User Manual

Plug-in Type List
5 RIVAGE PM series Data List
■ DUCKING
Ducking is commonly used for voice-over applications in which the background music level is reduced
automatically when an announcer speaks. When the KEY IN source signal level exceeds the specified
THRESHOLD, the output level is attenuated by a specified amount (RANGE).
Plug-in Type List
Parameter Range Description
THRESHOLD –72.0 to 0.0 (dB)
This determines the level of trigger signal (KEY IN)
required to activate ducking.
RANGE –∞, –72.0 to 0.0 (dB)
This determines the amount of attenuation when
ducking is activated.
ATTACK 0 to 120 (msec)
This determines how soon the signal is ducked once
the ducker has been triggered.
HOLD 0.02m to 1.96 (sec)
This determines how long ducking remains active
once the trigger signal has fallen below the
THRESHOLD level.
DECAY 3.34m to 42.7 (sec)
This determines how soon the ducker returns to its
normal gain once the trigger signal level drops below
the threshold. The value is expressed as the duration
required for the level to change by 6 dB.
Input Level Time Time
Output Level
Input Level
Output Level
RANGE
THRESHOLD
THRESHOLD
RANGE
ATTACK DECAY
HOLD
• I/O Characteristics • Time Series Analysis
Input Signal Output Signal
Plug-in type Explanation
Amount of
DSP
resources
Tap tempo
function
REV-X
A 2-in/2-out reverb algorithm that provides a high-
density, richly reverberant sound quality, smooth
decay, and spaciousness and depth that enhance the
original sound. You can choose one of three programs
to suit the acoustic environment and your purpose:
REV-X Hall, REV-X Room, and REV-X Plate.
6—
SP2016 Reverb
The SP2016 reverb is a faithful recreation of Eventide’s
signature rack-mounted SP2016 processor.
16 —
VSS4HD
*1
Room simulation reverb by the TC Electronic.
A variety of reflection settings provide a musical-
sounding reverberation that gives you detailed control
of room size and distance to the walls.
16 —
NonLin 2
*1
Stereo reverb effect by the TC Electronic. As a gate
reverb that uses an envelope filter and does not require
a trigger, this can be used in a variety of creative
applications.
16 —
Y7
A reverb plug-in jointly developed by Bricasti Design
and Yamaha.
16 —
Reverb
Yamaha’s legendary 1-in/2-out SPX reverb. You can
choose one of four programs to suit the acoustic
environment and your purpose: HALL, ROOM, STAGE,
and PLATE.
5—
Stereo Reverb 2-in/2-out stereo reverb. 6 —
Early Reflection 1-in/2-out early reflections. 7 —
Gate Reverb
1-in/2-out gate reverb. You can choose from two
types: Gate Reverb and Reverse Gate.
7—
Mono Delay Basic 1-in/2-out repeat delay. 3 ✓
Stereo Delay Basic 2-in/2-out stereo delay. 3 ✓
Modulation Delay Simple 1-in/2-out repeat delay with modulation. 4 ✓
Delay LCR 1-in/2-out 3-tap delay. 4 ✓
Echo 2-in/2-out stereo delay with cross-feedback loop. 4 ✓
Analog Delay
This delay effect is based on the Yamaha E1010 analog
delay.
4 ✓
Chorus 2-in/2-out chorus effect. 4 ✓
Flanger 2-in/2-out flanger effect. 4 ✓
Symphonic
Yamaha’s proprietary 2-in/2-out symphonic effect,
providing a modulation effect that is richer and more
complex than chorus.
5 ✓
Dynamic Flanger
Flanger that changes the delay time according to the
input level.
2—
Dynamic Phaser Stereo phaser that uses 16-stage phase shift. 2 —
Phaser
Phaser that changes the phase shift point according to
the input level.
2 ✓
Max100
Complete reproduction of a vintage effect that was
manufactured only during the late 1970s.
1 ✓
Dual Phaser
Complete reproduction of a vintage effect that was
manufactured during the middle of the 1970s.
1 ✓
REVERB
DELAY/MOD