SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Owner’s Manual English Bedienungsanleitung Deutsch Mode d’emploi Français
Congratulations! You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-7000 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. The advanced Auto Accompaniment and One Touch Setting features, in particular, are brilliant examples of how Yamaha technology can significantly expand your musical horizons.
Custom Accompaniment 75 Effects ................................................ 79 ■ REVERB DEPTH ............................ 79 ■ CHORUS TYPE & DEPTH .............. 80 ■ PAN ................................................. 80 Edit ..................................................... 81 ■ QUANTIZE ...................................... 81 ■ COPY .............................................. 81 ■ REMOVE EVENT ............................ 82 Store/Clear .........................................
Taking Care of Your PortaTone Your PortaTone will give you years of playing pleasure if you follow the simple rules given below: ■ Location Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage. ● Direct sunlight (e.g. near a window). ● High temperatures (e.g. near a heat source, outside, or in a car during the daytime). ● Excessive humidity. ● Excessive dust. ● Strong vibration.
Taking Care of Your PortaTone ● Internal memory data can be corrupted due to incorrect operation. Be sure to “save” important data to a floppy disk frequently so you have a backup to revert to if something happens to damage the data in memory. Also note that magnetic fields can damage data on the disk, so it is advisable to make a second back-up copy of disks that contain very important data, and keep backup disks in a safe place away from stray magnetic fields (i.e.
Panel Controls 5 6 0 ACCOMPANIMENT LEFT ORCHESTRA ROCK / ROCK’N’ROLL ARRANGER SONG PLAY 7 LATIN BALLAD COUNTRY& WESTERN DANCE MARCH / WALTZ SYNTH / PAD DISCO BALLROOM GUITAR/ PERCUSSIVE RHYTHM & BLUES CUSTOM STYLE CUSTOM VOICE CHORD BRASS/ WOODWIND ONE TOUCH SETTING TEMPO 3 MIN • • MAX 4 8 AUTO BASS CHORD INTRO/ FILL to FADE IN / OUT A ENDING/ rit.
Panel Controls U i o p TOUCH RESPONSE SUSTAIN HARMONY REVERB Y DSP EFFECT CHORUS LCD CONTRAST FREEZE EXIT u ACCORDION/ WORLD TRUMPET/ BRASS SAX/ WOODWIND COMBI 1~6 ORGAN FLUTE ORGAN R1 STRINGS/ CHOIR SOUND EFFECT STRINGS/ CHOIR COMBI 7~12 R2 SAX/ WOODWIND PERCUSSIVE GUITAR/ BASS COMBI 13~18 2 1 TRUMPET/ BRASS DRUM KIT SYNTH/ PERCUSSIVE ROTARY SPEAKER DEMO POWER GUITAR/ BASS CUSTOM VOICE CUSTOM VOICE RIGHT 1 RIGHT 2 LEAD R y O LEAD PIANO SYNTH/ PAD PART SELECT
Connections & Music Stand AUX OUT R CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR. WARNING: L/L+R AUX IN R IN L/L+R 1 2 TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. MIDI OUT THRU FOOT SWITCH 5 FOOT VOLUME 3 4 1 AC INLET 2 ■ Check the Voltage (Before you connect the AC cord) .........................................................................
Connections & Music Stand 2 The AUX IN L/L+R and R Jacks .................................................................................................................................... The rear-panel AUX IN L/L+R and R jacks accept input from an external instrument or audio souce. The signal received at the INPUT jack is mixed with PSR-7000 sound and delivered via the speaker system. When a plug is inserted into the L/L+R jack only, the signal is delivered via the both channels.
The Demonstration To give you an idea of the PSR-7000’s sophisticated capabilities, it is programmed with 14 demonstration sequences which can be played in a number of ways. Z Switch ON ............................................................................................................................................................................................ Plug the AC power cord into a convenient AC outlet, then press the [POWER] button to turn the PSR-7000 ON.
The Demonstration The Random & Single Demo Play Modes If you play the demo as described above, you’ll hear all 14 demo songs played in random order. By selecting an appropriate play mode you can also play back all the songs sequence, or play a single specified song. Z Select a Play Mode ....................................................................................................................................................................
The PSR-7000 Display & Display-based Controls The Display & Multi-function Controls The PSR-7000 makes general operation and programming easier than ever with a large backlit LCD display panel and multi-function controls. The 8 LCD selectors — four on either side of the display panel — and 8 LCD dials below the display perform the function indicated by the adjacent section of the display.
The PSR-7000 Display & Display-based Controls ■ The [LIST HOLD] Button ...................................................................................................................................................... When selecting voices (page 14) or accompaniment styles (page 26), or using the ONE TOUCH SETTING feature (page 35), the voice, style, or ONE TOUCH SETTING list will appear on the display, but will automatically disappear after a few seconds if no selections are made.
Playing the PSR-7000 ■ Before You Begin DEMO Before playing your PSR-7000 for the first time, it might be a good idea to re-initialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, turn the [POWER] switch ON while holding the [DEMO] and [EXIT] buttons. POWER EXIT When the display shown to the right appears press the OK LCD button. • When the above initialization procedure is carried out, all internal data (e.g.
Playing the PSR-7000 Z Set Initial Volume Levels ..................................................................................................................................................... Set the [MASTER VOLUME] control to an appropriate level, and make sure that the LEFT, R1, R2, LEAD and ORGAN volume levels in the MIXER MAIN VOLUME display are set to their maximum “100” levels (use the corresponding LCD dials to set these volume levels if necessary).
Playing the PSR-7000 If you press the EASY SETTING LCD button before it disappears, the easy-setting display for that part will appear providing access to the split point parameters as well as the individual octave, pan, and tune parameters for that part. These same parameters can be accessed via the FUNCTION displays (page 106), but the easy-setting displays offer an easier, more efficient way to set these parameters when selecting parts.
Playing the PSR-7000 LEFT ORCHESTRA RIGHT ORCHESTRA PIANO / ORGAN STRINGS / CHOIR PART SELECT PIANO TRUMPET/ BRASS ORGAN SYNTH/ PAD SAX/ WOODWIND COMBI 1~6 ORGAN FLUTE BRASS/ WOODWIND R1 STRINGS/ CHOIR SOUND EFFECT STRINGS/ CHOIR COMBI 7~12 SYNTH / PAD R2 SAX/ WOODWIND PERCUSSIVE GUITAR/ BASS COMBI 13~18 TRUMPET/ BRASS DRUM KIT SYNTH/ PERCUSSIVE ROTARY SPEAKER CUSTOM VOICE GUITAR/ BASS CUSTOM VOICE CUSTOM VOICE LEFT RIGHT 1 RIGHT 2 LEAD GUITAR/ PERCUSSIVE LEFT HOLD LEAD
Playing the PSR-7000 Using the Organ Flute Voices The PSR-7000 has 18 preset ORGAN FLUTE voices which can be selected in the same way as the RIGHT, LEAD and LEFT voices: press an ORGAN FLUTE voice group button — [COMBI 1-6], [COMBI 7-12], or [COMBI 13-18] — and then press the LCD button corresponding to the desired voice in the selected group. The main difference between the ORGAN FLUTE voices and others is that the ORGAN FLUTE voices can be directly edited via the voice list display.
Playing the PSR-7000 ■ VOLUME & ATTACK .................................................................................................................................................................. To access the VOLUME and ATTACK parameters for the ORGAN FLUTE voices, press the VOLUME/ATTACK LCD button from the FOOTAGE display. The VOLUME control adjusts the overall volume of the current ORGAN FLUTE voice. The longer the graphic bar, the greater the volume.
Playing the PSR-7000 The ROTARY SPEAKER controls set up the rotary speaker effect for the current ORGAN FLUTE voice. The TYPE control selected one of 5 different rotary speaker types. The SPEED control sets the speed of the rotary speaker effect when the FAST mode is selected: the greater the value the faster the speed. The RATE control sets the rate of variation between the FAST and SLOW modes: the greater the value the faster the rate of change when the FAST or SLOW rotary speaker mode is selected.
Playing the PSR-7000 Keyboard Percussion When one of the RIGHT ORCHESTRA [DRUM KIT] voices is selected, you can play 61 different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys. Some of the instruments in the different drum kit voices sound different even though they have the same name, while others are essentially the same.
Playing the PSR-7000 Changing the “L” Split Point The PSR-7000 has two programmable split points — one which divides the LEFT and RIGHT/LEAD/ORGAN FLUTE orchestra parts, and one which divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 31) is engaged.
