1, R2, and LEAD LCD [▲/▼] controls to turn [SUSTAIN] button control for the corresponding voices ON or OFF as required. Accompaniment part assignments are the same as those set for the footswitch.
F3: Controller ● INITIAL TOUCH Sets the touch response OFF level and sensitivity curve of the keyboard initial touch response, and determines to which of the PSR-4000 voices touch response will apply. Use the OFF LEVEL LCD [▲/▼] control to set the level at which touch response is turned off. Use the SENSITIVITY LCD [▲/▼] controls to select the desired sensitivity curve.
F4: Style Revoice This function allows you to “revoice” the currently selected style: i.e. change the volume, voice, reverb depth, and chorus depth settings for each accompaniment part. Style Revoice settings are retained in memory if the MEMORY BACKUP parameter in the F7 UTILITY page is ON as long as a good set of backup batteries is installed. ● VOLUME OFFSET Use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD [▲/▼] controls to set the volume offset for the corresponding accompaniment parts.
F4: Style Revoice ● REVERB DEPTH Use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD [▲/▼] controls to set the reverb depth for the corresponding accompaniment parts. The reverb depth range is from “0” (no reverb) to “100” (maximum reverb), or “PRESET”. When the preset reverb depth is selected a “P” appears in the corresponding box to the right of the REVERB parameter in the upper section of the display.
F5: Reverb/Chorus/DSP Effect The PSR-4000 has 16 reverb-based effects, a chorus effect, and 50 DSP (Digital Signal Processor) effects that can be selected via the REVERB/CHORUS/DSP EFFECT function display. The selected reverb, chorus, and DSP effect settings are applied to the sound when the [REVERB], [CHORUS], and [DSP EFFECT] buttons are used (see page34). ■ REVERB TYPE & DEPTH ...............................................................................................................................
F5: Reverb/Chorus/DSP Effect ● REVERB PARAMETER EDIT When the REVERB TYPE parameters are selected as described above, the PARAMETER EDIT LCD button will appear, pressing this button gives you access to the individual reverb parameters for the currently selected reverb type. Use the LCD [▲/ ▼] control below the number corresponding to the parameter you want to edit. Press the TYPE LCD button to return to the REVERB TYPE parameters when done.
F5: Reverb/Chorus/DSP Effect ■ CHORUS DEPTH .......................................................................................................................................................................... Independently sets the depth of the chorus effect for the multi pads, accompaniment, left voice, right 1 voice, right 2 voice, and lead voice Use the M.PAD, ACMP, LEFT, R1, R2, and LEAD LCD [▲/▼] controls to set the depth of the chorus effect as required for the corresponding parts.
F5: Reverb/Chorus/DSP Effect ● DSP EFFECT PARAMETER EDIT When the DSP EFFECT TYPE parameters are selected as described above, the PARAMETER EDIT LCD button will appear, pressing this button gives you access to the individual DSP effect parameters for the currently selected DSP type. Use the LCD [▲/▼] control below the number corresponding to the parameter you want to edit. Press the TYPE LCD button to return to the DSP EFFECT TYPE parameters when done.
F6: Harmony/Registration ■ HARMONY ........................................................................................................................................................................................... Selects the type of harmony to be applied when the [HARMONY] button is turned on (page 33), and the volume of the harmony sound. Use the TYPE LCD [▲/▼] controls to select the desired harmony type. Use the VOLUME LCD [▲/ ▼] control to set the volume of the harmony sound.
F7: Utility The F7: UTILITY function accesses utility functions that let you turn memory backup on or off, set a number of display modes, and recall the factory preset data. ■ MEMORY BACKUP .................................................................................................................................................................... ● MEMORY BACKUP This function turns memory backup on or off. Use the MEMORY BACK UP LCD [▲/▼] controls to turn memory backup ON or OFF.
F8: MIDI MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. The PSR-4000 offers a range of MIDI functions that allow it to be used in even sophisticated MIDI systems.
F8: MIDI ■ CLOCK & TRANSPOSE ......................................................................................................................................................... ● CLOCK Determines whether the PSR-4000 is controlled by its own internal clock or a MIDI clock signal received from an external device. INTERNAL is the normal CLOCK setting when the PSR-4000 is being used alone.
