Appendix Reference Quick Guide DIGITAL KEYBOARD Owner’s Manual EN Setting Up
PSR-I455 Owner’s Manual
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No.
Table of Contents Setting Up Special Features ..............................................................5 Compatible Format and Functions ...................................8 About the Manuals ...........................................................9 Included Accessories .......................................................9 Setting Up Panel Controls and Terminals 10 Setting Up 12 Power Requirements......................................................
Setting Up Special Features Creating New Sounds Page 21 By adjusting just two knobs you can add varying degrees of distortion, “sweetness,” or other characteristics to a sound to change it subtly or drastically. Parameters that can be assigned to the knobs include effect, filter, envelope generator and more.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. Setting Up WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Battery • Do not place the power cord near heat sources such as heaters or radiators.
CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Connections • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Compatible Format and Functions Setting Up GM System Level 1 “GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support GM System Level. XGlite As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format.
About the Manuals Setting Up This instrument has the following documents and instructional materials. Included Documents Owner’s Manual (this book) • Setting Up Please read this section first. • Quick Guide This section explains how to use the basic functions. Refer to this section while playing the instrument. • Reference This section explains how to make detailed settings for the various functions of the instrument. • Appendix This section includes troubleshooting information and specifications.
Panel Controls and Terminals Setting Up Display (page 15) Front Panel Setting Up Harmnum1 001 t y u i q !2 e !0 o !1 !3 r @3 w Front Panel q w e r t y u i o !0 10 [MASTER VOLUME] control ................Page 14 PITCH BEND wheel..............................Page 34 [ ] (Standby/On) switch ....................Page 14 LIVE CONTROL section [ASSIGN] button ...............................Page 21 [A] and [B] knobs .............................Page 21 [DEMO] button.................................
Panel Controls and Terminals Tabla/Tanpura Pattern List (page 75) Style List (page 74) Voice List (page 61) Setting Up Dial (page 14) !4 !5 !6 !7 !8 @0 !9 @2 @1 Song List (page 76) “Press & Hold” symbol By holding down one of the buttons having this symbol, you can call up an alternate function, other than the one called up when simply pressing. Rear Panel @4 @5 @6 !3 [TRACK CONTROL] buttons • When the [TABLA/TANPURA] lamp is turned on:..........................................
Setting Up Installing the batteries Power Requirements Setting Up Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources. 1 Make sure that the power of the instrument is off (display is blank, except for notation staff). 2 Open the battery compartment cover located on the instrument’s bottom panel.
Setting Up Power source on the display You can confirm the power source at the left corner of the display. Only one of these is shown. Harmnum1 When is shown, the power is supplied from the AC power adaptor. When is shown, the power is supplied from the batteries. When the AC power adaptor is connected with the batteries installed, the power is supplied from the AC power adaptor and the indication is shown.
Basic Operations Turning the Power On/Off Setting Up Turn down the MASTER VOLUME control to “MIN” then press the [ ] (Standby/On) switch to turn on the power. While playing the keyboard, adjust the MASTER VOLUME control. To turn off the power, press the [ ] (Standby/On) switch again for a second.
Display Items Power source status Indicates the source from which this instrument obtains power, AC power adaptor or batteries. (Page 13) USB connection status Appears when USB flash memory is connected to this instrument. (Page 51) Setting Up The display shows all the current settings of the Song, Style, Tabla/Tanpura, Voice and other related functions. Notation Normally this indicates the notes you play. When the Song Lesson function is used, this indicates the current notes and chord of playback.
Try Playing a Variety of Instrument Voices Quick Guide In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, and even sound effects—giving you a wide variety of musical sounds. Selecting a Main Voice 1 Press the [VOICE] button. The Voice number and name will be shown.
Try Playing a Variety of Instrument Voices Playing a Split Voice in the Left Hand area By dividing the keyboard into the two separate areas, you can play a different Voice between the Left hand and Right hand areas. 1 Press the [SPLIT] button to turn on Split. The keyboard is divided into the Left hand and Right hand areas.
