Digital Workstation Reference Manual This Reference Manual explains advanced features of the PSR-SX900/SX700. Please read the Owner’s Manual first, before reading this Reference Manual. v1.
Contents Function List 4 1 6 2 3 4 5 6 7 8 Styles Style Types (Characteristics) ............................................................................................................................6 Registering Files to the Favorite Tab ................................................................................................................7 Changing the Chord Fingering Type ...............................................................................................................
9 Mixer 102 Editing Filter Parameters (Filter) ...................................................................................................................102 Editing EQ Parameters (EQ) .........................................................................................................................103 Editing Effect Parameters (Effect) .................................................................................................................
Function List This section simply and very briefly explains what you can do in the displays called up by pressing the buttons on the panel, or by touching each icon on the Menu display. For more information, refer to the page indicated below or the Owner’s Manual. The “” mark indicates that the function is described in the Owner’s Manual. Displays accessible by the panel buttons Pages Owner’s Manual - - - 57 91 68 102 - For selecting Multi Pads.
Menu Metronome Live Control Assignable Panel Lock Demo Voice Edit Style Creator Song Recording M.Pad Creator Voice Setting Style Setting Song Setting Chord Tutor Scale Tune Master Tune Transpose Keyboard/Joystick Expansion MIDI Utility Bluetooth*1 (PSR-SX900) Time*2 Wireless LAN*2 *1 *2 Description Pages For making settings of the metronome and the [RESET/TAP TEMPO] button. Determines the functions assigned to the Live Control knobs.
1 Styles Contents Style Types (Characteristics) ...............................................................................................................................6 Registering Files to the Favorite Tab...................................................................................................................7 • Removing Files from the Favorite Tab ............................................................................................................
Registering Files to the Favorite Tab You can call up your favorite or often used preset Styles or Voices quickly by registering them to the Favorite tab on the File Selection display. 1 In the File Selection display, select the desired category in the Preset tab. 2 Touch (File) to call up the “File Edit” window. 1 2 Styles 3 3 Touch [Favorite] to call up the display for selecting the files. 4 Select the desired files for registering to the Favorite tab.
Changing the Chord Fingering Type The Chord Fingering type determines how chords are specified for Style Playback. You can select the desired type on the display called up via [MENU] [Split & Fingering]. Single Finger Makes it simple to produce orchestrated accompaniment using major, seventh, minor and minorseventh chords by pressing only one, two or three keys on the Chord section of the keyboard. C Cm Major chord Press the root key only.
Chord Types Recognized in the Fingered Mode 1 Styles Chord Name [Abbreviation] Normal Voicing Display for root “C” 1+8 1+8 C1+8 1+5 1+5 C1+5 Major [M] 1+3+5 C Sixth [6] 1+(3)+5+6 C6 Major seventh [M7] 1+3+(5)+7 CM7 Major seventh flatted fifth [M7b5] 1+3+b5+7 CM7(b5) Major seventh add sharp eleventh [M7(#11)] 1+(2)+3+#4+5+7 CM7(#11) Add ninth [(9)] 1+2+3+5 Cadd9 Major seventh ninth [M7_9] 1+2+3+(5)+7 CM7(9) Sixth ninth [6_9] 1+2+3+(5)+6 C6(9) Flatted fifth [(b5)] 1+3+b5 C
Using the Chord Tutor Function The Chord Tutor function lets you can see which notes to press for specifying the chord. If you know a chord name but don’t know how to play it, use this function. This function can be used on the display called up via [MENU] [Chord Tutor]. Root Lets you select the desired chord root. Type Lets you select the desired chord type. The notes you need to play are shown in the display.
Turning Each Channel of the Style On/Off You can add variations and change the feeling of a Style by selectively turning channels on/off as the Style plays. Style channels Each Style contains the channels listed below. • Rhythm 1/2: These are the basic parts of the Style, containing the drum and percussion rhythm patterns. • Bass: The bass part uses various appropriate instrument sounds to match the Style.
Style Playback Related Settings You can make a variety of settings for Style Playback, on the display called up via [MENU] [Style Setting]. Setting Dynamics Control This determines how the Style playback volume changes depending on the playing strength. • Off: The volume is kept the same regardless of playing strength. • Narrow: The volume changes over a narrow range. • Medium: The volume changes over a medium range. • Wide: The volume changes over a wide range.
Multi Pad Synchro Stop (Style Stop) Determines whether or not the repeat playback of a Multi Pad stops when Style playback is stopped. Multi Pad Synchro Stop (Style Ending) Determines whether or not the repeat playback of a Multi Pad stops when the Ending section of Style is played back. Change Behavior Section Set Determines the default section that is automatically called up when selecting different Styles (when Style playback is stopped).
Recording a Chord Sequence when Style Playback is stopped (Chord Looper) (PSR-SX900) You can start recording and playing back a chord sequence when Style playback is stopped, using SYNC START. By recording this way, you can adjust the start timing to exactly the first beat of the measure. 1 While Style playback is stopped, press the CHORD LOOPER [REC/STOP] button.
Saving and Calling up Your Custom Chord Sequences (Chord Looper) (PSR-SX900) On the Chord Looper display, you can memorize the recorded chord sequence of the Chord Looper function to one of the eight memories for easy recall. You can save all eight memorized data slots as a single Chord Looper Bank (*.clb) file or export a single memory as a Chord Looper Data (*.cld) file. Operation display is called up via: [MENU] [Chord Looper].
Saving the Recorded Data as a Bank File The eight memorized chord sequences are can be saved as a single Chord Looper Bank (*.clb) file. 2 1 1 Record the desired chord sequence, and then memorize to the number [1]–[8]. To record the chord sequence, see page 14 or refer to the Owner’s Manual. To memorize the recorded data, see page 15. 2 Touch file.
4 Start playback of the Style and play along with it. 5 Turn on [On/Off] just before the measure you want to start loop playback of the chord sequence. [On/Off] flashes to indicate loop playback is in standby. On the next measure of the Style, [On/Off] is turned on and the chord sequence will be played back in a loop. NOTE During loop playback, [On/Off] lights (and the CHORD LOOPER [ON/OFF] lights in orange), and the [ACMP] button flashes.
Creating/Editing Styles (Style Creator) The Style Creator function lets you create your original Style by recording the rhythm pattern via the keyboard and using already-recorded Style data. Basically, select a preset Style that is closest to the type you want to create, then record the rhythm pattern, bass line, chord backing, or phrase (referred to as “Source Pattern” in the Style Creator) for each channel of each Section.
