RX-V390RDS Natural Sound Stereo Receiver Récepteur stéréo “Son Naturel” Natural Sound Stereoreceiver Natural Sound Stereoreceiver Sintonizzatore stereo a suono naturale Receptor estéreo de Sonido Natural Natural Sound Stereo Ontvanger OWNER’S MANUAL MODE D’EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING
SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHÖRTEILE MEDFÖLJANDE TILLBEHÖR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● After unpacking, check that the following parts are included. Après le déballage, vérifier que les pièces suivantes sont incluses. Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind. Kontrollera efter det apparaten packats upp att följande delar finns med.
FEATURES ● 5 Speaker Configuration Front: 60W + 60W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz Center: 60W (8Ω) RMS Output Power, 0.2% THD, 1 kHz Rear: 15W (8Ω) RMS Output Power, 0.
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. For U.K.
You are the proud owner of a Yamaha stereo receiver – an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a totally new listening environment.
SPEAKER SETUP SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are front speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker Configuration” shown below.) The front speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system.
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made. English CONNECTIONS CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
CONNECTING SPEAKERS Connect the respective speakers to this unit as figured below. Rear speakers Left Right REAR 8ΩMIN. /SPEAKER CENTER REAR CENTER OUTPUT REAR SINGLE SPEAKERS SPEAKERS FRONT A Center speaker B A OR B:8ΩMIN./SPEAKER A B:l6ΩMIN./SPEAKER Left Right Left Right Front speakers A Front speakers B Note on front speaker connection: One or two speaker systems can be connected to this unit.
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the sound will be unnatural and will lack bass. Do not let the bare speaker wires touch each other and do not let them touch the metal parts of this unit as this could damage this unit and/or speakers.
ANTENNA CONNECTIONS ● ● Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor. 6 5 1 4 REC/PAUSE STOP DECK A/B CENTER MODE PRO LOGIC 3 STEREO English SPEAKER BALANCE ADJUSTMENT VCR MON SUR.
8 9 7 REC/PAUSE STOP DECK A/B CENTER MODE PRO LOGIC 3 STEREO SUR. + HALL ROCK DELAY TIME EFFECT ON/OFF — VOLUME + — 7 Select the center channel output mode according to your speaker configuration. (Refer to “SPEAKER CONFIGURATION” on page 6.) VCR MON 9 8 TEST PHANTOM TEST CENTER MODE Flashes continuously. NORMAL WIDE 9 Turn up the volume. PHANTOM On the feature of each mode, refer to the “Note” shown below.
English 11 13 10 12 10 Adjust the BALANCE control so that the effect sound output level of the left front speaker and the right front speaker are the same. 13 Cancel the test tone. TEST BALANCE l 0 DEPHANTOM TEST l 2 2 3 3 4 4 L 5 11 Adjust the sound output level of the center speaker to be at the same level as that of the front speakers with the CENTER LEVEL control.
BASIC OPERATIONS 1, 6 3 2 4 7 7 TO PLAY A SOURCE 1 5 Play the source. (For detailed information on the tuning operation, refer to page 17.) 6 Set to the “ ∞ ” position. 2 3 Adjust to the desired output level. Turn the power on. POWER 7 Select the desired input source by using the input selector buttons. (For video sources, turn the TV/monitor ON.) TAPE MONITOR TUNER COPY CD PHONO VCR MONITOR LD/TV * The name of the selected input source will appear in the display.
English 1, 4 2 TO RECORD A SOURCE TO TAPE (OR DUB FROM TAPE TO TAPE) 1 Notes To dub from tape to tape, only the following method of dubbing can be performed. Select the source to be recorded. TAPE MONITOR TUNER ● CD PHONO VCR MONITOR LD/TV RECORDER SOURCE COPY * To dub from tape to tape, refer to the “Notes” shown at right. * When you select LD/TV, TUNER, CD or PHONO, make sure that neither TAPE MONITOR nor VCR MONITOR is also selected.
Selecting the SPEAKER system Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once. Adjusting the BASS and TREBLE controls BASS l 0 TREBLE l 2 SPEAKERS A B ON ON OFF OFF 3 l 2 3 4 5 0 2 3 4 BASS l 2 3 4 5 4 5 5 : Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING). English TUNING OPERATIONS 2 1 3 AUTOMATIC TUNING 1 MANUAL TUNING Select the reception band (FM or AM) while watching the display. 1 FM/AM FM/AM or FM 2 Select the reception band (FM or AM) while watching the display.
PRESET TUNING MANUAL PRESET TUNING This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be stored. 2, 1 4, 2 (Preset station buttons) 3 To recall a preset station To store stations 1 Tune to a desired station. (Refer to the previous page for tuning procedure.
You can also make use of an automatic preset tuning function for RDS stations only. By this function, this unit performs automatic tuning and stores RDS stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 18. * Refer to page 21–24 for details on RDS stations.