Try Playing a Variety of Instrument Voices Using the Metronome 2 The instrument features a built-in metronome (a device that keeps an accurate tempo), convenient for practicing. 1 NOTE Press the [METRONOME] button to start the metronome. • This parameter cannot be set during playback of a Style, Song or Tabla/Tanpura. 3 2 Rotate the dial to select the number of beats per measure. A chime will sound on the first beat of each measure while the other beats will click.
Try Playing a Variety of Instrument Voices 3 Adding Harmony You can add harmony notes to the Main Voice. 1 Press the [HARMONY] button to turn Harmony on. Rotate the dial to select the desired Harmony Type. For details, refer to the Effect Type List (page 80). The effect and operation differs depending on the Harmony Type. Refer to the section below.
Creating Arpeggios The Arpeggio function lets you create arpeggios (broken chords) by simply pressing the notes of the chord. For example, you could play the notes of a triad—the root, third, and fifth—to trigger interesting phrases. This feature can be used for music production as well as performance. Triggering the Arpeggio 1 Press the [ARPEGGIO] button to turn on the Arpeggio function.
Creating Original Sounds via the Knobs The two knobs located in the lower left area of the panel can be used to add variations to the sound being played, transforming the sound in a variety of musical ways. Select the desired pre-programmed effect combination printed above the Knobs, then rotate the Knobs to enjoy the sound. Repeatedly press the [ASSIGN] button to sequentially select the six effect combinations provided: (1) (2) (3) (4) (5) (6) (1) … etc.
Playing Styles This instrument includes the Auto Accompaniment feature that plays appropriate “Styles” (rhythm + bass + chord accompaniment). You can select from a huge variety of Styles covering a wide range of musical genres. 1 Press the [STYLE] button, then use the dial to select the desired Style. The Style List is shown on the front panel; also see page 74. For information about chords, refer to “Chord List” (page 44) or use the Chord Dictionary function (page 45).
Playing the Tabla/Tanpura! This instrument provides 16 phrase patterns (consisting of several measures) using the authentic Tabla and Tanpura sounds with looped playback. By using the Tabla/Tanpura function, try out the conventional Indian music—changing keys and creating dynamic sound variations by rotating the Knobs. 1 Press the [TABLA/TANPURA] button, then use the dial to select the desired Tabla/Tanpura pattern. Refer to the Tabla/Tanpura list on the panel of this instrument.
Playing Songs You can simply enjoy listening to the internal Songs, or use them with just about any of the functions, such as Lesson. Song Category The Songs are organized by category as listed below. • • • • • • • • • • Gives you an idea of the advanced capabilities of this instrument. Demonstrates many useful Voices of this instrument. These piano solo pieces are ideally suited for the Song Lesson. These piano ensemble pieces are also well suited for the Song Lesson.
Playing Songs Song Fast Forward, Fast Reverse, and Pause Like the transport controls on an audio player, this instrument lets you fast forward [ ] (Fast Forward), rewind [ ] (Fast Reverse) and pause [ ] (PAUSE) playback of the Song. Fast Forward During playback, press this button to rapidly skip ahead to a later point in the Song. 3 When playback reaches to the point you want to specify as the end point, press the [ ] (A-B REPEAT) button again to set the B point.
Using the Song Lesson Feature You can use the selected Song for a left-hand, right-hand, or both-hands lesson. Try practicing with these three Song Lesson types while referring to the music scores in the Song Book (page 9). Three Types of Song Lesson Practicing with Song Lesson 1 Lesson 1—Listen Select the desired Song for your lesson (page 24). NOTE In this Lesson, you need not play the keyboard. The model melody/chords of the part you selected will sound. Listen to it carefully and remember it well.
Using the Song Lesson Feature To stop Lesson playback, press the [START/ STOP] button. Even during playback, you can change the Lesson number by pressing the [LESSON] button. If you want to practice a specific section in which you made a mistake or you have difficulty with use the Repeat & Learn function. Press the [ ] (REPEAT & LEARN) button during a Lesson playback.
