MRX Setup Manual This manual serves as an introduction to possible installation methods and application examples for the MRX series of DSP processors used in conjunction with MTX-MRX Editor control software. Please refer to the owner’s manual on a device about the details of MRX, and refer to the “MTXMRX Editor User Guide” (PDF file) about the details of MTX-MRX Editor. Information • The software and this manual are the exclusive copyrights of Yamaha Corporation.
Introduction The MRX Setup Manual explains how to create setups using the MRX and MTX-MRX Editor. As examples, we will provide simple explanations of the typical setups described below. For detailed parameter settings, refer to “MTX-MRX Editor User Guide” and “MRX Designer User Guide”. When you install MTX-MRX Editor, the three example files described here will be found in the following folders. 32-bit operating system C:\Program Files\Yamaha\MTX-MRX Editor\V*.*\ProjectFile 64-bit operating system C:\
Introduction Example 2) Remote conferencing system that also uses Speech Privacy This is an example where Speech Privacy is used to prevent the discussion content from being leaked outside of the remote conferencing system room and other external rooms. We’ll assume that there is a single remote location, and that there are eight mics in the conference room.
Introduction Example 3) A paging system using the PGM1 This example envisions a paging system using the PGM1 installed in a space such as a fitness club, and using the MCP1 to switch the background music. Powered speakers such as the DBR15 are placed in spaces that require high volume.
Setup workflow The following table shows the workflow for connecting equipment such as MTX series signal processors and XMV series power amplifiers to your computer, and making settings in MTX-MRX Editor.
Setup workflow Follow the steps below to install MTX-MRX Editor. 1. After decompressing the downloaded file, double-click “setup.exe” in the decompressed file location. The MTX-MRX Editor setup wizard will appear. 2. Proceed with the installation as directed by the instructions in the screen. NOTE If the computer you’re using does not have Bonjour installed, a screen asking you to install Bonjour will appear during the installation.
Example 1) Ballroom where the Room Combiner can be used Using the Device Configuration Wizard to create your device setup Before setting the internal configuration on the MRX, use the wizard on the MTX-MRX Editor to create a configuration for the device. After you’ve made basic settings, you’ll be able to print information about system cabling and ID numbers. Use the following procedure to make basic settings. 1. Type a name for the MTX/MRX System you’ll be constructing, and click [Next>].
Example 1) Ballroom where the Room Combiner can be used 2. Specify the number of units that will be connected in your MTX/MRX System, and click [Next>]. In “YDIF Connected,” specify 1 as the number of MRX7-D units. 3. Verify that the MRX’s UNIT ID is 1, and then click [Next>]. Unless you have specific reasons for doing so, use the UNIT ID that is assigned.
Example 1) Ballroom where the Room Combiner can be used 4. Set the MRX’s [UNIT ID] rotary switch and DIP switch. You will set the computer’s IP address after completing the wizard, in “Specifying the computer’s TCP/IP address.” If the MRX is not nearby, make settings during the step “Connecting the equipment.” Make the following settings. MRX7-D UNIT ID = 01 [UNIT ID] rotary switch = 1 DIP switches are all OFF (upward) 5.
Example 1) Ballroom where the Room Combiner can be used 6. Verify that the MRX is shown, and click [Next>]. 7. Click [Next>]. On the MRX Designer of the MRX, select the Mini-YGDAI card.
Example 1) Ballroom where the Room Combiner can be used 8. Choose the model of DCP that is connected to the MRX, enter a device name, and click [Finish]. One DCP4S and one DCP4V4S will be placed respectively in each room, allocated as follows: ID=0 is DCP4V4S in Room A, ID=1 is DCP4S in Room A, ID=2 is DCP4V4S in Room B, ID=3 is DCP4S in Room B.
Example 1) Ballroom where the Room Combiner can be used 9. When you see the dialog box “Display the configuration diagram? The diagram can also be printed.” click [Yes]. A cabling diagram will appear. If you want, click [Print] to print the diagram. To close the screen, click [Close]. Set the DIP switches of the DCP units as shown in the “Digital Control Panel” section of the schematic diagram. For the last DCP (ID=3), set DIP switch 4 ON (upward).
Example 1) Ballroom where the Room Combiner can be used Configuring the settings on the MRX Placing and connecting the components Use the MRX Designer to set an internal configuration on the MRX. When you have finished each setting, we recommend that you save the configuration from the [File] menu → [Save]. NOTE The “User Account Control” dialog box may display. Click either [Continue] or [Yes].
Example 1) Ballroom where the Room Combiner can be used 2. 3. 4. Connect the space between the ports from “HPF” to “Auto Gain Control” by dragging and dropping. Select the area between “HPF” and “Auto Gain Control”, so that the components and wires are selected. Copy the selected components and wires and paste twice, or drag and drop the selected components and wires while holding down . Change the placement of the components as need be.
Example 1) Ballroom where the Room Combiner can be used 5. Connect each Auto Gain Control to the Faders. 6. Double-click “Fader.” The “Fader” component editor will appear. 7. Turn channel 4 (which has not been connected) off, and click the [×] button at the top right-hand corner to close the component editor.
Example 1) Ballroom where the Room Combiner can be used Placing and connecting the components not related to the mics in Room A Place and connect the components related to the Blu-Ray player and input from AUX IN in Room A. 1. Place the components shown below by dragging them from the “Components” area and dropping them into the Design sheet. • • • • • 2.
