Data List

Vocal Harmony Parameter List (PSR-S975) / Liste der Vokalharmonie-Parameter (PSR-S975) / Liste des paramètres liés à l’harmonie vocale (PSR-S975) /
Lista de parámetros de armonía vocal (PSR-S975) / Daftar Parameter Harmoni Vokal (PSR-S975) / Danh sách thông số Vocal Harmony (PSR-S975)
PSR-S975/S775 Data List
72
Vocal Effect Type List
Harmony Assign Parameters
1Abv&1Blw+Bass
Harmony based on tone chords and scale tones used as duet, 1 above and 1 below; (+ chord root); it can produce a feeling of movement. HARM.1 is a tone
above and nearest the input pitch. HARM.2, tone which is below the input pitch and nearest the input pitch, handles a major triad as add 6th chord, and since
it handles the major second as a scale tone in major triads, it can provide passing tones.
1Abv&1Blw+UnsD.Modal6th
Harmony suitable for a trio based on 2 total tones from chords and scales, a above and below (+ Oct. below the input pitch); it can produce a feeling of
movement. Because it handles a major triad as add 6th chord, and handles the major second as a scale tone, it can provide passing tones.
1Abv&1Blw+Bass.Modal6th
Harmony based on tone chords and scale tones used as duet, 1 above and 1 below (+ chord root); it can produce a feeling of movement. HARM.1 is harmony
of above tone with priority on the chord character. HARM.2, harmony near the below side, handles a major triad as add 6th chord, and since it handles the
major second as a scale tone in major triads, it can provide passing tones.
3Blw.Jazz
Harmony based on 3 total tones from chords and scales, 3 below; it handles a major triad as add 6th chord. Because it handles the major second as a scale
tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It is suitable for high pitched vocals.
3Blw.JazzBlues
Harmony based on 3 total tones from chords and scales, 3 below; it handles a major triad as add 6th chord. Because it handles the major second as a scale
tone in major triads, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during 7th chords, it provides a passing
tone during 7th chords. Suitable for 3-tone chord blues or for country rock in major keys. Basically it generates harmonies within an octave. It is suitable for
high pitched vocals.
2Blw+UnsD.Modal6th
Harmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ Oct. below input pitch); it handles a major triad as add 6th chord.
Because it handles the major second as a scale tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It is
suitable for high pitched vocals.
2Blw+Bass.Modal6th
Harmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ chord root); it handles a major triad as add 6th chord. Because it
handles the major second as a scale tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It is suitable for
high pitched vocals.
ScaleDiatonic
This generates harmonies based on the scale specified by the KEY ROOT/TYPE value and the degree specified by the DEGREE value. The harmonies are not
dependent on a chord. If there are many notes, the chord feeling intensifies, so it is suitable for use as duets, fixed at a third above. This setting is good for
modal church music or modal jazz.
Parallel
This can reproduce harmonies for which semitone pitches are fixed 4th build or diminished sounds, for example. This setting is good, for example, in modal
jazz scales (when you want to eliminate chordal feeling) or in progressive music.
Type Name Description MSB LSB
Romantic Rev (Romantic Reverb) Long reverb for vocal part. Romantic image. 1 0
80s Pop Rev (80s’Pop Reverb) Long reverb for vocal part. 80’s pop image. 1 16
Room Reverb simulating the acoustics of a room. 2 0
Stage (Concert Stage) Reverb simulating the concert stage. 3 0
Plate Reverb simulating a plate reverb unit. 4 0
VocalDoubler Immediate delay with center focused feeling. 5 16
StereoSpread Immediate delay with spread feeling. 5 17
Delay Produces simple delayed sounds: L,R, and C (center). 5 0
Short Delay Produces short delayed sound with narrow image. 5 1
R&R Delay (Rock&Roll Delay) Produces slap back echo sound. Good for Rock&Roll music. 5 18
Cross Delay The feedback of the two delayed sounds is crossed. 8 0
Tempo Delay Tempo-synchronized delay. 21 0
Tempo Cross (Tempo Cross Delay) Tempo-synchronized cross delay. 22 0
Chorus Conventional chorus program with rich, warm chorusing. 66 0
EQ Hi-Fi Equalizer effect that boosts both high and low frequencies. 76 16
EQ Tel Equalizer effect that cuts both high and low frequencies. 76 0
Gramophone Produces Lo-Fi sound with gramophone image. 94 0
Robot Produces Lo-Fi sound with robotic image. 94 16
Overdriven Produces overdriven sound. Good for rock and dance music. 98 0
Scream&Shout Produces heavy distorted sound. 98 16
TempoFlanger Tempo-synchronized flanger. 107 0
TempoPhaser Tempo-synchronized phaser. 108 0
TempoAutoPan Tempo-synchronized auto pan. 121 0
NO EFFECT No effect. 00
Parameter Value Description
TRANS.MODE 0 Assigns the harmony to the octave range centered around the pitch of the played note.
* These are effective only when
Vocoder or Vocoder-Mono is
selected in Mode.
Auto Assigns the harmony to the same octave range as the vocal (microphone) input.
-3 Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2 Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1 Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
1 Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
2 Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
3 Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
SESSION TABLE Normal The chord designation is used as shown. This is for general use in conventional music genres.
* These are effective only when
a Chordal Type other than
Scale Diatonic or Parallel is
selected.
Simple Tends to add a simpler harmony. Use this when you need simple accompaniment.
R&R Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock ‘n’ roll music.
UrbanA Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
UrbanB Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
Blues7 Tends to add harmony with a strong minor 7th. This is good for blues music.
UrbanC Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for a sophisticated, urban feel.
KEY ROOT
Determines the root key for the transposition. Refer to the Reference Manual.
* These are effective only When
the Chordal Type parameter is
set to Scale Diatonic.
KEY TYPE
Determines the scale type for the transposition. Refer to the Reference Manual.
* These are effective only When
the Chordal Type parameter is
set to Scale Diatonic.
Type Name Description