Transposition, Tuning, & Octave Change The most important and fundamental adjustment for any musical instrument is tuning. The TRANSPOSE, TUNING, and OCTAVE CHANGE functions described below let you control the pitch of the PSR-7000 in a number of ways. TRANSPOSE & TUNE These functions allow the overall pitch of the PSR-7000 to be transposed up or down in semitone steps, and finetuned in 0.2 Hertz steps. Z Press the TRANSPOSE/TUNE LCD Button .................................................................
Transposition, Tuning, & Octave Change OCTAVE CHANGE This function allows the LEFT, RIGHT 1, RIGHT2, LEAD, and ORGAN FLUTE voices to be independently transposed up or down by one octave. The LEFT, R1, R2, LEAD, and ORGAN LCD buttons directly set the octave of the corresponding voice. Pressing one of these buttons changes the corresponding octave setting to “+1”, “–1”, and then “0”, in sequence.
Using the Accompaniment Section The PSR-7000 has 120 different preset accompaniment “styles” and up to 32 custom accompaniment styles that can be used to provide fully-orchestrated or rhythm-only accompaniment. The PSR7000’s sophisticated Auto Bass Chord accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style. Z Turn ABC ON .................................................................................................................
Using the Accompaniment Section ● SINGLE FINGER (SF) Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the lefthand section of the keyboard. The abbreviated chord fingerings described below are used: C G F Cm C7 Cm 7 ■ For a major chord, press the root key only. ■ For a minor chord, simultaneously press the root key and a black key to its left.
Using the Accompaniment Section ● FULL KEYBOARD When this advanced auto-accompaniment mode is engaged the PSR-7000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. The name of the detected chord will appear on the display. You don’t have to worry about specifying the accompaniment chords.
Using the Accompaniment Section C Select a Style ................................................................................................................................................................................... ACCOMPANIMENT The PSR-7000 has 120 preset styles organized in 11 groups (see the “Style List” on page 130). Use the ACCOMPANIMENT group buttons to select the group from which you want to select a style. The corresponding style display will appear.
Using the Accompaniment Section B Start the Accompaniment .................................................................................................................................................. There are several ways to start the accompaniment: ● Straight start: Press the [START/STOP] button. If you press the [START/STOP] button, the rhythm will begin playing immediately without bass and chord accompaniment. INTRO/ FILL to FADE IN / OUT A ENDING/ rit.
Using the Accompaniment Section N Play On the ABC Section Of the Keyboard .....................................................................................................
Using the Accompaniment Section < Use Fill-ins .......................................................................................................................................................................................... The PSR-7000 provides two types of automatic breaks or “fill-ins.” ● FILL to A: Press the [INTRO A/FILL to A] button to produce a fill and go (or return) to the MAIN A section. INTRO/ FILL to FADE IN / OUT A ENDING/ rit.
Using the Accompaniment Section ■ Fade-ins and Fade-outs ....................................................................................................................................................... The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs when starting and stopping the accompaniment. To produce a fade-in, press the [FADE IN/OUT] button so that its indicator lights before starting the accompaniment.
Using the Accompaniment Section Changing the “A” Split Point The “L” split point has already been described on page 16. The “A” split point divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 23) is engaged. Like the “L” split point, the “A” split point can be changed as required via the ABC EASY SETTING display, or the SPLIT POINT/ABC MODE/M. PAD function display (pages 110).
Using the Accompaniment Section The Chord Assist Function The Chord Assist function is essentially an electronic “chord book” that will show you appropriate fingerings for chords you enter via the display. The fingerings are indicated by dots on the graphic keyboard in the display, and correspond to those recognized in the ABC FINGERED 1 mode. You can also play chords on the keyboard in the same way as in the ABC FINGERED 1 mode. Z Select the Chord Assist Function .........................................
Using the Accompaniment Section V Hear the Chord ............................................................................................................................................................................... At this point you can “play” and hear the specified chord by pressing the ENTER LCD button — i.e. the specified chord accompaniment will sound and the chord will appear in notation form on the musical staff under “played CHORD” in the upper half of the display.
Using the Accompaniment Section The Arranger Buttons The ARRANGER buttons make it possible to individually mute accompaniment parts to create the blend and accompaniment “size” you want. When an ARRANGER button is pressed so that its indicator goes out, the corresponding accompaniment part(s) are muted. Muted parts can be turned back on by pressing the appropriate ARRANGER button so that its indicator lights.
One Touch Setting The PSR-7000’s 120 internal styles each have 4 different preset “panel setups” that can be selected via the [ONE TOUCH SETTING] buttons to create different musical textures — e.g. different voices for the accompaniment parts. Z Engage the One Touch Setting Feature ..............................................................................................................
One Touch Setting X Adjust The Settings If Necessary .............................................................................................................................. Any of the parameters set by the ONE TOUCH SETTING feature can be adjusted to create the desired sound after a ONE TOUCH SETTING setup has been selected. NOTES • See page 140 for a complete listing of the ONE TOUCH SETTING setup parameters • One Touch Settings can also be stored in the REGISTRATION memory.
Expression & Effects ■ Harmony ................................................................................................................................................................................................ Press the [HARMONY] button to turn the HARMONY effect on or off. When HARMONY is on (indicator lit), playing single notes or chords on the right-hand section of the keyboard produces automatic harmony matched to the accompaniment chords.
Expression & Effects ■ Touch Response .......................................................................................................................................................................... The touch response function turns the PSR-7000’s initial keyboard velocity and aftertouch response on or off. Normally, touch response should be turned on — the [TOUCH RESPONSE] button indicator should be lit — to allow normal dynamic control via the keyboard.
Expression & Effects ■ Chorus .................................................................................................................................................................................................... Press the [CHORUS] button to apply the chorus effect at a depth specified by the CHORUS DEPTH function described on page 120. The [CHORUS] button alternately turns the chorus effect on (indicator lit) or off (indicator out).
Expression & Effects ■ Pitch Bend Wheel ........................................................................................................................................................................ The PITCH BEND wheel to the left of the keyboard lets you bend the pitch of notes played on the keyboard up or down. Normal pitch is restored when the PITCH BEND wheel is released.
Expression & Effects ■ Digital Equalizer ........................................................................................................................................................................... The PSR-7000 features a digital 5-band equalizer that can be used to “shape” the overall frequency characteristics of the instrument to create a wide range of tonal variations. Press the [DIGITAL EQUALIZER] button to access the equalizer controls.
The Multi Pads The PSR-7000 features 8 “MULTI PADs” above the keyboard that can be used in two ways: ● PHRASE/CHORD: When the PHRASE/CHORD mode is selected, the 4 pads marked “PHRASE” and the 4 pads marked “CHORD” can be used to record and play back short sequences of notes and chords, respectively. ● PERCUSSION: In the PERCUSSION mode the pads can be used to play 8 different drum and percussion instruments selected from the PSR-7000’s DRUM KIT voices and Custom Voice DRUM KIT voice.
The Multi Pads ■ Recording Phrases .................................................................................................................................................................... Z Select a PHRASE Pad For Recording PERCUSSION REC/STOP Press the PHRASE pad you intend to record to while holding the [REC/STOP] button. The REC/ STOP indicator will flash, indicating that the selected pad is ready to record.
The Multi Pads ■ Phrase Playback .......................................................................................................................................................................... As long as the PHRASE/CHORD mode is selected, any recorded phrase can be played back simply by pressing the corresponding PHRASE pad. The phrase will play back whether the accompaniment is playing or not, but will always play at the currently set tempo.
The Multi Pads X Play the Required Chords Recording begins automatically as soon as you play a chord on the left-hand section of the keyboard, and the REC/STOP indicator will light continuously as long as recording continues. C Stop Recording PERCUSSION REC/STOP Press the [REC/STOP] button or the pad being recorded to stop recording when you’ve finished playing the chords. The [REC/STOP] button indicator will go out when recording ends.
The Multi Pads ■ The Repeat & Chord Match Settings ...................................................................................................................... The repeat and chord match settings for PHRASE/ CHORD pad playback can be accessed by pressing the EASY SETTING LCD button that appears when the [PERCUSSION - PHRASE/CHORD] button is pressed.
The Multi Pads Use the LCD dials to turn the chord match function for the corresponding pads ON or OFF as required. NOTES • Phrases to be played back using the CHORD MATCH function must be recorded in the key of C major 7. • The chord match function is only available for pads 1 through 4 (the PHRASE pads). • The default chord match settings are:1 and 2 OFF; 3 and 4 ON.