Basic Procedure for Creating a Style 1 Select the desired Style to be used as the basis for the new Style. 2 Call up the Style Creator display via [MENU] [Style Creator]. 3 On the “Basic” display, select the desired Section. 1 Styles NOTE You can also select the Section by pressing one of the corresponding STYLE CONTROL buttons on the panel. As necessary, make the following settings. • If you want to create a Style entirely from scratch, touch [Initialize Style] to make the current Style empty.
Realtime Recording The explanations here apply to step 4 of the Basic Procedure on page 19. In the “Rec Channel” display, you can create the channel data via Realtime Recording. Realtime Recording Characteristics in the Style Creator • Loop Recording Style playback repeats the rhythm patterns of several measures in a “loop,” and Style recording is also done using loops. For example, if you start recording with a two-measure Main section, the two measures are repeatedly recorded.
Available Voices for recording For the Rhythm 1 channel, any except Organ Flutes Voices can be used for recording. For the Rhythm 2 channel, only Drum/SFX kits can be used for recording. NOTE For information on which key to play for each Drum/SFX sound, refer to the “Drum/SFX Kit List” in the Data List on the website. 3 Press the STYLE CONTROL [START/STOP] button to start recording.
Recording Bass, Chord 1–2, Pad and Phrase 1–2 1 On the “Rec Channel” display, touch and hold the desired channel until it turns red. If the selected channel already contains data, a confirmation message appears, prompting you whether or not to delete the existing data of the selected channel. Touch [Yes] to delete data and the selected channel is specified as Record target. Note that channel data other than the Rhythm channels of the preset Style cannot be overdubbed.
3 Press the STYLE CONTROL [START/STOP] button to start recording. With the already recorded data playing back, turn each channel on or off by touching the channel in the “Rec Channel” display as desired. If necessary, delete a channel by touching [Delete] located under the desired channel. NOTE (PSR-SX900) If you selected an Audio Style as starting data, turn the Audio part on or off by touching the [Audio] channel.
Assembly—Assigning the Source Pattern to Each Channel The explanations here apply to step 4 of the Basic Procedure on page 19. The “Assembly” display shows each channel data of the current Section, and where it has been copied from (Style, Section, and channel). For each channel, touch the Style name, Section name, or Channel name as necessary to select the desired item. Channels with data are displayed as “On” (in green).
Target Ch Select the target channel to be edited. All items with the exception of “Groove” are to be applied to the channel specified here. Groove This lets you add swing to the music or change the “feel” of the beat by making subtle shifts in the timing (clock) of the Style. The Groove settings are applied to all channels of the selected Section. Quantize Specifies the beats to which Groove timing is to be applied.
SFF Edit—Making Style File Format Settings The explanations here apply to step 5 of the Basic Procedure on page 19. The Style File Format (SFF) combines all of Yamaha’s Style playback know-how into a single unified format. Setting the SFF related parameters determines how the original notes are converted to the actual sounded notes based on the chord you specify in the Chord area of the keyboard. The conversion flow is shown below.
Target Ch Determines the target channel to be edited. Source Root/ Chord (Play Root/ Chord) These settings determine the original key of the Source Pattern (i.e., the key used when recording the pattern to a channel other than the Rhythm channels). If you set “Fm7” here, specifying “Fm7” in the Chord section of the keyboard will play back the originally recorded data (Source Pattern). The default setting is “CM7” (Source Root = C and Source Chord = M7).
NTR/NTT (Note Transposition Rule/ Note Transposition Table) NTT Type Melody Suitable for melody line transposition. Use this for melody channels such as “Phrase1” and “Phrase2.” Chord Suitable for chordal parts transposition. Use this for the “Chord1” and “Chord2” channels, especially when they contain piano or guitar-like chordal parts. Melodic Minor When the played chord changes from a major to a minor chord, this table lowers the third interval in the scale by a semitone.
High Key/Note Limit Adjusts the Octave of the notes converted via the NTT and NTR. High Key This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 27) is set to “Root Trans.
Editing the Rhythm Part of a Style (Drum Setup) The explanations here apply to step 5 of the Basic Procedure on page 19. The Rhythm parts of a preset Style consist of a preset Drum Kit, and each drum sound is assigned to a separate note. You may want to change the sound and the note assignments, or make more detailed settings such as volume balance, effect, etc. By using the Drum Setup function of the Style Creator, you can edit the Rhythm part of a Style and save it as an original Style.
Alt Group Determines the Alternate Group. Any instruments in the same group number cannot sound at the same time. Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number. If this is set to 0, all instruments in the group can sound at the same time. Reverb For adjusting the reverb depth. Chorus For adjusting the chorus depth. Variation For adjusting the variation effect (DSP1) depth.
2 Voices Contents Voice Part Setup Display........................................................................................................... 32 Voice Selection Display-related Settings.................................................................................. 34 Voice Types (Characteristics) ................................................................................................... 35 Registering Files to the Favorite Tab .............................................................
q Voice Indicates the current Voice and the on/off status of the part. Touching the Voice name calls up the Voice Selection display for the corresponding part. Touching the Part icon turns the part on/off. When an Organ Flutes Voice is selected, you can call up the Voice Edit display (page 50) for the part by touching (Organ Flutes) shown here. When a Super Articulation (S.Art) Voice is selected, the following icons appear, indicating when the effects are available and how to use them.
Voice Selection Display-related Settings On the pop-up window called up by touching settings. Category (Menu) on the Voice Selection display, you can make the following Determines how the Voice category page is opened when a Voice category is selected. • Open & Select: Opens the page with the previously selected Voice in the Voice category automatically selected. • Open Only: Opens the page with the currently selected Voice.
Voice Types (Characteristics) The defining characteristics of the particular Voice type and their performance advantages are described below. To see the type of each Voice, refer to the Voice List in the Data List on the website. Only the types marked by “*” in the list below are indicated at the upper left of the Voice name in the Voice Selection display. S.Art (Super Articulation)* These Voices provide many benefits with great playability and expressive control in real time.
Registering Files to the Favorite Tab The procedure of registering your favorite preset Voices to the Favorite Tab is same as that of Styles. For instructions, refer to page 7. Metronome Settings You can make metronome and Tap Tempo settings on the display called up via [MENU] [Metronome]. Metronome On/Off For turning the metronome on or off. Volume Determines the volume of the metronome sound. Bell Sound Determines whether a bell accent is sounded or not at the first beat of each measure.