F8: MIDI ● EXCLUSIVE The EXCLUSIVE TRANSMIT parameter turns MIDI transmission of MIDI exclusive data (voice and setup data) ON or OFF. The EXCLUSIVE RECEIVE parameter turns MIDI reception of MIDI exclusive data generated by external equipment ON or OFF. A check mark appears in the MESSAGE SW EXCLUSIVE TRANSMIT or RECEIVE box when the corresponding parameter is ON.
F8: MIDI OFF No data will be transmitted on the selected channel. RIGHT 1 RIGHT 2 LEAD LEFT Only data corresponding to the specified voice will be transmitted on the selected channel. HARMONY 1 HARMONY 2 HARMONY 3 The Harmony feature (page 33) produces a maximum of three harmony notes. These settings correspond to each of the harmony notes. MULTI PAD 1 MULTI PAD 2 MULTI PAD 3 MULTI PAD 4 Multi pad phrases from the corresponding pad are transmitted via the selected channel.
F8: MIDI RECEIVE This display page allows you to specify the MIDI receive mode for each PSR-4000 MIDI channels, and to specify which types of data will be received via each channel. ● RECEIVE MONITOR The RECEIVE MONITOR at the top of the display indicates when data is being received on any of the 16 MIDI channels: The dots corresponding to each channel (1 … 16) flash briefly whenever any data is received on the channel(s).
F8: MIDI NOTE This switch turns reception of the note data on or off. When off, no notes will be produced by the PSR-4000 even when note data is received on the selected channel. CNTCNG Turns reception of control change data on or off. Control change data includes modulation wheel, foot controller, and any other controller data (except the pitch bend wheel, which has its own switch, below). PRGCNG Turns reception of program change data on or off.
F8: MIDI TYPE * Note-on event Note-off event 1. OFF None None 2. SUSTAIN SUSTAIN ON SUSTAIN OFF 3. SOSTENUTO SOSTENUTO ON SOSTENUTO OFF 4. SOFT SOFT ON SOFT OFF 5. TAP TEMPO TAP TEMPO ON — 6. REGIST.+ REGISTRATION UP — 7. REGIST.– REGISTRATION DOWN — 8. SYNCHRO START [SYNCHRO START] ON — 9. START/STOP [START/STOP] ON — 10. ROTARY SP ROTARY SPEAKER SLOW n FAST 11. HARMONY HARMONY ON HARMONY OFF 12. INTRO/FILLtoA [INTRO/FILL to A] ON [INTRO/FILL to A] RELEASED 13.
Troubleshooting Symptom Noise is heard when the power is turned on or off. Possible Cause/Solution This is a normal result of the power surge that occurs when the unit is turned on or off. No solution necessary. The volume controls or foot volume are turned all the way down. Set the volume controls and foot volume to a reasonable listening level. Are the desired parts turned on? A pair of headphones is plugged into the PHONES jack. Unplug the headphones. No sound.
Index A Accomp volume .............................. 26 Accompaniment ............................. 19 Copy (song track) ........................... 67 Foot switch ............................... 6, 104 Cursor .................... 44, 53, 69, 79, 82 Foot volume ............................. 7, 104 Custom accomp ............................. 69 Freeze (Registration) ............. 46, 114 Custom voice ................................. 78 Full edit ...........................................
Index Manual MIDI bass .......................... 21 Program change ........................... 115 Master volume .................................. 8 Punch in/out ................................... 63 Tap tempo ............................ 105, 122 Measure ......................................... 71 Memory ........................................ 115 Metronome ..................................... 54 MIDI .............................................. 116 Tempo ....................................
Voice List • Stimmenverzeichnis • Liste des voix • Lista de voces RIGHT Display BankSelect Program Change Voice Name No. MSB LSB No. PIANO 1 0 112 0 GrandPiano 1 2 0 112 1 BrightPiano1 3 0 0 3 Honky-tonk 4 0 0 6 Harpsichord1 5 0 0 5 DX E.Piano 6 0 0 4 Funky E.P. 7 0 112 5 Dream E.P. 8 0 112 7 Clavi Wah 9 0 0 0 GrandPiano 2 10 0 0 1 BrightPiano2 11 0 0 2 MIDI Grand 12 0 112 6 Harpsichord2 13 0 112 4 E.Piano 14 0 113 4 Bell E.Piano 15 0 113 5 Ice E.Piano 16 0 0 7 Clavi.