Example 1) Ballroom where the Room Combiner can be used 3. Double-click “Fader(2).” The “Fader” component editor will appear. 4. Turn channels 3 and 4 off. Register whether the [ON] button will switch to AUX or BD in the parameter link group. This will turn fader channels 3/4 off when channels 1/2 are on, and fader channels 3/4 on when channels 1/2 are off. Do not make any changes from this point on. 5. Click the [×] button at the top right-hand corner to close the component editor.
Example 1) Ballroom where the Room Combiner can be used Encapsulating the Room A components as a block Since the same components are to be connected for Room B, we’ll use the User Defined Block function to make work easier, encapsulating the components as a block. 1. 2. 3. Select the area outside of the input/output components, and select the components and wires. Select [Create User Defined Block] in the [Edit] menu.
Example 1) Ballroom where the Room Combiner can be used 4. Make the following connections with the User Defined Block. IN 1 HPF 1 2 HPF(2) 1 3 HPF(3) 1 4 Fader 1 1 2 2 3 3 1L OUT PEQ(4) 5 1R 6 1L Matrix Mixer 1 4 PEQ(5) 7 5. 1R Click somewhere besides the User Defined Block components and wires, and select the User Defined Block.
Example 1) Ballroom where the Room Combiner can be used 6. Change the name of the User Defined Block using [Label] in the “Properties” area to “Room A.” Displaying the port name in the input component To eliminate confusion when making further connections, enter the port name in the “Port Name” dialog box. To open the “Port Name” dialog box, click a port of an input component, and click the button that’s located at the right of the edit area for [Label] in the “Properties” area.
Example 1) Ballroom where the Room Combiner can be used Placing and connecting the input-related components that are common to Rooms A/B Here we will place and connect the components related to BGM and the paging mic. 1. Place the components shown below by dragging them from the “Components” area and dropping them into the Design sheet. • “PEQ” (MONO, 4 BAND) × 5 • “Fader” (8 CH) 2. Connect each PEQ and fader.
Example 1) Ballroom where the Room Combiner can be used Creating Room B Copy the User Defined Block for Room A to create Room B. 1. 2. Click somewhere besides the User Defined Block components and wires of Room A, and select the User Defined Block. Drag and drop a User Defined Block while holding down . The User Defined Block will be copied to the place where it is dropped. 3. Change the position and size of the User Defined Block as necessary.
Example 1) Ballroom where the Room Combiner can be used 4. Change the name of the User Defined Block that you pasted to “Room B”, by using [Label] in the “Properties” area. Connecting to the input components The input components are connected to other components as shown below.
Example 1) Ballroom where the Room Combiner can be used Placing and connecting the “Room Combiner plus Automixer” component Place and connect the “Room Combiner plus Automixer” component, which manages the division and combining of rooms. 1. From the “Components” area, drag the “Room Combiner plus Automixer” component and drop it on the design sheet. The room design dialog box will appear. 2. Drag the cells to create a room, and then click the [Next] button.
Example 1) Ballroom where the Room Combiner can be used 3. 4. Click the rooms and change the numbers as necessary, and then click the [Next] button. Set the [Total Microphones] to [6].
Example 1) Ballroom where the Room Combiner can be used 5. Click the spaces to allocate Mic4, Mic5, and Mic6 to Room 2. 6. Click the [Create] button. “Room Combiner plus Automixer” is placed in the design sheet.
Example 1) Ballroom where the Room Combiner can be used 7. Click the “Room Combiner plus Automixer” port, and click the button that’s located at the right of the edit area in “Properties.” The “Port Name” dialog box will appear. 8. Click the [Set Default Name] button. A default name is entered as the port name.
Example 1) Ballroom where the Room Combiner can be used 9. Change the Room 1 port name to Room A, change the Room 2 port name to Room B, and click the [OK] button.
Example 1) Ballroom where the Room Combiner can be used 10. Make the input connections to the “Room Combiner plus Automixer” as shown below.
Example 1) Ballroom where the Room Combiner can be used Placing and connecting components from “Room Combiner plus Automixer” to analog outputs Here we will place and connect the necessary components from the “Room Combiner plus Automixer” to the analog outputs. 1. Place the components shown below by dragging them from the “Components” area and dropping them into the Design sheet. • • • • 2. 3.
Example 1) Ballroom where the Room Combiner can be used 4. Set the port name of OUT 1 to “Room A”, and the port name of OUT 2 to “Room B.” 5. Click the [×] button at the top right-hand corner to close the component editor. Now you’re finished placing and connecting the components. Change the placement of the components and change the wiring as need be.
Example 1) Ballroom where the Room Combiner can be used Compiling This analyzes the placement and wiring of the components in the MRX, to determine whether there are any problems. 1. Click the [Compile] tool button ( ). Start the analysis. 2. Confirm the analysis results. If the message “Completed successfully” is displayed in the “Message” field, there were no problems. If a problem was detected, click the [Detail] button to check how to solve the problem and to correct it.
Example 1) Ballroom where the Room Combiner can be used Specifying snapshots In this example, we’ll operate a DCP switch to switch between split and combined rooms. Although you can simply recall the presets for split rooms and for combined rooms respectively, you can make quicker changes to the settings just by turning the Combine button in the “Room Combiner plus Automixer” editor on and off, rather than recalling all of the parameters. Now, we’ll explain how to create a snapshot. 1.
Example 1) Ballroom where the Room Combiner can be used 3. Input [Room Combine] and click the [OK] button. A parameter set named “Room Combine” will display in the “Parameter Sets” area. 4. Double-click “Room Combiner plus Automixer.” The “Room Combiner plus Automixer” component editor will appear.
