Wichtiger Hinweis für die Benutzung in der Bundesrepublik Deutschland. Bescheinigung des Importeurs Hiermit wird bescheinigt, daß der/die/das CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. Musikinstrument Typ: PSR-510 (Gerät, Typ, Bezeichnung) in Übereinstimmung mit den Bestimmungen der VERFÜGUNG 1046/84 (Amtsblattverfügung) funk-entstört ist.
Congratulations! You are the proud owner of a Yamaha PSR-510. Your PSR-510 is a highquality musical instrument that incorporates advanced Yamaha digital technology and many versatile features. In order to obtain maximum performance and enjoyment from your PSR-510, we urge you to read this Owner’s Manual thoroughly while trying out the various features described. Keep the Owner’s Manual in a safe place for later reference.
Taking Care of Your PortaTone Your PortaTone will give you years of playing pleasure if you follow the simple rules given below: ■ Location Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage. • Direct sunlight (e.g. near a window). • High temperatures (e.g. near a heat source, outside, or in a car during the daytime). • Excessive humidity. • Excessive dust. • Strong vibration.
Preparation This section contains information about setting up your PSR-510 and preparing to play. Be sure to go through this section carefully before using your PSR-510. SUSTAIN PEDAL HEADPHONES/ AUX OUT DC 10-12V IN ■ Power Supply Your PSR-510 will run either from an optional power adaptor or batteries*. Follow the instructions below according to the power source you intend to use. * When batteries are used the sound of the PSR-510 may be distorted at high volume levels.
Preparation ■ Using Headphones Or an External Sound System HEADPHONES/ AUX OUT A standard pair of stereo headphones can be plugged into the rear-panel HEADPHONES/AUX OUT jack for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into the HEADPHONES/AUX OUT jack. The HEADPHONES/AUX OUT jack can also be used to deliver the output of the PSR-510 to a keyboard amplifier, stereo sound system, mixing console or tape recorder.
Listen to the Demo! Once you’ve set up your PSR-510, try listening to the pre-programmed demonstration songs — they’ll give you a good idea of what the PSR-510 can do! DEMO SONG # ON/ OFF MIN POWER MAX MASTER VOLUME START/ STOP ZTurn the Power ON & Set the Volume ..................................................................................................
Basic Editing Procedure The PSR-510 features a flexible-but-consistent interface that lets you edit just about all of its parameters using the same basic procedure. Once familiar with the system, you’ll be able to edit any parameter quickly and easily. Here’s the basic procedure: BEAT RESET MULTI DISPLAY – + 0 1 2 3 4 5 6 7 8 9 +– 1_ _ ZPress a Function Button ........................................................................................................................
2-2: The [+] and [−] Buttons RESET – + 2-3: The Number Buttons 0 1 2 3 The number buttons — to the right of the [+] and [−] buttons — allow direct numeric entry of the desired value, and are therefore the fastest way to edit in many situations. To select a voice, for example, choose one of the 128 voices — numbered “01” through “128” — shown on the panel VOICE list, then enter its number using the number buttons. To select “HARMONICA” (number 23), for example, first press [2] then [3].
Selecting & Playing the Voices The PSR-510 has 128 stunning voices plus 8 different drum and percussion kits that you can select and play in a number of ways.
● Dual Mode ● Split & Dual Modes In the dual mode both the [R1] and [R2] part voices are selected so they can be played simultaneously across the entire keyboard. To select the dual mode, make sure that both the [L1] and [L2] indicators are out, then press both the [R1] and [R2] buttons simultaneously (or hold one while pressing the other). You can switch back to either of the single modes from the dual mode simply by pressing the [R1] or [R2] button, as required.
Selecting & Playing the Voices ■ Voice Assignment You can assign any of the PSR-510’s 128 voices to each of the ORCHESTRATION parts, whether the part is currently ON or OFF. ZPress the [VOICE SELECT] Button ....................................................................................................... VOICE SELECT You don’t need to do this if the [VOICE SELECT] indicator is already lit. Also make sure that the [KEYBOARD PERCUSSION] indicator is out.
