UCAT R-V1105 Natural Sound AV Receiver Ampli-tuner audio vidéo OWNER’S MANUAL MODE D’EMPLOI
• Explanation of Graphical Symbols CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. IMPORTANT Please record the serial number of your unit in the space below. Model: Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.
Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges.
Congratulations! You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) System—an extremely sophisticated audio component. The DSP system takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences.
English CONTENTS SAFETY INSTRUCTIONS ........................................... Inside of the Front Cover BASIC OPERATION ............................................... 33 Playing a source .................................................... 33 CAUTION .................................................................. 2 Recording a source to tape (or MD) or dubbing from tape (or MD) to tape (or MD)......................... 37 Sound control.........................................................
CAUTION : Read this before operating your unit. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. 3. Never remove the unit cover.
Features 5 Channel Power Amplification Main: Center: Rear: 85W + 85W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz 85W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz 85W + 85W (8Ω) RMS Output Power, 0.
INTRODUCTION What’s DSP? Introduction Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receiver available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world.
INTRODUCTION Dolby Digital is the next level of Dolby Surround sound system developed for 35 mm film-movies by employing low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels.
INTRODUCTION CINEMA DSP: Dolby Surround + DSP / DTS + DSP The Dolby Surround sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on.
Getting started English GETTING STARTED Unpacking Carefully remove this unit and accessories from the box. You should find the unit itself and the following accessories. Remote controller Indoor FM Antenna POWER STANDBY AMP/TUN /DTS SURROUND CD 1 MONO MOVIE DVD/LD 4 ROCK PHONO 7 HALL EXT. DEC.
GETTING STARTED Installing batteries in the remote controller Notes about the remote controller Battery replacement Since the remote controller will be used for many of this unit’s control operations, you should begin by installing the supplied batteries. 1. Turn the remote controller over and slide the battery compartment cover in the direction of the arrow. 2. Insert the batteries (AA, R6, UM-3 type) according to the polarity markings on the inside of the battery compartment. 3.
GETTING STARTED English Controls and their functions Front panel 2 1 NATURAL SOUND 3 4 5 6 CINEMA DSP AV RECEIVER VOLUME INPUT SELECTOR l6 20 l2 28 8 60 2 4 40 STANDBY/ON TAPE/MD MON /EXT.
GETTING STARTED 8 A/B/C/D/E button H FM/AM button Press this button to select a group (A–E) of preset stations. Press this button to switch the reception band between FM and AM. 9 SPEAKERS switches Press the switch A or B (or both) for the main speakers you will use inward (ON). Press and release the switch for the main speakers you do not use outward (OFF). 0 Preset station number selector buttons Select a preset station number (1 to 8).
GETTING STARTED English Display panel 1 2 3 DIGITAL PRO LOGIC DSP MEMORY 4 5 ENHANCED MOVIE THEATER 12 TV SPORTS MONO MOVIE DISCO JAZZ CLUB ROCK CONCERT CHURCH CONCERT HALL AUTO 6 7 1 indicators Either “dts” indicators will be illuminated when the built-in DTS decoder is turned on. A red “dts” indicator will be illuminated when playing a compact disc or laserdisc encoded with DTS. An orange “dts” indicator will be illuminated when playing a DVD encoded with DTS.
PREPARATION Speaker setup m Setting up your speaker system This unit has been designed to provide the best sound field quality with a full five-speaker system setup, using a pair of main speakers to output main source sounds, a pair of effect speakers to generate the sound field plus one center speaker for dialog. We therefore recommend that you use a fivespeaker setup.
PREPARATION English m Speaker system configurations 4 Speaker System 5 Speaker System The recommended system for enjoying Audio/Video sources. By the use of a center speaker, center channel sounds (dialog, vocals etc.) are precisely localized. 1. CENTER SPEAKER—Set to “LRG” or “SML”. (See page 27.) Basic system. You can enjoy widely diffused sound by only adding a pair of rear speakers to a basic stereo speaker system.
PREPARATION Connections Caution: Plug in this unit and other components after all connections are completed. All connections must be correct, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also refer to the owner’s manual for each of your components. Audio/video source equipment ● ● Use RCA type pin plug cables for audio/video units with the exception described later. The output (or input) terminals of YAMAHA audio/video units numbered as 1, 3, 4, etc.
PREPARATION These terminals are used to connect a video input source such as a camcorder. English VIDEO AUX terminals (on the front panel) PAL/NTSC switch (China and General models only) EXTERNAL DECO GND MAIN CENTER VIDEO AUX Ω UNBAL. CD DVD/LD OPTICAL COAXIAL DVD/LD TV/DBS OPTICAL DIGITAL SIGNAL S VIDEO VIDEO L AUDIO R SUB WOOFER PAL NTSC S VIDEO VIDEO ON SCREEN SELECTOR This unit is designed for use with the NTSC and PAL television formats.