The Multi Pads C Assign the Instruments A new drum/percussion instrument is assigned to a pad simply by playing the key corresponding to the desired instrument while holding the pad to which it is to be assigned. The reverse also works: press the pad while holding the key. The velocity at which you play the key (how hard you press the key = how loud the note sounds) is also recorded to the specified pad.
Registration Memory The PSR-7000 Registration Memory feature can be used to memorize 128 complete control-panel setups (16 banks, 8 setups each) that you can recall whenever needed. NOTES • Registration data can be saved to and loaded from floppy disk as required (page 96). • The disk provided with the PSR-7000 contains a number of sample registration settings. Registering the Panel Settings Z Set Up the Controls as Required .................................................................................
Registration Memory Entering a Registration Name You can enter descriptive names up to 16 characters in length for each registration setup via the NAME function accessible via the registration EASY SETTING display. The same function is also available via the FUNCTION display — page 122. Z Select the NAME Function ................................................................................................................................................
Registration Memory Recalling the Registered Panel Settings Simply select the appropriate bank using the BANK [–] or [+] button and press the desired REGISTRATION button at any time to recall the memorized settings. The memorized settings are actually recalled only when a REGISTRATION button is pressed — selecting a different bank does not change the settings. FREEZE MEMORY BANK 1~16 – + 1 2 3 4 5 6 7 8 REGISTRATION The selected bank and registration number appears at the top of the display.
Registration Memory The Freeze Function If you press the [FREEZE] button so that its LED lights, selecting a different registration setup will not change the settings specified in the FREEZE GROUP SETTING display accessed either via the registration EASY SETTING display or the [FUNCTION] button (page 122).
Song Playback & Recording Song Playback The PSR-7000 SONG PLAY mode allows song data to be played back from a floppy disk or the optional hard disk. The song file types which can be played by the PSR-7000 are: songs recorded on the PSR-7000, DOC (Disk Orchestra Collection), PianoSoft and GM song (SMF format). Refer to the DOC or SMF disk manuals as necessary.
Song Playback & Recording C Select a Play Mode .................................................................................................................................................................... Use the MODE LCD dials to select a play mode: SINGLE Plays the single song selected via the SONG SELECT controls. ALL Plays all songs in the song list in order. CHAIN Plays the songs specified in the CHAIN LIST in the specified order. Set this via the MAKE CHAIN button.
Song Playback & Recording Chain Playback Chain playback allows any number of songs to be grouped together in any order for playback. To program a chain: Z Press the MAKE CHAIN LCD Button ..................................................................................................................... The MAKE CHAIN LCD button will take you to the chain programming display. X Select and Insert the Required Songs ...........................................................................................
Song Playback & Recording V Save the Chain List, If Necessary ............................................................................................................................. The completed chain list can be saved to disk by pressing the LIST SAVE LCD button. A confirmation display will appear (“OK to save chain data?”): press YES to save the list or NO to cancel. NOTES • Chain list data cannot be saved to a DOC or PianoSoft disk. B Return to the Song Select Display ...........................
Song Playback & Recording The number of volume parameters in the TRACK VOLUME display will depend on the type of song being played. If an original song recorded on the PSR-7000 using the QUICK RECORD mode is being played, two volume parameters will be available: MANUAL and ACCOMP. If an original song recorded on the PSR-7000 using the MULTITRACK RECORD mode or a GM song is being played, individual parameters for all 16 tracks will be available: TR1 through TR16.
Song Playback & Recording Song Recording The PSR-7000 SONG RECORD mode allows anything you play to be recorded to floppy disk. A QUICK RECORD mode provides an easy way to record a melody with accompaniment, while a MULTITRACK record mode allows independent recording on up to 16 tracks. There’s also a CHORD SEQUENCE record mode available via the QUICK record mode. Z Insert a Recordable Disk .....................................................................................................................
Song Playback & Recording C Select a Song .................................................................................................................................................................................. Use the SONG LCD dials to select either an existing song for additional recording or a new song (“ ” on the SONG LIST) to record a new song. V Enter a Song Name, If Necessary ...................................................................................................................
Song Playback & Recording Quick Record The QUICK RECORD mode, as its name suggests, makes track selection and recording easy by grouping the accompaniment and manual tracks. Z Set the Track Modes ................................................................................................................................................................. Use the MANUAL and ACCOMP.
Song Playback & Recording C Turn the Metronome On If Required ....................................................................................................................... Use the METRONOME LCD dials to turn the metronome ON if you want to record while monitoring the metronome sound (the metronome sound is not recorded). V Start Recording ................................................................................................................................................................
Song Playback & Recording ■ THE TRACK INDICATORS ................................................................................................................................................... The track indicators above the track mode selectors indicate which tracks contain data and which are muted. Tracks which do not contain data are indicated by a dotted circle outline while tracks which contain data have a solid outline.
Song Playback & Recording Chord Step Recording The CHORD STEP recording feature makes it possible to record accompaniment chord changes one at a time with precise timing. Since the changes don’t have to entered in real time, it is easy to create even complex accompaniments before recording the melody. Select the CHORD STEP display via the [ ] or [ ] LCD button to the right of the display. Z Select an Entry Point ..............................................................................................
Song Playback & Recording C Enter the Specified Event(s) ........................................................................................................................................... Once the event or events to be entered have been specified as described in the preceding step, press the SET LCD button to actually enter the event at the current cursor position. A dot will appear on the CHORD STEP data line and the cursor will advance to the top of the next measure. V Repeat Until Done ........
Song Playback & Recording Quick Record Mode Edit Functions The QUICK RECORD mode EDIT display includes only one function: SONG DELETE. Select the EDIT display via the [ ] LCD button to the right of the display. ■ SONG DELETE ............................................................................................................................................................................... This function deletes the specified song file from the disk.
Song Playback & Recording Multitrack Record The MULTITRACK record mode allows independent recording and playback on any of 16 tracks, so even complex songs can be built up track by track. Z Set the Track Modes .................................................................................................................................................................
Song Playback & Recording C Set Up For the Recording .................................................................................................................................................. Select the required voice(s), select a style, turn AUTO BASS CHORD on if required. Set up all parameters as desired for recording. NOTES • If you turn the panel [AUTO BASS CHORD] button on, the accompaniment tracks will automatically be set to the REC mode.
Song Playback & Recording ■ THE TRACK INDICATORS ................................................................................................................................................... The track indicators above the track mode selectors indicate which tracks contain data and which are muted. Tracks which do not contain data are indicated by a dotted circle outline while tracks which contain data have a solid outline.
Song Playback & Recording ■ PLAYBACK ......................................................................................................................................................................................... Recorded tracks are automatically set to the PLAY mode when recording is stopped, so you can simply press the START LCD button or the [START] panel button to hear what you’ve recorded immediately after recording.
Song Playback & Recording X Select a Start Trigger Type ................................................................................................................................................. Use the TRIGGER LCD dials to select the FIRST KEY or START SW start trigger. When FIRST KEY is selected recording will begin when the first key is played on the keyboard. When START SW is selected recording will begin when the START LCD button or panel [START/STOP] button is pressed.
Song Playback & Recording N Start Playback ................................................................................................................................................................................. Press the START LCD button or panel [START/ STOP] button to start playback from the current PAUSE location. M Start Recording at the Punch-in Point .................................................................................................................
Song Playback & Recording Track Volume Control The MULTITRACK RECORD VOLUME display provides independent volume parameters for each of the 16 tracks. Select the VOLUME display via the [ ] or [ ] LCD button to the right of the display, and use the TR1 through TR16 LCD dials to set the volume of the corresponding tracks. The TR1-8 or TR9-16 LCD button selects track groups 1 through 8 and 9 through 16, respectively. Press the EXECUTE LCD button to save the edited volume data to disk.
Song Playback & Recording X Quantize the Track Press the EXECUTE button. “Executing” will appear on the display while the data is being quantized. After quantization the EXECUTE button changes to an UNDO button which can be used to undo the quantize operation if the results are not satisfactory. ■ TRACK COPY/MIX ......................................................................................................................................................................
Song Playback & Recording ■ INITIAL EDIT ..................................................................................................................................................................................... Allows the initial REVERB DEPTH, CHORUS DEPTH, and DSP EFFECT depth settings for each track to be edited as required.
