User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Master fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/output characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Meters
Reference Manual
133
5 CUE OVERRIDE button
If this button is switched on, the cue signal set in the CUE screen is sent to the real time
analyzer, and an analysis is displayed.
• If CUE MODE is set to MIX CUE, the frequency analysis is performed on a signal that is
a mix of all channels selected in the CUE screen.
• If CUE MODE is set to 5.1 SOLO, the signal is treated as LAST CUE. In other words, the
frequency analysis is performed on the POST ON signal of the input channel.
• If CUE is set to 2 channels, buttons will be as shown below.
6 BALLISTICS field
• BALLISTICS button
Setting this switch to ON allows you to add rate of decay to the graph.
• FAST/SLOW switch button
Use this button to set the rate of decay (FAST/SLOW).
7 HOLD button
Press this button to hold the graph that displays frequency response.
METER screen (Surround mode)
If you set a bus to Surround mode in BUS SETUP, the METER screen appears as shown
below.
1 MONITOR
Meters for MIX1-6. The layout for L R C LFE Ls and Rs is the same as the layout set in the
SURROUND SETUP screen.
2 SURROUND METER select button
Selects the meters displayed in the Function Access Area.
•MIX1-6
Source for MIX1-6.
• MONITOR
Source selected in SURROUND MONITOR. For 2CH MONITOR, the layout remains 5.1,
but with meters only for L and R.
GEQ RACK 1-16 OUT
32
EFFECT RACK 1-8 OUT
16
CH 1-72{64,48} POST EQ
72{64,48}
ST IN 1L-8R POST EQ
16
MIX1-24 POST EQ
24
RTA
STEREO L,R,MONO(C) POST EQ
3
MATRIX 1-6,7-8(CUE B L,R) POST EQ
8
MIX OUT 1-24
24
STEREO OUT L,R,MONO(C)
3
MATRIX OUT 1-6,7-8(CUE B L,R)
8
CUE(A) OUT L,R
2
RTA
1 2