PREPARATION m Connecting to digital (OPTICAL and COAXIAL) terminals To make an optical digital connection between this unit and an external unit, remove the cover from each optical terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly. If your CD player, LD player, DVD player, TV/satellite tuner, etc.
PREPARATION English m Connecting to DOLBY DIGITAL RF output of the DVD/LD/CD combi-player You must also connect the optical digital signal output terminal of the DVD/LD/CD combi-player to the OPTICAL DVD/LD digital signal input terminal of this unit. This connection is necessary for playing back a DVD source with Dolby Digital or DTS decoded, and playing back an LD source with DTS decoded.
PREPARATION m Connecting to S VIDEO terminals Note If video signals are sent to both S VIDEO input and VIDEO input terminals, the signals will be sent to their respective output terminals. If your video cassette recorder and your monitor are equipped with “S” video terminals, connect this unit’s S VIDEO SIGNAL VCR IN and OUT terminals to the “S” video input and output of your video cassette recorder, and connect this unit’s S VIDEO SIGNAL MONITOR OUT terminal to the “S” video input of your monitor.
PREPARATION Notes When signals input to these terminals are selected, the digital sound field processor cannot be used. ● The settings of “1. CENTER SPEAKER,” “2. REAR SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT” in the SET MENU mode have no effect on the signals input to these terminals. The setting of “5. MAIN LEVEL” is effective. (Refer to pages 27 to 28 for details.
PREPARATION Speakers Use speakers with the specified impedance shown on the rear of this unit. Rear speakers Right Left Center speaker Subwoofer system CENTER REAR (SURROUND) OUTPUT MAIN CENTER REAR (SURROUND) SUB WOOFER CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. MAIN A A B B SPEAKERS Right Right Left Left Main speakers A Main speakers B How to Connect: Connect the SPEAKERS terminals to your speakers with the wire of the proper gauge (keep as short as possible).
PREPARATION Red: positive (+) Black: negative (–) Note on main speaker connections: One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals. English For connecting to the REAR and CENTER SPEAKERS terminals Note on a subwoofer connection: ➀ ➀ Press the tab. ➁ Insert the bare wire. ➂ [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Release the tab and secure the wire.
PREPARATION m To drive main, center and/or rear speakers with external amplifiers The speaker connections described on page 20 are fine for most applications. If for some reason, however, you wish to drive main, center and/or rear speakers with your existing amplifier, etc., the following terminals are available for connecting external amplifier(s) to this unit. 3 This terminal is for center channel line output.
PREPARATION English Antennas ● ● Each antenna should be connected to the designated terminals correctly, as shown in the following figure. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality only with the indoor antennas, the use of an outdoor antenna may result in improvement.
PREPARATION m Connecting the indoor FM antenna Connect the included indoor antenna to the 75Ω UNBAL. FM ANT terminal. GND terminal For maximum safety and minimum interference, connect the GND terminal to a good ground. A good ground is a metal stake driven into moist earth. Note Do not use an outdoor FM antenna and the indoor FM antenna at the same time.
PREPARATION English Plugging in this unit • After completing all connections, plug the AC power cord into an AC outlet. • Unplug the AC power cord from the AC outlet if this unit is not to be used for a long period of time. (General model) IMPEDANCE SELECTOR OUTPUT MAIN CENTER VOLTAGE SELECTOR SET BEFORE POWER ON REAR (SURROUND) REAR : 6ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER MAIN A OR B: 4ΩMIN. /SPEAKER A B: 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER MAIN A OR B: 8ΩMIN.
PREPARATION On screen display If you connect your VCR, LD player, video monitor, etc. to this unit, you can take advantage of this unit’s capability to display program titles, parameter data and information for various setting changes and adjustments on your video monitor screen. This information will be superimposed over the video image. If there is no video source connected or it is turned off, the information will be displayed over a blue colored background.
PREPARATION English Selecting the output modes (“SET MENU” mode) The following functions control the output signals to the speakers in your audio system. When speaker connections are all completed, select a proper position on each function to maximize the performance of your speaker system. * For details about the SET MENU mode, refer to pages 51 to 54. 1. CENTER SPEAKER 2. REAR SPEAKER 3. MAIN SPEAKER 4. LFE/BASS OUT 5. MAIN LEVEL m Function description 1. CENTER SPEAKER 2.