Example 1) Ballroom where the Room Combiner can be used 5. While holding down , drag and drop the [Room 1+2] button ( bine] in the “Parameter Sets” area. ) into [Room Com- The parameters for 1+2 will be registered in the “Room Combine” parameter set. 6. 7. To create a snapshot of the split rooms with the Room Combiner, click on “Snapshot” number 01, while the rooms are two different colors in the “Room Combiner plus Automixer” component editor. Click the [Store] button.
Example 1) Ballroom where the Room Combiner can be used 9. To create a snapshot of the combined rooms with the Room Combiner, click the [Room 1+2] button ( ) in the “Room Combiner plus Automixer” component editor. The rooms will be combined. 10. 11. Click on “Snapshot” number 02, while the rooms are the same color in the “Room Combiner plus Automixer” component editor. Click the [Store] button. A dialog box for setting the snapshot name will appear.
Example 1) Ballroom where the Room Combiner can be used 12. Input [Combined] and click the [OK] button. A snapshot named [Combined] will display in “Snapshot.” Now you’re finished setting the snapshots. When you recall the [Split] snapshot, the room will be split; and when you recall the [Combined] snapshot, the rooms will be combined.
Example 1) Ballroom where the Room Combiner can be used Setting a parameter link group In this example, we’ll see how we can avoid the unnecessary use of DCP switches and knobs, such as by assigning a single fader to a stereo pair of inputs (such as a Blu-Ray player or AUX In), or by making a single ON button for both L and R.
Example 1) Ballroom where the Room Combiner can be used 2. Open the “Parameter” area on the right side of the MRX Designer. Step 3 3. Since the AUX level of Room A is adjusted using “Fader(2)” of Room A, open [Room A] → [Fader(2)] in the “Parameters” area.
Example 1) Ballroom where the Room Combiner can be used 4. After clicking [Ch03:Level], hold down and click [Ch04:Level]. You can select multiple items while holding down and clicking. To select continuous parameters, click the start parameter, hold down the and then click on the end parameter. 5. Do a right-click and select [Add to Parameter Link Group] → [Add New Group]. A dialog box for setting the parameter link group name will appear. 6.
Example 1) Ballroom where the Room Combiner can be used 8. Double-click “Fader(2)” for Room A. The “Fader(2)” component editor will appear. 9. 10. Move the fader in the Link Master editor, and confirm that channels 3 and 4 in the “Fader(2)” component editor are linked together. Click the [×] buttons at the top right-hand corner of the Link Master editor and the “Fader(2)” component editor to close the editor and component editor. Repeat step 2 through 10 to create the following parameter link groups.
Example 1) Ballroom where the Room Combiner can be used Making the DCP settings Allocates parameters to the DCP4V4S and DCP4S in each room, so that they can be changed by operating a switch or knob. Set the library name to “Room Split” if the room is split, and to “Room Combine” if the rooms are combined. Allocate the following parameters to the switches and knobs. (The steps for allocating parameters will be explained later.
Example 1) Ballroom where the Room Combiner can be used 1. Select [Digital Control Panel] from the [Controller] menu. The “Digital Control Panel” dialog box will appear. 2. Double-click “Room Combiner plus Automixer.” The “Room Combiner plus Automixer” editor will appear.
Example 1) Ballroom where the Room Combiner can be used 3. Double-click “Room 1” or “Room 2.” The Combiner parameter setting window will appear. 4. Turn all of the [ON] buttons on. Since the buttons are off by default, you will not be able to hear any sound.
Example 1) Ballroom where the Room Combiner can be used 5. Click the “Switch” [1] button on the “Digital Control Panel” dialog box. The “Settings” dialog box will appear. 6. Click [MRX Parameter] under “FUNCTION.” The screen changes to a screen where you can register the [MRX Parameter].
Example 1) Ballroom where the Room Combiner can be used 7. Drag and drop the Mics [ON] button for Room 1 in the Combiner parameter settings window to the “PARAMETER” area in the “Settings” dialog box, while holding down . This will register the Mics [ON] button for Room 1. 8. Click the [OK] button. The “Digital Control Panel” dialog box will be displayed, with the Mics [ON] button for Room 1 registered.
Example 1) Ballroom where the Room Combiner can be used 9. Register the other parameters as shown in steps 2 through 7. The Link Master editor for the parameter link group can be displayed by right-clicking on the parameter link group and selecting [Open Link Master] from the context menu. 10. Click No. 01 in the “Library”, and then click the [Save] button. The “Save Library” dialog box will appear.
Example 1) Ballroom where the Room Combiner can be used 11. Input [Room Split] and click the [OK] button. The data will be registered in No. 01 of the “Library.” 12. Since “Room Split” and “Room Combine” are the same for the DCP in Room A, click No. 02 in the “Library”, and then click the [Save] button. The “Save Library” dialog box will appear.
Example 1) Ballroom where the Room Combiner can be used 13. Input [Room Combine] and click the [OK] button. The data will be registered in No. 02 of the “Library.” 14. Select [1 Room A DCP4S] using the DCP selection list box. The screen will change to the Room A DCP4S settings screen for ID=1.
Example 1) Ballroom where the Room Combiner can be used 15. Click the “Switch” [1] button on the “Digital Control Panel” dialog box. The “Settings” dialog box will appear. 16. Click [Preset Recall] under “FUNCTION.” The screen changes to a screen where you can register the preset to recall.
Example 1) Ballroom where the Room Combiner can be used 17. Click [01] in “PARAMETER 1”, and then click the [OK] button. The “Digital Control Panel” dialog box will be displayed, with the 01 in the presets registered. 18. Register the presets and parameters to the other switches in the same way.
