DIGITAL WORKSTATION Owner’s Manual EN
SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument.
Connections Saving data • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences.
Congratulations and thank you for purchasing the Yamaha PSR-S550! Please read this owner’s manual carefully before using the instrument in order to take full advantage of its various features. Make sure to keep this manual in a safe and handy place even after you finish reading, and refer to it often when you need to better understand an operation or function. Accessories The instrument package includes the following items. Please check that you have them all.
Special Features of the PSR-S550 ■ Play a Variety of Instrument Voices Page 17 The instrument voice that sounds when you play the keyboard can be changed to violin, flute, harp, or any of an extensive range of Voices. You can change the mood of a Song written for piano, for example, by using violin to play it instead. Experience a whole new world of musical variety. ■ Play Along with Styles Page 23 Want to play with full accompaniment? Try the auto-accompaniment Styles.
Contents Logos........................................................................................ 6 Accessories .............................................................................. 7 Special Features of the PSR-S550 .......................................... 8 Setting Up 10 Power Requirements .............................................................. 10 Connecting Headphones (PHONES/OUTPUT Jack) ............. 10 Connecting a Footswitch (SUSTAIN Jack).............................
Setting Up Be sure to do the following operations BEFORE turning on the power. Power Requirements Make all necessary connections below BEFORE turning the power on. Connecting Headphones (PHONES/OUTPUT Jack) Make sure that the [STANDBY/ON] switch of the instrument is set to STANDBY. • Use the specified adaptor (page 135) only. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument. Connect the power adaptor’s DC plug to the power supply jack.
Setting Up Connecting to a Computer (USB Terminal) Turning the Power On Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. Press the [STANDBY/ON] switch again to turn the power OFF. Connect the instrument’s USB terminal to the USB terminal of a computer, and you can transfer performance data and Song files between the two (page 96).
Setting Up Changing the Display language Adjusting the LCD CONTRAST control This instrument allows you to select English or Japanese as the display language. The default display language is English, but if you switch to Japanese the lyrics, file names and some messages will be displayed in Japanese where appropriate. Adjust the LCD CONTRAST control on the rear panel of the instrument for optimum display legibility. Press the [FUNCTION] button.
Setting Up ● Music Rest Insert the music rest into the slots as shown.
Panel Controls and Terminals e q t r y !1 i u w !2 !4 o !5 !6 !3 !7 !0 #3 #2 Front Panel q [STANDBY/ON] switch .................... page 16 w [MASTER VOLUME] control.... pages 16, 40 e [DEMO] button ................................. page 16 r [SONG MODE] button ..................... page 27 t SONG [PRESET], [USER] buttons .......... page 27 [SCORE] button ............................ page 30 [LYRICS] button ............................ page 31 y [USB] button ....................................
Panel Controls and Terminals !9 @4 @5 @0 @2 @1 @8 @6 @9 @7 #0 !8 #1 @3 Rear Panel #4 #5 #6 #7 #8 Rear Panel @3 CATEGORY [ < ] and [ > ] buttons ..... page 41 #4 SUSTAIN jack................................... page 10 @4 [EXECUTE] button........................... page 68 #5 USB TO HOST and TO DEVICE terminals .......................................... page 90 @5 [MDB] button ................................... page 26 @6 [FILE MENU] button ........................
e d ck Gui ui Q Playing Songs Quick Guide This instrument include a Demonstration Song. Let’s start by playing the Demonstration Song. 1 Press the [STANDBY/ON] button until it locks in the ON position. The Main display appears in the LCD. VOICE name STYLE name SONG name Music Database name 2 Press the [DEMO] button to start the Demo. 3 >/■] button to stop Demo. Press the [> 16 The Demo display appears in the LCD.
e d ck Gui ui Q Try playing a variety of Instrument Voices In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of realistic Voices—including guitar, bass, strings, sax, trumpet, drums and percussion, sound effects, and a wide variety of other musical sounds. Select and Play a Voice In this operation, you’ll select a Main Voice and play it on the keyboard. 1 Select and press the desired Voice category button in the Voice section.
Try playing a variety of Instrument Voices Playing Two Voices Simultaneously—DUAL This lets you select a second Voice which you can play in addition to the Main Voice. The second Voice is known as the “Dual” Voice. Two Voices will sound at the same time. 1 Press the [DUAL] button. The [DUAL] button turns the Dual Voice on or off. When Dual Voice is turned on, the [DUAL] button is lit. The currently selected Dual Voice will sound in addition to the Main Voice when you play the keyboard.
Try playing a variety of Instrument Voices 4 Select the Voice you want to play. 5 Play the keyboard. Look at the highlighted Voice name and rotate the dial. The available Voices will be selected and displayed in sequence. The Voice selected here becomes the Dual Voice. For this example, select the “003 Marimba” Voice. Try selecting and playing a range of Dual Voices. Press the [EXIT] button to return to the MAIN display.
Try playing a variety of Instrument Voices 2 Press and hold the [LEFT] button for longer than a second. The LEFT Voice selection display will appear. The currently selected category name, Voice number and name will be highlighted. Left Voice selection display The currently selected category The currently selected Left Voice Hold for longer than a second 3 Select and press the desired Voice category button in the VOICE section. For this example, select the “Guitar&Bass” category.