PREPARATION 3. MAIN SPEAKER 5. MAIN LEVEL Choices: LARGE/SMALL Preset position: LARGE Choices: Normal/–10dB Preset position: Normal LARGE: If your main speakers have a high ability for bass reproduction. In this position, full range signals present at the main channels are output from the main speakers. SMALL: If your main speakers do not have a high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position.
PREPARATION English m Changing selections Refer to the display panel or the monitor screen when changing the selections. DSP 2 1 EFCT DISC SKIP PRESET 1 POWER CH STANDBY ON/OFF CH TV CODE SET AMP/TUN MUTE VOLUME NATURAL SOUND CINEMA DSP AV RECEIVER INDEX VOLUME INPUT SELECTOR l6 20 l2 28 STANDBY/ON POWER 4 VCR REC TAPE/MD MON /EXT.
PREPARATION Speaker balance adjustment This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test tone generator. After the adjustments, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic Surround decoder and the DTS decoder.
PREPARATION CH TV CODE SET NATURAL SOUND CINEMA DSP AV RECEIVER 8 MUTE VOLUME INPUT SELECTOR l6 20 VOLUME l2 28 8 TAPE/MD MON /EXT.
PREPARATION ROCK PHONO 7 HALL EXT. DEC. 0 JAZZ CLUB V-AUX 8 +10 CHURCH 9 TEST +100 11 CLEAR ENTER A/B/C/D/E DSP EFCT DISC SKIP PRESET CH ON/OFF CH TV CODE SET MUTE VOLUME INDEX DISP SLEEP POWER VCR REC / 11 When the adjustment is finished, press the TEST key once again to cancel the test tone.
English BASIC OPERATION Playing a source 4 3 1 3 POWER STANDBY AMP/TUN NATURAL SOUND CINEMA DSP AV RECEIVER VOLUME INPUT SELECTOR l6 20 l2 28 8 4 40 STANDBY/ON TAPE/MD MON /EXT.
BASIC OPERATION /DTS SURROUND 5 CD 7 1 MONO MOVIE 5 DVD/LD 4 ROCK PHONO 7 HALL NATURAL SOUND CINEMA DSP AV RECEIVER EXT. DEC. VOLUME INPUT SELECTOR 0 l6 20 l2 28 TAPE/MD MON /EXT.
BASIC OPERATION Use one of the buttons figured below to make the corresponding indicator illuminated on the display. Front panel TAPE/MD MON /EXT. DECODER Press once or more. TAPE/MD MONITOR or Notes on input source selection ● Note that selecting an input source means that the source which is connected to the corresponding input terminals on the rear panel is selected. * To select the source connected to the VIDEO AUX terminals on the front panel, select “V-AUX”.
BASIC OPERATION m Switching the input mode for the CD, DVD/LD and TV/DBS sources This unit allows you to switch the input mode for sources that send two or more types of signals to this unit. The following three input modes are provided. AUTO This mode is automatically selected when you turn on the power of this unit. In this mode, input signal is automatically selected by the following order of priority. 1. Digital signal encoded with Dolby Digital or DTS, or normal digital input signals (PCM) 2.
BASIC OPERATION English Recording a source to tape (or MD) or dubbing from tape (or MD) to tape (or MD) m Recording the playing source to tape (or MD) 4 1 /DTS SURROUND 2 1 CD 1 MONO MOVIE DVD/LD 4 ROCK PHONO 7 HALL EXT. DEC. NATURAL SOUND 0 CINEMA DSP AV RECEIVER DISCO VCR TV/DBS 6 5 JAZZ CLUB V-AUX 8 +10 28 8 60 2 DSP TAPE/MD MON /EXT.
BASIC OPERATION Sound control m Adjusting the BALANCE control Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. m Adjusting the BASS and TREBLE controls BASS 0 l TREBLE 0 l l l 2 2 3 BALANCE 0 l l 2 3 4 2 4 5 2 3 3 4 5 4 5 3 3 4 4 L5 5R Note This control is effective only for the sound from the main speakers.
BASIC OPERATION English Tuning Basic operation Quick automatic-search tuning (automatic tuning) is effective when the station signals are strong with no interference. However, manual tuning can be used during less-than-ideal conditions. 1 2 NATURAL SOUND CINEMA DSP AV RECEIVER VOLUME INPUT SELECTOR l6 20 l2 28 8 4 40 STANDBY/ON TAPE/MD MON /EXT.