■ Volume You can individually set the volume of each orchestration part to set up the ideal balance between parts. ZSelect the Part You Want to Edit ........................................................................................................... Use the ORCHESTRATION [EDIT] button to select the part you want to edit. XPress the [VOL] Button ..........................................................................................................................
Selecting & Playing the Voices ■ DSP Depth The PSR-510 features a built-in digital signal processor (DSP) that can be used to apply a range of reverb and delay effects to the PSR-510 voices. The [DSP TYPE] button in the OVERALL CONTROL section (page 21) determines the type of effect to be applied, while the VOICE section [DSP DEPTH] button lets you individually set the amount of effect applied to each orchestration part. ZSelect the Part You Want to Edit ....................................................
■ Auto Harmony Auto Harmony is used with the PSR-510’s Auto Accompaniment feature except for Full fingering mode (see page 23). It automatically adds appropriate harmony notes to a single-note melody line you play on the keyboard. You can choose from 10 different types of harmony that can be assigned to the right-hand orchestration parts. ZTurn Auto Harmony ON .........................................................................................................................
Selecting & Playing the Voices ■ Effects The PSR-510 has a range of 12 delay-based effects — in addition to the DSP effects (pages 14 and 21) — that can be selected and applied to the right-hand orchestration parts (the left-hand orchestration parts are not affected). ZTurn the Effect ON .................................................................................................................................. EFFECT TYPE Press the [EFFECT] button so that its indicator lights.
■ Keyboard Percussion The PSR-510 has 8 different drum and percussion “kits” that can be played on the keyboard when the Keyboard Percussion function is turned ON. The types of drum and percussion instruments played by the various keys when Keyboard Percussion function is selected are marked by symbols above the keys. ZTurn Keyboard Percussion ON .............................................................................................................
Selecting & Playing the Voices ■ Pitch Bend PITCH BEND The PITCH BEND wheel to the left of the keyboard allows the note pitch to be bent up or down — roll the wheel away from you to bend up, and toward you to bend down (this situation can be reversed, as described below). When the PITCH BEND wheel is moved almost all the way in either direction, the current pitch bend range value will appear on the MULTI DISPLAY (see below).
Overall Control The OVERALL CONTROL section includes a range of parameters that, as their title suggests, apply to the overall sound of the PSR-510. OVERALL CONTROL TEMPO SPLIT TRANSDSP POINT POSE TUNING TYPE TOUCH SENSE 0 OFF DSP TYPE .....................................
Overall Control ■ Transpose The PSR-510 [TRANSPOSE] button makes it possible to shift the pitch of the PSR-510 up or down in semitone intervals up to a maximum of 12 semitones (one octave). Transposing the pitch of the PSR-510 keyboard makes it easier to play in difficult key signatures, and you can easily match the pitch of the keyboard to the range of a singer or other instrumentalist. ZPress the [TRANSPOSE] Button ..........................................................................................
■ DSP Type The [DSP TYPE] button selects one of eight digital effects that you can use for extra depth and expressive power. This button determines the type of effect to be used, while the [DSP DEPTH] button in the VOICE section allow the depth of the effect to be individually set for each orchestration part. ZPress the [DSP TYPE] Button ............................................................................................................... Press the OVERALL CONTROL section [DSP TYPE] button.
Overall Control ■ Touch Sensitivity This function varies the touch sensitivity of the keyboard. Use this capability to adjust the PSR-510’s touch sensitivity for the best results with your own particular playing style. ZPress the [TOUCH SENSE] Button ....................................................................................................... Press the OVERALL CONTROL section [TOUCH SENSE] button. The current sensitivity setting will appear on the MULTI DISPLAY.
Auto Accompaniment The PSR-510 has 103 accompaniment styles that can be used to provide fully-orchestrated Auto Accompaniment. When the Auto Accompaniment function is turned ON, the PSR-510 creates fully-orchestrated rhythm, bass, and chord accompaniment based on chords you play with the left hand in the Auto Accompaniment section of the keyboard (i.e. all keys to the left of the Auto Accompaniment split point). The right-hand section of the keyboard is available for normal playing.