Example 1) Ballroom where the Room Combiner can be used 19. Select both No. 01 and No. 02 in the “Library”, and then click the [Save] button. The settings for the DCP4S in Room A are overwritten. 20. Set the DCP for Room B in the same way. The “Room Combine” settings for Room B are the same as the “Room Combine” settings for Room A. Click the menu button for the DCP of Room A ( ) and select [Copy], switch to the DCP of Room B, and then select [Paste] from the menu button.
Example 1) Ballroom where the Room Combiner can be used Storing presets Set the preset that will be recalled from the DCP4S. 1. Click the [Preset] tool button ( ). The [Preset] dialog box will appear. 2. Click No. 01 and then click the [Store] button. The “Store Preset” dialog box will appear.
Example 1) Ballroom where the Room Combiner can be used 3. Input [Split] and click the [OK] button. The current state will be registered as a preset named “Split.” 4. Click on the [MRX7-D] field in No. 01. The “Snapshot” dialog box will appear.
Example 1) Ballroom where the Room Combiner can be used 5. Select [Snapshot/Snapshot Group]. The screen changes to the snapshot registration screen. 6. Click [+] to expand the snapshot list.
Example 1) Ballroom where the Room Combiner can be used 7. Click [01 Split] and then click the [OK] button. When the preset is recalled, the snapshots will also be recalled.
Example 1) Ballroom where the Room Combiner can be used 8. Double-click the [DCP] field in No. 01. The “Settings” dialog box will appear. 9. Select the [Assign] check box in “DCP Library.
Example 1) Ballroom where the Room Combiner can be used 10. Click [01 Room Split] and then click the [OK] button. When the preset is recalled, the library will also be loaded. 11. Click No. 02 and then click the [Store] button. The “Store Preset” dialog box will appear.
Example 1) Ballroom where the Room Combiner can be used 12. Input [Combine] and click the [OK] button. The current state will be registered as a preset named “Combine.
Example 1) Ballroom where the Room Combiner can be used 13. Set the “Combine” preset in the same way. For the MRX7-D, set the [02 Combined] snapshot; and for the DCP, set the [02 Room Combine] library. 14. Click the [Close] button. The “Preset” dialog box is closed. This completes settings in the offline state. Save the settings once again.
Example 1) Ballroom where the Room Combiner can be used Connecting the equipment After you’ve rack-mounted the MRX and your other equipment, connect the MRX and the other equipment as shown below. If you’ve copied audio sources to an SD memory card, insert the card into the MRX now.
Example 1) Ballroom where the Room Combiner can be used Powering-on the MRX Turn on the power of the MRX. Turn off the amplifier before you power-off the MRX. Powering-on the amp Turn on the power of the amplifier. To prevent unwanted sound from being output, we recommend that you turn down the attenuator settings of all channels on the amp itself before you turn it on. Specifying the computer’s TCP/IP address To allow the MRX and the computer to communicate, specify the computer’s TCP/IP as follows. 1.
Example 1) Ballroom where the Room Combiner can be used Taking MTX-MRX Editor online In the upper right of MTX-MRX Editor, click the [Online] button. When the unit has successfully come online, the indicator 1 will light blue. When the “Synchronization” dialog box appears, select “To Device,” and click the [OK] button. When the indication in the dialog box has switched, select the system that you want to place online, and click the [Online] button.
Example 1) Ballroom where the Room Combiner can be used Verifying that the settings were applied The main items to verify are listed below. For details on each parameter setting, refer to “MTX-MRX Editor User Guide” and “MRX Designer User Guide.” 1. 2. Push switch 1 of the DCP4S to recall the “Split” preset. Connect an audio signal such as BGM, a Blu-Ray disc player, or AUX IN to the inputs of the MRX7-D, and adjust the input levels. Individually adjust the BGM input levels using “Fader(3).
Example 2) Remote conferencing system that also uses Speech Privacy Glossary Here we’ll explain the terminology used for the remote conferencing system. Gossary Description Local Your own meeting room within the remote conferencing system. Also called “near-end.” Remote The other party’s meeting room within the remote conferencing system. Also called “far-end.” From Far-end The input signal from the remote location (the other party.
Example 2) Remote conferencing system that also uses Speech Privacy 2. Specify the number of units that will be connected in your MTX/MRX System, and click [Next>]. Specify “1” as the number of MRX7-D units in “YDIF Connected,” and specify “1” as the number of XMV4280 units to be connected. 3. Specify the UNIT ID of each device, and click [Next>]. Unless you have specific reasons for doing so, use the UNIT ID that is assigned.
Example 2) Remote conferencing system that also uses Speech Privacy 4. Set the [UNIT ID] rotary switch and DIP switch of the MRX and XMV. You will set the computer’s IP address after completing the wizard, in “Specifying the computer’s TCP/IP address.” If the MRX and XMV are not nearby, you can set them during the step “Connecting the equipment.” Make the following settings.
Example 2) Remote conferencing system that also uses Speech Privacy 6. Verify that the MRX and XMV are shown in the screen, and click [Next>]. Since there is only one MRX unit and one XMV unit, there’s no need to change the order. 7. Click [Next>]. On the MRX Designer of the MRX, select the Mini-YGDAI card.
Example 2) Remote conferencing system that also uses Speech Privacy 8. Choose the model of DCP that is connected to the MRX, enter a device name, and click [Finish]. For this example, we will use ProVisionaire Touch, and we will not make any settings on the DCP.
Example 2) Remote conferencing system that also uses Speech Privacy 9. When you see the dialog box “Display the configuration diagram? The diagram can also be printed.” click [Yes]. A cabling diagram will appear. If you want, click [Print] to print the diagram. To close the screen, click [Close]. NOTE If you want to view the cabling diagram again, do so by choosing [File] menu → [Print Configuration Diagram].