Custom Accompaniment The CUSTOM ACCOMPANIMENT RECORD mode allows you to create original accompaniment styles that can be later recalled and played at any time, just like the presets. Up to 32 custom accompaniment styles can be maintained in internal memory at the same time, and any number can be saved to disk for later reloading and use. 5 sections can be created for each custom style: MAIN A, MAIN B, INTRO, FILL IN, and ENDING. The basic custom style recording procedure is outlined below.
Custom Accompaniment V Copy the Data For the A or B Variation ............................................................................................................... The COPY parameter makes it possible to copy the A or B variation to the selected section, depending on the variation you want to program.
Custom Accompaniment Parts can be cleared completely before recording if you want to record “from scratch”, or change the number of measures in the section, as described below. When the DEL LCD button is pressed DELETE will appear for tracks which contain data. Select DELETE via the track LCD dials while holding the DEL button to delete all data in the corresponding tracks. The data is actually deleted when the DEL button is released.
Custom Accompaniment < Record the Selected part .................................................................................................................................................... You can now add new notes to the selected part by playing the keyboard at the appropriate timing. All parts must be entered in the key of C major 7. If both the RHY1 and RHY2 parts are cleared the metronome will sound to provide a timing guide (the metronome sound is not recorded).
Custom Accompaniment [ Go On to EFFECTS, EDIT, and STORE ................................................................................................................ You can now stop the accompaniment by pressing the [START/STOP] button (or leave it running, as required), and go on to the EFFECTS and EDIT functions described below. When your custom accompaniment is complete, be sure to use the STORE function, also described below, to store the style to one of the CUSTOM memory locations.
Custom Accompaniment ■ CHORUS TYPE & DEPTH .................................................................................................................................................... Use the ▲ and ▼ buttons to the left of the display to select the CHORUS TYPE/DEPTH parameters. To select a chorus type use the TYPE LCD button to select the CHORUS TYPE display. Use the LCD dials to select the desired chorus type.
Custom Accompaniment Edit Select the EDIT display via the [ ] or [ ] LCD button to the right of the display. If not already selected, press the SETTING LCD button to access the QUANTIZE, COPY, and REMOVE EVENT parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function. ■ QUANTIZE ...........................................................................................................................................................................................
Custom Accompaniment X Select the Top, Last, and Destination Measures Use the TOP and LAST LCD dials to specify the first and last measures in the region to be copied. Use the DEST LCD dial to specify the top of the measure to which the data is to be copied. C Copy the Data Press the EXECUTE button. The “Completed” display will appear briefly when the copy operation has finished.
Custom Accompaniment Store/Clear Select the STORE display via the [ ] LCD button to the right of the display. If not already selected, press the SETTING LCD button to access the STORE and CLEAR CUSTOM STYLE parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function. ■ STORE ...................................................................................................................................................................................................
Custom Voice Edit This mode makes it possible to create new voices by editing some parameters of the preset voices. Wave data loaded from disk can also be edited to create original voices.* A simple EASY EDIT mode and full-parameter FULL EDIT mode are available. Both modes can be used to customize voice data loaded from disk. Up to 32 custom voices can be retained in memory and selected via the RIGHT 1, RIGHT 2, LEFT, and LEAD voice [CUSTOM] buttons.
Custom Voice Edit The Easy Edit Parameters Use the [ ] and [ ] LCD buttons to the right of the display to select the EDIT and STORE/CLEAR display pages. Use the ▲ and ▼ buttons to the left of the display to select the various parameters within each page. The COMPARE LCD button can be used during editing to compare the sound of the original voice with the edited voice. EDIT ■ NAME .............................................................................................................................
Custom Voice Edit ■ TONE ......................................................................................................................................................................................................... The timbre of the voice can be varied via the BRILLIANCE and RESONANCE LCD dials. “0” is the preset value for both parameters. “+” BRILLIANCE settings produce a brighter sound, while “+” RESONANCE settings produce a more “peaky” sound. ENVELOPE ......................................
Custom Voice Edit STORE/CLEAR ■ STORE ..................................................................................................................................................................................................... Stores the edited custom voice data in the specified custom voice memory location. When this function is selected the size of the current voice and the remaining memory capacity available for voice storage are displayed to the right of the display.
Custom Voice Edit The Full Edit Parameters The FULL EDIT mode can be entered as described on page 78. The FULL EDIT mode can be used to edit both internal voices and voices in the custom voice group. Use the [ ] and [ ] LCD buttons to the right of the display to select the E1:BASIC, E2:CONTROLLER, E3:ENVELOPE, E4:EFFECTS and STORE/CLEAR display pages. Use the ▲ and ▼ buttons to the left of the display to select the various parameters within each page.
Custom Voice Edit ■ TUNE (except for the DRUM KITS) ............................................................................................................................................. These parameters adjust the pitch of the voice. COARSE tunes in semitone steps and FINE tunes in 1-cent steps (a cent is 1/100th of a semitone). The maximum COARSE range is from –24 to +24 semitones (plus or minus two octaves), and the maximum FINE range is from –50 to +50 cents.
Custom Voice Edit ■ MODULATION WHEEL ........................................................................................................................................................... The PMD (phase modulation), AMD (amplitude modulation), and Q BIAS (resonance) LCD dials set the corresponding modulation parameter. “0” is the preset value. “+” settings increase the maximum modulation depth while “–” settings decrease the maximum modulation depth achievable with the modulation wheel.
Custom Voice Edit E3:ENVELOPE AMPLITUDE ENVELOPE ..................................................................................................................................................... RATE These parameters set the rate of output level variation. Higher values produce faster variation. ATTACK: Sets the speed of variation from key-on to the maximum attack level.
Custom Voice Edit ■ FILTER ..................................................................................................................................................................................................... The FILTER ENVELOPE LCD dials are used to set the filter envelope RATE and LEVEL parameters. Use the RATE or LEVEL LCD button to select the corresponding group of parameters. RATE Set the rate of cutoff frequency variation. Higher values produce faster variation.
Custom Voice Edit E4:EFFECTS ■ LFO ............................................................................................................................................................................................................. The LFO parameters set the LFO (Low Frequency Oscillator) to produce cyclic pitch and amplitude modulation. PMD: Sets the phase modulation depth. Higher values produce deeper modulation. AMD: Sets the amplitude modulation depth.
Custom Voice Edit ■ LEAD EFFECT ................................................................................................................................................................................. Use the TYPE LCD dials to select a DSP EFFECT type for the LEAD voice, and the DEPTH LCD dial to set the depth of the selected effect. The effect of these parameters can monitored while editing if the lead voice was initially selected in the ORIGINAL VOICE display. STORE/CLEAR ■ STORE ............
Custom Voice Edit The Drum Kit Edit Mode When a drum kit voice is selected for editing the parameters and functions available are essentially the same as those for the orchestra voices in the FULL EDIT mode. Many parameters of individual percussion voices within the DRUM KIT can be edited independently. The only differences are in the E1:BASIC display: ● Use the PERCUSSION parameter function to select the desired percussion sound for editing.
Disk Operations The PSR-7000 [DISK] button accesses a range of functions that are used for storage and retrieval of floppy disk data. The PSR-7000 can also be fitted with an optional internal hard disk for massive on-line storage capacity. Consult your Yamaha dealer for details on hard disk installation. To select a disk operation first press the [DISK] button, then press the LCD button corresponding to the operation you want to perform. SONG PLAY CUSTOM VOICE EDIT SONG CUSTOM RECORD ACCOMP.
Disk Operations The LCD dials can now be used to select the type(s) of data to be loaded from the selected file. Data types which are turned ON are loaded. SETUP All setup data — see list on page 140. STYLE REVOICE All STYLE REVOICE settings - page 116. MULTI PAD All MULTI PAD phrase, percussion, and chord data - page 42. ORGAN FLUTE All ORGAN FLUTE voice data — page 16. REGISTRATION All REGISTRATION memory data page 140. CUSTOM STYLE All CUSTOM STYLE data - page 75.
Disk Operations Save To Disk Saves the data listed below to a floppy disk inserted into the PSR-7000 disk drive, or to the optional hard disk. NOTES • If an unformatted disk or a disk which has not been formatted for use with the PSR-7000 is inserted, the “Wrong disk type or format! Format disk?” confirmation message will appear when the SAVE TO DISK function is selected. Press YES to format the disk or NO to cancel.
Disk Operations Press the LIST LCD button when you want to go back to the FILE LIST display. When the file and data types have been specified, press the EXECUTE LCD button to actually begin the save operation — the confirmation display shown to the right will appear. If you want to give the file to be saved an original file name, be sure to do so before pressing the YES LCD button. File names can be up to 8 characters long.