Auto Accompaniment ■ Setting the Auto Accompaniment Split Point To set the Auto Accompaniment split point, first turn Auto Accompaniment ON — press the [AUTO ACCOMP] button so that its indicator lights — then proceed with steps 2 and 3 as described in “Split Point Change” on page 19. The default Auto Accompaniment split point (55) can be recalled instantly by pressing both the [+] and [–] buttons at the same time.
● Mode 1: Chord 1 The Chord 1 mode is ideal if you already know how to play chords on a keyboard, since it allows you to supply your own chords for the Auto Accompaniment feature.
Auto Accompaniment ● Mode 2: Chord 2 C ● Mode 3: Single C Cm C7 Cm7 This is essentially the same as the Chord 1 mode, above, except that the lowest note played in the Auto Accompaniment section of the keyboard will be played by the bass part rather than the chord root.
● Mode 5: Full In this mode chords played anywhere on the keyboard are detected and used for Auto Accompaniment. Otherwise the keyboard functions normally, and the entire range is available for playing. Chord recognition is the same as in the Chord 1 mode. Please note that in this mode all notes you play on the keyboard at any one time will be interpreted as the Auto Accompaniment chord.
Auto Accompaniment ■ Accompaniment Control The PSR-510 provides a range of accompaniment “sections” — introduction, fill-ins, variations on the main pattern, ending — that you can select to control the “flow” of the accompaniment to achieve the desired musical results. Accompaniment start/stop and sections are controlled by the ACCOMPANIMENT CONTROL buttons. ● Straight Start .....................................................................................................................................
● Starting the Accompaniment with an Introduction ............................................................................. Any of the PSR-510 accompaniment patterns can be started with an appropriate introduction by pressing the [INTRO] button and then the [START/ STOP] button. INTRO Once the [INTRO] button is pressed, the [INTRO] indicator will be lit continuously and the MAIN [A] or [B] indicator will flash to indicate which section will play when the introduction has finished.
Auto Accompaniment ● Stopping the Accompaniment ............................................................................................................... SYNC-START/STOP START/STOP An accompaniment in progress can be stopped immediately by pressing the [START/STOP] button or the [SYNC-START/STOP] button. In the latter case the synchro start mode will be engaged when the accompaniment stops. The accompaniment can also be stopped with an appropriate ending by pressing the [ENDING] button.
■ Accompaniment Volume While the VOICE control section [VOL] button can be used to set the volume levels of the orchestration parts, the [ACCOMP VOLUME] button can be used to adjust the volume of the selected accompaniment in relation to the voices. ZPress the [ACCOMP VOLUME] Button ................................................................................................. Press the AUTO ACCOMPANIMENT control section [ACCOMP VOLUME] button.
Auto Accompaniment BASS: RHYTHMIC CHORD 1 & 2: PAD CHORD: PHRASE 1 & 2: The BASS track always plays a bass line, but the voice will change to fit the selected style … acoustic bass, synth bass, tuba, etc. Both these tracks provide the rhythmic chordal accompaniment required by each style. You’ll find guitar, piano, and other chordal instruments here. This track plays long chords where necessary, using sustained instruments such as strings, organ, choir. This is where the musical embellishments reside.
XMake the Required Voice Settings ........................................................................................................ VOICE SELECT VOL OCTAVE DSP DEPTH PAN Use the [+] and [–] buttons, the number buttons, the data dial, or the [VOICE SELECT] button itself to select a new voice for the selected track. You can also use the [VOL], [OCTAVE], [DSP DEPTH], and [PAN] buttons to change the corresponding parameters for the selected voice.
One Touch Setting Each PSR-510 accompaniment style has a suitable preset voice and other settings that can be instantly recalled by pressing the [ONE TOUCH SETTING] button in the VOICE control section. This makes it simple to recall the optimum settings for each style in one quick operation. To use the One Touch Setting function: select a style, press the [ONE TOUCH SETTING] button so that its indicator lights, then play.
