User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- AFC IMAGE Control
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Main fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Dante Device Lock
- Support for Dante Domain Manager
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/Output Characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
V5.8 Reference Manual
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When “METER” is OUT
9 VU SELECT (DUAL mounting)
Selects the signal source for the VU meter. You can select from input level or output level.
0 LIMIT IN
Limiter on/off
A LIMIT ATTACK
Limiter attack time. FAST: 2ms, SLOW: 4ms
B LIMIT THRESHOLD
Limiter threshold. However, the changing value is linked to INPUT ADJUST.
C LIMIT RECOVERY
Limiter release time. The release times for a1 (auto 1) and a2 (auto 2) change
automatically. a1: Changes automatically between 100 ms and 2 sec. a2: Changes
automatically between 50 ms and 5 sec.
MBC4
This high-quality four-band compressor utilizes VCM technology and features a GUI that
offers operability and visibility. All of the advantages of the musical behavior of analog
compressors have been built into the gain reduction circuitry of the MBC4. This allows smooth
control of dynamics while keeping the sound image. You can also use the graphical display
to visually manipulate the sound image.
1 GAIN LINE
This horizontal red line indicates the GAIN parameter for each band.
2 MAXIMUM GR GUIDELINE
This horizontal orange line is a guideline for maximum gain reduction. This is only a
guideline, and not a strict limitation for maximum gain reduction.
3 GR ZONE
This red area changes according to the amount of gain reduction for each band.
4 CROSSOVER LINE
These vertical lines indicate the CROSSOVER parameters for each band.
5 CROSSOVER ZONE
These areas, in the color of the band, change according to the CROSSOVER parameter
for each band.
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