Voice List • Stimmenverzeichnis • Liste des voix • Lista de voces LEFT Display BankSelect Program Change Voice Name No. MSB LSB No. 9 0 0 97 Soundtrack 10 0 0 95 Sweep Pad 11 0 0 98 Crystal 12 0 0 102 Echoes 13 0 0 120 GtrFretNoise 14 0 0 121 Breath Noise 15 0 0 122 Seashore 16 0 0 123 Bird Tweet 17 0 0 124 Telephone 18 0 0 125 Helicopter 19 0 0 119 Rev.
Voice List • Stimmenverzeichnis • Liste des voix • Lista de voces LEAD Display BankSelect Program Change Voice Name No. MSB LSB No. 15 0 0 80 Square Lead 16 0 0 81 Saw.
Percussion Kit List • Verzeichnis der Schlagzeug- und Percussion-Sets Liste des kits de percussion • Lista de juegos de percusión Bank MSB# Program # Note# Note 13 C#0 14 D0 15 D#0 16 E0 17 F0 18 F#0 19 G0 20 G#0 21 A0 22 A#0 23 B0 24 C1 25 C#1 26 D1 27 D#1 28 E1 29 F1 30 F#1 31 G1 32 G#1 33 A1 34 A#1 35 B1 36 C2 37 C#2 38 D2 39 D#2 40 E2 41 F2 42 F#2 43 G2 44 G#2 45 A2 46 A#2 47 B2 48 C3 49 C#3 50 D3 51 D#3 52 E3 53 F3 54 F#3 55 G3 56 G#3 57 A3 58 A#3 59 B3 60 C4 61 C#4 62 D4 63 D#4 64 E4 65 F4 66 F#4 67 G
Style List • Rhythmusverzeichnis • Liste des styles • Lista de estilos Display No.
Setup Parameters • Setup-Parameter Paramètres de réglage général • Parámetros de ajuste O : YES X : NO PANEL LEAD VOICE RIGHT1 VOICE RIGHT2 VOICE LEFT VOICE RIGHT ORCHESTRA PART SELECT LEAD ON/OFF RIGHT1 ON/OFF RIGHT2 ON/OFF LEFT ON/OFF LEFT HOLD HARMONY SUSTAIN TOUCH RESPONSE REVERB CHORUS DSP EFFECT REGISTRATION NUMBER BANK FREEZE STYLE ACCOMP. DIRECTOR FADE IN/OUT INTRO A/FILL to A INTRO B/FILL to B MAIN A,MAIN B ENDING/rit.
Setup Parameters • Setup-Parameter • Paramètres de réglage général • Parámetros de ajuste O.T.S.
Setup Parameters • Setup-Parameter • Paramètres de réglage général • Parámetros de ajuste F5 REVERB DEPTH (LEAD,R1,R2,LEFT) REVERB DEPTH (ACMP/SONG) REVERB DEPTH (M.PAD) REVERB TYPE REVERB PARAMETER 1~5 CHORUS DEPTH (LEAD, R1, R2, LEFT, ACMP, M.PAD) EFFECT PRIORITY EFFECT DEPTH (LEAD, R2,LEFT, ACMP,M.PAD) EFFECT DEPTH (RIGHT1) EFFECT TYPE EFFECT PARAMETER 1~5 F6 HARMONY TYPE HARMONY VOLUME REGISTRATION NAME REGISTRATION FREEZE GROUP F7 MEMORY BACK UP DISPLAY- MIDI BANK SEL. & PROG.
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado • Noten in Klammern ( ) können ausgelassen werden. • Mit einem Sternchenzeichen (*) versehene Akkorde können in jeder Umkehrung gespielt werden (d.h. der Grundton muß nicht die tiefste angeschlagene Note sein). • Wenn Sie drei nebeneinanderliegende Tasten (weiße und schwarze Tasten) anschlagen, wird die Akkordbegleitung unterdrückt, so daß lediglich der Rhythmus zu hören ist.
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado • Les notes entre parenthèses ( ) peuvent être omises. • Les accords marqués d’un astérisque (*) peuvent être joués dans n’importe qu’elle inversion (il n’est pas nécessaire que la note fondamentale de l’accord soit la note la plus basse).