Disk Operations The LISTEN LCD button which appears when the SONG LIST is selected can be used to listen to the currently selected song — press LISTEN again to stop playback when done. When the user or song file to be renamed has been selected, press the EXECUTE LCD button. The following display will appear. Song file names can be up to 12 characters long and user file names can be up to 8 characters long.
Disk Operations Delete File/Song Deletes the specified song or user file from the disk. Press the SONG LCD button to if the SONG LIST is not showing in order to delete a song file, or the USER FILE LCD button if the USER FILE LIST is not showing in order to delete a user file. Use the FILE or SONG LCD dials to select the file you want to delete. If a hard disk is present the DIR ▲▼ dials will be available, and are used to select the directory containing the file to be deleted.
Disk Operations Format FD Formats a floppy disk for use with the PSR-7000. After inserting a new floppy disk into the disk drive, press the EXECUTE LCD button to actually begin the format operation — the “OK to format?” confirmation display will appear. If you want to execute the format operation press the YES LCD button (or press the NO LCD button to cancel the operation).
Disk Operations When the source song has been selected press the DESTINATION LCD button and use the DIR ▲▼ LCD dials to select the destination disk. Select “another FD” to copy to a different floppy disk, or “FLOPPY DISK” to copy to the same floppy disk. Press the EXECUTE LCD button to begin the copy operation. At this point the display shown below will appear and you will have a chance to change the song name before it is copied.
Disk Operations HD Utility This item will only appear when the optional hard disk is present. The HD Utility functions include hard disk directory management, formatting, and diagnostics. Use the ▲ and ▼ buttons to the left of the display to select the desired function. NOTES • Make regular backup copies of important data on floppy disks, and store the backup disks in a safe location. Use the SONG COPY function to copy song data from the optional internal hard disk to floppy disk.
Disk Operations ● DELETE To delete a directory use the DIR ▲▼ dials to select the directory to be deleted. Press the DELETE button, then press the YES confirmation button to execute the delete operation. Please note that directories which contains files cannot be deleted — all files in the directory must be deleted first. NOTES • The last remaining hard disk directory cannot be deleted. ■ HD FORMAT ..........................................................................................................
The PSR-7000 “Functions” The PSR-7000 [FUNCTION] button selects 8 groups of functions that access a number of related parameters. Here’s a list of the functions and the manual page numbers on which they are described in detail. [F1] SCALE (ARABIC)/VOICE PART .................................................. 108 [F2] SPLIT POINT/ABC MODE/MULTI PAD ....................................... 110 [F3] CONTROLLER .............................................................................112 [F4] STYLE REVOICE ..
The PSR-7000 “Functions” In cases where the number of parameters included in the function group is too large to fit on a single display page, several pages may be available, and LCD buttons. selectable via the In all cases the selected parameter can be edited via the appropriated labeled or positioned LCD dials. ■ The [EXIT] Button .......................................................................................................................................................................
F1: Scale (Arabic)/Voice Part The PSR-7000 has a range of advanced tuning and other voicerelated functions which are all included in the F1 function group. ■ SCALE (ARABIC) ......................................................................................................................................................................... Selects either the normal equal temperament scale or an “arabic” scale in which each note can be tuned over a 127-cent range.
F1: Scale (Arabic)/Voice Part ● PART TUNE Individual tuning parameters are provided for the LEFT, RIGHT 1, RIGHT 2, LEAD, and ORGAN voices, allowing each voice to be tuned over a ±100-cent range. When the AUTO mode is selected, part tuning is automatic and the individual parts cannot be tuned manually. To tune manually, first use the MODE LCD dial to select the MANUAL mode, then use the LEFT, R1, R2, LEAD, or ORGAN LCD dial to tune the corresponding voice as required.
F2: Split Point/ABC Mode/Multi Pad The F2 functions all pertain to the PSR-7000’s accompaniment features — i.e. the accompaniment split point, the ABC mode, and the multi-pad repeat and chord match modes. ■ SPLIT POINT/ABC MODE ...................................................................................................................................................
F2: Split Point/ABC Mode/Multi Pad ■ MULTI PAD .......................................................................................................................................................................................... The repeat and chord match settings for PHRASE/CHORD MULTI PAD playback can be accessed via this display. The repeat and chord match parameters can be accessed by pressing the REPEAT or CHORD MATCH LCD button.
F3: Controller The F3 function group includes a range of functions that affect how the PSR-7000 responds to control via the keyboard, a foot controller plugged into the rear-panel FOOT VOLUME jack, footswitches plugged into the rear-panel FOOT SW jacks, the [SUSTAIN] button, the PITCH BEND wheel, and the MODULATION wheel. ■ FOOT CONTROLLER ...............................................................................................................................................................
F3: Controller When the SUSTAIN, SOSTENUTO, or SOFT type is selected, use the LEFT, R1, R2, and LEAD LCD dials to turn footswitch control for the corresponding parts ON or OFF as required. The SUSTAIN type can be independently assigned to the ORGAN voice. NOTES • The sustain effect is applied to the specified orchestra part(s) only when the panel [SUSTAIN] button is turned on or when the sustain pedal is pressed.
F3: Controller ■ PANEL CONTROLLER ........................................................................................................................................................... ● SUSTAIN BUTTON Determines to which of the PSR-7000 voices the panel [SUSTAIN] button will apply. Use the LEFT, R1, R2, LEAD, and ORGAN LCD dials to turn [SUSTAIN] button control for the corresponding voices ON or OFF as required. Accompaniment part assignments are the same as those set for the footswitch.
F3: Controller ● INITIAL TOUCH Sets the touch response OFF level and sensitivity curve of the keyboard initial touch response, and determines to which of the PSR-7000 voices touch response will apply. Use the OFF LEVEL LCD dial to set the level at which touch response is turned off. Use the SENSITIVITY LCD dials to select the desired sensitivity curve. Use the LEFT, R1, R2, LEAD, and ORGAN LCD dials to turn initial touch response control for the corresponding parts ON or OFF as required.
F4: Style Revoice This function allows you to “revoice” the currently selected style: i.e. change the volume, voice, reverb depth, and chorus depth settings for each accompaniment part. Style Revoice settings are retained in memory as long as a good set of backup batteries is installed (see page 2). ● VOLUME OFFSET Use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD dials to set the volume offset for the corresponding accompaniment parts. The volume offset range is from “–50” to “+50”.
F4: Style Revoice ● REVERB DEPTH Use the RHY1, RHY2, BASS, CHD1, CHD2, PAD, PHR1, and PHR2 LCD dials to set the reverb depth for the corresponding accompaniment parts. The reverb depth range is from “0” (no reverb) to “100” (maximum reverb), or “PRESET”. When the preset reverb depth is selected a “P” appears in the corresponding box to the right of the REVERB parameter in the upper section of the display.
F5: Reverb/Chorus/DSP Effect The PSR-7000 has 16 reverb-based effects, a chorus effect, and 50 DSP (Digital Signal Processor) effects that can be selected via the REVERB/CHORUS/DSP EFFECT function display. The selected reverb, chorus, and DSP effect settings are applied to the sound when the [REVERB], [CHORUS], and [DSP EFFECT] buttons are used (see page38). ■ REVERB TYPE & DEPTH ...............................................................................................................................
F5: Reverb/Chorus/DSP Effect ● REVERB PARAMETER EDIT When the REVERB TYPE parameters are selected as described above, the PARAMETER EDIT LCD button will appear, pressing this button gives you access to the individual reverb parameters for the currently selected reverb type. Use the LCD dial below the number corresponding to the parameter you want to edit. Press the TYPE LCD button to return to the REVERB TYPE parameters when done.
F5: Reverb/Chorus/DSP Effect ■ CHORUS DEPTH .......................................................................................................................................................................... Independently sets the depth of the chorus effect for the microphone, multi pads, accompaniment, left voice, right 1 voice, right 2 voice, and lead voice Use the MIC, M.PAD, ACMP, LEFT, R1, R2, and LEAD LCD dials to set the depth of the chorus effect as required for the corresponding parts.
F5: Reverb/Chorus/DSP Effect ● DSP EFFECT PARAMETER EDIT When the DSP EFFECT TYPE parameters are selected as described above, the PARAMETER EDIT LCD button will appear, pressing this button gives you access to the individual DSP effect parameters for the currently selected DSP type. Use the LCD dial below the number corresponding to the parameter you want to edit. Press the TYPE LCD button to return to the DSP EFFECT TYPE parameters when done.