Keyboard/Joystick-related Settings Setting the Touch Response of the Keyboard Touch Response determines how the sound responds to your playing strength. The selected Touch Response type becomes the common setting for all Voices. You can make the settings on the display called up via [MENU] [Keyboard/Joystick] [Keyboard].
Making the Joystick Settings You can set whether the effects controlled by the joystick will be applied independently to each keyboard part or not from the display called up via [MENU] [Keyboard/Joystick] [Joystick]. 38 Modulation (+), (-) Determines the keyboard parts to which the modulation effects are applied when moving the joystick in a vertical direction. Enter the checkmarks to the desired part.
Keyboard Part-related Settings (Voice Setting) This section covers the keyboard part settings and other Voice related settings which can be set on the display called up via [MENU] [Voice Setting]. NOTE The display can also be called up from [Menu] on the Voice Selection display. 2 Voices Tune Lets you adjust the pitch related parameters for each keyboard part. Tuning Determines the pitch of each keyboard part.
Transposing the Pitch in Semitones You can transpose the overall pitch of the instrument (the keyboard sound, Style playback, MIDI Song playback, and so on) in semitone steps. The operation display can be called up via [MENU] [Transpose]. Master Transposes the pitch of the entire sound, with the exception of the Audio Song and input sound from a microphone or the AUX IN jack. Keyboard Transposing the keyboard pitch including the chord root for triggering Style playback.
Fine Tuning the Pitch of the Entire Instrument (Master Tune) You can fine-tune the pitch of the entire instrument in 0.2 Hz steps—useful when you play the PSR-SX900/SX700 along with other instruments or CD music. Note that the Tune function does not affect the Drum Kit or SFX Kit Voices and Audio Songs. The operation display can be called up via [MENU] [Master Tune]. 2 Voices To restore the default initial setting (440.0 Hz), touch and hold down the setting value for a while.
Selecting or Creating a Temperament from the Preset Types (Main Scale) You can select various scales for playing in custom tunings for specific historical periods or music genres. 1 2 Parts which the Main Scale setting are applied 1 Select the desired Scale type (temperament). Type • Equal: The pitch range of each octave is divided equally into twelve parts, with each half-step evenly spaced in pitch. This is the most commonly used tuning in music today.
Creating and Using a Temperament Temporarily (Sub Scale) You can change the scale temporarily by using the Sub Scale setting. This setting, when being edited, takes priority over the Main Scale setting. The setting is effective only while the Sub Scale is enabled (e.g., “Sub” is selected on the Scale Tune display). 1 On the Scale Tune display, touch [Sub] to select the Sub Scale setting.
Making Detailed Settings for Harmony/Arpeggio You can make various settings for the Keyboard Harmony and Arpeggio functions, including volume level. The operation display can be called up via [MENU] [Kbd Harmony/Arp]. 1 Select the desired Harmony/Arpeggio category and type. 2 2 Touch 3 Make various Harmony/Arpeggio settings as desired. (Setting) to call up the detailed settings window.
Assign* Determines the keyboard part to which the effect is assigned. • Auto: Applies the effect to the part (Right 1–3) for which PART ON/OFF is on. If the Harmony/Echo category is selected, the parts are prioritized in the following order: Right 1, Right 2, Right 3 (when all parts are on). • Multi: This parameter is available when the Harmony/Echo category is selected.
Editing Voices (Voice Edit) The Voice Edit feature allows you to create your own Voices by editing some parameters of the existing Voices. Once you’ve created a Voice, you can save it as a file to internal memory (User drive) or external devices for future recall. This section covers the editing of Voices other than Organ Flutes Voices, since they have different editing methods than described here. For instructions on editing the Organ Flutes Voices, see page 50.
Editable Parameters in the Voice Edit display Common Volume Adjusts the volume of the currently edited Voice. Touch Sensitivity Depth Offset Adjusts the touch sensitivity (velocity sensitivity), or how greatly the volume responds to your playing strength.
Mono Portamento Time Type Determines how an actual pitch transition time is calculated from the Portamento Time value. • Fixed Rate: Make the pitch change rate to 0: max., 127: min. The actual pitch transition time varies according to the interval between the two notes. • Fixed Time: Make the actual pitch transition time to 0: min., 127: max. The pitch change rate varies according to the interval between the two notes. NOTE • The basic rule of Portamento Time is unchanged even if this setting is changed.
EG The EG (Envelope Generator) settings determine how the level of the sound changes in time. This lets you reproduce many sound characteristics of natural acoustic instruments—such as the quick attack and decay of percussion sounds, or the long release of a sustained piano tone. Level Sustain Level Attack Key on Attack Decay Time Release Key off Determines how quickly the sound reaches its maximum level after the key is played. The lower the value, the quicker the attack.
Editing Organ Flutes Voices (Voice Edit) The Organ Flutes Voices can be edited by adjusting the footage levers, adding the attack sound, applying effect and equalizer, etc. There are three organ types, and each organ type has its own display, which beautifully recreates the actual appearance of an actual instrument. Each type provides realistic, intuitive control over the sound with special footage levers, tabs and switches—letting you adjust the sound with much the same feel as on an actual instrument.
4 t Attack Selects “First” or “Each” as the Attack mode and adjusts the Attack length of the sound. In the First mode, attack (percussive sound) is applied only to the first notes played and held simultaneously; while the first notes are held, any subsequently played notes have no attack applied. In the Each mode, attack is applied equally to all notes. The Attack length produces a longer or shorter decay immediately after the initial attack. The longer the value, the longer the decay time.
3 Multi Pads Contents Creating a Multi Pad via MIDI (Multi Pad Creator—MIDI Multi Pad Recording).......... 52 • Multi Pad—Realtime Recording via MIDI.......................................................................... 52 • Multi Pad—Step Recording via MIDI ................................................................................. 54 Creating a Multi Pad with Audio files (Multi Pad Creator—Audio Link Multi Pad) ........ 54 • Playing the Audio Link Multi Pads ....................................
3 If you want to create a new Multi Pad in an empty new Bank, touch 4 Touch to select a particular Multi Pad for recording. 5 If necessary, select the desired Voice via the PART SELECT [RIGHT 1] button. (New). After selecting the Voice, press the [EXIT] button to return to the previous display. 6 7 Touch [] (Rec) to enter recording standby status for the Multi Pad selected in step 4. NOTE To cancel the recording, touch [] (Rec) again before going on step 7.