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado Minor sixth Moll-Akkord mit hinzugefügter Sexte Mineure sixte Menor de sexta Minor* Moll* Mineur* Menor* Minor seventh Moll-Septakkord Mineure septième Menor de séptima Cm 6 Cm 7 C# m (Db m) C# m 6 (Db m 6) C# m 7 (Db m 7) Dm Dm 6 Dm 7 D #m (Eb m) D #m 6 (Eb m 6) D #m 7 (Eb m 7) Em Em 6 Em 7 Fm Fm 6 Fm 7 F #m (Gb m) F #m 6 (Gb m 6) F #m 7 (Gb m 7) Gm Gm 6 Gm 7 G# m (Ab m) G# m 6 (Ab m 6) G# m 7 (Ab m 7) Am Am 6 A
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado C# m (9) (Db m (9)) C# m 7 (9) (Db m 7 (9)) Dm (9) Dm 7 (9) D #m (9) (Eb m (9)) D #m 7 (9) (Eb m 7 (9)) Em (9) Em 7 (9) Fm (9) Fm 7 (9) F #m (9) (Gb m (9)) F #m 7 (9) (Gb m 7 (9)) Gm (9) Gm 7 (9) G# m (9) (Ab m (9)) G# m 7 (9) (Ab m 7 (9)) Am (9) Am 7 (9) A #m (9) (Bb m (9)) A #m 7 (9) (Bb m 7 (9)) Bm (9) Bm 7 (9) Cm 7 (11) CmM 7 ) ) ( ( ) ) C# mM7 (Db mM 7 ) ( ) ( ( ( ) C# m 7 (11) (Db m 7 (11) ) ) Cm 7 (9
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado Minor major seventh ninth* Moll-Akkord mit großer Septime und None* Neuvième sur septième majeure sur mineur* Menor mayor de séptima y novena* Diminished seventh Verminderter Septakkord Septième diminuée Séptima disminuida Seventh* Septakkord* Septième* Séptima* Cdim Cdim 7 C7 C# dim (Db dim) C# dim 7 (Db dim 7) C#7 (Db7) Ddim Ddim 7 D7 D #dim (Eb dim) D #dim 7 (Eb dim 7) D #7 (Eb7) Edim Edim 7 E7 Fdim Fdim 7 F7 F #dim (Gb
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado Seventh ninth* Dur-Septakkord mit None* Neuvième sur septième* Séptima y novena* F 7 (9) F # 7 (b5) (Gb7(b5) ) F # 7 (9) (Gb7 (9) ) G 7 (b5) G 7 (9) G# 7 (b5) (Ab7(b5) ) G# 7 (9) (Ab 7 (9) ) A 7 (b5) A 7 (9) A # 7 (b5) (Bb7 (b5)) A # 7 (9) (Bb 7 (9) ) B 7 (b5) B 7 (9) ) ) ) ( ) ) ( ( ( ) ) F 7 (#11) ( ) F # 7 (#11) (Gb7 (#11)) ( ( ) ) G 7 (#11) ( ) G# 7 (#11) (Ab 7 (#11)) ) ) A 7 (#11) ( ( ) ( ( ) A # 7 (
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado Seventh flatted ninth* Dur-Septakkord mit verminderter None* Neuvième diminuée en septième* Séptima y novena bemol* D 7(#9) D # 7 (b13) (Eb 7 (b13) ) D # 7 (#9) (Eb7 (#9)) E 7 (b13) E 7 (#9) F 7 (b13) F 7 (#9) F # 7 (b13) (Gb7 (b13)) F # 7 (#9) (Gb7(#9) ) G 7 (b13) G 7 (#9) G# 7 (b13) (Ab 7 (b13)) G# 7 (#9) (Ab7(#9) ) A 7 (b13) A 7 (#9) A # 7 (b13) (Bb 7 (b13)) A # 7 (#9) (Bb7 (#9)) B 7 (b13) B 7 (#9) ( ) ( ) ( ) ( ) ( ) )
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado Major seventh augmented* Dur-Akkord mit großer Septime und übermäßiger Quinte* Quinte sur septième majeure augmentée* Mayor de séptima y quinta aumentada* Suspended fourth Vorgehaltene Quarte Quarte sur sensible Cuarta suspendida One plus two plus five Eines plus Zwei plus Fünf Un + deux + cinq Uno más dos más cinco C 7 aug Csus 4 C1+2+5 C# 7 aug (Db 7 aug) C# sus 4 (Db sus 4) C# 1+2+5 (Db 1+2+5) D 7 aug Dsus 4 D1+2+5 D # 7 aug (Eb
