manual

PSR-S670 Reference Manual 27
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Styles
6 Edit the already recorded channel data.
Editing the channel data on the GROOVE (
page 33
), and CHANNEL (
page 34
) pages
Lets you change the rhythmic feel, quantizing and velocity, etc.
Editing the SFF parameters on the PARAMETER page (page 36)
Lets you edit the SFF (Style File Format) related parameters of the already recorded channels.
Editing the rhythm part on the BASIC page by using the Drum Setup function (page 40)
Lets you edit the rhythm part of the Style, such as changing the sounds of the individual instruments.
7 Repeat steps 4–6 as desired.
8 Press the [8 ] (SAVE) button on any of the pages to save the created Style.
For instructions, refer to “Basic Operations” in the Owner’s Manual.
NOTICE
The created Style will be lost if you change to another Style or turn off the power to the instrument without carrying out the Save operation.
Realtime Recording
In the BASIC page, you can record your original rhythm pattern from the keyboard.
Recording Rhythm Channels 1–2
The procedure below applies to step 5 in the Basic Procedure on page 26.
1 From the BASIC page, press the [1 ] (REC CH) button to call up the REC
CHANNEL display in the lower half section of the display.
2
Hold down the [1
] or [2
] button to select the desired channel as the recording target.
A Rhythm channel can be selected as the recording target no matter whether already recorded data is
included or not. If already recorded data is included in the selected channel, you can record notes
additionally to the existing data.
Realtime Recording Characteristics in the Style Creator
Loop Recording
Style playback repeats the rhythm patterns of several measures in a “loop,” and Style recording is also done
using loops. For example, if you start recording with a two-measure MAIN section, the two measures are
repeatedly recorded. Notes that you record will play back from the next repetition (loop), letting you record
while hearing previously recorded material.
Overdub Recording
This method records new material to a channel already containing recorded data, without deleting the
original data. In Style recording, the recorded data is not deleted, except when using functions such as
Rhythm Clear (page 28) and Delete (pages 28, 30). For example, if you start recording with a two-measure
MAIN section, the two measures are repeated many times. Notes that you record will play back from the
next repetition, letting you overdub new material to the loop while hearing previously recorded material.
When creating a Style based on an existing internal Style, overdub recording is applied only to the rhythm
channels. For all other channels (except rhythm), you need to delete the original data before recording.
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