Multi Pad—Step Recording via MIDI Step Recording can be carried out in the Step Edit page. After selecting a Multi Pad in step 4 on page 53, touch (Step Edit) to call up the Step Edit page. The Step Edit page indicates the Event list, which lets you record notes with absolutely precise timing.
4 Select the desired audio file. To confirm the information of the selected audio file By touching (Menu) then [Song Information] on the File Selection display, you can confirm the information (title name, bit rate and sample rate, etc.). 5 Press the [EXIT] button to return to the Audio Link Multi Pad display. 6 If you want to link other audio files to other pads, repeat steps 3 to 5. 7 If desired, adjust the volume level of each audio file by touching the Audio Level slider.
Editing Multi Pads You can manage (rename, copy, paste and delete) your created Multi Pad Bank and each of the Multi Pads belonging to the Bank. For instructions on managing the Multi Pad Bank file, refer to “Basic Operations” in the Owner’s Manual. This section covers how to manage each Multi Pad. 1 Select the Multi Pad Bank containing the Multi Pad to be edited. Press the MULTI PAD CONTROL [SELECT] button to call up the Multi Pad Bank Selection display, and then select the desired Multi Pad Bank.
4 Song Playback Contents Creating a Song List for Playback ........................................................................................... 57 Using Repeat Playback Mode................................................................................................... 58 Editing Music Notation (Score) Settings ................................................................................. 59 • Play Setting ........................................................................................
5 Touch [Add to Song List] to add to the list. The selected Songs are shown on the Song Playback display. 6 If necessary, edit the Song List. • Delete: Delete the selected Song from the list. • Up: Move the selected Song up in the list. • Down: Move the selected Song down in the list. 7 Touch (Save) to save the Song List. NOTICE The created Song List will be lost if you select another Song List or turn off the power to the instrument without carrying out the Save operation.
Editing Music Notation (Score) Settings Select a MIDI Song in the Song Player mode of the Song Playback display, and then touch [Score] to call up the music notation of the current MIDI Song. You can change the notation indication as desired to suit your personal preferences. q w e r Indicates the name of the current Song. Also, the tempo value is shown at the right end. If you want to change the Song, touch the Song name to call up the Song Selection display.
View Setting From the display called up via (View Setting), you can set the parameters related to the view of the notation. Size Changes the size of the notation. Left Turns indication of the left-hand notation on or off. If an “-” indication appears at this parameter and is unavailable, go to the “Detail Setting” display (page 60), then set the Left Ch to any channel except “Auto.
Displaying Lyrics and Setting Up the Display Not only MIDI Songs, but also Audio Songs can show lyrics, if the particular Song contains compatible lyrics data. 1 2 Select a Song in the Song Player mode of the Song Playback display. Touch [Lyrics] to call up the Lyrics display. NOTE If the Song contains compatible lyrics data, the lyrics are shown on the display. While the Song is playing back, the color of the lyrics changes, indicating the current position.
Displaying Text and Setting Up the Display You can view the text file (.txt) created by using a computer on the instrument’s display. This feature enables various useful possibilities, such as the showing of lyrics, chord names, and text notes. 1 2 In the Song Player mode of the Song Playback display, touch [Text] to call up the Text display. NOTE The Text display can also be called up via [MENU] [Text Viewer]. Touch the bottom left corner on the display to call up the Text File Selection display.
Using the Auto Accompaniment Features with MIDI Song Playback When playing back a MIDI Song and a Style at the same time, channels 9-16 in the Song data are replaced with Style channels—allowing you to play the accompaniment parts of the Song yourself. Try playing chords along with the Song playback as shown in the instructions below. 1 Select a Style. 2 Select a MIDI Song. 3 In the Song Player mode of the Song Playback display, touch enable synchronized start of the Song.
Turning Each Channel of a MIDI Song On/Off A MIDI Song consists of 16 separate channels. You can independently turn each channel of the selected Song playback on or off on the display called up via [MENU] [Channel On/Off]. If you want to play back only one particular channel (solo playback), touch and hold the desired channel until it turns purple. To cancel solo, simply touch the (purple) channel again. NOTE Usually, each part is recorded to the following channels.
Song Playback Related Settings You can make a variety of settings for Song Playback, on the display called up via [MENU] [Song Setting]. NOTE The display can also be called up from [Menu] on the Song Player or the Song Selection display. 4 Song Playback Guide—Keyboard and Vocal Practice Using the Guide Function With the Guide function, the instrument indicates the timing you need to play notes in the Score display for ease in learning.
3 Return to the Score display by pressing the [EXIT] button repeatedly, if necessary. 4 Press the SONG MIDI [>/o] (PLAY/PAUSE) button to start playback. Practice playing the keyboard or singing along with the Guide type selected in step 2. 5 Play the keyboard along with Song playback. NOTE The Guide settings can be saved as a part of Song data (page 73). When you select the saved Song the next time, the corresponding Guide settings will also be called up.
5 MIDI Song Recording/Editing Contents Overview of MIDI Song Recording ......................................................................................... 67 Recording Each Channel Individually (Realtime Recording) .............................................. 69 Re-recording a Specific Section—Punch In/Out (Realtime Recording)............................... 71 Recording Panel Setups to a Song............................................................................................
NOTE Audio data such as the rhythm channels created via the audio data of Audio Link Multi Pad and Audio Songs cannot be recorded to the MIDI Songs. MIDI Multi Recording Display Structure The MIDI Multi Recording display is the portal display for Multi Recording and can be called up via [RECORDING] MIDI [Multi Recording]. u q w e r t o i y !0 !1 !2 q Save For saving the edited Song. w Step Edit For creating or editing a Song via Step Recording. For details, see page 77.
Recording Each Channel Individually (Realtime Recording) With MIDI Recording, you can create a MIDI Song consisting of 16 channels by recording your performance to each channel one by one. In recording a piano piece, for example, you can record the right-hand part to channel 1 and then record the left-hand part to channel 2, allowing you create a complete piece which may be difficult to play live with both hands together.
4 Play the keyboard to start recording. You can also start recording by touching [] (Rec) or [>/o] (Play/Pause). When recording to the Song which has recorded data, you can turn already recorded channels on or off by touching the channel number. 5 After you finish your performance, touch [] (Stop) to stop recording. 6 To hear the recorded performance, touch [>/o] (Play/Pause). 7 Record your performance to another Channel by repeating steps 3–6. 8 Touch (Save) to save the recorded performance.