Try playing a variety of Instrument Voices Playing Drum Kits Drum Kits are collections of drum and percussion instruments. When you select a violin or other normal instrument—as a Main Voice, for example—all keys produce the sound of the same violin, only at different pitches. If you select a Drum Kit as the Main Voice, however, each key produces the sound of a different drum or percussion instrument. 1 Press the [DRUM KIT] button. 2 Rotate the dial and select the Drum Kit you want to play (001–019).
e d ck Gui ui Q Playing Styles This instrument includes an auto-accompaniment feature that plays appropriate “Styles” (rhythm + bass + chord accompaniment) when you play left-hand chords. You can select from 176 different Styles covering a range of musical genres and time signatures (see page 121 for a complete list of the available Styles). You can also select from the original Styles you’ve created on your own. Here’s how you can use the auto-accompaniment feature.
Playing Styles Playing Along with a Style You learned how to select a Style rhythm on the preceding page. Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with. 1 Select and press the desired Style category button in the Style section. Press the [EXIT] button to return to the Main display. 2 Turn automatic accompaniment on. Press the [ACMP] button.
Playing Styles 4 Play a left-hand chord to start the Style. You can still “play” chords even if you don’t actually know any chords. This instrument will recognize even a single note as a chord. Try playing from one to three notes at the same time to the left of the split point. The chord will change according to the left-hand notes you play. Split point 5 Play a variety of left-hand chords while playing a melody with your right hand.
Playing Styles Playing Auto-accompaniment Chords There are two ways of playing auto-accompaniment chords: ● Easy Chords ● Standard Chords The instrument will automatically recognize the different chord types. The keyboard to the left of the split point (default: 54/F#2) becomes the “accompaniment range.” Play the accompaniment chords in this area of the keyboard.
e d ck Gui ui Q Playing with the Music Database You want to play music in your favorite Style, but you’re not sure how to select the best Voice and Style for the type of music you want to play, simply select the appropriate Style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and Style! 1 Press the [MDB] button. 2 Select the desired Music Database which matches the music style or type you want to play.
e d ck Gui ui Q Using Songs With this instrument the term “Song” refers the data that makes up a piece of music. In this section we’ll learn how to select and play Songs. Song (Score) Listen (Lyrics) See Record Selecting and Listening to a Song 1 Select and press one of the Song category buttons, which corresponds to the type of Song you want to listen to. [PRESET] : Nine preset Songs are available here. [USER] : This contains your recorded Songs and Songs loaded from USB flash memory/computer.
Using Songs PRESET 3 Built-in Songs 1 Amazing Grace (Traditional) 2 OdeToJoy (L.v. Beethoven) 3 Annie Laurie (Traditional) 4 Nocturne 9-2 (Chopin) 5 Fossiles (Le Carnaval des Animaux) (C. Saint-Saëns) 6 Latin (Original) 7 Arabic (Original) 8 Bhangra (Original) 9 Wu Lin Hun (Original) USER User Songs (Songs you record yourself) or Songs transferred from a USB flash memory/computer (pages 96–98) USB Songs in a USB flash memory connected to the instrument (pages 87, 89) Listen to the Song.
Using Songs Types of Songs The following four types of Songs can be used by this instrument. ● ● ● ● Preset Songs (the nine Songs built into the instrument).............. Preset Song numbers 001–009. User Songs (recordings of your own performances) ................... USER Song numbers 001–005. Loaded Songs (Song data loaded from computer) ...................... USER Song numbers 006– USB Songs (Song data in the USB flash memory) ......................
Using Songs Displaying the Song Score This instrument is capable of display the scores (notation) of Songs. Scores can also be displayed for Songs loaded from USB flash memory or computer. 1 2 Select a Song. Follow steps 1 and 2 of the procedure described on page 27. Press the [SCORE] button and a single-staff score will appear. There are two types of score display: single-staff and double-staff. These are alternately selected each time the [SCORE] button is pressed.
Using Songs Displaying the Lyrics If a Song contains lyric data, the lyrics can be made to appear on the display. No lyrics will be displayed for a Song that contains no lyric data, even if the [LYRICS] button is pressed. 1 Select a Song. 2 Press the [LYRICS] button. Follow steps 1 and 2 of the procedure described on page 27. Try to select the Preset SONG 001 or 003. NOTE The title, lyricist, and composer of the Song will appear on the display.
e d ck Gui ui Q Recording Your Own Performance You can record up to five of your own performances and save them as user Songs 001 through 005. Additionally, when a Song is playing the score will be shown on the display. This is a great way to learn how to read music. If the Song contains lyric and chord data, the lyrics and chords will also appear on the score display. ■ Recordable data When Style is off, tracks [1]–[16] can be recorded as melody tracks.
Recording Your Own Performance ■ Example: Part settings in Multi Recording When Style is OFF When Style is ON Melody or other parts: 1–16 Track Track 1 Main Voice part Track 8 Left Voice part Track 9 Melody or other parts Track 16 Other parts Track 1 Main Voice part Track 8 Left Voice part Style tracks Track 9 Other parts Track 16 Style Quick Recording Procedure You can easily start recording your performance by simply pressing the [REC] button in the [SONG] mode.
Recording Your Own Performance 2 Recording will start when you play the keyboard. Current measure number Start recording 3 >/■] or [REC] button. Stop recording by pressing the [> Track numbers containing recorded data are indicated with framed rectangles. or 4 >/■] button to play back the recording. Press the [> Multi-track Recording Procedure You can set the recorded user Song number and the parts for tracks individually.