Example 2) Remote conferencing system that also uses Speech Privacy Configuring the settings on the MRX Placing and connecting the components Use the MRX Designer to set an internal configuration on the MRX. When you’ve finished making settings, you should save them by clicking [File] menu, then [Save]. NOTE The “User Account Control” dialog box may appear. Click [Continue] or [Yes].
Example 2) Remote conferencing system that also uses Speech Privacy 2. 3. Drag and drop the components between the “HPF” and “Auto Gain Control” ports to connect them. Select the area between “HPF” and “Auto Gain Control”, so that the components and wires are selected.
Example 2) Remote conferencing system that also uses Speech Privacy 4. Copy the selected components and wires and paste once, or drag and drop the selected components and wires while holding down . Change the placement of the components as need be.
Example 2) Remote conferencing system that also uses Speech Privacy 7. Copy the selected components and wires and paste four times, or drag and drop the selected components and wires while holding down . Change the placement of the components as need be. 8. Connect the “ANALOG IN” 1 through 8 ports and the Mic In 1/2 port for each “Acoustic Canceller” by dragging and dropping.
Example 2) Remote conferencing system that also uses Speech Privacy 9. Drag and drop between the “Auto Gain Control” output ports and the “Fader” input ports to connect them. Select the “Auto Gain Control” output port area, and drag and drop them all at once to the “Fader” input ports to connect them. 10. Drag and drop between the “Fader” output ports and the “Dugan Automixer” input ports to connect them.
Example 2) Remote conferencing system that also uses Speech Privacy Placing and connecting the components not related to the mics in the local location that send audio to far-end Now we’ll bring the audio signal inputs from the AUX L/R and remote location to the MRX7-D [ST-IN] connectors. 1. Place the components shown below by dragging them from the “Components” area and dropping them into the Design sheet. • • • • • • • • 2.
Example 2) Remote conferencing system that also uses Speech Privacy 4. 5. 6. Connect the space between “STEREO IN” output ports 1/2 to the “Matrix Mixer” input ports 1/2 by dragging and dropping. Connect the space between “STEREO IN” output port 3 to the “Matrix Mixer” input port 3 by dragging and dropping. Connect the space between “Matrix Mixer” output ports 2/3 to “Fader(4)” input ports 1/ 2 by dragging and dropping.
Example 2) Remote conferencing system that also uses Speech Privacy 8. 9. Connect the output port of “PEQ(4)” to each Reference port of the “Acoustic Echo Canceller” by dragging and dropping. Double-click the “Matrix Mixer.” The “Matrix Mixer” component editor will appear.
Example 2) Remote conferencing system that also uses Speech Privacy 10. Double-click the area where the Input 1 port name is displayed. The “Port Label” dialog box will appear. 11. Input [Aux L] and click the [OK] button. 12. Repeat steps 10 and 11 to input the names for the other ports. In this example, we’ve used the following names. 1 Aux L 2 Aux R 3 Codec In 4 Local Mics 1 Codec Out 2 SP L 3 SP R 4 AEC Input Output 13.
Example 2) Remote conferencing system that also uses Speech Privacy Placing and connecting the components related to the mics for the Near-end voice Set the input from the mics so that they will output to the speakers at the local location. 1. Place the components shown below by dragging them from the “Components” area and dropping them into the Design sheet. • • • • 2.
Example 2) Remote conferencing system that also uses Speech Privacy 3. 4. Select the area between “HPF(9)” and “PEQ(5)”, so that the components and wires are selected. Copy the selected components and wires and paste seven times, or drag and drop the selected components while holding down . Change the placement of the components as need be.
Example 2) Remote conferencing system that also uses Speech Privacy 5. Connect the “ANALOG IN” 1 through 8 ports and each “HPF” input port by dragging and dropping.
Example 2) Remote conferencing system that also uses Speech Privacy 6. 7. 8. Drag and drop between each “PEQ” output port and the “Fader” input ports to connect them. Drag and drop between the “Fader(5)” output ports 1 through 8 and the “Dugan Automixer” input ports 1 through 8 to connect them. Drag and drop between “Dugan Automixer(2)” output port a and the “Matrix Mixer” input port 4 to connect them.
Example 2) Remote conferencing system that also uses Speech Privacy Placing and connecting the components related to the mics for output Here we will place and connect the components related to the conference room speakers, the hallway speakers, and output to CODEC. Allocate the “ANALOG OUT” 1 to CODEC, the “YDIF OUT” 1 and 2 to speech privacy (hallway speakers), and the “YDIF OUT” 3 and 4 to the conference room speakers. 1.
Example 2) Remote conferencing system that also uses Speech Privacy 2. 3. 4. Drag and drop between the “Dugan Automixer” output port a and the “Matrix Mixer(2)” input port 1 to connect them. Drag and drop between the “Matrix Mixer” output port 1 (Codec Out) and the “Matrix Mixer(2)” input port 2 to connect them. Drag and drop between the “Matrix Mixer(2)” output port 1 and the “ANALOG OUT” input port 1 to connect them. Double-click the “Matrix Mixer(2).” The Matrix Mixer component editor will appear.
Example 2) Remote conferencing system that also uses Speech Privacy 5. Click the spaces to turn the sends on, as shown in the image below. 6. Click the [×] button at the top right-hand corner to close the component editor. 7. 8. Drag and drop from between the “Speech Privacy” output port 1 and the 1W/Offset to the “YDIF OUT” input ports 1 and 2 to connect them. Double-click “Speech Privacy.” The Speech Privacy component editor will appear.
