OWNER’S MANUAL Advanced Features BEDIENUNGSANLEITUNG Programmieranleitung MODE D’EMPLOI Fonctions avancées MANUAL DE INSTRUCCIONES Características avanzadas
The PSR-5700 Advanced Features manual contains operating instructions for the instrument’s more complex and advanced features. If you are yet familiar with PSR-5700’s basic features and the way it works in general, we recommend that you go through the PSR-5700 Getting Started manual prior to attempting to use the features described in this manual. Contents The Sequencer .................................................................... 3 ■ Recording .......................................................
The Sequencer The PSR-5700 features an 8-track sequencer that allows you to record and play back original musical creations — along with auto accompaniment if required. You can record the accompaniment and orchestra parts separately or at the same time. If, for example, you record the accompaniment first and then record your own performance while listening to playback of the accompaniment, you’re free to use the entire keyboard for your performance rather than being limited to only the upper keyboard area.
The Sequencer Recordable Parameters Tracks 1 — 7 • Note on/off • Pitch bend • Modulation • Sustain on/off • Orchestra 1 & 2 volume • Voice change (including custom voice on/off) • Tempo (if ACCOMP. track contains no data) • Glide on/off • Percussion pad on/off* • Tempo pad tempo value* • Multi pad on/off (phrase only)* * The pad mode selected when the sequence is played back will be used.
The Sequencer BStart Recording SYNCHRO START/ START RE-START Recording will start as soon as the [START/RE-START] button is pressed or, if you also press the [SYNCHRO START] button, as soon as any key on the keyboard is pressed. If the ACCOMP. track is selected and you start recording by pressing the [START/RE-START] button, only the rhythm will play until the first chord (FINGERED or SINGLE FINGER) is played on the left-hand section of the keyboard.
The Sequencer Playback ZStart Playback SYNCHRO START/ START RE-START STOP PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC 1 2 3 4 5 6 CHORD 1 CHORD 2 CHORD 3 CHORD 4 CHORD 5 CHORD 6 RECORD DELETE EDIT p r f PLAY 7 Since tracks are automatically set to the PLAY mode once they have been recorded, and tracks containing data are automatically set to the PLAY mode when the sequencer is initially engaged by pressing the [SEQUENCER] button, all you have to do to play back a seque
The Sequencer Sequence Editing RECORD DELETE EDIT p r f The PSR-5700 sequencer edit mode offers a range of functions that let you modify the recorded data and the way in which it is recorded in a number of ways. Press the [EDIT] button while the sequencer is engaged to enter the sequencer edit mode. When you’re finished editing press the [EDIT] button again or press the [EXIT] button to return to the sequencer.
The Sequencer ● Recording Type to begin (In), and the punch-out measure at which recording is to end (Out). Use the [<] and [>] buttons to switch between these two display screens, and the associated [-] and [+] buttons to specify the required measure numbers. † `REC TYPE Mode=Replace – + † `REC TYPE Mode=Punch Purpose: – Selects the Replace, Overdub, or Punch record mode. + Play St= – ‡ 1 + Procedure: † `Punch IN/OUT MEAS. In= 1 Out= 1 Press the [>] button to access the REC TYPE display.
The Sequencer E3 TRACK COPY/MIX £TRACK COPY/MIX ‡ Source1=Tr1 Source2=Tr2 – + – + † £COPY/MIX Tr1+Tr2 Dest.=Tr1 Execute – + – + Purpose: Copies the data from one recorded track to another, or mixes the data from two recorded tracks (except the ACCOMP. track).
The Sequencer E4 QUANTIZE ¢QUANTIZE Track=Tr1 – + † ¢QUANTIZE Size=1/32 – + 1/32 ‡ Execute – + Tr1 Execute – + Immediately after execution “Undo” will appear above the right [-] button, and that button can be used to undo the quantize operation if it was executed by mistake. The undo function is only available until the next operation is performed.
The Sequencer E5 DELETE ALL TRACKS DELETE ALL TRACKS TopMeas= 4 LastMeas= – † + – DELETE from ‡ 6 + 4 to 6 Execute + Once the top and last measure numbers have been selected, press the [+] button below “Execute” on the right side of the second display screen to actually execute the delete operation. “Sequencer Executing!” will appear on the lower line of the display while the operation is in progress, and “Completed!” will appear briefly when the operation has finished.