Recording Your Own Performance 2 Press the [EXIT] button, then select the recording part for each track (Part Assign). ◆ Selecting the part for the Melody track When Style is OFF: You can select the track for recording from [1]– [16]. When changing the track function between [TR 1–8] and [TR 9–16], press the [REGIST/PART [MIXER]] button repeatedly until the desired item appears at the top on the display.
Recording Your Own Performance 3 Recording will start when you play the keyboard. You can also start recording by pressing the [ >/■] button. When recording is started, the display automatically returns to the Main display, and the measure number is shown in the Main display. Current measure number Start recording 4 Stop recording by pressing the [>/■] or [REC] button. or Alternately, if you press one of the ENDING/rit.
Recording Your Own Performance 6 After the recording is completed: ◆ Play the User Song The operation is the same as that for Preset Songs (see page 27). 1 Press the [USER] button. 2 The current Song number/name will be highlighted—use the dial to select the user Song (001 to 005) you want to play. 3 Press the [>/■] button. ◆ Save to USB flash Memory (see page 86) ● Data not to be recorded The following data is recorded before the beginning of the Song.
Recording Your Own Performance Track Clear—Deleting a Specified Track From a User Song This function lets you delete a specified track from a User Song. 1 2 From the MAIN display select the User Song (001 to 005) you want to clear, then press the [EXIT] button. Press the [REGIST/PART [MIXER]] button a number of times until the desired item appears on the display. The item changes in order from “REGIST.” to “TR 1–8” to “TR 9–16”. Select the desired track: “TR 1–8” or “TR 9–16”.
Backup and Initialization Backup The following data items are automatically saved as backup data in the internal memory even if you turn the power off. To recall the default settings and data, use the Initialization operation.
Basic Operation and Displays Basic Operation Overall PSR-S550 control is based on the following simple operations. 1 Use the category buttons to select a basic function or a CATEGORY. 2 Use the dial to select an item or value. 3 Starting/stopping a Song or Style. 1 USB 1 Song category 1 Style category ● Volume Adjustment Adjusts the volume of the sound heard via the instrument’s speakers or a pair of headphones plugged into the PHONES jack. Rotate counterclockwise to lower the volume.
Basic Operation and Displays ● Category buttons [ <], [ >] You can change the category after you’ve selected a Song, Style or Voice category. Pressing these buttons allow you to step in sequence through the categories. Example: Voice selection display Previous category Next category 2 Use the dial to select an item or value. When you select the category such as Song, Style or Voice, the selected category name and item is shown on the display.
Basic Operation and Displays The Displays ● Display names The display provides important, easy-to-understand indications for performing all operations. The name of the current display appears at the top of the display. You can see the “MAIN” indication at the top on the display. ● MAIN Display Title Call up the Main display Most basic operations are carried out from the instrument’s MAIN display.
Basic Operation and Displays MAIN Display Items The MAIN display shows all of the current basic settings: Song, Style, Voice. It also includes a range of indicators that show the on/off status of a range of functions. Transpose (page 53) Measure number (page 36) OCTAVE (page 54) REGISTRATION memory / Song track indication Shows currently selected item: REGIST., TR 1–8, TR 9–16 (page 74) Tempo (page 49, 51) A-B Repeat Appears when the Repeat function is on for Song playback.
Reference e erenc ef R Playing with the Effects Adding Harmony This feature adds Harmony, Tremolo or Echo effects to the Main Voice. 1 Press the [HARMONY] button to turn the Harmony function on. The [HARMONY] button lights indicating that Harmony is on. To turn Harmony off, press the [HARMONY] button again. 3 Use the dial to select a Harmony type. Refer to the Effect Type List on page 125 for information about the available Harmony types. Try playing the keyboard with the Harmony function.
Playing with the Effects Changing the Reverb Type Reverb enhances the sound of the Voices with the rich ambience of a concert hall. When you select a Style or Song the optimum reverb type for the Voice used is automatically selected. If you want to select a different reverb type, use the operation described below. 1 Press the [FUNCTION] button to call up the FUNCTION display. 3 Use the dial to select a Reverb Type. You can check the sound of the selected Reverb Type by playing the keyboard.
Playing with the Effects Changing the Chorus Type The Chorus effect creates a thick sound that is similar to many of the same Voices being played in unison. When you select a Style or Song the optimum Chorus Type for the Voice used is automatically selected. If you want to select a different Chorus Type, use the procedure described below. 1 Press the [FUNCTION] button to call up the FUNCTION display. 3 Use the dial to select a Chorus Type.
Playing with the Effects Panel Sustain This function adds sustain to the keyboard Voices. Use it when you want to add sustain to the Voices at all times, regardless of footswitch operation. The sustain function does not affect the Left Voice. Press the [SUSTAIN] button to turn the sustain function on. The [SUSTAIN] button lights indicating that Sustain is on. NOTE • For certain Voices, the sustain effect may not be obvious or audible, even when the panel sustain function is turned on.
Playing with the Effects Pitch Bend The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a Voice such as the “042 Overdrive” guitar Voice (page 17), you can produce remarkably realistic string-bending effects. You can change the amount of pitch bend produced by the wheel, as described on page 81.
e erenc ef R Using Various Functions Playing with the metronome This instrument includes a metronome with adjustable tempo and time signature. Play and set the tempo that is most comfortable for you. ■Turn the metronome on● ● ● ● ● ● ● ● Press the [METRONOME] button to start the metronome. To stop the metronome, press the [METRONOME] button again. Tempo Time Signature 2 Use the dial to select a tempo from 5 to 280. Press the [EXIT] button to return to the Main display.