Recording Your Performance You can record up to 10 of your performances as User Songs. The recorded User Songs can be played back on the instrument. NOTE • The Tabla/Tanpura performance cannot be recorded. 4 Track Structure of a Song Start recording. • When you press the [SONG] button in Step 2, play any note to start recording. Melody Tracks [1]–[5] The melody performance in the right-hand area of the keyboard will be recorded.
Recording Your Performance The operation here is useful especially when you want to record the additional performances to an already recorded Song. 1 Press the [SONG] button, then select the desired User Song (111–120) as the recording target. User 1 111 Song number 2 3 Same as in Steps 4 to 6 (page 28) in “Quick Recording.” NOTE • If the memory becomes full while recording, an alert message will appear and recording will stop automatically.
Recording Your Performance Clearing a User Song Clearing a Specified Track from a User Song You can clear all tracks of a User Song. 1 2 Press the [SONG] button, then select the User Song (111–120) to be cleared. While holding down the track [A] button, press the track [1] button for longer than a second. A confirmation message will appear on the display. Quick Guide Hold for longer than a second. This lets you clear individual tracks from a User Song.
Memorizing Your Favorite Panel Settings This instrument has a Registration Memory feature that lets you memorize your favorite settings for easy recall whenever they’re needed. Up to 32 complete setups can be saved (eight banks of four setups each). 8 Banks Memory 1 Memory 2 Memory 3 Memory 4 Up to 32 presets (eight banks of four each) can be memorized. 1 Make the desired settings such as those for Voice, Style, and Tabla/Tanpura.
Backup Parameters and Initialization Backup Parameters The following data will be maintained even if the power is turned off and can be transferred then saved to a computer via Musicsoft Downloader as a single Backup file. For instructions, refer to “Computerrelated Operations” (page 9). Initialization This function erases the Backup data described above and Song/Style data, then restores all the default factory settings. As required, execute one of the following two procedures.
Handy Performance Features Reference Selecting a Reverb Type Selecting a Chorus Type The Reverb effect lets you play with a rich concert hall type ambience. Although selecting a Style or Song will call up the optimum Reverb type for the entire sound, you can select a different Reverb type manually. The Chorus effect creates a thick sound that is similar to many of the same Voices being played in unison.
Handy Performance Features Pitch Controls—Transpose The overall pitch of the instrument (except for the Drum Kit Voices) can be shifted up or down by a maximum of 1 octave in semitone increments. 1 Press the [FUNCTION] button. 2 Use the CATEGORY [+] and [-] buttons to call up “Transpos” (Function 004). Pitch Controls—the PITCH BEND wheel The PITCH BEND wheel can be used to add smooth pitch variations to notes you play on the keyboard.
Handy Performance Features Changing the Touch Sensitivity of the Keyboard Selecting an EQ Setting for the Best Sound The keyboard of this instrument is equipped with a Touch Response feature that lets you dynamically and expressively control the level of the Voices according to your playing strength.
Voice Settings Selecting a Dual Voice Voice Editing 1 For each of the Main, Dual and Split Voices, you can edit the parameters such as volume, octave and depth of the Reverb and Chorus, allowing you to create new, custom sounds that best suit your musical needs. Hold down the [DUAL] button for longer than a second to call up “D.Voice.” “D.VOICE” is shown for a few seconds, then the current Dual Voice appears. D.Voice 1 Press the [FUNCTION] button.
Parameters Assigned to the Knobs This section describes each of the parameters which can be assigned to the Knobs (page 21). TABLA/TANPURA Knob A adjusts the volume balance between the sounds of Tabla 1 and 2, while Knob B adjusts the volume balance between the sounds of Tabla and Tanpura. x Level TABLA/TANPURA Knob A adjusts the tempo of Tabla playback while the Tanpura playback tempo is maintained. This follows typical Indian music stylistic conventions.
Parameters Assigned to the Knobs Knob B: RELEASE Adjusts the Release Time (the amount of time it takes for the sound to decay to silence after a key is released). Turning the Knob to the right will increase the Release Time, thus make a longer sustain. n STYLE FILTER Same as “ c FILTER.” These effects are applied only to Style or Tabla/Tanpura playback. NOTE • These effects are applied only to the Main/Dual Voices played on the keyboard.
