User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- AFC IMAGE Control
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Main fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Dante Device Lock
- Support for Dante Domain Manager
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/Output Characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Data List
9
STEREO REVERB
Two input, two output stereo reverb.
EARLY REF.
One input, two output early reflections.
GATE REVERB, REVERSE GATE
One input, two output early reflections with gate, and early reflections with reverse gate.
MONO DELAY
One input, one output basic repeat delay.
STEREO DELAY
Two input, two output basic stereo delay.
Parameter Range Description
REV TIME 0.3-99.0 s Reverb time
REV TYPE Hall, Room, Stage, Plate Reverb type
INI. DLY 0.0-100.0 ms Initial delay before reverb begins
HI. RATIO 0.1-1.0 High-frequency reverb time ratio
LO. RATIO 0.1-2.4 Low-frequency reverb time ratio
DIFF. 0-10 Reverb diffusion (left-right reverb spread)
DENSITY 0-100% Reverb density
E/R BAL. 0-100%
Balance of early reflections and reverb
(0% = all reverb, 100% = all early reflections)
HPF THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency
Parameter Range Description
TYPE
S-Hall, L-Hall, Random,
Revers, Plate, Spring
Type of early reflection simulation
ROOMSIZE 0.1-20.0 Reflection spacing
LIVENESS 0-10 Early reflections decay characteristics (0 = dead, 10 = live)
INI. DLY 0.0-500.0 ms Initial delay before reverb begins
DIFF. 0-10 Reflection diffusion (left-right reflection spread)
DENSITY 0-100% Reflection density
ER NUM. 1-19 Number of early reflections
FB GAIN -99 to +99% Feedback gain
HI. RATIO 0.1-1.0 High-frequency feedback ratio
HPF THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency
Parameter Range Description
TYPE Type-A, Type-B Type of early reflection simulation
ROOMSIZE 0.1-20.0 Reflection spacing
LIVENESS 0-10 Early reflections decay characteristics (0 = dead, 10 = live)
INI. DLY 0.0-500.0 ms Initial delay before reverb begins
DIFF. 0-10 Reflection diffusion (left-right reflection spread)
DENSITY 0-100% Reflection density
HI. RATIO 0.1-1.0 High-frequency feedback ratio
ER NUM. 1-19 Number of early reflections
FB GAIN -99 to +99% Feedback gain
HPF THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency
Parameter Range Description
DELAY 0.0-2730.0 ms Delay time
FB. GAIN -99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
HI. RATIO 0.1-1.0 High-frequency feedback ratio
HPF THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency
SYNC OFF/ON Tempo parameter sync on/off
NOTE
*1
*1. (Maximum value depends on the tempo
setting)
Used in conjunction with TEMPO to determine DELAY
Parameter Range Description
DELAY L 0.0-1350.0 ms Left channel delay time
DELAY R 0.0-1350.0 ms Right channel delay time
FB. G L -99 to +99%
Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
FB. G R -99 to +99%
Right channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
HI. RATIO 0.1-1.0 High-frequency feedback ratio
HPF THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency
SYNC OFF/ON Tempo parameter sync on/off
NOTE L
*1
*1. (Maximum value depends on the tempo setting)
Used in conjunction with TEMPO to determine left channel DELAY
NOTE R
*1
Used in conjunction with TEMPO to determine right channel DELAY