Using Various Functions ■Changing the Time Signature ● ● ● In this example we’ll set up a 3/8 time signature. 1 Press and hold the [METRONOME] button for longer than a second. The currently selected time signature is displayed. 4 Use the dial to select a beat length. Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter note, eighth note, or 16th note). For this example, select 8. The time signature should now be set to 3/8.
Using Various Functions Using Tap Start You can also set the tempo by simply tapping the [TAP TEMPO] button at the required tempo—four times for time signatures in 4, and three times for time signatures in 3. You can change the tempo during Song or Style playback by pressing the button just twice. Touch Response ■Turning Touch Response on/off ● ● Keyboard Touch Response can be turned on by pressing the [TOUCH] button.
Using Various Functions EQ settings Five pre-programmed EQ settings are available. Settings 1 and 2 are best for listening via the instrument’s built-in speakers, setting 3 is for headphones, and settings 4 and 5 are ideal for listening via external speakers or when connecting to an external mixer. 1 Press the [FUNCTION] button. The currently selected function will appear in the display. 2 Press the CATEGORY [<] and [>] but- tons as many times as necessary to call up Master EQ Type.
Using Various Functions Pitch Controls ◆ Large Pitch Changes (Transpose) The overall pitch of the instrument can be shifted up or down by a maximum of one octave in semitone increments. ◆ Small Pitch Changes (Tuning) The overall tuning of the instrument can be shifted up or down by a maximum of 1 semitone. The default setting is 440 Hz. 1 Press one of the TRANSPOSE [+]/[-] 1 Press the [FUNCTION] button. buttons.
Using Various Functions Changing the pitch of the instrument in octaves You can change the playing pitch of the Main and Dual Voices in octave intervals. 1 Press the UPPER OCTAVE [+] button to raise the pitch by one octave. The newly changed value is shown in the LCD. Press the [EXIT] button to return to the Main display. ● In the case of UPPER OCTAVE +1 2 Press the UPPER OCTAVE [-] button to lower the pitch by one octave. The newly changed value—now one octave lower—is shown in the LCD.
e erenc ef R Style (Auto Accompaniment) Functions Basic operation of the Style (Auto Accompaniment) feature is described on page 22 of the Quick Guide. Included here is information on how you can play the Styles in various ways, how to adjust the Style volume, how you can play chords using the Styles, and more. Pattern Variation (sections) The instrument features a wide variety of Style “sections” that allow you to vary the arrangement of the accompaniment to match the Song you are playing.
Style (Auto Accompaniment) Functions 1 Select the desired Style. (See page 22.) 2 Press the [ACMP] button to turn Auto 5 Press one of the MAIN VARIATION [A]– [D] buttons. The selected Main Variation button flashes. Accompaniment on. The [ACMP] button lights when ACMP is turned on. 3 Press the [AUTO FILL IN] button to turn the Auto Fill In function on. The initial default setting for Auto Fill In is “on.” 4 Press the [SYNC START] button to turn Synchro Start on.
Style (Auto Accompaniment) Functions 8 Press one of the MAIN VARIATION [A]– [D] buttons. ● Synchro Stop When this function is selected, the accompaniment Style will only play while you are playing chords in the accompaniment range of the keyboard. Style playback will stop when you release the keys. To turn the function on, press the [SYNC STOP] button. When the fill-in is finished, it leads smoothly into the selected Main section A–D. 9 Press one of the ENDING/rit. [I]–[III] buttons.
Style (Auto Accompaniment) Functions One Touch Setting Sometimes selecting the ideal Voice to play with a Song or Style can be confusing. The One Touch Setting feature automatically selects four ideally matched Voices for the Style you’ve selected. 1 Select the desired Style. (See page 22.) 2 Press one of the ONE TOUCH SETTING [1]–[4] buttons. 3 Play the chord in the accompaniment range and start the Style. Try selecting other ONE TOUCH SETTING [1]–[4] buttons and listen to the results.
Style (Auto Accompaniment) Functions Setting the Split Point The initial default Split Point is key number 54 (the F#2 key), but you can change it to another key using the procedure described below. 1 Press the [FUNCTION] button. 3 Use the dial to set the Split Point to any key from 036 (C1) through 096 (C6). Split Point (54: F#2) Left Voice Main Voice NOTE • Changing the Split Point here also changes the Auto Accompaniment Split Point.
Style (Auto Accompaniment) Functions Playing a Style with Chords but without Rhythm (Stop Accompaniment) When Auto Accompaniment is on (ACMP button lights) and Synchro Start is off, you can play chords in the left-hand accompaniment range of the keyboard while the Style is stopped and still hear the accompaniment chords. This is called “Stop Accompaniment,” and any of the chord fingerings recognized by the instrument can be used (page 25).
Style (Auto Accompaniment) Functions Chord Basics Two or more notes played together constitute a “chord”. The most basic chord type is the “triad” consisting of three notes: the root, third, and fifth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fifth note of the C major scale).
Style (Auto Accompaniment) Functions ■Recognized Standard Chords ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● All chords in the chart are “C-root” chords.