Example 2) Remote conferencing system that also uses Speech Privacy 9. Select “Building” on the [Environmental Sound] list box for source 1, and click the [ON] button for source 1 to turn it on. Set the environmental sound to “Building” (air-conditioner sound) to send speech privacy sounds through the hallway speakers. 10. Click the [×] button at the top right-hand corner to close the component editor. 11.
Example 2) Remote conferencing system that also uses Speech Privacy Compiling This analyzes the placement and wiring of the components in the MRX, to determine whether there are any problems. 1. Click the [Compile] tool button ( ). Start the analysis. 2. Confirm the analysis results. If the message “Completed successfully” is displayed in the “Message” field, there were no problems. If a problem was detected, click the [Detail] button to check how to solve the problem and to correct it.
Example 2) Remote conferencing system that also uses Speech Privacy Setting a parameter link group In this example, we’ll see how to make it easier to operate in ProVisionaire Touch, such as by assigning a single fader to two faders for stereo output to conference room speakers, or by assigning a single button to activate all of the mic ON buttons.
Example 2) Remote conferencing system that also uses Speech Privacy 2. 3. Open the “Parameter” area on the right side of the MRX Designer. Since the conference room speaker levels are adjusted using “Fader(4)”, open [Fader(4)] in the “Parameters” area.
Example 2) Remote conferencing system that also uses Speech Privacy 4. After clicking [Ch01:Level], hold down and click [Ch02:Level]. You can select multiple items while holding down and clicking. To select continuous parameters, click the start parameter, hold down the key and then click on the end parameter. 5. Do a right-click and select [Add to Parameter Link Group] → [Add New Group]. A dialog box for setting the parameter link group name will open. 6.
Example 2) Remote conferencing system that also uses Speech Privacy 8. Double-click “Fader(4).” The “Fader(4)” component editor will appear. 9. 10. Move the fader in the Link Master editor, and confirm that the “Fader(4)” component editor faders are linked together. Click the [×] button at the top right-hand corner of the “Fader(4)” component editor to close the component editor. Now open the Link Master editor, as we will be using it to register the Remote Control Setup List.
Example 2) Remote conferencing system that also uses Speech Privacy Creating the Remote Control Setup List used by ProVisionaire Touch To change the parameters by operating the ProVisionaire Touch, register the parameters in the Remote Control Setup List, and output the file. Add the outputted rcsl file as a document to ProVisionaire Touch on the iPad. Register the following parameters in the Remote Control Setup List. The steps for registering will be explained later. No.
Example 2) Remote conferencing system that also uses Speech Privacy 2. Click the Link Master editor for the “Speaker Level.” The focus will move to the Link Master editor for the “Speaker Level.” If the Link Master editor is closed, right-click on “Speaker Level” in the parameter link group area and select [Open Link Master] from the context menu to display it. 3. Drag and drop the Link Master editor fader to the “PARAMETER” area in line No.
Example 2) Remote conferencing system that also uses Speech Privacy 4. Register the other parameters as shown in steps 2 through 3. 5. Click the [Export] button. The file save dialog box will appear.
Example 2) Remote conferencing system that also uses Speech Privacy 6. Change the “File type” to “rcsl.” The file extension will change to “rcsl.” 7. Select the desired folder and change the file name as desired, and click the [Save] button. The Remote Control Setup List used by ProVisionaire Touch will be saved. 8. Click the [OK] button on the “Remote Control Setup List” dialog box. The “Remote Control Setup List” dialog box is closed. 9.
Example 2) Remote conferencing system that also uses Speech Privacy Storing a preset You’ll need to set which preset will be recalled when the MRX is started up. 1. Click the [Preset] tool button ( ). The “Preset” dialog box will appear. 2. Click No. 01 and then click the [Store] button. The “Store Preset” dialog box will appear.
Example 2) Remote conferencing system that also uses Speech Privacy 3. Input [Conference] and click the [OK] button. The current state will be registered as a preset named “Conference.” 4. Click the [Close] button. The “Preset” dialog box is closed.
Example 2) Remote conferencing system that also uses Speech Privacy Making EXT. I/O settings Now we’ve set the audio output to YDIF channels 1 through 4 of the MRX in MRX Designer. Here, we’ll set which XMV channels will receive the audio signals from YDIF channels 1 through 4. We’ll make these settings in the MTX-MRX Editor. 1. Switch to the MTX-MRX Editor display.
Example 2) Remote conferencing system that also uses Speech Privacy 2. Click the [EXT. I/O] button. The “EXT. I/O” screen will appear. 3. Click the [EDIT] button. Now you can specify the inputs from the XMV unit’s YDIF 1–8.
Example 2) Remote conferencing system that also uses Speech Privacy 4. Click the XMV’s output routing select button for “YDIF 1.” The “YDIF Out Patch” dialog box will appear. 5. For CHANNEL, click [A] button. Output the YDIF 1 audio signal from the XMV’s A channel.
Example 2) Remote conferencing system that also uses Speech Privacy 6. Switch to channel 2 using the [YDIF Out:] list box. The editing target will switch to channel 2. 7. Click the [B] button to output the YDIF 2 audio signal from the XMV’s B channel. 8. Allocate channels 3/4 to C/D, as shown in steps 6 through 7. 9. Click the [Close] button. The “YDIF Out Patch” dialog box is closed.
Example 2) Remote conferencing system that also uses Speech Privacy 10. Click the [EDIT] button to disable the YDIF output routing select buttons. This completes settings in the offline state. Save the settings once again.
Example 2) Remote conferencing system that also uses Speech Privacy Connecting the equipment After you’ve rack-mounted the MRX and your other equipment, connect the MRX and the other equipment as shown below. If you’ve copied audio sources to an SD memory card, insert the card into the MRX now.