Re-recording a Specific Section—Punch In/Out (Realtime Recording) When re-recording a specific section of an already-recorded MIDI Song, use the Punch In/Out function. In this method, only the data between the Punch In point and the Punch Out point is overwritten with the newly recorded data. Keep in mind that the notes before and after the Punch In/Out points are not recorded over, and you will hear them play back normally to guide you in the Punch In/Out timing.
4 On the MIDI Multi Recording display, touch [Rec] corresponding to the desired channel for re-recording to turn it on. 5 Touch [>/o] (Play/Pause) to start recording. At the Punch In point specified in step 3, play the keyboard to start actual recording. At the Punch Out point specified in step 3, stop playing the keyboard. 6 Touch (Save) to save the recorded performance.
Recording Panel Setups to a Song The current settings of the Mixer display and other panel settings can be recorded to the top position of the Song as the Setup data. The Mixer and panel settings recorded here are automatically recalled when the Song starts. 1 On the MIDI Multi Recording display, select a Song for recording the Setup data, and then press the [EXIT] button to return to the Multi Recording display. 6 3 1 2 Touch [] (Stop) to move the Song position to the top of the Song.
Editing Channel Events of Existing Song Data The functions shown at the bottom right of the MIDI Multi Recording let you correct or convert a specific channel of the existing Song data. 1 On the MIDI Multi Recording display, select a Song to be edited, and then press the [EXIT] button to return to the Multi Recording display. 4 1 3 2 2 Touch the desired function and edit the parameters. To exit from the function and select another function, touch the function again.
Function Details Quantize The Quantize function allows you to align the timing of all the notes in a channel. For example, if you record the musical phrase shown below, you may not play it with absolute precision, and your performance may have been slightly ahead of or behind the precise timing. Quantize is a convenient way of correcting for this. Touch the [Select] below the instrument icon for the channel to be quantized, and then edit the parameters. Size Selects the quantize size (resolution).
Mix This function lets you mix the data of two channels and place the results in a different channel. Touch one of the menu items below, and then touch the instrument icon or the box below for the desired channel. Source 1 Determines the MIDI channel (1–16) to be mixed. All MIDI events of the channel specified here are copied to the destination channel. Source 2 Determines the MIDI channel (1–16) to be mixed. Only note events of the channel specified here are copied to the destination channel.
Step Recording/Editing Songs (Step Edit) This section shows how to create a new Song or edit an existing Song with the Step Edit feature. Basic Procedure for Step Recording/Editing This section covers the basic procedure for Step Recording. 1 Call up the MIDI Multi Recording display via [RECORDING] MIDI [Multi Recording]. A blank Song for recording is automatically set, and the Song name on the Multi Recording display is set to “NewSong.
Recording Melodies via Step Recording The explanations here apply when one of “Ch1”–“Ch16” is selected in step 4 on page 77. With [Step Rec] turned on at the bottom left of the display, you can input the notes one by one, using the controls below. w e r q t y u i o !0 Control Names and Functions q Event List Indicates events such as note and Voice selection which have been input. For details, refer to page 83. w Song Position (Measure: Beat: Clock) Indicates the current Song position.
Example of Step Recording—Melodies 1 2 3 4 * The numbers shown in the illustration correspond to the following operation step numbers. NOTE The illustration given here is just a sample. Since the music score (called up via [MENU] [Score]) is generated from recorded MIDI data, it may not appear exactly the same as shown above. Non-note musical performance symbols will not be shown in the Score display, even if you’ve entered them.
3 Enter a quarter-note rest. Touch the quarter-note ( ), that has been turned on, just once to input a quarter-note rest. Be careful not to touch the same note (which is turned on) several times. Doing so results in multiple rests being input for the corresponding times. Rests are not actually indicated as such in the Event List, but you can confirm whether any have been input or not by checking the Song Position. 4 Enter the next notes and apply a tie. 4-1 Touch [Velocity] to select “ .
Recording Chord/Section Change Events via Step Recording The explanations here apply when “Chord” is selected in step 4 on page 77. With [Step Rec] turned on at the bottom left of the display, you can input the Chord/Section Change events for Style playback one by one. w e r q t y u i NOTE (PSR-SX900) The Audio part of an Audio Style cannot be recorded. Control Names and Functions Event List Indicates events such as Chord and Section changes which have been input. For details, refer to page 83.
1 Enter the chords for the Main A section. 1-1 Press the MAIN VARIATION [A] button. 1-2 Touch the half-note length ( ) to turn it on. 1-3 Play the chords C, F and G in the chord section of the keyboard. C 1-1 F G 1-2 2 Enter the chords for the Break section. 2-1 Press the [BREAK] button. 2-2 Touch the quarter-note length ( ) to turn it on. 2-3 Play the chords F and G7 in the chord section of the keyboard.
Editing Specific MIDI Events of the Recorded Data The explanations here apply to step 4 on page 77. From the Step Edit display, you can edit specific MIDI events, such as Note data and Voice selection, which have been created via Realtime Recording or Step Recording. q w r t y e u i q Editing Target o !0 !1 !2 !3 !4 Specifies the Editing Target. • Ch 1–Ch 16: When one of these is selected, you can edit the channel data. • SysEx: For editing System Exclusive data (applies to all channels).
Tempo Determines the tempo value. Time (Time signature) Determines the time signature. Key (Key signature) Determines the key signature, as well as the major/minor setting, for the music score shown on the display. XGPrm (XG parameters) Allows you to make various detailed changes to the XG parameters. Refer to the Data List (MIDI Data Format) on the website. Sys/Ex. (System Exclusive) Displays the System Exclusive data in the Song.
Editing Song Position Markers This section covers two additional Marker-related features and details. For basic information on using the Markers for jump playback and loop playback, refer to the Owner’s Manual. Jump Markers The Markers explained in the Owner’s Manual are also called “Jump Markers.” In the Event List of the System Exclusive data (page 83), they are indicated as “SPJ-01”–“SPJ-04.
6 Registration Memory Contents Disabling Recall of Specific Items (Registration Freeze) ....................................................... 86 Calling Up Registration Memory Numbers in Order (Registration Sequence) .................. 87 Searching for a Registration Memory Bank File.................................................................... 89 • Adding Tags to a Registration Memory Bank for Easy Searching ......................................
