User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon and channel color
- Making HA (Head Amp) settings
- Sending a signal from an input channel to the STEREO/MONO buses
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
- Output channels
- EQ and Dynamics
- Grouping and linking
- Scene memory
- About scene memories
- Using scene memories
- Editing scene memories
- Using the Global Paste function
- Using the Focus function
- Using the Recall Safe function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, effects, and Premium Rack
- I/O device and external head amp
- MIDI
- User settings (Security)
- Recorder
- Help function
- Other functions
- About the SETUP screen
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Appendices
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Effects and tempo synchronization
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- Functions that can be assigned to USER DEFINED keys
- Functions that can be assigned to USER DEFINED knobs
- Functions that can be assigned to the assignable encoders
- MIDI Data Format
- Warning/Error Messages
- Electrical characteristics
- Mixer Basic Parameters
- M IDI Implementation Chart
- Index
Graphic EQ, effects, and Premium Rack
Reference Manual
132
12. Adjust the parameters.
For details on editing the parameters, refer to the next section “Editing the Premium Rack
parameters.”
NOTE
Adjust the digital gain and the processor parameters so that the signal does not reach the
overload point at the input or output stage of the processor.
13. Using the fader of the channel you selected as the rack’s output destination in
step 6, adjust the level as appropriate.
Editing the Premium Rack parameters
Each Premium Rack window includes the following items:
1 ASSIST button
Press this button to open a window in which you can assign the parameters to the multifunction
knobs for control.
2 LIBRARY button
Press the button to open the Library popup window for Premium Rack. (For each module type)
3 DEFAULT button
Restores the default parameter setting.
4 Multifunction knob access field
Indicates the name and value of the parameters that are assigned to the multifunction knobs.
To switch the parameter to control, press the knob in the window.
NOTE
• If the ASSIST button is on, you will be able to easily identify the parameters that are currently
available for editing, and the parameters that will be available for editing after you select them.
• You can adjust the parameter in finer steps by turning a multifunction knob while pressing and
holding it down.
■ Portico 5033
Portico 5033 is a processor that emulates a 5-band analog EQ developed by Rupert Neve Designs
(RND). 5033EQ features a unique tone control response. It inherited the history of the “1073,” which
was praised as one of the greatest devices developed by Mr. Rupert Neve. Yamaha’s VCM technology
has modeled the EQ to the last detail, including the input/output transformer that was designed by Mr.
Rupert Neve himself. As a result, this processor model produces musically high-quality sound even
when bypassed. Its response features unique effects. For example, if the Lo setting is cut, the low range
becomes tight, and if the Hi setting is raised, the desired range will be boosted without hurting your
ears.
1 ALL BYPASS button
Switches EQ bypass on or off. Even when EQ bypass is on, the signal will pass through the input/
output transformer and amp circuits.
2 TRIM knob
Adjusts the input gain of the effect.
3 LF/LMF/MF/HMF/HF Frequency knobs
Adjust the frequency for each band.
4 LF/LMF/MF/HMF/HF Gain knobs
Adjust the amount of boost or cut for each band.
5 LMF/MF/HMF Q knobs
Adjust the Q (steepness) of each band. The higher the Q value, the narrower the range in which
you can control the gain for the band.
1 2 3
4
1
2
8
7
3
4
5
6