F6: Harmony/Registration ■ HARMONY ........................................................................................................................................................................................... Selects the type of harmony to be applied when the [HARMONY] button is turned on (page 37), and the volume of the harmony sound. Use the TYPE LCD dials to select the desired harmony type. Use the VOLUME LCD dial to set the volume of the harmony sound. The Harmony Types 1. 2. 3. 4. 5. 6.
F7: Utility The F7: UTILITY function accesses utility functions that let you turn memory backup on or off, set a number of display modes, and recall the factory preset data. ■ MEMORY BACKUP ..................................................................................................................................................................... ● MEMORY BACKUP This function turns memory backup on or off. Use the MEMORY BACK UP LCD dials to turn memory backup ON or OFF.
F8: MIDI MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. The PSR-7000 offers a range of MIDI functions that allow it to be used in even sophisticated MIDI systems.
F8: MIDI ■ CLOCK & TRANSPOSE ......................................................................................................................................................... ● CLOCK Determines whether the PSR-7000 is controlled by its own internal clock or a MIDI clock signal received from an external device. INTERNAL is the normal CLOCK setting when the PSR-7000 is being used alone.
F8: MIDI ● EXCLUSIVE The EXCLUSIVE TRANSMIT parameter turns MIDI transmission of MIDI exclusive data (voice and setup data) ON or OFF. The EXCLUSIVE RECEIVE parameter turns MIDI reception of MIDI exclusive data generated by external equipment ON or OFF. A check mark appears in the MESSAGE SW EXCLUSIVE TRANSMIT or RECEIVE box when the corresponding parameter is ON.
F8: MIDI OFF No data will be transmitted on the selected channel. RIGHT 1 RIGHT 2 LEAD LEFT ORGAN FLUTE Only data corresponding to the specified voice will be transmitted on the selected channel. HARMONY 1 HARMONY 2 HARMONY 3 The Harmony feature (page 37) produces a maximum of three harmony notes. These settings correspond to each of the harmony notes. MULTI PAD 1 MULTI PAD 2 MULTI PAD 3 MULTI PAD 4 Multi pad phrases from the corresponding pad are transmitted via the selected channel.
F8: MIDI RECEIVE This display page allows you to specify the MIDI receive mode for each PSR-7000 MIDI channels, and to specify which types of data will be received via each channel. ● RECEIVE MONITOR The RECEIVE MONITOR at the top of the display indicates when data is being received on any of the 16 MIDI channels: The dots corresponding to each channel (1 … 16) flash briefly whenever any data is received on the channel(s).
F8: MIDI NOTE This switch turns reception of the note data on or off. When off, no notes will be produced by the PSR-7000 even when note data is received on the selected channel. CNTCNG Turns reception of control change data on or off. Control change data includes modulation wheel, foot controller, and any other controller data (except the pitch bend wheel, which has its own switch, below). PRGCNG Turns reception of program change data on or off.
F8: MIDI TYPE * Note-on event Note-off event 1. OFF None None 2. SUSTAIN SUSTAIN ON SUSTAIN OFF 3. SOSTENUTO SOSTENUTO ON SOSTENUTO OFF 4. SOFT SOFT ON SOFT OFF 5. TAP TEMPO TAP TEMPO ON — 6. REGIST.+ REGISTRATION UP — 7. REGIST.– REGISTRATION DOWN — 8. SYNCHRO START [SYNCHRO START] ON — 9. START/STOP [START/STOP] ON — 10. ROTARY SP ROTARY SPEAKER SLOW n FAST 11. HARMONY HARMONY ON HARMONY OFF 12. INTRO/FILLtoA [INTRO/FILL to A] ON [INTRO/FILL to A] RELEASED 13.
Troubleshooting Symptom Noise is heard when the power is turned on or off. Possible Cause/Solution This is a normal result of the power surge that occurs when the unit is turned on or off. No solution necessary. The volume controls or foot volume are turned all the way down. Set the volume controls and foot volume to a reasonable listening level. Are the desired parts turned on? A pair of headphones is plugged into the PHONES jack. Unplug the headphones. No sound.
Index Controller ...................................... 112 A Copy (custom accomp) .................. 81 Accomp volume .............................. 30 Accompaniment ............................. 23 Accompaniment director ........ 27 – 30 After touch .................................... 115 Copy (song track) ........................... 73 Cursor .................... 50, 59, 75, 85, 88 Custom accomp ............................. 75 Custom voice ................................. 84 F Fade in / out .....
Index List hold .......................................... 11 Part select ...................................... 14 Song play ....................................... 53 Listen .................................. 100 – 102 Part tune ....................................... 109 Song record .................................... 58 Load ............................................... 96 Pause (song) .................................. 54 Sostenuto ..................................... 113 Percussion .....
Voice List • Stimmenverzeichnis • Liste des voix RIGHT Display BankSelect Program Change Voice Name No. MSB LSB No. PIANO 1 0 112 0 GrandPiano 1 2 0 112 1 BrightPiano1 3 0 112 5 CP 70 4 0 113 4 Funky E.P. 5 0 113 5 Hyper E.P. 6 0 112 4 E.Piano 1 7 0 112 6 Harpsichord1 8 0 0 7 Clavi. 9 0 0 0 GrandPiano 2 10 0 0 1 BrightPiano2 11 0 0 4 E.Piano 2 12 0 0 5 E.Piano 3 DX 13 0 0 2 MIDI Grand 14 0 114 4 Rock E.Piano 15 0 0 6 Harpsichord2 16 0 112 7 Clavi Wah 17 0 0 3 Honky-tonk 18 0 115 4 E.Piano 4 19 0 116 4 E.
Voice List • Stimmenverzeichnis • Liste des voix LEFT Display BankSelect Program Change Voice Name No. MSB LSB No. 22 0 0 108 Kalimba 23 0 0 111 Shanai 24 0 0 106 Shamisen 25 0 0 107 Koto 26 0 0 104 Sitar 27 0 0 15 Dulcimer SYNTH/PAD 1 0 112 81 Analog Lead 2 0 112 80 Sub Aqua 3 0 113 81 Power Lead 4 0 118 81 Pulse Lead 5 0 115 81 Waspy Synth 6 0 116 81 Wire Lead 7 0 0 80 Square Lead 8 0 0 81 Saw. Lead 9 0 112 62 Reso.
Voice List • Stimmenverzeichnis • Liste des voix Display BankSelect Program Change Voice Name No. MSB LSB No. STRINGS/CHOIR 1 0 113 48 Strings 1 2 0 0 51 Strings 2 3 0 112 48 Chamber 4 0 115 48 Violin Str. 5 0 112 40 Violin 1 6 0 112 52 Choir 7 0 113 54 Synth Choir 8 0 112 54 Xenon Pad 9 0 0 48 Strings 3 10 0 0 49 Soft Strings 11 0 114 48 Slow Strings 12 0 0 45 Pizzicato 13 0 0 40 Violin 2 14 0 0 41 Viola 15 0 0 42 Cello 16 0 0 52 Choir Aah 17 0 0 44 Tremolo Str. 18 0 0 50 Syn.
Voice List • Stimmenverzeichnis • Liste des voix LEAD Display BankSelect Program Change Voice Name No. MSB LSB No. TRUMPET/BRASS 1 0 127 56 Solo Trumpet 2 0 126 56 Mellow Trp. 3 0 127 59 Mute Trumpet 4 0 125 56 FlugelHorn 1 5 0 127 57 Trombone 6 0 126 57 SoftTrombone 7 0 122 61 Tight Brass 8 0 125 62 Brass Lead 9 0 124 56 Soft Trumpet 10 0 123 56 FlugelHorn 2 11 0 127 60 French Horn 12 0 121 61 Sfz.Brass 13 0 126 61 Brass+Sax 14 0 125 61 Brass+Tromb.
Percussion Kit List • Verzeichnis der Schlagzeug- und Percussion-Sets Liste des kits de percussion Bank MSB# Program # Note# Note 13 C#0 14 D0 15 D#0 16 E0 17 F0 18 F#0 19 G0 20 G#0 21 A0 22 A#0 23 B0 24 C1 25 C#1 26 D1 27 D#1 28 E1 29 F1 30 F#1 31 G1 32 G#1 33 A1 34 A#1 35 B1 36 C2 37 C#2 38 D2 39 D#2 40 E2 41 F2 42 F#2 43 G2 44 G#2 45 A2 46 A#2 47 B2 48 C3 49 C#3 50 D3 51 D#3 52 E3 53 F3 54 F#3 55 G3 56 G#3 57 A3 58 A#3 59 B3 60 C4 61 C#4 62 D4 63 D#4 64 E4 65 F4 66 F#4 67 G4 68 G#4 69 A4 70 A#4 71 B4 72
Style List • Rhythmusverzeichnis • Liste des styles Display No.