Example 2) Remote conferencing system that also uses Speech Privacy Powering-on the MRX Turn on the power of the MRX. Turn off the amplifier before you power-off the MRX. Powering-on the amp Turn on the power of the amplifier. To prevent unwanted sound from being output, we recommend that you turn down the attenuator settings of all channels on the amp itself before you turn it on.
Example 2) Remote conferencing system that also uses Speech Privacy Sending the Speech Privacy environmental sound Before going online, send the environmental sound to be used for Speech Privacy to the MRX. 1. Start up the MRX Designer. 2. Select [Install Speech Privacy File] from the [File] menu. The “Install Speech Privacy File” dialog box will appear. If “Installed” is displayed in the “File” field, the environmental sound has already been installed in the MRX, so there is no need to send it. 3.
Example 2) Remote conferencing system that also uses Speech Privacy Taking MTX-MRX Editor online In the upper right of MTX-MRX Editor, click the [Online] button. When the unit has successfully come online, the indicator 1 will light blue. When the “Synchronization” dialog box appears, select “To Device,” and click the [OK] button. When the indication in the dialog box has switched, select the system that you want to place online, and click the [Online] button.
Example 2) Remote conferencing system that also uses Speech Privacy Verifying that the settings were applied The main items to verify are listed below. For details on each parameter setting, refer to “MTX-MRX Editor User Guide” and “MRX Designer User Guide.” 1. Input an audio signal such as AUX IN to the inputs of the MRX7-D, and adjust the input levels. Adjust the AUX IN input levels using “Fader(2).” You can use ProVisionaire Touch to adjust the level of sound coming from the room speakers. 2.
Example 3) A paging system using the PGM1 Place the “Paging” components, and assign broadcast destinations (zones, zone groups) or pre-recorded messages to the zone/message select buttons of the PGM1 units. You can use the buttons to select the broadcast destination (multiple selections are allowed) and play back pre-recorded messages from the SD card. On the SD card that you’ll insert into the MRX, save the audio files for the Opening Chime, Closing Chime, and messages.
Example 3) A paging system using the PGM1 Play back a pre-recorded message from SD card 1. 2. 3. Use the zone/message select buttons to select the broadcast area. Use the zone/message select buttons to select the message that you want to play back. Press the PTT button. If specified, the Opening Chime is heard. The message plays, and the status indicator is lit red. When message playback is completed, PTT automatically turns off. If specified, the Closing Chime is heard.
Example 3) A paging system using the PGM1 2. Specify the number of units that will be connected in your MTX/MRX system, and click [Next>]. Set the number of “YDIF Connected” MRX7-D units to 1, the number of EXi8 units to 1, the number of “DANTE Connected” PGM1 units to 1, the number of XMV8280-D units to 1, and in the far right row set the number of MCP1 units to 3. 3. Specify the UNIT ID of each device, and click [Next>].
Example 3) A paging system using the PGM1 4. Set the [UNIT ID] rotary switch and DIP switch of the devices. Set the computer’s IP address after completing the wizard, in “Specifying the computer’s TCP/IP address.” If the device is not nearby, you can set it during the step “Connecting the equipment.” You’ll set the MCP1’s UNIT ID during the step “Connecting the equipment.” Make the following settings. The method of setting the PGM1’s UNIT ID is explained in step 8.
Example 3) A paging system using the PGM1 6. Verify that the devices are shown in the screen, and click [Next>]. Do not change the order. 7. Set the number of PGX1 units to 1.
Example 3) A paging system using the PGM1 8. Set the PGM1’s [UNIT ID] rotary switch and DIP switch. If the device is not nearby, you can set it during the step “Connecting the equipment.” Make the following settings. PGM1 UNIT ID = 60 [UNIT ID] rotary switch =0 DIP switch = 2 and 3 are ON (downward), others are OFF (upward) 9. 10. When you’ve finished setting the PGM1’s [UNIT ID] rotary switch and DIP switch, click [Next>]. Click [Next>]. For the MRX, use MRX Designer to select the Mini-YGDAI card.
Example 3) A paging system using the PGM1 11. Choose the model of DCP that will be connected to the MRX, enter a device name, and click [Finish]. In this example, specify seven DCP1V4S units. 12. When you see the dialog box “Display the configuration diagram? The diagram can also be printed.” click [Yes].
Example 3) A paging system using the PGM1 A cabling diagram will appear. If you want, click [Print] to print the diagram. You can click the [>>Page2]/[>>Page1] buttons to switch pages. To close the screen, click [Close].
Example 3) A paging system using the PGM1 Set the DIP switches of the DCP units as directed in “Digital Control Panel” of the cabling diagram. For the last DCP (ID=6), set DIP switch 4 upward. ON 1 2 3 4 NOTE If you want to view the cabling diagram again, choose [File] menu → [Print Configuration Diagram]. If you want to use the Device Configuration Wizard to change the device configuration, click the [Device Config] button in the Project screen.
Example 3) A paging system using the PGM1 Placing the input components Here you’ll place the input components that you will use. From the “Components” area, drag and drop the following components onto the design sheet.
Example 3) A paging system using the PGM1 Showing port names for the input components To avoid subsequent confusion when connecting the cabling, use the “Port Name” dialog box to enter the port names. To access the “Port Name” dialog box, click the button located at the right of the [Label] editing area in the “Properties” area. For “ANALOG IN,” you can also enter the port name using the “ANALOG IN” component editor that appears when you double-click the component.