Registration Memory The PSR-510 REGISTRATION MEMORY can be used to store four complete sets of VOICE and AUTO ACCOMPANIMENT settings that can be recalled anytime at the touch of a button. The REGISTRATION MEMORY stores the following parameters: VOICE AUTO ACCOMPANIMENT 1. Voice numbers for all four orchestration parts. 2. Keyboard percussion ON/OFF & percussion kit number. 3. Volume (all four orchestration parts and percussion). 4. Pan (all four orchestration parts and percussion). 5.
Registration Memory ● Recalling the Settings ............................................................................................................................ 1 2 3 The settings stored to a REGISTRATION MEMORY button can be recalled at any time simply by pressing the appropriate button. The indicator of the selected button will light continuously when initially recalled, but will flash as soon as any change is made to the panel settings.
Record Functions The PSR-510 RECORDING section controls three recording functions: ● The SONG MEMORY: Record complete songs including an accompaniment track and up to five melody tracks. Each PAGE MEMORY holds a different song. ● MULTI PADS: Record short chord, melody, or rhythm sequences that can be played back anytime by simply pressing a button. Each PAGE MEMORY holds different MULTI PAD data. ● CUSTOM ACCOMPANIMENT: Create your own accompaniment style for use with the PSR-510 Auto Accompaniment feature.
Record Functions ■ Realtime Accompaniment Track Recording The SONG MEMORY ACCOMP track records the following operations and data: • Chord changes. • Intro, Main, Fill in, & Ending sections. • Accompaniment volume. • Fade-in/out. • Auto accompaniment TRACK button operations. • Tempo. • Style number. • Revoice. ZSelect a PAGE MEMORY .......................................................................................................................
VRecord ..................................................................................................................................................... SYNC-START/STOP START/STOP Recording will begin as soon as you play a chord on the Auto Accompaniment section of the keyboard. If you’ve selected a MELODY track to record with the ACCOMP track, a right-hand note will also start the recording process.
Record Functions ■ Realtime Melody Track Recording The SONG MEMORY MELODY tracks record the following operations and data: • Key on/off (i.e. notes played on the keyboard). • Key velocity. • Voice number (Percussion Kit Number). • Volume. • Pan. • DSP depth. • Harmony on/off & harmony type. • Effect on/off & effect type. • Sustain (footswitch) on/off. • Pitch bend. • Octave. * MULTI PAD data cannot be recorded to SONG MEMORY. ZSelect a Voice and Set the Voice Parameters .................................
■ Accompaniment And Melody Playback ZSelect a PAGE MEMORY ....................................................................................................................... If necessary, press the [PAGE #] button to select the PAGE MEMORY number containing the song you want to play back. When a new PAGE MEMORY number is selected the ARE YOU SURE? indicator will flash and the “Are you sure?” prompt will sound.
Record Functions ■ The [RESET] Button RESET PLAY/STOP STEP BWD STEP FWD Press the SONG [RESET] button to go directly to the first measure of the song and turn ON all tracks that contain data. Measure number “001” will appear on the MULTI DISPLAY. The [RESET] button also functions during playback or realtime recording.
The Multi Pads The PSR-510 MULTI PADS can be used to record short rhythmic or melodic sequences, percussion fill-ins, or single percussion sounds that can be played at any time simply by pressing the appropriate pad. Pads [1] and [2] play back exactly as recorded, while pads [3] and [4] are “CHORD MATCH” types which are automatically transposed to match chords played using the PSR-510 Auto-accompaniment feature.
Record Functions CEngage the MULTI PAD Record Ready Mode ...................................................................................... Press one of the MULTI PAD buttons — [1] through [4] — while holding the [REC] button. The [REC] button indicator and the selected MULTI PAD indictor will flash to indicate that the record ready mode is engaged, and the metronome will begin to sound at the currently selected tempo if the OVERALL CONTROL section [METRONOME] button indicator is lit.
Custom Accompaniment Style number “00” in each PAGE MEMORY is a “custom accompaniment” that you can record yourself and use with the PSR-510’s Auto Accompaniment feature. Custom accompaniments can be created only using the tracks which have the preset accompaniment style data. The CUSTOM ACCOMPANIMENT records the following operations and data: • Key on/off (i.e. notes played on the keyboard). • Key velocity. • Voice number (Percussion Kit Number). • Volume. NOTES • Pan. • DSP depth.