The Sequencer E6 INSERT ALL TRACKS Procedure: ⁄INSERT ALL TRACKS ‡ TopMeas= 6 Size= 3 – + – † ⁄INSERT from + 6size 3 Execute + Purpose: Inserts a specified number of blank measures in all tracks (including the accompaniment track) at the specified measure number.
The Sequencer E8 REMOVE EVENT ¥REMOVE EVENT ‡ Track=Tr1 Event=PB – + – + † ¥REMOV Tr1 PB TopMeas= 3 LastMeas= – + – † ¥REMOV Tr1 PB ‡ 4 + 3> 4 Execute – + Purpose: Removes all occurrences of the specified event type (pitch bend, modulation wheel, volume, or sustain operations) from the specified measure or range of measures in the specified track (accompaniment track not available).
The Sequencer E9 NOTE SHIFT »NOTE SHIFT ‡ Track=Tr1 Shift=+12 – + † »NOTE TopMeas= – † »NOTE – + Tr1 +12 ‡ 1 LastMeas= 16 + – Tr1 + 1> 16 +12 Execute – + Notes: Purpose: Shifts the pitch of notes in the specified measures of the specified track (accompaniment track not available) up or down by a maximum of two octaves, in semitone increments.
The Custom Accompaniment Programmer The PSR-5700 CUSTOM ACCOMPANIMENT feature allows you to create and store up to six original accompaniments — including rhythm, bass, and chords — in addition to 36 internal preset accompaniment styles. You can even create intro, fill-in, and ending patterns that can be saved with your accompaniments. More custom accompaniments can be created and saved to floppy disk (page 42, 46). Your original accompaniments can be selected and played at any time, just like the presets.
The Custom Accompaniment Programmer If you want to create a totally new rhythm track, press the RHYTHM track button while holding the [DELETE] button. This cancels all the instruments in the original rhythm track, leaving only a metronome sound (the metronome sound will not be heard while the rhythm is playing). The rhythm pattern can be up to 8 measures long (see “1. CUSTOM ACCOMP.
The Custom Accompaniment Programmer Play notes or chords to be added to the existing data, or delete all data on the track (press the track button while holding the [DELETE] button) and start from scratch. The bass and chord tracks must be programmed in the key of C major! PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC 1 2 3 4 5 6 7 ACCOMP.
The Custom Accompaniment Programmer Give the Finished AccompaM niment a Name and Assign it to a CUSTOM Number Use the “4. NAME” function described on page 20 to give your custom accompaniment an original name, then use the “5. SAVE TO ACCOMP.” function described on page 20 to assign the accompaniment to a CUSTOM number and exit from the Custom Accompaniment Programmer mode. ¢NAME _ Big Band – + – + SAVE TO ACCOMP.
The Custom Accompaniment Programmer Custom Accompaniment Editing The PSR-5700 Custom Accompaniment Programmer offers a range of functions that let you modify the recorded data in a number of ways. The various Custom Accompaniment Programmer functions are accessed by using the [s] and [t] buttons, while the various display screens provided by each function are accessed by using the [<] and [>] buttons. 1 CUSTOM ACCOMP. (Measure/Beat) Procedure: `CUSTOM ACCOMP.
The Custom Accompaniment Programmer 3 FADER SELECT Procedure: £FADER SELECT — C2` C3` C4“ C5“ C6“ C1` – + – + Purpose: Assigns the CHORD 1 and CHORD 2 volume controls to Custom Accompaniment Programmer CHORD tracks 1 through 6, determining which control affects which chord tracks when the accompaniment is played back.
The Custom Accompaniment Programmer 6 QUANTIZE The Quantize Sizes are: ⁄QUANTIZE Track=Rhythm – + 1/32 ‡ Execute – + 1/4 = 1/4 note 1/6 = 1/4 note triplet 1/8 = 1/8 note 1/12 = 1/8 note triplet †⁄QUANTIZE Size=1/32 – + Rhythm Execute – + 1/16 = 1/16 note 1/24 = 1/16 note triplet 1/32 = 1/32 note 3 3 3 Purpose: Notes: Aligns notes in the specified track to the nearest specified beat. Quantization is generally used to tighten up sloppy timing.