Style (Auto Accompaniment) Functions User Style This instrument features 11 internal Style categories, but it also allows you to import additional Styles (only those with an “.sty” extension) that you’ve downloaded from the Internet or gotten from other sources, and load them into a User Style and use them in the same way as the internal Styles. For details on loading a Style file, see “Loading Registration Files, Style Files, Song Files or MDB Files ” on page 87.
e erenc ef R Creating Original Styles (Style Creator) This instrument has a Style Creator feature that lets you record and save your own original Styles. Recorded Styles can be played in the same manner as the preset Styles. Style Structure Style data consists of eighteen sections, each of which has eight separate Parts.
Creating Original Styles (Style Creator) Follow the Style Creator instructions. Select a preset Style which is most similar to the Style you want to record. * If you are creating a Style from scratch, this step is not necessary. Enter the Style Creator. * A confirmation message appears asking if you want to create a Style from scratch. Entire settings • Beat: 2/4, 3/4, 4/4, 5/4 * If you want to change the beat settings, you should clear all the previous data.
Creating Original Styles (Style Creator) Basic Operation 1 Press one of the [STYLE CATEGORY] A confirmation message appears. buttons. Select a [STYLE CATEGORY] button which is most similar to the Style you want to create. 4 Select the production manner of Style 2 Select a Style which is most similar to the Style you want to create. You can also select a Style from the User Styles. If you are creating a Style from scratch, go on to the next step. Creator.
Creating Original Styles (Style Creator) Parameter Settings, Recording and Saving Select the production manner of Style Creator (refer steps 1–4 on page 66) and go on to the next instructions. ■Entire settings ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● Beat If you change the Beat value, you will need to clear all data and then make a new Style from scratch. 1 Press the CATEGORY[ < ]/[ > ] button repeatedly until “Beat” appears in the display.
Creating Original Styles (Style Creator) ■Part Settings:● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● Select a Part 1 2 ■Recording a Part Part buttons indication Press the CATEGORY[ < ]/[ > ] button repeatedly until “Part” appears in the display. Rotate the dial and select a recorded Part.
Creating Original Styles (Style Creator) ● Rules for recording to non-rhythm Parts: If you want to rehearse a part before recording, press the [EXECUTE] button. The REC mark for the Part in the display will turn off. In this situation, you can start rehearsing by pressing the [START/STOP] button. Return to the Part record standby mode, after stopping rehearsal by pressing the [START/ STOP] button, and then press the [EXECUTE] button again.
Creating Original Styles (Style Creator) ■Editing (Quantize and part clear) ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● Quantize Clearing a recorded Part This function allows you to automatically align the timing of all recorded notes. 1 measure Actual recorded note When Quantize is set to 1/8 When Quantize is set to 1/4 1/4 1/8 1/2 Select a desired section for clearing, and then follow the instructions below.
Creating Original Styles (Style Creator) Saving the data Saving the recorded data 1 Press the CATEGORY[ < ]/[ > ] button repeatedly until “Save” appears in the display. A new user Style number is applied automatically and indicated in the display. 4 Press [+/YES] button to save the data. NOTE • If you select a User Style Number that already contains data, an “Overwrite?” confirmation prompt appears. If you wish to save and overwrite, press the [+/YES] button.
e erenc ef R Song Settings Song Volume 1 Press the [FUNCTION] button. 2 Use the CATEGORY [<] and [>] buttons as many times as necessary to call up Song Volume. Song Volume Can be set between 000 and 127 3 Use the dial to set the Song volume between 000 and 127. NOTE • Song volume can be adjusted while a Song is selected. Changing the Tempo When playing the Song you can change the tempo as required. Press the TEMPO [+]/[-] buttons.
Song Settings A-B Repeat You can specify a section of a Song—“A” is the start point and “B” is the end point—for repeat playback. The A-B Repeat function is also very convenient for practicing when used along with the score display features of the instrument (page 30). A 1 Play the Song (page 27) and press the [A B] button at the beginning of the section you want to repeat (the “A” point). B 3 The specified A-B section of the Song will now play repeatedly.
Song Settings Muting Independent Song Parts Each “track” of a Song plays a different part of the Song—melody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to. Use the [REGIST/PART [MIXER]] button to select the TR 1–8, TR 9–16 and use the SONG PART [1/9]– [8/16] buttons to mute or un-mute the corresponding tracks ([1]–[8], [9]–[16]).
e erenc ef R MIXER This instrument has a MIXER feature that lets you control the Part Volume, Pan, Reverb Level and Chorus Level during playing of the Song or Style. In the Song mode: Determine the group of track numbers, 1–8 or 9–16, then control the functions below. In the Style mode: Directly control the functions below.
MIXER 3 Press the desired [TRACK] button you want to control. 4 Control the Parameter ON/OFF or other parameters in each track. (Refer to the following instructions.) Repeat steps 2–4 and set other tracks if necessary. 5 Press [EXIT] to exit from the mixer operation. The selected track will be changed to ON automatically.
e erenc ef R Memorize Your Favorite Panel Settings This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever they’re needed. Up to 64 complete setups can be saved (8 banks of 8 setups each). Up to 64 presets (eight banks of eight each) can be memorized. 8 Banks Memory 1 Memory 2 Memory 3 Memory 4 Memory 5 Memory 6 Memory 7 Memory 8 Color is used to indicate the status of individual memory buttons for the selected bank. • Lit in Green ...
Memorize Your Favorite Panel Settings Recalling a Registration Memory Make sure that “REGIST” appears in the display (press the [REGIST/PART [MIXER]] button until it is shown). 1 Press the REGIST BANK [+]/[-] button to select the desired bank. You can also use the dial to select the bank number.