BASIC OPERATION Preset tuning m Manual preset tuning This unit can store station frequencies selected by the tuning operation. With this function, you can recall any desired station only by selecting the preset station number. Up to 40 stations (8 stations x 5 groups) can be stored. 1 3 2 MONO MOVIE DVD/LD Select “AMP/TUN” 4 DISCO NATURAL SOUND 7 CINEMA DSP AV RECEIVER VOLUME INPUT SELECTOR EXT. DEC. l2 28 8 60 2 TAPE/MD MON /EXT.
BASIC OPERATION You can make use of an automatic preset tuning function for FM stations. With this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 40. NATURAL SOUND English m Automatic preset tuning CINEMA DSP AV RECEIVER VOLUME INPUT SELECTOR l6 20 l2 28 8 4 40 STANDBY/ON TAPE/MD MON /EXT.
BASIC OPERATION m Exchanging preset stations You can exchange the places of two preset stations with each other as shown below. NATURAL SOUND CINEMA DSP AV RECEIVER VOLUME INPUT SELECTOR l6 20 l2 28 8 4 40 STANDBY/ON TAPE/MD MON /EXT.
BASIC OPERATION English Using digital sound field processor (DSP) This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room.
BASIC OPERATION /DTS SURROUND CD 1 NATURAL SOUND CINEMA DSP AV RECEIVER MONO MOVIE INPUT SELECTOR l6 20 l2 28 8 4 40 STANDBY/ON TAPE/MD MON /EXT. DECODER DVD/LD 3 VOLUME 4 ROCK PHONO 7 2 60 0 A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY MAN’L/AUTO FM PHONES SPEAKERS BASS 0 l BASS TONE EXTENSION BYPASS 2 2 3 ON OFF ON OFF TREBLE 0 l l l B A 3 4 4 5 5 2 3 4 4 5 TUNING MODE 5 2 HALL –dB FM/AM DOWN TUNING UP INPUT MODE EXT. DEC.
BASIC OPERATION Note If you change the LD (or CD) being played back with DTS decoded to another disc not encoded with DTS when the red “dts” indicator is illuminated, playing back the newly selected disc will output no sound. In this state, the red “dts” indicator flashes to show that this unit is locked in the DTS-decoding mode.
BASIC OPERATION Adjusting output level of the center, right rear, left rear speakers and subwoofer You can adjust the sound output level of the each speaker even if the output level is already set in “Speaker balance adjustment” on pages 30 to 32. CENTER 46 (Center speaker output level) R SUR. (Right rear speaker output level) L SUR. (Left rear speaker output level) SWFR (Subwoofer output level) Speakers Control range (dB) Preset value CENTER RIGHT SURROUND (R SUR.) LEFT SURROUND (L SUR.
BASIC OPERATION English m Method of adjustment Select “AMP/TUN.” POWER NATURAL SOUND CINEMA DSP AV RECEIVER VCR REC VOLUME INPUT SELECTOR POWER l6 20 l2 28 STANDBY ON SCREEN TV INPUT A/B 8 4 40 STANDBY/ON TV / AMP/TUN TAPE/MD MON /EXT.
BASIC OPERATION Brief overview of digital sound field programs The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual locations using sophisticated sound field measurement equipment.
BASIC OPERATION Program No. 2 to 3 are suitable for reproducing video discs, video tapes and similar sources which are encoded with Dolby Surround (bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo). No. 2 PROGRAM MOVIE THEATER 1 SUBPROGRAM (TYPE) 70 mm Spectacle DSP ( PRO LOGIC ) Functions when the input signal is analog or PCM audio or encoded with Dolby Digital in 2 channels.
BASIC OPERATION ● For program No. 4 and 5 only, indicators light up as follows. DSP When the input signal is analog or PCM audio: ( ) When the input signal is encoded with the Dolby Digital (not in 2 channels): ( DSP When the input signal is encoded with the DTS: ( ) DIGITAL PROGRAM No. DSP ) FEATURE 4 MONO MOVIE This program is designed specifically to enhance mono source programs.
“SET MENU” mode The following 13 functions maximize the performance of your system and increase the enjoyment of audio listening and video watching. 6. DOLBY DGTL SET LFE LEVEL 7. DOLBY DGTL SET DYNAMIC RANGE 8. DTS SET LFE LEVEL 1. CENTER SPEAKER 2. REAR SPEAKER 3. MAIN SPEAKER 4. LFE/BASS OUT 5. MAIN LEVEL English ADVANCED FEATURES 19. CENTER DELAY 10. PARAMETER INI 11. MEMORY GUARD 12. TV/DBS INPUT 13. DIMMER m Changes and adjustments Select “AMP/TUN” or “DSP”.