The Custom Accompaniment Programmer 7 COPY Procedure: ƒCOPY Track=Rhythm – ‡ TopMeas=1 + – + †ƒCOPY Rhythm 1LastMeas=2 Meas=5 – + †ƒCOPY – ‡ + Rhythm 1-2>5 Execute – + Purpose: Copies a specified measure or range of measures to a different location within the same track. Copy measures 1 through 2 to measure 5 in the same track.
The Custom Accompaniment Programmer 8 REMOVE EVENT ¥REMOVE EVENT ‡ Track=Rhythm Event:VOL – + †¥REMOVE – + Rhythm VOL Execute – + Purpose: Removes all occurrences of the specified event type (volume, sustain, pitch bend, or modulation wheel operations) from the specified track. Procedure: Use the [<] and [>] buttons to switch between the two display screens, and the left or right [-] and [+] buttons to set the track number (Track) and the type of event to be removed (Event).
The Custom Accompaniment Programmer ● CREATING INTRO, FILL-IN, & ENDING PATTERNS The custom accompaniment programmer allows you to create one set of intro, fill-in, and ending patterns that can be saved and later used with custom accompaniments Cus0 … 5 (see “SET INTRO/FILL/ENDING” in step 7 for more details). ■ EDITING A PRESET INTRO, FILL-IN, OR ENDING PATTERN 1. Select the preset style that your custom accompaniment is to be based on. 2.
The Custom Accompaniment Programmer ■ EDITING A PREVIOUSLY SAVED USER INTRO, FILL-IN, OR ENDING PATTERN ■ CREATING A NEW INTRO, FILL-IN, OR ENDING PATTERN To edit intro, fill-in, and ending patterns that you have previously created and saved, simply select the custom accompaniment to which the user patterns are assigned (Cus0 … 5) and follow steps 4 through 8, above.
Other Functions The PSR-5700 [FUNCTION] button selects 6 groups of functions that access single or multiple display “pages” of parameters. Here’s a list of the functions and the manual page numbers on which they are described in detail. [F1] [F2] [F3] Custom Voice Edit .......................... 27 Reverb Type ................................... 35 Effect Type ...................................... 36 Controller ........................................ 37 Key Velocity ....................................
[F1] Custom Voice Edit The Custom Voice Edit mode allows you to edit any of the PSR-5700 voices to create new sounds that ideally match your own music style. 100 custom voices — 00 through 99 — can be programmed, each based on the correspondingly-numbered preset voice. After selecting the voice you want to edit*, engage the Custom Voice Edit mode by pressing the [FUNCTION] button so that “F1” appears on the TEMPO display.
[F1] Custom Voice Edit 2 COMMON COMMON includes two display screens covering a range of parameters that affect the entire voice. Use the [<] and [>] buttons to switch between the two display screens, and the [-] and [+] buttons below each parameter to set the required values. “COMMON PitBend=2 – + †“COMMON Oct=Normal – + ……Piano 1 ‡ TouchSens=2 – + ……Piano 1 Pan=L R – ● Octave (Oct) Shifts the pitch of the voice up one octave (1up) or down one octave (1down).
[F1] Custom Voice Edit 4 Att ack The attack, decay, sustain, and release parameters provided here let you shape the volume envelope of the voice. Use the [<] and [>] buttons to switch between the two display screens, and the [-] and [+] buttons below each parameter to set the required values.
[F1] Custom Voice Edit 5 TONE The brilliance and resonance parameters provided here make it possible to vary the tone of the voice over a wide range. Use the [-] and [+] buttons below each parameter to set the required values. TONE Brilli= – ……Piano 1 0 Resonanc= 0! + – + ● Brilliance (Brilli) This parameter alters the cutoff frequency of the filter applied to the voice, thereby making the sound more or less brilliant.
[F1] Custom Voice Edit 2 DUAL VOICE “DUAL VOICE »…SpacePno 00:Piano 1 19:Voyager – + – + Procedure: Use the left and right [-] and [+] buttons to select the desired voices. Purpose: Notes: This function allows any two of the PSR-5700’s standard voices (numbers 00 through 89) to be assigned to the dual voice. Remember that you can only use voices 00 through 89 in a custom dual voice. If you increment past voice number 89, the next voice selected will be 00, and vice versa.