Record Functions XSelect a Style & Section ......................................................................................................................... Select an accompaniment style that will serve as an appropriate foundation for the type of accompaniment you want to record. Also use the ACCOMPANIMENT CONTROL buttons to select the particular section you want to record: INTRO, MAIN A, MAIN B, FILL 1 (for MAIN A or B), FILL 2 (for MAIN A or B), ENDING.
BRecord ..................................................................................................................................................... SYNC-START/STOP RHYTHM 1 2 START/STOP BASS FADE IN/OUT RHYTHMIC CHORD 1 2 TRACK CLEAR Recording will begin as soon as you press the ACCOMPANIMENT CONTROL section [START/STOP] button or play a chord or note on the keyboard. The preset accompaniment style data in the track being recorded will be entirely erased (except the data you have entered).
Record Functions Step Recording In addition to the realtime-recording procedures described above, the PSR-510 has a “step recording” mode in which notes can be entered one at a time with precise timing and length. NOTES • Only chord sequences can be step-recorded to Song Memory Accomp track. The REWRITE SETTING function (page 52) can be used after step recording to change other parameters as required.
CSpecify the Required Gate Time ........................................................................................................... GATE TIME STEP REC “Gate Time” refers to the actual length of the note to be entered in relation to the note’s step size — i.e. whether the note is staccato, legato, etc. Gate times are specified as percentages of the total note length, as shown in the list below. Press the [GATE TIME] button and the current gate time will appear on the MULTI DISPLAY.
Record Functions The following chart shows the step size and gate time settings required to enter a variety of notes: Example MULTI DISPLAY (Beat/Clock) MULTI DISPLAY (Step Size) MULTI DISPLAY (Gate Time) Note Hold Hold PLAY/STOP PLAY/STOP STEP FWD PLAY/STOP STEP FWD Hold PLAY/STOP STEP FWD STEP FWD Press [PLAY/STOP] Once Twice Twice Three times It’s also possible to specify the step sizes for all notes by specifying the shortest required step size and then using t
Editing Functions The following functions make it possible to “edit” recorded data to polish and refine your sound. NOTES • When using any of the editing functions on a custom style, be sure to select style number 00 before engaging the editing function. ■ Quantization It is possible to “quantize” recorded data to straighten out the timing of a track or pad. ZSet the Quantize Step Size ....................................................................................................................
Record Functions ■ Clearing Tracks The [CLEAR] button can be used to completely erase the following data: • All data after the current measure in the specified SONG MEMORY track. • All data from the specified CUSTOM ACCOMPANIMENT track. • All data from the specified MULTI PAD. ZFor a SONG MEMORY Track, Set the Start Measure .......................................................................... MEASURE # Use the [MEASURE #] button to set the first measure to be cleared (page 42).
XSelect the Track or Pad to be Altered ................................................................................................... Press the track or pad button corresponding to the track or pad you want to alter while holding the RECORDING section [REWRITE SETTING] button (for a Custom Accompaniment, first select the section you want to edit). Both the [REWRITE SETTING] and track/pad button indicators will flash. REWRITE SETTING CChange the Settings as Required ...................................
Page Memory REGISTR ATION MEMOR Y SONG MEMO RY In addition to the REGISTRATION MEMORY described on page 35, the PSR-510 has a PAGE MEMORY that stores panel control and parameter settings plus the contents of the SONG MEMORY, CUSTOM ACCOMPANIMENT, and MULTI PADS. There are four PAGE MEMORY locations, each holding a complete set of parameters and recorded data. The PAGE MEMORY locations are selected as follows: MULT I PADS 1 2 3 4 1 2 3 4 CUS O M ACCOTM P. SONG MEMO RY CUS O M ACCOTM P.
MIDI MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. PAGE MEMORY MIDI PAGE # RECEIVE CH/CL/ COM TRANSMIT CH L R MODE ................