Calling Up Registration Memory Numbers in Order (Registration Sequence) The Registration Sequence function conveniently lets you instantly change panel setups during a live performance— letting you call up the eight setups in any order you specify, by simply using the ASSIGNABLE buttons or the pedal as you play. 1 If you intend to use a pedal or pedals to switch the Registration Memory number, connect the optional pedals to the appropriate ASSIGNABLE FOOT PEDAL jacks.
7 Insert Inserts the number of the currently selected Registration Memory number before the cursor position. Delete Deletes the number at the cursor position. Clear Deletes all numbers in the sequence. Select the action that will result when the Registration Sequence reaches the end. • Stop: Pressing the ASSIGNABLE button or the “advance” pedal has no effect. The sequence is “stopped.” • Top: The sequence starts again at the beginning.
Searching for a Registration Memory Bank File You can quickly find desired Registration Memory Bank files from a large number of files by using the Search function. 1 Call up the operation display by touching tion display. 2 Touch the search box to call up the Character Entry window. (Search) on the Registration Bank Selec- 2 4 3 Enter the file name or the folder name (or just a part of it) to start searching. 6 If you want to enter multiple words, insert a space between each word.
Adding Tags to a Registration Memory Bank for Easy Searching The tags of Registration Memory Banks help you to quickly find desired files when searching. 1 Select the desired Registration Memory Bank file to which you want to add tags. 2 On the Registration Bank Selection display, touch Edit] to call up the operation display. 3 Touch [New Tag] to enter the desired text on the Character Entry window.
7 Playlist Contents Importing Music Finder Records to the Playlist .................................................................... 91 Importing Music Finder Records to the Playlist By importing Music Finder Records used on previous Yamaha keyboards (such as the PSR-S975/S775), you can use the Records on the Playlist of the PSR-SX900/SX700, just like using the Music Finder function on those other instruments.
5 Turn the [OTS LINK] button on to enable to use of the imported Records in the same way as the original Music Finder function. 6 Touch the Record name on the Playlist display and load the settings contained in the Music Finder data. Searching for Records Since Music Finder data is saved to Registration Memory, you can search for Records on the Registration Bank Selection display. The keyword and genre of the Music Finder are saved as tag information.
8 Microphone Contents Making the Microphone or Guitar Settings (Mic Setting) .................................................... 93 • Saving/Calling up the Microphone/Guitar Settings ............................................................. 95 Editing the Vocal Harmony Type (Vocal Harmony) (PSR-SX900) ...................................... 96 Editing the Synth Vocoder Types (Vocal Harmony) (PSR-SX900).....................................
e Volume Adjustment Adjusts the input volume of the microphone/guitar sound. The input level is shown at the right. NOTE (PSR-SX900) The setting here when “Vocal” is selected is equivalent to that in the Vocal Harmony display (page 96). r 3 Band EQ EQ (Equalizer) is a processor that divides the frequency spectrum into multiple bands which can be boosted or cut as required to tailor the overall frequency response.
Saving/Calling up the Microphone/Guitar Settings All the microphone/guitar settings can be saved as a single file by touching (Save) on the Mic Setting display. Up to 60 files can be saved to the User memory of this instrument. For ease in future recall, you should assign a sufficiently descriptive name or one that matches your performance. To call up the microphone/guitar settings, touch the setting name at left of (Save) then select the desired file.
Editing the Vocal Harmony Type (Vocal Harmony) (PSR-SX900) By editing the parameters of the preset Vocal Harmony type, you can create your original Vocal Harmony type. The operation display can be called up via [MENU] [Vocal Harmony]. 1 Touch the Vocal Harmony name to call up the Vocal Harmony Selection display. 2 Touch [Vocal Harmony], and then select the desired Vocal Harmony type. 3 Depending on the selected Vocal Harmony type, edit the relevant settings as desired.
e (When the Mode is set to “Chordal”) Chord Source Determines which data or event of a Song will be used for chord detection. • Off: Disables chord detection from the Song data. • XF: Chord data defined via XF will be used. • 1–16: Detects a chord from notes of the MIDI channel specified here. NOTE The Vocal Harmony may not work properly regardless of the setting here depending on the Song data, since the selected Song may contain no chord data or insufficient note data for chord detection.
y Balance adjustment for each Lead note and Harmony note The following parameters can be adjusted for each Lead note (microphone sound) and Harmony note. • Transpose: For shifting the pitch of each Harmony note and Lead note. The range for all notes is the same; however, the lead note can only be adjusted in octaves.
u Detail Setting • Pitch Correct Mode: Corrects the pitch of the Lead note (microphone sound). “Off ” does not correct while “Hard” corrects the pitch most accurately. • Humanize: This setting allows you to make the Vocal Harmony sounds more natural and less “electronic,” by introducing slight time discrepancies between the Lead and Harmony notes. Off: No Humanize effect.
Editing the Synth Vocoder Types (Vocal Harmony) (PSR-SX900) By editing the parameters of the preset Synth Vocoder type, you can create your original Synth Vocoder type. The operation display can be called up via [MENU] [Vocal Harmony]. 1 Touch the Vocal Harmony name to call up the Vocal Harmony Selection display. 2 Touch [Synth Vocoder], and then select the desired Synth Vocoder type. 3 Depending on the selected Synth Vocoder type, edit the relevant settings as desired.
i Detail Setting Carrier • Volume: Determines the level of the Carrier for the Synth Vocoder sound. • Noise: Determines the noise level which is input to the Synth Vocoder. This can be used to emphasize sibilant and plosive sounds, and make the speech-like characteristics more pronounced. • Octave: Determines the octave setting of the Carrier for the Synth Vocoder sound. HPF (High Pass Filter) • Freq (Frequency): Determines the HPF cutoff frequency for the microphone input sound.
9 Mixer Contents Editing Filter Parameters (Filter).......................................................................................... 102 Editing EQ Parameters (EQ) ................................................................................................. 103 Editing Effect Parameters (Effect) ........................................................................................ 105 • Editing and Saving the Effect settings ...................................................................
Editing EQ Parameters (EQ) Equalizer (also called “EQ”) is a sound processor that divides the frequency spectrum into multiple bands that can be boosted or cut as required to tailor the overall frequency response. The “Panel”–“Song” Part Selection tabs at the top of the Mixer display let you adjust the EQ for each corresponding part, while “Master” lets you make overall EQ adjustments for the entire instrument.
1 4 2 3 1 Select the desired EQ type to be edited. • Flat: Flat EQ settings. The gain of each frequency is set to 0dB. • Powerful: Powerful EQ settings in which all frequency sounds are emphasized. This can be used to boost the music for parties, etc. • Mellow: Soft and mellow EQ settings in which high-frequency bands are reduced slightly. • Bright: EQ setting for boosting the level of the high frequencies, making the sound brighter.