Fingering Chart • Akkordliste • Tablature • Gráfica de digitado Major seventh flatted fifth* Dur-Akkord mit großer Septime und verminderter Quinte* Quinte diminuée sur majeure septième* Mayor de séptima y quinta bemol* 142 Flatted fifth* Dur-Akkord mit verminderter Quinte* Quinte diminuée* Quinta bemol* Minor major seventh flatted fifth* Moll-Akkord mit großer Septime und verminderter Quinte* Quinte diminuée sur septième majeure sur mineur* Menor mayor de séptima y quinta bemol* CM 7 (b5) C(b5) CmM 7
The DSP Effects & Parameters • DSP-Effekte und -Parameter Effets et paramètres DSP • Efectos de DSP y parámetros 1. Hall 1 2. Hall 2 3. Hall 3 4. Hall 4 7. Room 3 8. Room 4 9. Stage 1 10. Stage 2 5. Room 1 11. Plate 1 6. Room 2 12. Plate 2 These are all reverberation (“reverb” for short) effects. Reverb is the warm musical “ambience” you experience when listening to music in a hall or other natural environment. 1. REVERB TIME Range: 0.3 … 30 sec.
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP • 17. Chorus 1 18. Chorus 2 19. Chorus 3 20. Chorus 4 22. Flanger1 23. Flanger2 24. Flanger3 25. Flanger4 21. Chorus 5 The chorus effects combine delay and modulation to effectively thicken and add warmth to the sound. Flanging is a fairly pronounced effect based primarily on delay time modulation.
Efectos de DSP y parámetros 28. Rot.Sp.1 29. Rot.Sp.2 30. Rot.Sp.3 31. Rot.Sp.4 32. Rot.Sp.5 These effects simulate the swirling sound of the rotary speakers often used with electronic organs. 1. LFO FREQUENCY Range: 0 … 127 Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation. 2. LFO DEPTH Range: 0 … 127 Sets the depth of modulation. Higher values produce deeper modulation and therefore a more pronounced effect. 33. Tremolo1 34. Tremolo2 35.
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP • 3. CUTOFF FREQUENCY Range: 0 … 127 Sets the basic frequency around which the wah filter sweep will occur. 4. RESONANCE Range: 1 … 12 Creates a resonant peak at the frequency determined by the CUTOFF FREQUENCY parameter, above. The higher the value the higher the peak, and the more the sound at that frequency is emphasized. 38. DelayLCR 39.
Efectos de DSP y parámetros 41. CrossDly This is a “cross delay” effect in which the repeats from a sound in one channel are produced in the opposite channel. 1. LmR DELAY 2. RmL DELAY Range: 0.1 … 355 ms The LmR DELAY and RmL DELAY parameters independently set the delay times for repeats crossing from left to right, and from right to left, respectively. 3. FEEDBACK LEVELRange: –63 … 0 … +63 Determines the amount of effect-sound feedback returned to the input of the delay stage.
The DSP Effects & Parameters • DSP-Effekte und -Parameter Effets et paramètres DSP • Efectos de DSP y parámetros 46. Karaoke1 47. Karaoke2 48. Karaoke3 The “Karaoke” effects are simple delay effects that simulate the type of “echo” used in most karaoke systems. 1. DELAY TIME Range: 0 … 63 Sets the delay time between the direct sound and the first repeat. 2. FEEDBACK LEVELRange: –63 … 0 … +63 Determines the amount of effect-sound feedback returned to the input of the delay stage.