Arpeggio Settings Synchronizing an Arpeggio to Song/Style/Tabla Playback— Arpeggio Quantize When you play the keyboard to trigger an Arpeggio (page 20) along with Song/Style/Tabla playback, you’ll need to play the notes with correct timing to keep the Arpeggio in synchronization with the other playback tracks. However, your actual timing may be slightly ahead of or behind the beat (or both).
Styles (Auto Accompaniment) and Tabla/Tanpura patterns Style Variations—Sections Each Style consists of “Sections” that allow you to vary the arrangement of the accompaniment to match the song you are playing. INTRO MAIN A/B ENDING AUTO FILL INTRO This is used for the beginning of the Song. When the Intro finishes, Style playback shifts to the Main section. The length of the Intro (in measures) differs depending on the selected Style. MAIN This is used for playing the main part of the Song.
Styles (Auto Accompaniment) and Tabla/Tanpura patterns Press the [INTRO/ENDING/rit.] button. 8 Press the [INTRO/ENDING/rit.] button. ENDING INTRO≥A Now, you’re ready to start Style playback from the Intro section. 6 Play a chord with your left hand to start playback of the Intro. For this example, play a C major chord (as shown below). For information on how to enter chords, see “Chords” on page 44.
Styles (Auto Accompaniment) and Tabla/Tanpura patterns Tabla/Tanpura Variations Tap Start Each Tabla/Tanpura features five Variations A–E via the Tabla sound. These five variations can be alternated via the [A]–[E] buttons during playback, allowing you to add dynamic variations to the performance. You can start play back of the Tabla/Tanpura, Style or Song by simply tapping the TEMPO [TAP] button at the required tempo—four times for time signatures in 4 (4/4, etc.
Styles (Auto Accompaniment) and Tabla/Tanpura patterns Setting the Split Point The point on the keyboard that separates the left-hand range and the right-hand range of the keyboard is called the “Split Point.” When a Style is selected and ACMP is on, the notes played to the left of the Split Point are used to specify the chord for Style playback. When the Split function is on, the notes played to the left of the Split Point are used to play the Split Voice.
Styles (Auto Accompaniment) and Tabla/Tanpura patterns Chord Types for Style Playback For users who are new to chords, this chart features common chords. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details. indicates the root note.
Styles (Auto Accompaniment) and Tabla/Tanpura patterns 2-2. Looking Up Chords Using the Chord Dictionary The Dictionary function is useful when you know the name of a certain chord and want to quickly learn how to play it. 1 Press the key labeled “M7” in the section between “CHORD TYPE ” and “ROOT.” The notes you should play for the specified chord (root note and chord type) are conveniently shown in the display, both as notation and in the keyboard diagram.
Song Settings BGM (Background Music) Playback With the default setting, pressing the [DEMO/BGM] button will play back only a few of the internal Songs repeatedly. This setting can be changed so that, for example, all internal Songs are played, or all Songs transferred to the instrument from a computer are played back, letting you use the instrument as a background music source. Five playback group settings are provided. Simply select the one that suits your needs.
Song Settings Tempo Setting of the Song This operation is same as that of the Style and Tabla/ Tanpura. Refer to page 42. Tap Start Melody Voice Setting of the Preset Song You can change the Melody Voice of the current Preset Song temporarily to any other desired Voice. 1 Press the [SONG] button, select the desired Preset Song, then start playback. 2 Press the [VOICE] button, then rotate the dial to select the desired Voice. This operation is same as that of the Style and Tabla/ Tanpura.
The Functions The “Functions” provide access to a range of detailed instrument parameters such as Tuning, Split Point, Voices and Effects. Take a look at the Function List (pages 48–50). When you find the desired Function you want to change, follow the instructions below. Basic Procedure in the Function Display 1 Find the desired item in the Function List on pages 48–50. 2 Press the [FUNCTION] button.