ADVANCED FEATURES m Function description 1. CENTER SPEAKER 2. REAR SPEAKER 3. MAIN SPEAKER 4. LFE/BASS OUT 5. MAIN LEVEL (Selecting the output modes suitable for your speaker system) Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your speaker system is modified.) 6.
ADVANCED FEATURES ● Control range: –10 dB to 10 dB Preset value: 0 dB ● This adjustment is effective only when DTS is decoded and the signals of the selected source encoded with DTS contain LFE signals. English 8. DTS SET LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel] Adjusts the output level at the LFE (low frequency effect) channel.
ADVANCED FEATURES 11. MEMORY GUARD (Locking DSP parameters and other adjustments) If you wish to prevent accidental alteration to DSP parameters and other adjustments on this unit, select “ON”. In this position, they are locked and cannot be changed. The following functions on this unit can be locked by this operation. • • • • • DSP parameters Other functions in the “SET MENU” mode ON SCREEN display key LEVEL key TEST key 12.
ADVANCED FEATURES English Creating your own sound fields What is a sound field? In order to explain the impressive functions of the DSP, we need to first understand what a sound field really is. What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound “live”, these reflections enable us to tell where the player is situated, and the size and shape of the room in which we are sitting.
ADVANCED FEATURES m Selecting and editing program parameters This adjustment can be made only by using the remote controller and watching the monitor screen or the display panel. INDEX CD MONO MOVIE DVD/LD 4 MOVIE THEATER 2 TAPE/MD 3 2 DISCO TV SPORTS VCR TV/DBS 6 POWER 3 VCR REC TV ON SCREEN JAZZ CLUB V-AUX 7 8 HALL EXT. DEC.
ADVANCED FEATURES English m Descriptions of the digital sound field parameters Not all of the following parameters are found in every program. ● ROOM SIZE P. ROOM SIZE (Presence Room Size) How it Affects the Sound: Changes the apparent size of the music venue. The larger the value, the larger the simulated room will sound. Adjusts the apparent space size of the front presence sound field.
ADVANCED FEATURES ● LIVENESS LIVENESS (Presence Liveness) How it Affects the Sound: This parameter changes the apparent reflectivity of the walls in the hall. Adjusts the apparent reflectivity of the walls on the front presence sound field. The larger the value, the more reflective the front presence sound field becomes. The early reflections from a sound source will lose intensity (decay) much faster in a room with acoustically absorbent wall surfaces than in one which has mostly reflective surfaces.
ADVANCED FEATURES This parameter adjusts the volume of the reverberation sound. The larger the value, the stronger the reverberation becomes. English ● REV. LEVEL (Reverberation Level) Control Range: 0 – 100% Level Direct sound REV. LEVEL Time ● S. DELAY (Surround Delay) Adjusts the delay between the direct sound and the first reflection on the rear surround side sound field. The larger the value, the later the surround sound field is generated.
ADVANCED FEATURES Setting the SLEEP timer Use the built-in SLEEP timer to automatically turn this unit into the standby mode after the time you set elapses. The SLEEP timer is useful when you plan to fall asleep while this unit is playing back or recording a source. The SLEEP timer also automatically turns off external units connected to the SWITCHED AC OUTLET(S) on the rear of this unit. The SLEEP timer can only be set using the remote controller.
REMOTE CONTROLLER English The remote controller is designed to control the most commonly used functions. If you have other Yamaha audio and video components with remote control capability, this remote controller will also control various functions of them. In addition, this remote controller can control other manufacturers’ audio and video components by programming the remote controller with the codes for other manufacturers.
REMOTE CONTROLLER Key name and function The key functions differ depending on the position selected by the selector dial as shown below. m AMP/TUN AMP/TUN * The keys drawn in a light tone do not function. 1 POWER Press this key to turn on the power of this unit. POWER 1 STANDBY AMP/TUN /DTS SURROUND CD 1 2 MONO MOVIE DVD/LD 4 ROCK PHONO 7 3 HALL EXT. DEC.
REMOTE CONTROLLER B STANDBY Press this key to set this unit in the standby mode. C Indicator This indicator flashes when a key is pressed on the remote controller. (Transmitting infrared signals.) D CHURCH If the DSP key (5) is pressed, you can select the CHURCH program by pressing this key while the indicator (C) is illuminated. F EFCT ON/OFF Press this key to turn on/off the digital sound field processor, which includes the Dolby Pro Logic Surround decoder, Dolby Digital decoder and DTS decoder.
REMOTE CONTROLLER The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details, refer to the instruction manual for each of your components. m TAPE/MD TAPE/MD 1 POWER For tape decks 1 POWER STANDBY This key turns on this unit when the default code is used. If another code is entered and your tape deck’s remote controller has a power key, this key will turn on the tape deck.