[F1] Custom Voice Edit 5 DUAL PAN DUAL PAN A=L R »…SpacePno B=L R Procedure: Purpose: Use the left and right [-] and [+] buttons to set the desired pan positions for voices A and B. The graphic display indicates the approximate location of the sound between the left and right speakers. Independently sets the pan positions of the two voices used in the dual voice. Notes: – + – + When Pan is set to the center position, the preset pan position of the selected voice is used.
[F1] Custom Voice Edit Drum Voice Edit Functions (Voices 98 and 99) The following functions are available when editing voices 98 and 99. Different groups of edit functions are provided for the PSR-5700 normal voices (00 through 89 — page 27) and dual voices (90 and 97 — page 30). 1 PERC. NAME Character list [Space]!"#$%&'()*+,-./0123456789:;<=>?@ ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` abcdefghijklmnopqrstuvwxyz{|}≤≥ `PERC.
[F1] Custom Voice Edit 3 PERC. PAN £PERC. PAN Prc=Kick1 – + »¥Drum Kit Pan=L R – + Purpose: Allows the pan position of each instrument in the drum voice to be individually adjusted. Procedure: Use left [-] and [+] buttons to select the instrument to be panned, and then the right [-] and [+] buttons to set the desired pan position. The graphic display indicates the approximate location of the sound between the left and right speakers.
[F2] Reverb, Effect The PSR-5700 has 23 reverb-based effects and 9 other effects that can be selected via the four pages accessed by this function. The selected reverb and effect types are applied to the sound when the [EFFECT] and [REVERB] buttons are used (see page 37 in the Getting Started manual). 1 REVERB TYPE The Reverb Effects are: `REVERB TYPE No.
[F2] Reverb, Effect 3 EFFECT TYPE The Effects are: £EFFECT TYPE No. 4 Type=Chorus : 1 – + – + Purpose: Selects the effect to be applied when the [EFFECT] button is turned on (see page 37 of the “Getting Started” manual). 1. Tremolo 2. Tremolo 3. Tremolo 4. Chorus 5. Chorus 6. Flange 7. Flange 8. Symphony 9. Symphony : : : : : : : : : 1 2 3 1 2 1 2 1 2 Procedure: The right [-] and [+] buttons step through the effect list effect by effect.
[F3] Controller & Key Velocity The [F3] function group includes six functions that affect how the PSR-5700 responds to control via the keyboard, a footswitch plugged into the rear-panel FOOT SW jack, an expression pedal plugged into the rear-panel EXP. PEDAL jack, the [SUSTAIN] button and SUSTAIN footswitch, the PITCH BEND/GLISSANDO wheel, and the MODULATION/EFFECT wheel. 1 KEY VELOCITY Notes: `KEY VELOCITY ON – + – + Purpose: Turns keyboard velocity response on or off.
[F3] Controller & Key Velocity 3 EXP. PEDAL SELECT £EXP. PEDAL SELECT ‡ Effect=OFF MastVol=ON – + – + †£EXP. PEDAL SELECT ‡ Orc1Vol=OFF Orc2Vol=OFF – + – + †£EXP. PEDAL SELECT ABCVol=OFF RhmVol=OFF – + – + Purpose: Determines which of the PSR-5700’s parts (orchestra, rhythm, etc.) an expression pedal plugged into the rear-panel EXP. PEDAL jack will control. Procedure: Use the [<] and [>] buttons to switch between the three display screens.
[F3] Controller & Key Velocity 5 PITCH BEND SELECT Procedure: Use the left [-] and [+] buttons to turn pitch wheel control on or off for the orchestra 1 voice, and the right [-] and [+] buttons to turn pitch wheel on or off for the orchestra 2 voice. PITCH BEND SELECT Orch1=ON Orch2=ON – + – + Purpose: Notes: Determines whether the PITCH BEND/GLISSANDO wheel will affect the orchestra 1 voice, the orchestra 2 voice, or both orchestra voices. If, for example, you’re using the split mode (ORCH.