EXCHANGING PRESET STATIONS You can exchange the places of two preset stations with each other as shown below. 2, 4 Example) If you want to shift the preset station on E1 to A5, and vice versa. 1 2 Recall the preset station on E1 (by following the method of “To recall a preset station” on page 18). 4 EDIT EDIT MEMORY Flashes 3 Next, recall the preset station on A5 by following the same method with step 1. Shows the exchange of stations is completed.
RECEIVING RDS STATIONS English In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 21 to page 24 are not necesssary.) RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal.
To turn the unit into the PS mode or PTY mode Press the FREQ/PS/PTY button. Whenever pressed, the mode changes into the PS mode, PTY mode and returns to usual mode in turn. * When an RDS station is received, the display is automatically turned into the PS mode. Do not press the FREQ/PS/PTY button until the display is turned into the PS mode. If the button is pressed before the display mode is changed, it may occur that “NO PS” flashes on the display.
English Calling a preset RDS station by the station name (PS SEEK) You can call a desired RDS station stored in this unit by only inputting the name of the station in the PS mode. By this operation, this unit searches all preset stations for the station. You do not have to input a full name, even only the first letter can be used for calling. As many as 8 letters and/or numerals can be selected for inputting a name. 2 3, 5 7 1 4, 8 FM/AM 1 2 FM 6 7 Turn the unit into the PS mode.
Calling a preset RDS station by the program type (PTY SEEK) By designating a program type, the unit automatically searches all preset stations for RDS stations of that program type. * There are 15 program types to classify RDS stations. For details, refer to page 21. 1 2 4 1 3, 5 Turn the unit into the PTY mode. 4 When the desired program type appears, press the ENTER button. PS/PTY SEEK FREQ/PS/PTY Press once or twice until a program type is displayed or “NO PTY” flashes.
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room. This digital sound field processor has 4 programs; 2 programs for digital sound field processing and 2 programs for the Dolby Pro Logic Surround sound system (DOLBY PRO LOGIC and DOLBY 3 STEREO).
Description of Each Sound Field Program The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that some of these are precise digital recreations of actual acoustic environments. The data for them was recorded at actual places using sophisticated sound field measurement equipment. Note The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the sound field you are listening to.
English To play a source with the digital sound field processor REC/PAUSE STOP DECK A/B CENTER MODE PRO LOGIC 3 STEREO + HALL ROCK DELAY TIME EFFECT ON/OFF — VOLUME + VCR MON SUR. — 2 3 3 2 1 2 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on page 14. Turn the DSP on, so that a program name appears on the display. EFFECT Notes If you prefer to cancel the DSP, press the EFFECT switch. The sound will be the normal 2-channel stereo without surround sound effect.
Adjustment of the CENTER LEVEL If desired, you can adjust the sound output level of the center speaker even if the output level is already set in “SPEAKER BALANCE ADJUSTMENT” on page 13. CENTER LEVEL 0 ● If the digital sound field program ROCK or HALL is selected, this adjustment is useless. ● Once the output level is adjusted, the level value will be the same in the DOLBY PRO LOGIC and DOLBY 3 STEREO programs. ● If no program is used, this adjustment is useless.
If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful. English SETTING THE SLEEP TIMER Notes ● The SLEEP timer can be controlled only with the remote control transmitter. ● The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit.
REMOTE CONTROL TRANSMITTER The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the CD player and tape deck connected to this unit are YAMAHA components, then this remote control transmitter will also control various functions of each component. KEY FUNCTIONS For Control of This Unit Refer to “SETTING THE SLEEP TIMER” on the previous page. POWER SLEEP PLAY PHONO PAUSE/STOP CD Turns the power on/off.
English STANDBY mode While the power is on, pressing the POWER key on the remote control transmitter switches the unit to the STANDBY mode. (In this mode, the indicator is half illuminated.) POWER on mode STANDBY mode NOTES ABOUT THE REMOTE CONTROL TRANSMITTER Battery installation Remote control transmitter operation range 2 Remote control sensor 1 Within approximately 6 m (19.
TROUBLESHOOTING If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. SYMPTOM Firmly plug in the power cord. No sound or no picture. Incorrect output cord connections. Connect the cords properly.
AUDIO SECTION Minimum RMS Output Power per Channel Front L, R 8 ohms, 20 Hz to 20 kHz, 0.04% THD ...................................................60W+60W Center 8 ohms, 1 kHz, 0.2% THD ......................60W Rear 8 ohms, 1 kHz, 0.7% THD .....................15W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) 8/6/4/2 ohms .....................80/100/120/135W DIN Standard Output Power per Channel 4 ohms, 1 kHz, 0.7% THD [Europe model only] ............................
SPECIFICATIES AUDIO GEDEELTE Minimum RMS uitgangsvermogen per Kanaal Hoofd 8 ohm, 20 Hz tot 20 kHz, 0,04% Totale Harmonische Vervorming.............60W+60W Midden 8 ohm, 1 kHz, 0,2% Totale Harmonische Vervorming ............................................60W Achterste 8 ohm, 1 kHz, 0,7% Totale Harmonische Vervorming ............................................15W Dynamische Vermogen per Kanaal (IHF Meetmethode voor Vrij Dynamisch Bereik) 8/6/4/2 ohm .......................