Editing Effect Parameters (Effect) This instrument features the following Effect Blocks. • System Effect (Chorus, Reverb): These Effects are applied to the entire sound of this instrument. For each part, you can adjust the depth of the System Effect. This can be set on the “Chorus/Reverb” display (page 107). • Insertion Effect 1–8 (PSR-SX900), 1–5 (PSR-SX700): These Effects are applied only to a specific part.
Editing and Saving the Effect settings You can edit the settings of the System Effects (Chorus, Reverb), Insertion Effects and Variation Effect. The edits can be saved as a User Effect type. 1 From the Mixer display, touch the Effect type name to call up the Effect setting display. 2 (PSR-SX900) Parameter controllers corresponding to the selected Effect type will be shown here. 2 Select the Effect Category and Type.
Editing Effect Parameters (Chorus/Reverb) As described in the previous section, Chorus and Reverb are System Effects which are applied to the entire sound of the instrument. They are not available when the “Master” tab is selected at the top of the Mixer display. Chorus Touch the Chorus type name at the top right of this row to select the desired Chorus type. After selecting, return to the Mixer display then use each knob to adjust the Chorus depth for each part.
Editing Master Compressor Settings (Compressor) Compressor is an effect commonly used to limit and compress the dynamics (softness/loudness) of an audio signal. For signals that vary widely in dynamics, such as vocals and guitar parts, it “squeezes” the dynamic range, effectively making soft sounds louder and loud sounds softer. When used with gain to boost the overall level, this creates a more powerful, more consistently high-level sound.
4 Touch (Save) to save the settings as a User Master Compressor type. Up to 30 Master Compressor types can be created and saved. NOTICE The settings will be lost if you turn the power to the instrument off without carrying out the Save operation. NOTE If you want to save the Master Compressor settings to a USB flash drive, save them as a User Effect file.
Block Diagram PSR-SX900 Variation Effect Connection Insertion System Return Level Return Level Return Level System Effect Variation Insertion Effect Right1 Part EQ Right2 Part EQ Right3 Part EQ Left Part EQ Song Ch 1 Part EQ Chorus Reverb Depth Main/Aux Out Ins. 1-5 Master EQ Master Compressor Master EQ ... Master Compressor Song Ch 16 Part EQ Style Rhythm 1 Part EQ Var. ... Ins.
10 Controller Function Settings Contents Assigning Specific Functions to the Pedals and Panel Buttons (Assignable) ..................... 111 • Assignable Functions (Assignable display) ....................................................................... 112 Editing the Assign Types of the Live Control Knobs (Live Control).................................. 117 • Assignable Functions (Live Control display) ....................................................................
Assignable Functions (Assignable display) In the list below, “P” indicates the pedals, “A” indicates the ASSIGNABLE buttons, and “R” indicates the [ROTARY SP/ASSIGNABLE] button. The functions marked by “” are available for the corresponding pedals or buttons. For functions indicated with “*”, use only the foot controller; proper operation cannot be done with a Footswitch.
Functions Category Voice Function Pitch Bend* Assignability Description P A R Allows you to bend the pitch of notes up or down by using the pedal. You can make the following settings at the bottom of this display. • Up/Down: Determines whether the pitch change goes up (is raised) or down (is lowered). - - • Range: Determines the range of the pitch change, in semitones. Modulation (+), (-)* Applies vibrato and other effects to notes played on the keyboard.
Functions Category Style Function Assignability Description P A R Style Start/Stop Same as the STYLE CONTROL [START/STOP] button. - Synchro Start On/ Off Same as the [SYNC START] button. - Synchro Stop On/ Off Same as the [SYNC STOP] button. - Intro1–3 Same as the INTRO [I]–[III] buttons. - Main A–D Same as the MAIN VARIATION [A]–[D] buttons.
Functions Category Song Description ] (PLAY/PAUSE) button. P A R - Song MIDI Play/ Pause Same as the SONG MIDI [ Song MIDI Previous Same as the SONG MIDI [ ] (PREV) button. - Song MIDI Next Same as the SONG MIDI [ ] (NEXT) button. - Song MIDI Synchro Start On/Off Same as MIDI (Sync Start) on the Song Playback display. - Song MIDI Single Repeat On/Off Same as MIDI (Repeat) on the Song Playback display.
Functions Category Overall Function Assignability Description P A R Part On/Off Turns the desired parts on/off at once. - - Insertion Effect On/ Off Turns the Insertion Effects (page 105) on or off. Metronome On/Off Turns the metronome on or off. - Tempo +/- Same as the TEMPO [+]/[-] buttons. - Reset/Tap Tempo Same as the [RESET/TAP TEMPO] button. - Master Tempo Same as “Master Tempo” of Live Control (page 119).
Editing the Assign Types of the Live Control Knobs (Live Control) The setups of functions for Live Control knobs (called “Assign Types”) can be changed as desired from a variety of options. The operation display can be called up via [MENU] [Live Control]. Knob Assign Type 1 Knob Assign Type 2 Knob Assign Type 3 1 Touch to select the desired knob. Touching it again calls up the function list. 2 Select the function for the knob. For information about each function, refer to pages 118–119.
Assignable Functions (Live Control display) NOTE You can make detailed settings of each function on the bottom of the Live Control display, such as which parts will be affected by the function, etc (items are depending on each function). Category Mixer Voice Edit Function Description Volume Adjusts the volume of the selected parts or channels. Keyboard Volume Adjusts the volume of all keyboard parts.
Category Harmony/Arpeggio Style Function Description Kbd Harmony/ Arpeggio Volume Adjusts the volume of the Keyboard Harmony or Arpeggio function. Arpeggio Velocity Adjusts the velocity of each note of Arpeggio. The value shown in the pop-up window is indicated as a percentage of the default value for each Arpeggio type. Arpeggio Gate Time Adjusts the length of each note of Arpeggio. The value shown in the pop-up window is indicated as a percentage of the default value for each Arpeggio type.
11 MIDI Settings Contents Basic Procedure for MIDI Settings ........................................................................................ 120 System—MIDI System Settings ............................................................................................. 122 Transmit—MIDI Transmit Channel Settings....................................................................... 123 Receive—MIDI Receive Channel Settings ............................................................................
