User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name/icon
- HA (head amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Assignable encoders
- Functions that can be assigned to the assignable encoders
- GAIN/PAN/ASSIGN knob (assignable encoder) functions
- Custom fader bank
- Master fader
- Custom fader bank functions
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Dante audio network settings
- Dante Device Lock
- Support for Dante Domain Manager
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the console settings and Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/Output Characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Graphic EQ, Parametric EQ, Effects, and PREMIUM RACK
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Opt-2A
Opt-2A is a processor that emulates a popular vintage model of tube optical compressors. To
control the level, it uses optical components such as a CdS cell and an EL panel to apply
smooth compression, with beautiful high-range overtones generated by warm-sounding
vacuum tube distortion, delivering an elegant and sophisticated sound.
1 GAIN knob
Adjusts the output level.
2 PEAK REDUCTION knob
Adjusts the compression amount of the signal.
3 RATIO knob
Adjusts the compression ratio.
4 METER SELECT knob
Switches the meter display.
GAIN REDUCTION indicates the amount of gain reduction applied by the compressor.
With -18 dB as the reference level of the output signal, the OUTPUT +10 and OUTPUT
+4 settings respectively will cause the value +10 dB or +4 dB from this reference level to
be shown as “0VU” on the meter.
EQ-1A
EQ-1A is a processor that emulates a famous passive-type vintage EQ. It features a unique
style of operation, allowing you to individually boost and attenuate (cut) each of two frequency
ranges (high and low). Its frequency response is utterly unlike that of a conventional EQ,
producing a unique character that is distinctive of this model. The input/output circuits and
vacuum tubes produce a tonal character that is highly musical and well-balanced.
1 IN switch
Turns the processor on or off.
When the switch is off, the signal will bypass the filter section, but pass through the
input/output transformer and amp circuits.
2 LOW FREQUENCY knob
Sets the frequency of the low range filter.
3 (LOW) BOOST knob
Sets the amount of boost applied to the frequency band specified by the LOW
FREQUENCY knob.
4 (LOW) ATTEN knob
Sets the amount of attenuation applied to the frequency band specified by the LOW
FREQUENCY knob.
5 BAND WIDTH knob
Sets the width of the frequency band controlled by the high range filter.
As you rotate the knob toward the right (Broad), the band will become wider and the
peak level will decrease. This affects only the response of the boost.
6 HIGH FREQUENCY knob
Sets the frequency of the high range filter. This affects only the response of the boost.
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