User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Channel Strip section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon, and channel color
- Making HA (Head Amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- Signal flow for output channels
- Specifying the channel name, icon, and channel color
- Sending signals from MIX channels to the STEREO/ MONO bus
- Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses
- Correcting delay between channels (Output Delay)
- Using the PORT TO PORT function
- Channel library operations
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, effects, and Premium Rack
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Custom fader bank
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Remount function to USB flash drives
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Setting up the Dante audio network
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the LED color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- Contents
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- MIDI Data Format
- Input/Output Specifications
- Electrical characteristics
- Mixer Basic Parameters
- Pin Assignment Chart
- MIDI Implementation Chart
Data List
8
Effects Parameters
REV-X HALL, REV-X ROOM, REV-X PLATE
Newly-developed two input, two output reverb algorithm. Delivers dense and rich
reverberation, smooth decay, and provides a spaciousness and depth that enhances the
original sound. Choose from three types depending on your location and needs; REV-X
HALL, REV-X ROOM, and REV-X PLATE.
REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
One input, two output hall, room, stage, and plate reverb simulations, all with gates.
DelayEr. DELAYER. Delay and early reflections in series
Delay+Rev DELAY+REV Delay and reverb in parallel
DelayRev DELAYREV Delay and reverb in series
DistDelay DISTDELAY Distortion and delay in series
Multi Filter MULTI FILTER 3-band parallel filter (24 dB/octave)
Freeze FREEZE Simple sampler
Distortion DISTORTION Distortion
Amp Simulate AMP SIMULATE Guitar amp simulation
Comp276 COMP276
This compressor emulates the characteristics of an analog compressor that has
become a sought-after classic in recording studios.
Comp276S COMP276S This is a stereo model of COMP276.
Comp260 COMP260
This compressor emulates the characteristics of a compressor/limiter of the latter
1970s that has become a sought-after classic for live SR.
Comp260S COMP260S This is a stereo model of the COMP260.
Equalizer601 EQUALIZER601
This equalizer emulates the characteristics of an analog equalizer of the 1970s. It
can be used to obtain a sense of drive.
OpenDeck OPENDECK
This is a tape saturation effect that emulates the tape compression produced by
two open-reel tape recorders: a recording deck and a reproduction deck.
M.Band Dyna. M.BAND DYNA. Multi-band dynamics processor
M.Band Comp M.BAND COMP Multi-band compressor
Title Type Description
Parameter Range Description
REV TIME
0.28–27.94 s
*1
*1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ depending
on the effect type and ROOM SIZE setting.
Reverb time
INI. DLY 0.0–120.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–1.4 Low-frequency reverb time ratio
LO.FREQ 22.0 Hz–18.0 kHz Frequency point for LO.RATIO setting
DIFF. 0–10 Reverb diffusion (left-right reverb spread)
ROOM SIZE 0–28 Size of room
DECAY 0–53 Gate closing speed
HPF THRU, 22.0 Hz–8.00 kHz High-pass filter cutoff frequency
LPF
1.00 kHz–18.0 kHz,
THRU
Low-pass filter cutoff frequency
Parameter Range Description
REV TIME 0.3–99.0 s Reverb time
INI. DLY 0.0–500.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0–10 Reverb diffusion (left-right reverb spread)
DENSITY 0–100% Reverb density
E/R DLY 0.0–100.0 ms Delay between early reflections and reverb
E/R BAL. 0–100%
Balance of early reflections and reverb
(0% = all reverb, 100% = all early reflections)
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
GATE LVL OFF, –60 to 0 dB Level at which gate kicks in
ATTACK 0–120 ms Gate opening speed
HOLD
*1
*1. 0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)
Gate open time
DECAY
*2
*2. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
Gate closing speed