The Functions Function Number Function Display Range/Settings Default Value Description 015 Release Time M.Releas 000–127 64 Determines how fast the volume of the Main Voice falls to 0 when the note is released. The larger the value, the longer the sustain. The smaller the value, the shorter the sustain. 016 Filter Cutoff M.Cutoff 000–127 64 Determines the Filter Cutoff Frequency (page 37) of the Main Voice. 017 Filter Resonance M.Reso.
The Functions Function Number Function Display Range/Settings Default Value Description 045 External Clock ExtClock ON/OFF OFF Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). When you record your keyboard performance to the application software on the computer via MIDI, set this parameter to ON.
USB Flash Memory Operations By connecting the USB flash memory device to the [USB TO DEVICE] terminal, you can save the data created on this instrument, such as User Song and parameter settings. The saved data can be recalled to this instrument again for the future use. IMPORTANT • It is recommended to use the Power Adaptor when executing USB flash memory operations, since battery power may not be reliable enough to last through these crucial operations.
USB Flash Memory Operations Connecting a USB Flash Memory 1 2 Connect a USB flash memory to the USB TO DEVICE terminal, being careful to insert it with the proper orientation. Wait until “USB” appears on the left corner of the display. The “USB” indication confirms that the connected USB flash memory has been mounted or recognized. Harmnum1 4 Rotate the dial to call up the desired File Control function, then execute it. For details, refer to the table below.
USB Flash Memory Operations Formatting a USB Flash Memory The Format operation lets you prepare commercially available USB flash memory for use with this instrument is called “Format.” 1 2 Recognizable file location in the USB flash memory for Song playback (page 24) USB flash memory (Root) Song File Hold the [FILE CONTROL] button for longer than a second to call up the File Control display. Song File Use the CATEGORY [+] and [-] buttons to call up “Format?.” Can be selected/ played.
USB Flash Memory Operations Saving User Data to a USB Flash Memory 5 The following data created on this instrument comprise the “User Data.” • All 10 User Songs • Styles which have been transferred from a computer then loaded to Style numbers 207–211. NOTICE • The Save operation cannot be cancelled during execution. Never turn off the power or disconnect the USB flash memory during the operation. Doing so may result in data loss.
USB Flash Memory Operations Saving a User Song as SMF to a USB Flash Memory 5 A User Song can be converted to SMF (Standard MIDI File) format 0 and saved to a USB flash memory. SMF (Standard MIDI File) format With this format, various events via the keyboard performance such as note on/off and Voice selection will be recorded as MIDI data. The SMF Format 0 and Format 1 are available.
USB Flash Memory Operations Loading User Data from a USB Flash Memory A User data (page 54) saved as a User file (.usr) to the USB flash memory can be loaded to this instrument. NOTICE • Loading a User file will overwrite and erase the existing data, including all 10 User Songs, Style data loaded to the Style numbers 207–211, and all the Registration Memory settings. Save important data you want to keep to a separate USB flash memory before loading a User file.
USB Flash Memory Operations 4 Style data created on another instrument or a computer can be loaded to the Style numbers 207–211, and you can play them like the internal preset Styles. The following two Load operations are available. Loading of a Style file (.sty) saved on the root directory on the USB flash memory Loading of a Style file (.
USB Flash Memory Operations Deleting a User File in the USB Flash Memory Deleting a SMF File in the USB Flash Memory User Files (.usr) in the root directory of the USB flash memory can be deleted. You can delete a SMF file that has been saved in the USB flash memory via the Save SMF operation (page 55). IMPORTANT • The User file (.usr) to be deleted should have been saved in the root directory of the USB flash memory. Files outside this folder cannot be recognized.
USB Flash Memory Operations To exit from the File Control display, press the [VOICE], [STYLE], [TABLA/TANPURA], [SONG], [FUNCTION], or [GRAND PIANO] button. You can also exit from the File Control function mode as follows: 1 Use the CATEGORY [+] and [-] buttons to call up “Exit?.” Exit? 2 Press the [0/EXECUTE] button to exit from the File Control display. Message Comment Can’t Use Indicates that the file control function is currently unavailable since the media is being accessed. Complet.