2 If desired, edit the MIDI parameters based on the MIDI template selected in step 1 in the relevant setting display. • • • • System: For setting the MIDI System related parameters. ...............................................................page 122 Transmit: For setting the MIDI Transmission related parameters. ..................................................page 123 Receive: For setting the MIDI Reception related parameters. ..........................................................
System—MIDI System Settings The explanations here apply when you call up “System” display in step 2 on page 121. Clock Determines whether the instrument is controlled by its own internal clock (“Internal”) or a MIDI clock (“MIDI,” “USB1,” “USB2,” and “Wireless LAN”) received from an external device. “Internal” is the normal Clock setting when the instrument is being used alone or as a master keyboard to control external devices.
Transmit—MIDI Transmit Channel Settings The explanations here apply when you call up the “Transmit” display in step 2 on page 121. This determines which MIDI channel is used for each part when MIDI data is transmitted from this instrument. 1 Alternates between the two pages. 2 11 MIDI Settings The dots corresponding to each channel (1–16) flash briefly whenever any data is transmitted on the channel(s).
Receive—MIDI Receive Channel Settings The explanations here apply when you call up the “Receive” display in step 2 on page 121. This determines which Part is used for each MIDI channel when the MIDI data is recognized by this instrument. 1 Alternates between the two pages. 2 The dots corresponding to each channel (1–16) flash briefly whenever any data is received on the channel(s).
On Bass Note—Setting the Bass Note for Style Playback via MIDI The explanations here apply when you call up “On Bass Note” display in step 2 on page 121. The settings here let you determine the bass note for Style playback, based on the note messages received via MIDI. The note on/off messages received at the channel(s) set to on are recognized as the bass notes of the chords for Style playback. The bass note will be detected regardless of the [ACMP] or Split Point settings.
12 Network Settings Contents Wireless LAN Settings ............................................................................................................ 126 • Infrastructure Mode ........................................................................................................... 126 • Access Point Mode ............................................................................................................ 127 Making the Time Settings .......................................................
e Connect by WPS Connects this instrument to the network via WPS. After touching [Yes] in the window called up by touching here, press the WPS button of the desired wireless LAN access point within two minutes. NOTE Make sure that your access point supports WPS. About the confirmation and changes in the access point settings, refer to the manual of the access point. r Initialize Initializes the connection setup to the default factory status.
Making the Time Settings You can make the time-related settings on the display called up via [MENU] [Time]. The time is shown at the upper-right corner of the Home display. q w e r The date and time are set automatically when the instrument is connected to the network. This is available only if the USB Wireless LAN adaptor is connected to the instrument, and the wireless LAN mode setting is set to Infrastructure mode (page 126). q Date Indicates the date. w Time Indicates the time.
13 Utility Contents Speaker/Connectivity (PSR-SX900), Speaker (PSR-SX700)............................................... 129 Touch Screen/Display .............................................................................................................. 130 Parameter Lock ....................................................................................................................... 130 Storage—Formatting the Drive...................................................................................
Touch Screen/Display Page 1/2 Touch Screen Brightness Sound Determines whether or not touching the display will trigger the click sound. When this is set to “Speaker only,” the sound is triggered by touching and is output to the speaker, but not to the MAIN OUTPUT jacks and the PHONES jack. Calibration For calibrating the display when it does not respond properly to your touching. (Normally, this need not be set, since it is calibrated by factory default.
System Page 1/2 Indicates the firmware version of this instrument. Yamaha may from time to time update firmware of the product without notice for improvement in functions and usability. To take full advantage of this instrument, we recommend that you upgrade your instrument to the latest version. The latest firmware can be downloaded from the website below: http://download.yamaha.com/ Hardware ID Indicates the hardware ID of this instrument.
Factory Reset/Backup Factory Reset—Restoring the Factory Programmed Settings On page 1/2, checkmark the boxes of the desired parameters then touch [Factory Reset] to initialize the settings of the parameters which are checkmarked. System Restores the System Setup parameters to the original factory settings. Refer to “Parameter Chart” in the Data List for details about which parameters belong to the System Setup.
Setup Files—Saving and Loading For the items below, you can save your original settings to the User drive or the USB flash drive as a single file for future recall. If you want to save the setup file to the USB flash drive, make sure to connect the USB flash drive to the [USB TO DEVICE] terminal beforehand. NOTE Before using a USB flash drive, be sure to read “Connecting USB Devices” in the Owner’s Manual.
14 Expansion Pack Related Operations Contents Installing Expansion Pack Data from a USB Flash Drive ................................................... 134 Saving the Instrument Info File to a USB Flash Drive ........................................................ 135 Restoring the Pre-installed Expansion Contents ..................................................................
Saving the Instrument Info File to a USB Flash Drive If you use the “Yamaha Expansion Manager” software to manage the Pack data, you may need to retrieve the Instrument Info file from the instrument as described below. For information on how to use the software, refer to the accompanying manual. 1 Connect the USB flash drive to the [USB TO DEVICE] terminal. 2 Call up the operation display via [MENU] [Expansion]. 3 Touch [Export Instrument Info]. 4 Follow the on-display instructions.
15 Connections Contents Selecting the Output Destination of Each Sound (Line Out) (PSR-SX900)....................... 136 Selecting the Output Destination of Each Sound (Line Out) (PSR-SX900) You can assign any desired part or drum/percussion instrument sound to any of the LINE OUT jacks, for independent output. The operation display can be called up via [MENU] [Line Out].
t Sub1–Sub2 ([L], [R]) When one of these columns (jacks) is checked, the selected part/drum instruments will be output from only the selected SUB OUTPUT jack(s). NOTE Only the Insertion Effect and Vocal Harmony effects can be applied to the sound output from the SUB OUTPUT jacks. The System Effect (Chorus, Reverb, and when the Variation Effect is set to “System”) will not be applied. y AUX Out ([L/L+R, R]) This is automatically checked, when “Main” is checked.
Index A G N Access Point Mode............................... 127 Arpeggio ........................................... 39, 44 Arpeggio Hold......................................... 39 Arpeggio Quantize.................................. 39 Assembly ................................................ 24 Assignable .................................... 111, 112 Attack................................................ 49, 51 Audio Link Multi Pad............................... 54 Audio Style ........................
S W Scale Tune ............................................. 41 Score ...................................................... 59 Search .................................................... 89 Setup File ............................................. 133 Song ....................................................... 57 Song List................................................. 57 Song Position Marker ............................. 85 Song Setting ........................................... 65 Source Pattern....