MIDI MIDI Bulk Dump MIDI bulk dump operations allow large amounts of MIDI data to be transmitted from one device to another. The entire contents of the currently selected PSR-510 PAGE MEMORY (CUSTOM ACCOMP, MULTI PADS, SONG MEMORY, REGISTRATION MEMORY) can be dumped to a second PSR-510 or to a bulk storage device such as a MIDI data recorder or MIDI computer. ZMake the Required MIDI Connections ..................................................................................................
● Bulk Dump Reception ............................................................................................................................ The PSR-510 will automatically receive bulk dump data from another PSR-510 or MIDI data storage device as long as the MIDI OUT terminal of the external device is properly connected to the MIDI IN connector of the PSR-510, and PSR-510 MIDI reception is enabled.
MIDI MIDI Reception Modes The [RECEIVE CH/CL/COM] button is used to specify the reception mode for each of the 16 MIDI channels, the internal or external clock mode, and MIDI start/stop command reception mode. ■ Channel Reception Modes The PSR-510 allows any of five reception modes to be individually assigned to MIDI channels 1 through 16. The five modes are: Mode “0” RX OFF: Reception disabled. Mode “1” MULTI: Received MIDI note data directly controls the PSR-510 tone generator.
■ Clock Mode Reception of an external MIDI clock signal can be enabled or disabled as required. When disabled, all of the PSR-510’s time-based functions (Auto Accompaniment, SONG MEMORY, etc.) are controlled by its own internal clock, the speed of which is set by the PSR-510 [TEMPO] button. When MIDI clock reception is enabled, however, all timing is controlled by an external MIDI clock signal received via the PSR-510 MIDI IN terminal (the PSR-510 [TEMPO] setting has no effect).
MIDI MIDI Transmission The PSR-510 allows independent MIDI transmit channels to be assigned to the L and R ORCHESTRATION voices. It is also possible to independently turn local control and MIDI output on or off for the L and R voices. ■ MIDI Transmit Channels The L and R ORCHESTRATION voices can be independently set to transmit on any of the 16 MIDI channels as follows: ZPress the [L] or [R] TRANSMIT CH .......................................................................................................
Appendix ■ Voice & Polyphony List The PSR-510 can play up to 28 individual notes at the same time (i.e. it has a maximum “polyphony” of 28). This number includes all voices used: dual, split, auto accompaniment, song memory, and multi pads. If the maximum polyphony of the PSR-510 is exceeded, the excess notes will be truncated (they will not sound). Another feature affecting polyphony is the fact that some PSR-510 voices actually use two voices at once, as shown in the voice list below.
Appendix ■ Style List # Name Pop Panel Name Rhythm Comments 01 16-Beat Pop 16BEAT POP 16-Beat Contemporary 16-beat pop. 02 8-Beat Pop 8BEAT POP 8-Beat Bright piano/guitar-based ’70s pop. 03 8-Beat Light 8BEAT LIGHT 8-Beat Eight-beat easy-listening style with arpeggiated piano part. 04 FolkRock FOLKROCK 16-Beat Guitar-based folk-rock. 05 Detroit Pop DETROIT POP 12-Beat Motown-style rhythm, with modern touches. 06 Pop Shuffle POP SHUFFLE 12-Beat ’70s European pop-shuffle.
# Name Rock & Roll Panel Name Rhythm Comments ROCK&ROLL 12-Beat Old-time ’60s Rock&Roll. 12-Beat Late ’50s piano-based rock ‘n’ roll, with boogie woogie bass. Brass in piano bass in PAD. 43 Rock & Roll 44 Boogie Woogie BOOGIE 45 Twist TWIST 46 Rockabilly ROCKABILLY 12-Beat Simple, updated version of the Memphis ”Sun” sound. 47 16-beat Rock & Roll 16RK&ROLL 16-Beat Hard rock & roll — bringing the ”Bo Beat” into the ’90s.