Setup Parameters • Setup-Parameter • Paramètres de réglage général O : YES X : NO PANEL ORGAN FLUTE VOICE LEAD VOICE RIGHT1 VOICE RIGHT2 VOICE LEFT VOICE RIGHT ORCHESTRA PART SELECT ROTARY SP. ON/OFF ROTARY SP. SLOW/FAST ORGAN FLUTE ON/OFF LEAD ON/OFF RIGHT1 ON/OFF RIGHT2 ON/OFF LEFT ON/OFF LEFT HOLD HARMONY SUSTAIN TOUCH RESPONSE REVERB CHORUS DSP EFFECT REGISTRATION NUMBER BANK FREEZE STYLE ACCOMP. DIRECTOR FADE IN/OUT INTRO A/FILL to A INTRO B/FILL to B MAIN A,MAIN B ENDING/rit.
Setup Parameters • Setup-Parameter • Paramètres de réglage général ACCOMPANIMENT PHRASE1 PHRASE2 PAD CHORD1 CHORD2 BASS RHYTHM1 RHYTHM2 TRANSPOSE TUNE EQ. TYPE USER LOW GAIN USER LOW-MID GAIN USER MID GAIN USER MID-HI GAIN USER HI GAIN O.T.S. NUMBER for each style TEMPO SET ON/OFF LANGUAGE F1 SCALE SCALE REGISTRATION REGISTRATION FREEZE group name ONE TOUCH SETTING DISK DATA group MEMORY BACK UP RECALL group name FACTORY PRESET O O O O O O O O O X ACCOMP. ACCOMP. ACCOMP. ACCOMP. ACCOMP. ACCOMP.
Setup Parameters • Setup-Parameter • Paramètres de réglage général F3 FOOT VOLUME TYPE FOOT VOLUME ASSIGN FOOT SW1 TYPE SUSTAIN ASSIGN for FOOT SW1/2, SUSTAIN BUTTON SOSTENUTO ASSIGN for FOOT SW1/2 SOFT ASSIGN for FOOT SW1/2 PERCUSSION for FOOT SW1 FOOT SW2 TYPE PERCUSSION for FOOT SW2 PITCH BEND WHEEL ASSIGN MODULATION WHEEL ASSIGN INITIAL TOUCH SENS. INITIAL TOUCH ASSIGN INITIAL TOUCH OFF LEVEL AFTER TOUCH SENS.
Setup Parameters • Setup-Parameter • Paramètres de réglage général REGISTRATION REGISTRATION FREEZE group name ONE TOUCH SETTING DISK DATA group MEMORY BACK UP RECALL group name FACTORY PRESET X — X SETUP O X ALL PARTS ON X X X X X X X X X X X X — — — — — — — — — — — — X X X X X X X X X X X X SETUP SETUP SETUP SETUP SETUP SETUP SETUP SETUP SETUP SETUP SETUP SETUP O O O O O O O O O O O O X X X X X X X X X X X X X X — — X X SETUP SETUP O O X X INTERNAL OFF ON ON ON ON ON LEAD,ALL ON
Fingering Chart • Akkordliste • Tablature Seventh* Septakkord* Septième* D# (Eb) D #m (Eb m) D #7 (Eb7) E Em E7 F Fm F7 F# (Gb) F #m (Gb m) F# 7 (Gb7) G Gm G7 G# (Ab) G# m (Ab m) G# 7 (Ab7) A Am A7 A# (Bb) A #m (Bb m) A #7 (Bb7) B Bm B7 ) ( ( ) ( ( ( ) ) Dm 7 ( ) D #m 7 (Eb m 7) ( ( ) ) Em 7 ( ( ) ) Fm 7 ( ) F #m 7 (Gb m 7) ( ( ) ) Gm 7 ( ) G# m 7 (Ab m 7) ( ( ) ) Am 7 144 ( ) ( ( ) A #m 7 (Bb m 7) ) D7 Bm 7 ) Dm ( D C# m 7 (Db m
Fingering Chart • Akkordliste • Tablature • Les notes entre parenthèses ( ) peuvent être omises. • Les accords marqués d’un astérisque (*) peuvent être joués dans n’importe qu’elle inversion (il n’est pas nécessaire que la note fondamentale de l’accord soit la note la plus basse). • Si vous jouez trois touches adjacentes (y compris les touches noires), le son de la partie accords sera annulé et seuls les instruments rythmiques continueront à jouer (fonction CHORD CANCEL, annulation d’accord).
Fingering Chart • Akkordliste • Tablature Suspended fourth Vorgehaltene Quarte Quarte sur sensible Augmented Übermäßig Augmenté Diminished* Vermindert* Diminué* Seventh suspended fourth Dur-Septakkord mit vorgehaltener Quarte Quarte sur septième sensible Caug Cdim C7 sus 4 C# sus 4 (Db sus 4) C# aug (Db aug) C# dim (Db dim) C# 7 sus 4 (Db 7 sus 4) Dsus 4 Daug Ddim D7 sus 4 D #sus 4 (Eb sus 4) D #aug (Eb aug) D #dim (Eb dim) D #7 sus 4 (Eb 7 sus 4) Esus 4 Eaug Edim E7 sus 4 Fsus 4 Fa
Fingering Chart • Akkordliste • Tablature Diminished seventh Verminderter Septakkord Septième diminuée Seventh flatted fifth Dur-Septakkord mit verminderter Quinte Quinte diminuée en septième Minor major seventh* Moll-Akkord mit großer Septime* Septième majeure sur mineur* C 7(b5) CmM 7 C# dim 7 (Db dim 7) C #7 (b5) (Db7(b5)) C# mM7 (Db mM 7 ) Ddim 7 D 7(b5) DmM 7 D #dim 7 (Eb dim 7) D # 7 (b5) (Eb7 (b5)) D #mM 7 (Eb mM 7) Edim 7 E 7 (b5) EmM7 Fdim 7 F 7 (b5) FmM7 F #dim 7 (Gb dim 7) F
Fingering Chart • Akkordliste • Tablature Minor seventh ninth* Moll-Septakkord mit None* Neuvième sur septième mineure* Fm (9) Fm 7 (9) F #m (9) (Gb m (9)) F #m 7 (9) (Gb m 7 (9)) Gm (9) Gm 7 (9) G# m (9) (Ab m (9)) G# m 7 (9) (Ab m 7 (9)) Am (9) Am 7 (9) A #m (9) (Bb m (9)) A #m 7 (9) (Bb m 7 (9)) Bm (9) Bm 7 (9) ( ) ) ( ) ) ( ) ( ) ( ( ) F #M 7 (#11) (Gb M 7 (#11)) ( ( ) ) GM 7 (#11) ( ) G# M 7 (#11) (Ab M 7 (#11)) ) AM 7 (#11) ( ) ( A #M 7 (#11) (Bb M 7 (#11)) ) ( (
Fingering Chart • Akkordliste • Tablature EM 7 (9) Fadd9 FM 7 (9) F #add9 (Gb add 9) F #M 7 (9) (Gb M 7 (9)) Gadd9 GM 7 (9) G# add 9 (Ab add 9) G# M 7 (9) (Ab M 7 (9)) Aadd 9 AM 7 (9) A #add 9 (Bb add 9) A #M 7 (9) (Bb M 7 (9)) Badd9 BM 7 (9) ( ( ) ( ( ) Eadd9 ( D #M 7 (9) (Eb M 7 (9)) C# m 7 (11) (Db m 7 (11) ) ) D #add 9 (Eb add9 ) ) DM 7 (9) ( Dadd 9 C# 6 (9) (Db 6 (9) ) ) C# M 7 (9) (Db M 7 (9)) ) C# add9 (Db add 9 ) Minor seventh eleventh Moll-Septakkord mit Unidezim
Fingering Chart • Akkordliste • Tablature ) ) ( ) ( F 7 (b9) ) ) ) ) ( ) ( ( ( ) G# 7 (b9) (Ab7(b9) ) A 7 (b9) ) ) B 7 (b9) ( ( ) ( ( ) A # 7 (b9) (Bb7 (b9)) ) ( ( ) ( ) ( ( G 7 (b9) ) ) B 7 (13) ) ( ( ( ) F # 7 (b9) (Gb7(b9) ) A 7 (13) A # 7 (13) (Bb 7 (13)) ( ) ) ) ( ) ( ) ( ) ( ( ) G# 7 (13) (Ab 7 (13)) ) ( ( ) ) ( ) E 7 (b9) G 7 (13) ( ) ( B 7 (#11) ( ( ) A # 7 (#11) (Bb 7 (#11)) ( 150 ( ( ) ( BmM7 (9) F # 7 (13) (Gb7 (13)) A 7 (#11) AmM 7(9)
Fingering Chart • Akkordliste • Tablature Seventh sharp ninth* Dur-Septakkord mit übermäßiger None* Neuvième dièse sur septième* C 7(#9) C#7 (b13) (Db7 (b13) ) C #7 (#9) (Db7(#9)) D 7 (b13) D 7(#9) D # 7 (b13) (Eb 7 (b13) ) D # 7 (#9) (Eb7 (#9)) E 7 (b13) E 7 (#9) F 7 (b13) F 7 (#9) F # 7 (b13) (Gb7 (b13)) F # 7 (#9) (Gb7(#9) ) G 7 (b13) G 7 (#9) G# 7 (b13) (Ab 7 (b13)) G# 7 (#9) (Ab7(#9) ) A 7 (b13) A 7 (#9) A # 7 (b13) (Bb 7 (b13)) A # 7 (#9) (Bb7 (#9)) B 7 (b13) B 7 (#9) One plus
Fingering Chart • Akkordliste • Tablature Major seventh flatted fifth* Dur-Akkord mit großer Septime und verminderter Quinte* Quinte diminuée sur majeure septième* 152 Minor major seventh flatted fifth* Moll-Akkord mit großer Septime und verminderter Quinte* Quinte diminuée sur septième majeure sur mineur* Flatted fifth* Dur-Akkord mit verminderter Quinte* Quinte diminuée* CM 7 (b5) C(b5) CmM 7 (b5) C# M 7 (b5) (Db M 7 (b5)) C #(b5) (Db(b5) ) C# mM7 (b5) (Db mM 7(b5)) DM 7 (b5) D(b5) DmM 7(b5)