Memorize Your Favorite Panel Settings Registration Clear—Deleting a Specified Registration Memory Keep in mind that groups of data cannot be deleted or cleared from the instrument at a single time. 1 Press the [REGIST/PART [MIXER]] but- ton a number of times until the “REGIST.” item appears. The item changes in order from “REGIST.” to “TR 1–8” to “TR 9–16”. 3 Press and hold the REGISTRATION MEMORY button corresponding to the Registration you want to clear for longer than a second.
e erenc ef R The Functions The “Functions” provide a wide range of both detailed and overall instrument parameters, such as adjusting the tuning, setting the split point, and editing the voices and effects. Selecting and Setting Functions There are 51 function parameters in all. 1 Find the function you want to set in the list that begins on page 81. 2 Press the [FUNCTION] button. 3 Select a function.
The Functions ■ Function Setting List Group VOLUME OVERALL Function Item Style Volume Song Volume Tuning Pitch Bend Range Split Point Display Indication Style Volume Song Volume Tuning Pitch Bend Range Split Point Range/Settings 000–127 000–127 415.3–466.2 01–12 Determines the volume of the Style. Determines the volume of the Song. Sets the pitch of the instrument’s sound. Sets the pitch bend range in semitone increments.
The Functions Reverb Type Display Indication Reverb Type 01–36 Chorus Type Chorus Type 1–45 DSP Type DSP Type 001–239 Master EQ Type Master EQ Type PC MODE Harmony Type Harmony Volume PC Mode Harmony Type Harmony Volume PC Mode 1 (Speaker 1), 2 (Speaker 2), 3 (Headphones), 4 (Line Out 1), 5 (Line Out 2) 01–26 000–127 PC1/PC2/OFF MIDI Local ON/OFF Local ON/OFF External Clock ON/OFF Keyboard Out External Clock ON/OFF Keyboard Out ON/OFF Style Out Style Out ON/OFF Song Out Song Out
e erenc ef R Using USB Flash Memory USB flash memory is a memory medium used for storing data. When a USB flash memory device is inserted in this instrument’s USB TO DEVICE terminal, user Songs and user Styles created on the instrument and the registered settings can be saved to or loaded from the device. USB flash memory can also be used to transfer Song, Style MDB data downloaded from the Internet to the instrument.
Using USB Flash Memory Formatting USB Flash Memory A new USB flash memory device must be formatted before it can be used by this instrument. CAUTION • If you format a USB flash memory that already contains data, all of the data will be erased. Be careful not to erase important data when using the format function. 1 After connecting the USB flash memory to be formatted to the instrument’s USB TO DEVICE terminal, check that the “CONNECT” message is shown in the MAIN display. 2 Press the [FILE MENU] button.
Using USB Flash Memory Saving the Registration Data The registration data you created in the instrument can be saved to a USB flash memory device. 1 Make sure that a appropriately format- ted USB flash memory device has been properly connected to the instrument’s USB TO DEVICE terminal, and that a “CONNECT” message is shown in the MAIN display. 2 3 Use the CATEGORY [<] and [>] buttons Press the [FILE MENU] button.
Using USB Flash Memory Saving a User Song or User Style This operation saves user Songs (Song numbers 001–005) or user Styles to USB flash memory. Songs are saved in SMF Format 0. ● What is SMF (Standard MIDI File)? ● To Overwrite an Existing File The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1.
Using USB Flash Memory Loading Registration Files, Style Files, Song Files or MDB Files Registration files, Style files, Song files and MDB files residing on a USB flash memory can be loaded to the instrument. You can also play the Song or Style file directly without loading (see page 89). CAUTION • If the same file name already exists in the instrument’s internal memory, it will be overwritten.
Using USB Flash Memory Deleting Data from USB Flash Memory This procedure deletes selected Registration files, Song files and Style files from a USB flash memory device. 1 Make sure that the USB flash memory device containing the file(s) you want to delete has been properly connected to the instrument’s USB TO DEVICE terminal, and that the “CONNECT” is shown in the MAIN display. 2 Press the [FILE MENU] button. 3 Use the CATEGORY [<] and [>] buttons to locate the USB Delete item.
Using USB Flash Memory Playing Songs or Styles Saved to USB Flash Memory 1 Make sure that the USB flash memory device containing the Song or Style you want to play has been properly connected to the instrument’s USB TO DEVICE terminal, and that the “CONNECT” is shown in the MAIN display. 2 To play a Song file, press the [SONG MODE] button so that it lights. To play a Style file, press the [SONG MODE] button so that it is unlit. 3 Press the [USB] button.
e erenc ef R Connections Connectors q w q USB TO HOST terminal This terminal allows direct connection to a personal computer. Refer to “Connecting a Personal Computer” on page 92 for more information. w USB TO DEVICE terminal This terminal allows connection to USB storage devices. Refer to “Connection to a USB Storage Device” below.
Connections Backing up the instrument data to a computer Once you’ve saved data to a USB flash memory device, you can copy the data to the hard disk of your computer, then archive and organize the files as desired. Simply reconnect the device as shown below. Saves internal data to a USB flash memory.
Connections Connecting a Personal Computer The following functions become available when this instrument is connected to a computer. ● Performance data can be transferred between the instrument and the computer (page 94). ● Files can be transferred between the instrument and the computer (page 96). The connection procedure is as follows: 1 Install the USB-MIDI driver on your computer. The USB-MIDI driver is included on the CDROM. Installation of the USB MIDI driver is described on pages 101–102.