Appendix ■ Style List # Name World Music Panel Name Rhythm 8-Beat Comments 80 Polka POLKA 81 Traditional Waltz TRAD WALTZ Three-Four European waltz with guitar, accordion, clarinet, bass, drums and a string pad. Use CHORD 1 & 2 and PHRASE 1 for guitar/accordion arrangement. 82 Sevillianas SEVILLIANAS Three-Four Fast waltz time — almost flamenco style. 83 Bolero Lento BOLEROLENTO 84 Rumba Espagnole ESPAGNOLE 85 Dangdut 8-Beat 16-Beat Traditional Polka style with acoustic instruments.
■ Reset Procedures & Page Memory Default Settings All PSR-510 page memory settings are retained in memory even when the power switch is turned OFF as long as the PSR-510 is powered by batteries or an AC adapter. You can, however, restore the factory default settings for all four page memories or a single specified page memory by following the procedures outlined below. ● System Reset Z Press the POWER switch to turn the PSR-510 power OFF.
Appendix ● Page Memory Default Settings ORCHESTRATION REGIST1 REGIST2 PAGE1 REGIST3 REGIST4 REGIST1 REGIST2 PAGE2 REGIST3 REGIST4 REGIST1 REGIST2 PAGE3 REGIST3 REGIST4 REGIST1 REGIST2 PAGE4 REGIST3 REGIST4 R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS. R1 R2 L1 L2 PERCUSS.
■ Troubleshooting Something not working as it should? In many cases what appears to be a malfunction can be traced to a simple error that can be remedied immediately. Before assuming that your PSR-510 is faulty, please check the following points. PROBLEM POSSIBLE CAUSE/SOLUTION • The PSR-510 speakers produce a “pop” sound whenever the power is turned ON or OFF. • This is normal and is no cause for alarm. • Reduced volume • Poor sound quality. • Improper demo or song memory playback.
Index + and – buttons ................................... 9 I R Introduction (Intro) ............................. 29 Local & MIDI output .......................... 60 Re-voice ............................................ 32 Reception modes, MIDI .................... 58 Record functions ......................... 37-52 Registration memory ......................... 35 Reset button ...................................... 42 Reset procedures .............................. 65 Rest entry, step ...............
Percussion Kit List / Verzeichnis der Schlagzeug- und Percussion-Set * “<——” indicates the content is the same as that of Standard Kit. * Only 1 note can be played at a time when Keyboard Percussion is engaged. * The number in parentheses () after the percussion kit name is the MIDI program number. * The corresponding MIDI note numbers for the notes listed in the chart below are actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0).
ts / Liste des kits de percussion / Lista de juegos de percusión * “<——” indique que le contenu est le même que celui du kit standard. * Une seule note peut être jouée à la fois lorsque le mode de percussion au clavier est activé. * Le nombre entre parenthèses ( ) indiqué après le nom du kit de percussion est le numéro de programme MIDI. * Les numéros de note MIDI correspondant aux notes indiquées dans le tableau suivant sont en réalité une octave plus basse.
MIDI Implementation Chart / Implementierungstabelle / Table [Portable Keyboard] Model: PSR-510 MIDI Implementation Chart Function Transmitted Recognized Basic Channel Default Changed 1~16 CH 1~16 CH 1~16 CH (*1) 1~16 CH (*1) Mode Default Messages Altered Mode 3 X ***************** (*1) X X : True voice 0~127 ***************** 0~127 0~127 Velocity Note on Note off O 9nH, v=1~127 X 9nH, v=0 O 9nH, v=1~127 X 9nH, v=0 or 8nH After Touch key’s Ch’s X X X O (*2) O O O (*3) X O O O O O X
d’implémentation / Gráfico de implememtación *1. The following modes can be set individually for each channel via the panel control: Mode 00: Reception OFF. Mode 01: Direct tone generator control. Mode 02: Same as keyboard note on/off operation. Mode 03: Same as auto-accompaniment chord fingering. Mode 04: Same as the lowest-note (bass note) played in the auto-accompaniment chord fingerings. *2. Channel pressure handled as vibrato. *3. For bank selection transmission only the MSB changes.
■ GM System Level 1 The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B.
Specifications / Technische Daten / Spécifications / Especificaciones Keyboards: 61 standard-size keys (C1~C6) with touch response.
M.D.G.