REMOTE CONTROLLER m CD CD 1 Note TV POWER, TV VOLUME and TV INPUT function if you have entered the code for your TV. POWER STANDBY 1 POWER CD /DTS SURROUND TAPE/MD TUNER 1 This key turns on this unit when the default code is used. If another code is entered and your CD player’s remote controller has a power key, this key will turn on the CD player. MOVIE THEATER 2 MOVIE THEATER 1 CD INPUT 3 2 MONO MOVIE DISCO DVD/LD VCR TV SPORTS TV/DBS 4 6 5 ROCK PHONO V-AUX 9 8 HALL EXT.
REMOTE CONTROLLER The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details, refer to the instruction manual for each of your components. m VCR m TV VCR Note TV POWER, TV VOLUME and TV INPUT function if you have entered the code for your TV. POWER POWER TV Note You can control your VCR if you have entered the code for it.
REMOTE CONTROLLER English Entering manufacturer codes If you have a component which is not a Yamaha model, you can enter the code for the manufacturer of the component in the corresponding position of the selector dial. By doing so, you can control the component with the remote controller. Refer to the code list at the end of this manual for the code numbers you need. Notes ● Some Yamaha CD players and tape decks cannot be controlled with the default codes.
REMOTE CONTROLLER Restoring the default codes To restore the default codes for the all positions. 1 Press both of the VOLUME and keys at the same time and hold them until the indicator flashes twice. Flashes twice. To restore the default code for each position 1 Set the selector dial to the position for which you want to restore the default code.
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, disconnect the power cord and contact your authorized YAMAHA dealer or service center. English TROUBLESHOOTING General Problem Cause What to Do The unit fails to turn on when the STANDBY/ON switch is pressed, or turns into the standby mode suddenly soon after the power is turned on.
TROUBLESHOOTING Problem Cause What to Do DSP parameters and some other settings on this unit cannot be changed. The function “11. MEMORY GUARD” in the SET MENU mode is set to the “ON” position. Set to the “OFF” position. “INPUT DATA ERR” appears on the display and no sound is heard. A nonstandardized source is played back, or the unit playing back a source is misoperating. Check the source, or turn off the unit playing back the source and then turn on again. The sound field cannot be recorded.
TROUBLESHOOTING FM Problem Cause What to Do FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. There is distortion and clear reception cannot be obtained even with a good FM antenna. There is multipath interference.
SPECIFICATIONS AUDIO SECTION Minimum RMS Output Power Per Channel (Power Amp. Section) (When both channels are driven) MAIN L/R 20 Hz to 20 kHz, 0.04% THD, 8 ohms ................................................ 85W+85W 1 kHz, 0.07% THD, 8 ohms ............................................ 100W+100W CENTER 20 Hz to 20 kHz, 0.04% THD, 8 ohms .......................................................... 85W 1 kHz, 0.07% THD, 8 ohms ............ 100W REAR L/R 20 Hz to 20 kHz, 0.04% THD, 8 ohms ....................
SPECIFICATIONS Usable Sensitivity ..............................300 µV/m Stereo Separation (1 kHz).......................48 dB Signal-to-Noise Ratio ..............................52 dB Frequency Response 20 Hz to 15 kHz ..................................0±1 dB Output Level (30% mod., 1 kHz) .........150 mV Output Level (100% mod., 1 kHz) [U.S.A., Canada, China and General models] ...........................................................550 mV [Europe, U.K., Australia and Singapore models (40 kHz Dev.
LIST OF MANUFACTURER’S CODES LISTE DES CODES FABRICANTS For U.S.A.