Troubleshooting Appendix Problem This is normal and indicates that the instrument is receiving electrical power. When using a mobile phone, noise is produced Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument The instrument is automatically turned off even if no operation is done. This is normal. This occurs due to the Auto Power Off function (page 14). The volume is too soft.
Voice List Maximum Polyphony Panel Voice List Voice No.
Voice List Voice No.
Voice List 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 *255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 MIDI Bank Select Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) 126 0 2 SFX Kit 2 126 0 21 Bass Drum Kit 126 0 22 Reverse Bass Drum Kit 126 0 125 China Kit 1 127 0 127 China Kit 2 126 0 37 Arabic Kit 126 0 41 Cuban Kit ARPEGGIO Concerto Chambers Pizzicato Strings Latin Rock
Voice List Voice No.
Voice List 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 MIDI Bank Select Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) 0 64 56 Impact XG BRASS 0 0 57 Trumpet 0 16 57 Trumpet 2 0 17 57 BriteTrumpet 0 32 57 Warm Trumpet 0 0 58 Trombone 0 18 58 Trombone 2 0 0 59 Tuba 0 16 59 Tuba 2 0
Voice List Voice No.
Drum Kit List •“ ” indicates that the drum sound is the same as “Standard Kit 1”. • Each percussion voice uses one note. • The MIDI Note is actually one or two octave(s) lower than keyboard Note (see Default Octave column). For example, in “222: Standard Kit 1”, the “Seq Click H” (Note C1) corresponds to (Note C0: Note# 24). • Key Off: Keys marked “O” stop sounding the instant they are released. • Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously.
Drum Kit List C1 C#1 D1 E1 F1 D#1 F#1 G1 G#1 A1 B1 C2 A#1 C#2 D2 E2 F2 D#2 F#2 G2 G#2 A2 B2 C3 A#2 C#3 D3 E3 F3 D#3 F#3 G3 G#3 A3 B3 C4 A#3 C#4 D4 E4 F4 D#4 F#4 G4 G#4 A4 B4 C5 A#4 C#5 Appendix D5 E5 F5 D#5 F#5 G5 G#5 A5 B5 C6 68 A#5 Voice No.
Drum Kit List C#1 D1 E1 F1 D#1 F#1 G1 G#1 A1 B1 C2 A#1 C#2 D2 E2 F2 D#2 F#2 G2 G#2 A2 B2 C3 A#2 C#3 D3 E3 F3 D#3 F#3 G3 G#3 A3 B3 C4 A#3 C#4 D4 E4 F4 D#4 F#4 G4 G#4 A4 B4 C5 A#4 C#5 D5 E5 F5 D#5 F#5 G5 G#5 A5 B5 C6 A#5 221 127/000/088 222 127/000/001 223 127/000/002 224 127/000/009 225 127/000/017 Power Kit Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Snare Soft Power 1 Kick Amb+ Open Rim Power 1 Kick Power Open Kick Power Closed Side Stick Power Snare Power Hand
Drum Kit List C1 C#1 D1 E1 F1 D#1 F#1 G1 G#1 A1 B1 C2 A#1 C#2 D2 E2 F2 D#2 F#2 G2 G#2 A2 B2 C3 A#2 C#3 D3 E3 F3 D#3 F#3 G3 G#3 A3 B3 C4 A#3 C#4 D4 E4 F4 D#4 F#4 G4 G#4 A4 B4 C5 A#4 C#5 Appendix D5 E5 F5 D#5 F#5 G5 G#5 A5 B5 C6 70 A#5 Voice No.
Drum Kit List * Actual keyboard notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the list below.
Drum Kit List C1 C#1 D1 E1 F1 D#1 F#1 G1 G#1 A1 B1 C2 A#1 C#2 D2 E2 F2 D#2 F#2 G2 G#2 A2 B2 C3 A#2 C#3 D3 E3 F3 D#3 F#3 G3 G#3 A3 B3 C4 A#3 C#4 D4 E4 F4 D#4 F#4 G4 G#4 A4 B4 C5 A#4 C#5 Appendix D5 E5 F5 D#5 F#5 G5 G#5 A5 B5 C6 72 A#5 Voice No.
