User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Master fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/output characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Channel Job
Reference Manual
72
DCA/MUTE GROUP ASSIGN MODE window
Here you can specify the channels that will be assigned to each DCA group.
1 DCA GROUP ASSIGN/MUTE GROUP ASSIGN buttons
Toggle between the DCA GROUP ASSIGN window and MUTE GROUP ASSIGN window.
2 DCA group assign field
This area displays the channels assigned to the currently-selected DCA group.
While this window is displayed, press the [SEL] key for the channel that you want to
assign to the DCA group. The channel will be assigned to the DCA group, and the on-
screen fader for that channel will turn yellow. Press the same [SEL] key once again if you
want to remove the channel from the group.
NOTE
In the case of the CL3/CL1, faders that do not exist on those models will not be shown.
3 NAME EDIT button
Edits the group name of the currently-selected DCA group.
When you press this button the keyboard window will appear, allowing you to enter or
edit the text.
The DCA group name is displayed on the DCA group select button.
The registered group name is displayed on the PATCH/NAME tab in the RECALL SAFE
MODE popup window.
4 DCA group select button
Selects the DCA group that you want to assign.
5 CLEAR ALL button
Clears all channels that are assigned to the currently-selected DCA group.
6 DCA ROLL-OUT button
Enter the DCA ROLL OUT mode.
This function enables flexible fader operations. For example, while controlling the DCA
fader in the Centralogic section, you can access (roll-out) and control the faders
(assigned to the corresponding DCA group) through the fader bank located to the left
of the Centralogic section. Alternatively, you can control the faders rolled out to the
Centralogic section via DCA Roll-out, while operating the DCA faders through the fader
bank on the left.
7 PRE&POST button
Specifies the object of muting in the DCA group as PRE and POST.
The PRE&POST indicator is shown below a DCA group that has this setting.
8 POST ONLY button
Specifies the object of muting in the DCA group as POST only.
NOTE
• You can set the object of muting in the DCA group individually for each DCA group.
• If you mute any of the DCA groups on a channel assigned to multiple DCA groups, the signal
route for that channel (including sends to the corresponding bus) will be muted.
9 CLOSE button
Closes the window.
2
3
4
7
6
5
1
89