Connections ■ Precautions when using the [USB TO DEVICE] terminal This instrument features a built-in [USB TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below. NOTE • For more information about the handling of USB devices, refer to the owner’s manual of the USB device. ● Compatible USB devices • USB storage devices (flash memory, floppy disk drive, hard disk drive, etc.
Connections Transferring Performance Data to and from a Computer By connecting the instrument to a computer, the instrument’s performance data can be used on the computer, and performance data from the computer can be played on the instrument. ● When the instrument is connected with computer, it transmits/receives performance data.
Connections ■PC Mode ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● A number of MIDI settings need to be made when you want to transfer performance data between the computer and the instrument. The PC Mode item can conveniently make multiple settings for you in one operation. Three settings are available: PC1, PC2, and OFF. This setting is not necessary when transferring Song or backup data between the computer and the instrument.
Connections Transferring Data Between the Computer and Instrument MIDI Songs and Style files stored to a computer can be transferred to the instrument. Backup data can also be transferred from the instrument to the computer and back. In order to transfer Songs between your computer and the instrument you will need to install the USB MIDI Driver included on the Accessory CD-ROM on your computer, and then install the Musicsoft Downloader from the Internet. Refer to Installation Guide on page 99 for details.
Connections 5 A copy of the selected MIDI Song file will appear in the “List of files stored temporarily” at the top of the window. The memory medium will also be displayed at the bottom of the window to specify the destination for the transfer. Click “Instrument,” and then “Flash memory.” “Flash memory” here refers to the internal memory of the instrument. 7 Close the window to close the Musicsoft Downloader.
Connections ■Transferring Backup data from the Instrument to a Computer ● ● You can use the Musicsoft Downloader to transfer Backup data (page 39) to a computer. If you click “Electronic Musical Instruments” in the Musicsoft Downloader display, and then “System Drive,” a file named “PSR-S550.BUP” will appear in the lower right corner of the Musicsoft Downloader display. This is the backup data.
e erenc ef R Accessory CD-ROM Installation Guide SPECIAL NOTICES • The software and this Installation Guide are exclusive copyrights of Yamaha Corporation. • Use of the software and this guide is governed by the SOFTWARE LICENSE AGREEMENT which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the AGREEMENT at the end of this guide before installing the application.
Accessory CD-ROM Installation Guide Contents of the CD-ROM The start window as shown below will appear automatically when you insert the included CD-ROM. (Users of Windows Vista will need to click [Start.exe] to open the Start window after inserting the CD-ROM.) By clicking each menu on the Start window, you can access the User Registration page on the Internet and download some of the wide variety of application software available.
Accessory CD-ROM Installation Guide Software Installation ■ USB-MIDI Driver ● ● ● ● ● ● ● ● ● ● ● ● ● ● 6 To operate the instrument from your computer via USB, you’ll need to install the appropriate driver software. The USB-MIDI driver is software that transfers MIDI data back and forth between sequence software and the instrument via a USB cable. Computer PSR-S550 Sequence software USB Cable Driver • For Windows XP: See below. • For Windows 2000: See page 102. • For Windows Vista: See page 102.
Accessory CD-ROM Installation Guide Installing the driver on Windows 2000 Installing the driver on Windows Vista 1 1 2 3 4 5 6 Start the computer and use the “Administrator” account to log on to Windows 2000. Select [My Computer] ➔ [Control Panel] ➔ [System] ➔ [Hardware] ➔ [Driver Signing] ➔ [File Signature Verification], and check the radio button to the left of “Ignore-Install all files, regardless of file signature” and click [OK]. Insert the included CD-ROM into the CD-ROM drive.
Accessory CD-ROM Installation Guide ■Digital Music Notebook ● ● ● ● ● ● ● ● ■Musicsoft Downloader IMPORTANT • When installing Digital Music Notebook to Windows XP, or Vista, make sure to log on to the Administrator account. IMPORTANT • When installing Musicsoft Downloader to Windows XP, 2000 or Vista, make sure to log on to the Administrator account. • When installing the Digital Music Notebook, make sure that Internet Explorer 6.0 (with SP1) or higher is installed to your computer.
Accessory CD-ROM Installation Guide ■Troubleshooting ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● The driver cannot be installed. ● Playback response is delayed. • Is the USB cable connected correctly? Check the USB cable connection. Disconnect the USB cable, then connect it again.
ATTENTION SOFTWARE LICENSE AGREEMENT PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (“YAMAHA”). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE.
SIBELIUS SCORCH LICENSE AGREEMENT By installing and/or using this Product you (an individual or legal entity) agree with the Licensor to be bound by the terms of this License which will govern your use of the Product. If you do not accept these terms, do not install or use this Product. The Product is copyright © 1987-2007 Sibelius Software, a division of Avid Technology, Inc, and its licensors. 1. Definitions 4.
Appendix Troubleshooting Problem Possible Cause and Solution When the instrument is turned on or off, a popping sound is temporarily produced. This is normal and indicates that the instrument is receiving electrical power. When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument.
Messages LCD Message Comment Access error! Indicates the failure in reading or writing from/to the media, USB flash memory or the internal flash memory. All Memory Clearing... Displayed while erasing all data in the flash memory. Never turn the power off during data transmission. Are you sure? Confirms whether Song Clear or Track Clear is executed or not. Backup Clearing... Displayed while clearing the back-up data in the flash memory.