The DSP Effects & Parameters • DSP-Effekte und -Parameter Effets et paramètres DSP 1. Hall 1 2. Hall 2 3. Hall 3 4. Hall 4 7. Room 3 8. Room 4 9. Stage 1 10. Stage 2 5. Room 1 11. Plate 1 6. Room 2 12. Plate 2 These are all reverberation (“reverb” for short) effects. Reverb is the warm musical “ambience” you experience when listening to music in a hall or other natural environment. 1. REVERB TIME Range: 0.3 … 30 sec.
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 3. FEEDBACK LEVELRange: –63 … 0 … +63 Determines the amount of effect-sound feedback returned to the input of the effect stage. Higher negative or positive values produce a more pronounced effect. 4. DELAY OFFSET Range: 0 … 63 Varies the flanger delay time (the flanger effect is basically produced by modulating the delay time of one signal in relation to another).
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 2. AM DEPTH Range: 0 … 127 Sets the depth of amplitude modulation. Higher values produce deeper modulation and therefore a more pronounced tremolo effect. 3. PM DEPTH Range: 0 … 127 Sets the depth of pitch modulation. Higher values produce deeper modulation and therefore a more pronounced vibrato effect. 36.
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 40. Echo Although similar to the DelayL,R effect, Echo features independent feedback level parameters for the left and right channels, plus a “high damp” parameter that simulates the high-frequency damping characteristics of most natural acoustic environments. 1. L CH DELAY 3. R CH DELAY Range: 0.1 … 715 ms Set the delay time between the direct sound and the first repeat.
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 44. EQ DISCO 45. EQ TEL. Both of these effects are based on a two-band equalizer with independent high and low frequency and gain parameters. 1. EQ LOW FREQUENCY Range: 50Hz … 2.0kHz Sets the boost/cut frequency of the low equalizer. 2. EQ LOW GAIN Range: –12dB … 0dB … +12dB Sets the amount of boost or cut applied to the low-band frequencies. A setting of “0” produces no boost or cut.
The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 51. Unison. 52. 5th Harmo Both of these effects produce a pitch-changed note in addition to the note played. With the default settings “Unison” produces a note one octave above the original note while “5th Harmony” produces a note one fifth above the original note. 1. PITCH Range: -12 … +12 Sets the pitch of the added note in semitone steps. 2.
MIDI Implementation Chart • Implementierungstabelle • Table d’implémentation [PortaTone] Model: PSR-7000 MIDI Implementation Chart Function Transmitted Recognized Basic Channel Default Changed 1~16 CH (*1) 1~16 CH (*1) 1~16 CH (*2) 1~16 CH (*2) Mode Default Messages Altered 3 X ***************** 3 X X : True voice 0~127 ***************** 0~127 (*3) 0~127 Velocity Note on Note off O 9nH, v=1~127 X 9nH, v=0 O 9nH, v=1~127 X After Touch key’s Ch’s X O X O O O O O O O O O O O O X (*5)
MIDI Implementation Chart • Implementierungstabelle • Table d’implémentation *1 The RIGHT1, RIGHT2, LEAD, LEFT, ORGAN FLUTE, HARMONY, MULTI PAD, and ACCOMPANIMENT parts can be independently transmitted via the panel controls. *2 The tone generator normally functions as a 16-channel multi-timbre tone generator in response to MIDI input. MIDI messages therefore do not normally affect the panel voices or other panel settings.
MIDI Implementation Chart • Implementierungstabelle • Table d’implémentation *9 Exclusive The following system exclusive messages are recognized. F0H, 7EH, 7FH, 09H, 01H, F7H All parameters except MIDI master Tuning and Dsp setting are reset to their default values. Remote Channel setting is cancelled. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI
Parameter Base Address Model ID = 4C Parameter Change Address (H) (M) (L) XG 00 00 00 SYSTEM 00 00 7D 00 00 7E 00 00 7F EFFECT 1 02 01 00 DRUM 30 18 00 31 18 00 Description System Drum Setup Reset XG System On Reset All Parameters Effect1(Reverb,Chorus,Variation ) Drum Setup 1 Drum Setup 2 Address 3n 0B 00 3n 0C 00 : 3n 5B 00 m Parameter note number 13 note number 14 : note number 91 MIDI Parameter Change table ( SYSTMIDI Data Format • MIDI-Datenformat • Format des donées MIDI 44 2 46 2 48 2 4A 2 4C 2 4E 2 50 2 52 2 54 2 56 57 58 59 5A 5B 1 1 1 1 1 1 TOTAL SIZE 21 02 01 70 71 72 73 74 75 TOTAL SIZE 1 1 1 1 1 1 6 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F 00-7F 00-01 00-01 VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB VARIATION PARAMETER 4 MSB VARIATION PAR
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI ● Effect MIDI Map Reverb Type MSB (HEX) 00 01 02 03 04 05 : 00F 10 11 12 13 14 : 7F TYPE LSB (HEX) 00 01 No Effect <—— [1]Hall 1 Hall 2 Room 1 Room 2 Stage 1 Stage 2 Plate <—— No Effect <—— : <—— No Effect <—— [13]WhiteRoom <—— [14]Tunnel <—— [15]Canyon <—— [16]Basement <—— No Effect <—— : <—— No Effect <—— 02 <—— <—— Room 3 <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— <—— ..........
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI ● Effect Parameter List BASIC TYPE No. Parameter Display* Value BASIC TYPE No. Parameter Display* Value CHORUS CELESTE 1 2 3 4 6 7 8 9 10 11 12 13 14 15 LFO Frequency LFO PM Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO AM Depth Input Mode 0.00~39.7Hz 0~127 -63~+63 0~127 50Hz~2.0kHz -12~+12dB 500Hz~16.
MIDI Data Format • MIDI-Datenformat • Format des donées MIDI BASIC TYPE No. Parameter Display* Value BASIC TYPE No. Parameter Display* Value DELAY L,C,R 1 2 3 4 5 6 7 10 11 12 13 14 15 16 Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp Dry/Wet HPF Cutoff LPF Cutoff EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 0.1~715.0ms 0.1~715.0ms 0.1~715.0ms 0.1~715.0ms -63~+63 0~127 0.1~1.0 D63>W ~ D=W ~ D
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Specifications • Technische Daten • Spécifications KEYBOARD: 61 Keys (C1~C6) with Touch Response (Initial/After) POLYPHONY: 64 Notes max.
IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