Megatron Memorex 0178, 0145, 0003 0154, 0250, 0150, 0178, 0056, 0016, 0009 Metz 0535 Midland 0047, 0017, 0051, 0039, 0032, 0135 Minerva 0535, 0554 Minutz 0021 Mitsubishi 0093, 0150, 0178, 0019, 0512, 0535 Mivar 0216 Motorola 0093 Multitech 0180, 0009, 0216 NAD 0156, 0178, 0166 NEC 0030, 0019, 0056, 0170 NEI 0037 NTC 0092 Neckermann 0037, 0554 Nesco 0179 Nikkai 0032, 0035, 0037, 0216, 0264 Nikko 0030, 0178, 0092 Nisato 0391 Nordmende 0109, 0287, 0560 Noshi 0018 Onwa 0180 Optimus 0154, 0250, 0166 Optonica 00
Jasco Jerrold 1315 1003, 1012, 1476, 1014, 1015, 1011, 1024 MNet 1019 Magnavox 1027 Memorex 1000 Movie Time 1063 NSC 1063 Novaplex 1618 Oak 1019 Optimus 1021 PVP Stereo Visual Matrix 1003 Panasonic 1000, 1107, 1021 Paragon 1000 Philips 1027, 1031 Pioneer 1144, 1533 Popular Mechanics 1400 Prelude 1770 Pulsar 1000 RCA 1021 Radio Shack 1015, 1315 Recoton 1400 Regal 1020, 1259 Rembrandt 1011 Runco 1000 SL Marx 1040 Samsung 1144, 1040 Scientific Atlanta 1008, 1477 Signal 1015, 1040 Signature 1011 Sprucer 1021 S
Elcatech 3072 Electrohome 3037 Electrophonic 3037 Emerex 3032 Emerson 3037, 3184, 3000, 3121, 3043, 3209, 3002, 3278, 3036, 3061, 3068, 3208, 3212, 3295, 3361, 3479 Ferguson 3041, 3320 Fidelity 3000 Finlandia 3081, 3104 Finlux 3081, 3000, 3042, 3104 Firstline 3037, 3045, 3043, 3209, 3072 Fisher 3047, 3104, 3046, 3054, 3066 Frontech 3020 Fuji 3035, 3033 Funai 3000 GE 3060, 3035, 3048, 3240, 3202 GEC 3081 Garrard 3000 General 3020 GoldHand 3072 GoldStar 3037, 3038, 3225, 3471 Goodmans 3037, 3000, 3072, 3278,
Tensai Thomas Thomson Thorn Toshiba 3000 3000 3041, 3320, 3384 3104, 3041, 3036 3081, 3045, 3043, 3041, 3066, 3212, 3366, 3384 Totevision 3037, 3240 Triumph 3208 Uher 3240 Unitech 3240 Universum 3037, 3081, 3240, 3000, 3195 Vector 3045 Vector Research 3038, 3040 Video Concepts 3045, 3040, 3061 Videosonic 3240 Wards 3060, 3035, 3048, 3047, 3081, 3240, 3000, 3042, 3072, 3062, 3212 White Westinghouse 3278 XR-1000 3035, 3000, 3072 Yamaha 3038 Yamishi 3072 Yokan 3072 Yoko 3240, 3020 Zenith 3039, 3000, 3033, 303
Sears 6305 Sharp 6037, 6180, 6261 Sherwood 6114, 6180, 6426 Shure 6043 Sony 6000, 6185 Soundesign 6145, 6425 Tascam 6420 Teac 6420, 6393, 6180 Technics 6029, 6303 Universum 6157, 6437 Victor 6072 Wards 6157, 6053 Yamaha 6036, 6187, 6261, 6082, 6712 Yorx 6461 SETUP CODES FOR MD RECORDER Manufacturer Kenwood Sony Yamaha Code 7826 7490 7888, 7490 SETUP CODES FOR TAPE DECK Manufacturer Code ADC 8171 Aiwa 8029, 8197 Akai 8283 Arcam 8076 Carver 8029 Denon 8076 Fisher 8074 Garrard 8308, 8309, 8375 GoldStar 83
For Australia model Modèle pour l’Austrarie SETUP CODES FOR TV Continental Edison Manufacturer Abex Acura Admiral Adyson Akai Akura Alaron Alba Code 0032 0009 0093, 0163, 0213 0217, 0032 0208, 0361 0218, 0264, 0369 0216 0037, 0218, 0371, 0009, 0036, 0235 Allorgan 0294 Amplivision 0217 Amstrad 0371, 0009, 0362, 0369 Anam 0009, 0068 Anitech 0009, 0068, 0076 Arcam 0216, 0217 Asberg 0076 Asuka 0218 Atlantic 0206 Audiosonic 0037, 0109 Autovox 0206, 0076, 0336 BPL 0282 BSR 0294 BTC 0218 Baird 0343 Basic Line 02