Messages LCD Message Comment OverCurrent Communication with the USB device has been shut down because of the overcurrent to the USB device. Disconnect the device from the USB TO DEVICE terminal, then turn on the power of the instrument. Overwrite ? Confirms whether overwriting is executed or not. Please Wait... Displayed when executing the jobs that take some time, such as displaying scores and lyrics, or stopping recording.
Voice List ■ Maximum Polyphony ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● The instrument has 64-note maximum polyphony. This means that it can play a maximum of up to 64 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions.
Voice List Voice No. 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 Bank Select MIDI Voice Program No.
Voice List Voice No. 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 112 Bank Select MIDI Voice Program No. Voice Name MSB LSB Change# (category) (0–127) (0–127) (1–128) 15 0 115 89 GoldenAge 16 0 114 95 Solaris 17 0 117 89 Millennium 18 0 114 90 Dunes Synth.
Voice List Voice No. 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 Bank Select MIDI Voice Program No.
Voice List Voice No. 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 114 Bank Select MIDI Voice Program No.
Voice List Voice No. 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 Bank Select MIDI Voice Program No.
Drum Kit List • “ ” indicates that the drum sound is the same as “Standard Kit 1”. • Each percussion voice uses one note. • The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in “1: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0). • Key Off: Keys marked “O” stop sounding the instant they are released. • Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously.
Drum Kit List Voice No.
Drum Kit List Voice No.
Drum Kit List Voice No.
Drum Kit List ● Synth. & FX Voice No.
Style List Style No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 Style No.
Music Database List No.
Music Database List No.
Music Database List No.
Voice Effect Type List ● Harmony Types No.
Voice Effect Type List ● Reverb Types No. 1 Type Description HALL1 MSB LSB 1 0 16 2 HALL2 1 3 HALL3 1 17 4 HALL4 1 18 5 HALL5 1 1 1 6 Reverb simulating the acoustics of a hall.
Voice Effect Type List ● Chorus Types No.
Voice Effect Type List ● DSP Types No.
Voice Effect Type List No.
Voice Effect Type List No.
Voice Effect Type List No. 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 Type AUTO WAH1 AUTO WAH2 AT WAH+DST1 AT WAH+DST2 AT WAH+OD1 AT WAH+OD2 TEMPO AT WAH TOUCH WAH1 TOUCH WAH2 TOUCH WAH3 TC WAH+DST1 TC WAH+DST2 TC WAH+OD1 TC WAH+OD2 WH+DST+DLY1 WH+DST+DLY2 WH+DST+TDLY WH+OD+DLY1 WH+OD+DLY2 WH+OD+TDLY1 WH+OD+TDLY2 CLVI TC WAH1 CLVI TC WAH2 EP TC WAH1 EP TC WAH2 PEDAL WAH PEDAL WH+DST P.WH+DIST HD P.
PSR-S550 Owner’s Manual Mode Key's Ch's After Touch Change Control 0,32 1,5,7,10,11 6,38 64-67 71-74 84 91,93,94 96-97 98-99 100-101 Pitch Bend Note ON Note OFF Velocity o o o o o o o x o o o 0-24 semi x x o 9nH,v=1-127 x 9nH,v=0 0 - 127 : True voice ************** 3 x ************** Default Messages Altered Note Number 1 - 16 1 - 16 Default Changed Basic Channel Function...
: True # x x x x o x Aux Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset Notes: o o x x x o o(120,126,127) o(121) o(122) o(123-125) o x o o x x x o o 0 - 127 Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO o 0 - 127 ************** System : Clock Real Time: Commands Common : Song Pos. : Song Sel.
MIDI Data Format NOTE: 1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. • MIDI Master Tuning • System exclusive messages for changing the Reverb Type, Chorus Type and DSP Type. 2 Messages for these control change numbers cannot be transmitted from the instrument itself.
Specifications Keyboards • 61 Standerd-size keys (C1–C6), with Touch Response. Display • 320 x 240 dots LCD display (backlit) Setup • STANDBY/ON • MASTER VOLUME: MIN–MAX • LCD CONTRAST Panel Controls • DEMO, SONG MODE • SONG-PRESET, SONG-USER, SONG-SCORE, SONG-LYRICS, SONG-REC • USB • STYLE CATEGORY, VOICE CATEGORY • TRANSPOSE [-] [+], METRONOME, TAP TEMPO, TEMPO [-] [+] • OTS LINK, AUTO FILL IN, ACMP, INTRO [1]–[3], MAIN VARIATION [A]–[D], ENDING/rit.
Index +/YES, -/NO button ...................... 14, 41 >/■ button.............................. 14, 28, 41 button ........................................ 14, 28 A B button................................. 14, 73 f button...................................... 14, 28 r button ..................................... 14, 28 Dual Voice DSP Level.........................81 Dual Voice Octave...............................81 Dual Voice Pan ....................................81 Dual Voice Reverb Level .............
Index Pitch Bend ........................................... 48 Pitch Bend Range ................................ 81 PITCH BEND wheel..................... 15, 48 Power Adaptor .................................... 10 PRESET button ............................. 14, 27 Preset Song.......................................... 29 SUSTAIN button ...........................15, 47 SUSTAIN jack...............................10, 15 SYNC START button..............14, 23, 56 SYNC STOP button.......................
PSR-S550 Owner’s Manual
Information for Users on Collection and Disposal of Old Equipment This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC.
Limited Warranty 90 DAYS LABOR 1 YEAR PARTS Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated.
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd.
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