User Manual

21
3.5. Conversion between M7CL and CL/QL
Channel matching
File Converter matches both models’ channels as shown below.
M7CL
CL/QL
Remarks
Input 1-48
Input 1-48
Input 49 and higher are not applicable
ST IN 1-4
ST IN 1-4
n/a
ST IN 5-8
Stereo
Stereo
Mono
Mono
Mix 1-16
Mix 1-16
n/a
Mix 17-24
(Option2)
Matrix 1-8
Matrix 1-8
GEQ/Effect Rack 1-8
Effect Rack 1-8
n/a
GEQ Rack 1-16
n/a
Premium Rack 1-8
DCA 1-8
DCA 1-8
n/a
DCA 9-16
Conversion Overview –between M7CL and CL/QL
Input Channel
Output Channel
Global
Input Patch
Output Patch
DCA
Channel Name
Channel Name
Channel Name
Channel Link
Bus Setup
Fader level
HA
Vari/Fix
Assignment –Input
Gain
! 1)
Pair
Mute group
Phantom
! 1)
Follow Pan
Assignment -Input
Phase
Pick up point
Assignment -Output
HPF
Mute Safe assignment
On/Off
Mute Master
Frequency
Effect
! 5)
Input Channel
Attenuator/Digital Gain
! 2)
Output Channel Attenuator
! 4)
Type
Input Channel Delay
Output Port Delay
Title
EQ
EQ
Bypass
On/Off
On/Off
Mix balance
Q/F/G
Q/F/G
Parameters
! 6)
Type I/II, Shelf/Peak
Type I/II, Shelf/Peak
Patch
Dynamics
Dynamics
GEQ
! 7)
Type
Type
Parameters
On/Off
On/Off
Patch
Parameters
Parameters
Key in source
! 3)
Key in source
! 3)
Scene information
Fader level
Fader level
Comment
On/Off
On/Off
Time stamp
Pan/Balance
! 9)
Pan/Balance
Recall Safe
! 8)
Insert
Insert
Focus
! 8)
On/Off
On/Off
Fade Time
Insertion point
Insertion point
Patch
Patch
Direct Out
Mix to Stereo
On/Off
On/Off
Pick up point
Pan/Balance
Patch
Mix/Stereo to Matrix
Input to Stereo On/Off
On/Off
Input to Mix
Level
On/Off
Pan/Balance
Level
Pre/Post
Pan/Balance
! 9)
LCR
Pre/Post
LCR assignment
LCR
LCR ratio
LCR assignment
LCR ratio
<Key to table> : converted ! : Check optimising logic below : not converted