Midland 0032 Minerva 0554, 0070 Minoka 0369 Mitsubishi 0036, 0093, 0108, 0150 Mivar 0216, 0290, 0291, 0292 Motion 0076 Motorola 0093 Multitech 0216, 0217, 0009, 0102, 0076 NEC 0455, 0036 NEI 0037, 0431, 0337 Neckermann 0037, 0554, 0191, 0213, 0349 Nikkai 0037, 0216, 0218, 0072, 0264, 0035, 0032, 0337 Nikko 0317 Nobliko 0102, 0076 Nokia 0361 Nordmende 0109, 0196, 0198, 0213, 0287, 0343 Oceanic 0163, 0215, 0361 Optimus 0250 Optonica 0093 Orion 0037, 0294, 0320, 0321, 0235 Osaki 0217, 0218, 0072, 0264, 0032 Os
SETUP CODES FOR CABLE Manufacturer SETUP CODES FOR DBS TUNER Code Manufacturer ABC 1003, 1008, 1014, 1017 Birgmingham Cable Communications 1276 British Telecom 1003, 1105 Cabletime 1161, 1271, 1377 Clyde 1086 Contec 1019 Decsat 1423 Filmnet 1443 France Telecom 1451 GEC 1086 General Instrument 1276 GoldStar 1144 Jerrold 1003, 1276, 1014 MNet 1443, 1019 Magnavox 1032 Memorex 1000 Movie Time 1156 NSC 1156 Oak 1019 PVP Stereo Visual Matrix 1003 Panasonic 1000 Paragon 1000 Pioneer 1144, 1260 Pulsar 1000 Runco
Samsung SatPartner 2287 2421, 2332, 2520, 2502, 2335, 2692 Satcom 2605, 2346 Satec 2183, 2328 Satmaster 2346 Schwaiger 2183, 2394, 2504 Seemann 2396, 2530 Siemens 2173 Skymaster 2288, 2605, 2519 Star Trak 2421 Strong 2421 Sunstar 2513 TPS 2820 Tantec 2455, 2297, 2336 TechniSat 2262, 2501 Techniland 2346 Telefunken 2421 Teleka 2243, 2613 Telesat 2605 Thomson 2455 Tonna 2668, 2346 Triad 2321, 2333, 2335, 2351 Triasat 2501 Unitor 2332, 2217 Universum 2571, 2173 Vector 2333 Ventana 2200 Vortec 2421 Vtech 2351
M Electronic MGA MGN Technology MTC Magnasonic Magnavox Magnin Manesth Marantz Marta Matsui 3000 3043, 3240 3240 3000, 3240 3278 3000, 3081 3240 3072, 3045 3081, 3003, 3006 3037 3209, 3004, 3036, 3088, 3348, 3352 Matsushita 3162 Memorex 3000, 3037, 3048, 3046, 3047, 3104, 3162, 3240, 3307 Memphis 3072 Metz 3347, 3195, 3003, 3006, 3162, 3227 Minerva 3195, 3006 Minolta 3042 Mitsubishi 3081, 3067, 3048, 3043 Motorola 3048 Multitech 3072, 3000 Murphy 3000 NEC 3067, 3038, 3041, 3104 Neckermann 3081 Nesco 3072 N
SETUP CODES FOR LD PLAYER Manufacturer Aiwa Carver Cyrus Denon Disco Vision Funai Hitachi Magnavox Marantz Mitsubishi NAD Panasonic Philips Pioneer Quasar Radiola Realistic Salora Sega Sharp Sony Technics Telefunken Theta Digital Thorn Yamaha Code 5203 5064, 5194 5388 5059, 5172 5023 5203 5023 5194, 5217 5064, 5194 5059 5059 5204, 5496 5064, 5388, 5194 5023, 5059 5204 5388 5203 5064 5023 5001 5193, 5201 5204, 5496 5059 5194 5014 5217 SETUP CODES FOR CD PLAYER Manufacturer Aiwa Akai Alba Arcam Audio Resear
YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.
Quick Reference Card m AMP/TUN POWER m TAPE/MD AMP/TUN STANDBY POWER STANDBY POWER /DTS SURROUND CD INPUT /DTS SURROUND CD 3 1 DISCO 4 TV SPORTS VCR TV/DBS 6 JAZZ CLUB DVD/LD 4 8 HALL EXT. DEC. +10 ROCK CHURCH V-AUX 7 PHONO 9 7 TEST HALL +100 EXT. DEC. TEST CLEAR ENTER A/B/C/D/E MONO MOVIE INPUT 5 ROCK PHONO 0 MOVIE THEATER 2 TAPE/MD 2 DVD/LD EXT. DEC.
Quick Reference Card m DVD MENU DVDMENU m VCR POWER POWER STANDBY m CBL/DBS VCR POWER STANDBY POWER POWER 1 MONO MOVIE Numeric keys DVD/LD 4 ROCK PHONO 7 HALL EXT. DEC. 0 MOVIE THEATER 1 TUNER 1 TV/DBS VCR DVD/LD 4 6 ROCK 5 JAZZ CLUB V-AUX 8 +10 PHONO CHURCH 7 9 HALL TEST +100 CLEAR CLEAR A/B/C/D/E DSP CH MONO MOVIE CHANNEL DISCO EXT. DEC.