Drum Kit List * Actual keyboard notes of the Arabic Kit are one octave higher than the ones described in the list below.
Style List Style No.
Tabla/Tanpura Pattern List 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 Style Name WALTZ ItalyWlz MriacWlz Serenade SwingWlz Jz Wlz 1 Jz Wlz 2 CntryWlz OberWltz Musette CHILDREN Learn2/4 Learn4/4 Learn6/8 Fun 3/4 Fun 4/4 PIANIST Stride PnoBls 1 PnoBls 2 Pno Rag Pno R&R PnoBoogi PnoJzWlz PnoJzBld Arpeggio Musical SlowRock 8Pno Bld PnoSwing Pattern No.
Song List Song No. Song Name Composer Main Demo 1 2 3 50 51 Voice Demo Grand Piano Demo Sweet! Tenor Sax Demo Cool! Rotor Organ Demo Cool! Galaxy Electric Piano Demo Modern Harp & Sweet! Soprano Demo Power Kit Drum Demo Dance Kit Drum Demo Afro Cuban Kit Percussion Demo Piano Solo Maple Leaf Rag Jeanie with the Light Brown Hair The Last Rose of Summer For Elise Valse op.64-1 “Petit Chien” Turkish March Menuett/Beethoven Andante grazioso (Sonate K.331) 24 Preludes op.
Arpeggio List Arpeggio Name UpOct DownOct UpDwnOct SynArp1 SynArp2 SynArp3 SynArp4 SyncEcho PulsLine StepLine Random Down&Up SuperArp AcidLine TekEcho VelGruv Planet Trance1 Trance2 Trance3 ChordAlt SynChrd1 SynChrd2 Syncopa Hybrid1 Hybrid2 Hybrid3 Hybrid4 Hybrid5 PfArp1 PfArp2 PfArp3 PfArp4 PfClub1 PfClub2 PfBallad PfChd8th EPArp PfShufle PfRock Clavi1 Clavi2 RocknPf 70RockPf SlowflPf SoulPf ChordUp ChdDance LatinRck Salsa1 Salsa2 Reggae1 Reggae2 Reggae3 6/8R&B Gospel BalladEP Strum1 Strum2 Strum3 Strum4 P
Music Database List MDB No.
Music Database List 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 MDB Name Wish I What COUNTRY OnTheRd Breathe InMyMind ContryHw GreenGrs EverNeed Lonesome Lucille HomeRng Tennesse LATIN Bananabt DanceMng DntWorry Jamaica FleaSpa I'mPola MamboJm OneNote PasoCani SayNoMor Beguine Tijuana Picture ENTERTAINMENT OnTheHil B
Effect Type List Harmony Types No.
Specifications Keyboard Other Controllers Display Voices Effects Accompaniment Styles Dimensions (W x D x H) Weight Number of Keys Touch Response Pitch Bend Control Knobs Display Language Tone Generation Tone Generating Technology Polyphony Number of Polyphony (Max.
Index A E L AC Power Adaptor .................. 9, 12 Accessories .................................... 9 ACMP ..................................... 22, 40 Arpeggio ................................. 20, 39 Arpeggio List ............................... 77 Arpeggio Quantize ................ 39, 49 Arpeggio Type ....................... 20, 49 Arpeggio Velocity ........................ 49 ATTACK ...................................... 37 Attack Time ..................... 37, 48, 49 Auto Accompaniment .........
Index RAGA SCALE ............................ 24 Random ........................................ 46 Recording ..................................... 28 Registration Memory .................. 31 RELEASE .................................... 38 Release Time .......................... 38, 49 Repeat ........................................... 25 Repeat & Learn ............................ 27 RESONANCE ............................. 37 REVERB ...................................... 37 Reverb Depth .................
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