MIDI Implementation Chart • Implementierungstabelle Table d’implémentation • Gráfico de implementación [PortaTone] Model: PSR-4000 Function Transmitted Basic Default Channel Changed Recognized 1~16 CH (*1) 1~16 CH (*1) 1~16 CH (*2) 1~16 CH (*2) Default Messages Altered 3 X ***************** 3 X X : True voice 0~127 ***************** 0~127 (*3) 0~127 Velocity Note on Note off O 9nH, v=1~127 X 9nH, v=0 O 9nH, v=1~127 X After Touch key’s Ch’s X X X X O O O O O O O O O O O X (*5) X (*5) X
MIDI Implementation Chart • Implementierungstabelle • Table d’implémentation • Gráfico de implementación *1 The RIGHT1, RIGHT2, LEAD, LEFT, HARMONY, MULTI PAD, and ACCOMPANIMENT parts can be independently transmitted via the panel controls. *2 The tone generator normally functions as a 16-channel multi-timbre tone generator in response to MIDI input. MIDI messages therefore do not normally affect the panel voices or other panel settings.
*9 Exclusive The following system exclusive messages are recognized. FOH, 7EH, 7FH, 09H, 01H, F7H All parameters except MIDI master Tuning and Dsp setting are reset to their default values. Remote Channel setting is cancelled. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H Allows the volume of all channels to be changed simultaneously.
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI •
Parameter Base Address Model ID = 4C Parameter Change Address (H) (M) (L) XG 00 00 00 SYSTEM 00 00 7D 00 00 7E 00 00 7F EFFECT 1 02 01 00 DRUM 30 18 00 31 18 00 Description System Drum Setup Reset XG System On Reset All Parameters Effect1(Reverb,Chorus,Variation ) Drum Setup 1 Drum Setup 2 Address 3n 0B 00 3n 0C 00 : 3n 5B 00 m Parameter note number 13 note number 14 : note number 91 MIDI Parameter Change table ( SYFormato de datos MIDI 44 2 46 2 48 2 4A 2 4C 2 4E 2 50 2 52 2 54 2 56 57 58 59 5A 5B 1 1 1 1 1 1 TOTAL SIZE 21 02 01 70 71 72 73 74 75 TOTAL SIZE 1 1 1 1 1 1 6 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F 00-7F 00-01 00-01 VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB VARIATION PARAMETER 5 MSB V
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI • Formato de datos MIDI ● Effect MIDI Map Reverb Type MSB (HEX) 00 01 02 03 04 05 : 00F 10 11 12 13 14 : 7F TYPE LSB (HEX) 00 01 No Effect <—— [1]Hall 1 Hall 2 Room 1 Room 2 Stage 1 Stage 2 Plate <—— No Effect <—— : <—— No Effect <—— [13]WhiteRoom <—— [14]Tunnel <—— [15]Canyon <—— [16]Basement <—— No Effect <—— : <—— No Effect <—— 02 <—— <—— Room 3 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— ..........
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI • Formato de datos MIDI ● Effect Parameter List BASIC TYPE No. Parameter Display* Value BASIC TYPE No. Parameter Display* Value CHORUS CELESTE 1 2 3 4 6 7 8 9 10 11 12 13 14 15 LFO Frequency LFO PM Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO AM Depth Input Mode 0.00~39.7Hz 0~127 -63~+63 0~127 50Hz~2.0kHz -12~+12dB 500Hz~16.
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI • Formato de datos MIDI 156 BASIC TYPE No. Parameter Display* Value BASIC TYPE No. Parameter Display* Value AUTO WAH 1 2 3 4 6 7 8 9 10 11 LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive 0.00~39.7Hz 0~127 0~127 1.0~12.0 50Hz~2.0kHz -12~+12dB 500Hz~16.
Specifications • Technische Daten • Spécifications • Especificaciones KEYBOARD: 61 Keys (C1~C6) with Touch Response POLYPHONY: 32 Notes max. VOICES: Preset 367 voices (including 9 Percussion kits) Custom 32 voices (Programmable) DISPLAY: LCD (240 x 320 dots) DISK: Load from Disk, Save to Disk, Rename File/Song, Delete File/Song, Format FD, Song Copy * 3.5" FDD, Compatibility with DOC (Yamaha Disk Orchestra Collection) Disklavier, General MIDI, and SFF software.
MEMO NOTIZEN NOTES MEMORANDUM ............................................................................................................................ .................................................................................................................................................................................................................................... ...............................................................................................................................
IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
M.D.G., EMI Division © 1995 Yamaha Corporation VT76580 507POCP3.