Example 3) A paging system using the PGM1 Placing and cabling the PGM1-related components in Reception Here we will place and cable the components related to the PGM1 in Reception. 1. From the “Components” area, drag and drop the following components onto the design sheet. • “Matrix Mixer” (2In/2Out) • “Paging” 2. On the [Tools] menu, click [Duplicate Port Label]. This causes the port name to be carried over when you make the connection. 3.
Example 3) A paging system using the PGM1 4. 5. Drag and drop to connect the “SD CARD” ports with the input ports of the “Matrix Mixer,” and drag and drop to connect output port 1 of the “Matrix Mixer” to the SD port of “Paging.” Double-click the “Matrix Mixer.” The “Matrix Mixer” component editor opens. 6. Make settings so that Input 1 and 2 are output to Output 1, enter “SD” for Output 1, and then click the [×] button in the upper right to close the component editor.
Example 3) A paging system using the PGM1 Placing and connecting the components related to BGM (monaural) input Here we place and connect the components related to the input of the background music (monaural) that is broadcast to the facility. 1. From the “Components” area, drag and drop the following components onto the design sheet. • “Matrix Mixer” (8In/4Out) • “Source Selector” (4Source/1Ch) • “Fader” (8Ch) 2. 3.
Example 3) A paging system using the PGM1 4. 5. Make settings so that Input 1 and 2 are sent to Output 1, Input 3 and 4 to Output 2, and Input 5 and 6 to Output 3. Enter “Work out BGM1” for Output 1, enter “Work out BGM2” for Output 2, and enter “Relaxation BGM” for Output 3; then click the [×] button in the upper right to close the component editor.
Example 3) A paging system using the PGM1 6. 7. Click “Source Selector” to select it. Copy the selected component, and paste it six times. Alternatively, drag and drop the selected component while holding down . Change the location of the components as necessary. You can copy in any of the following ways. • + • Right-click, and choose the context menu item [Copy] • On the [Edit] menu, choose [Copy] You can paste in any of the following ways.
Example 3) A paging system using the PGM1 8. Drag and drop to connect “Matrix Mixer(2)” output ports 1 through 3 to “Source Selector” input ports 1 through 3.
Example 3) A paging system using the PGM1 9. Assign a label to each “Source Selector” so that it can be easily distinguished. Click the label area of each “Source Selector” component to edit it.
Example 3) A paging system using the PGM1 10. Drag and drop to connect output port 1 of each “Source Selector” to “Fader” input ports 1 through 7. 11. Double-click “Fader.” The “Fader” component editor opens.
Example 3) A paging system using the PGM1 12. Assign a name to channels 1 through 7. Clicking the label area of each “Source Selector” component makes it editable; copy this to make the process easier. 13. Turn off channel 8, and then click the [×] button in the upper right to close the component editor.
Example 3) A paging system using the PGM1 14. Drag and drop to connect “Fader” output ports 1 through 7 to “Paging” Program 1 through 7. Placing and connecting the components related to BGM (stereo) and wireless mic input Here you’ll place and connect the components related to the background music (stereo) and wireless mic input that is broadcast to Studio A/B and the Spin Area. 1. From the “Components” area, drag and drop the following components onto the design sheet.
Example 3) A paging system using the PGM1 2. 3. Click “Source Selector” to select it. Copy the selected component, and paste it two times. Alternatively, drag and drop the selected component while holding down . Change the location of the components as necessary. 4. Assign a label to each “Source Selector” so that it can be easily distinguished.
Example 3) A paging system using the PGM1 5. 6. 7. Drag and drop to connect “ANALOG IN” output ports 1 through 6 to each “Source Selector” Src1-1 through Src3-2. Drag and drop to connect the WXC-50’s outputs to each “Source Selector” Src4-1 and Src4-2. ANALOG IN 7 and 8 Studio A Src4-1 and Src4-2 STEREO IN 1L and 1R Studio B Src4-1 and Src4-2 STEREO IN 2L and 2R Spin Area Src4-1 and Src4-2 Drag and drop to connect between the ports from “HPF” to “PEQ.
Example 3) A paging system using the PGM1 8. 9. Select the area from “HPF” through “PEQ,” so that the components and wires are selected. On the [Edit] menu, choose [Create User Defined Block]; in the dialog box, set IN as 1, set OUT as 1, and click the [OK] button. 10. As necessary, change the position, size, and arrangement of the components in the User Defined Block. 11. Drag and drop to connect the ports “IN 1” to “HPF” and “PEQ” to “OUT 1.
Example 3) A paging system using the PGM1 12. Click somewhere other than a component or wire in the User Defined Block, so that the User Defined Block is selected. 13. Copy the selected User Defined Block, and paste it two times. Alternatively, drag and drop the selected User Defined Block while holding down . Change the location of the User Defined Block as necessary. 14. Name the label of each User Defined Block so that it can be easily distinguished.
Example 3) A paging system using the PGM1 15. Drag and drop to connect “YDIF IN” output ports 1 through 3 to the input port of each User Defined Block. YDIF IN 1 Input Ch Strip (Studio A) YDIF IN 2 Input Ch Strip (Studio B) YDIF IN 3 Input Ch Strip (Spin Area) 16. Select the area from “Fader(2)” through “Matrix Mixer(3),” so that the components are selected. 17. On the [Edit] menu, choose [Create User Defined Block]; in the dialog box, set IN as 3, set OUT as 2, and click the [OK] button. 18.
Example 3) A paging system using the PGM1 19. Assign a name to the input ports of the User Defined Block. Enter the port names in the “Port Name” dialog box. To access the “Port Name” dialog box, click the port, and then click the button located at the right of the [Label] editing area in the “Properties” area. The output port names are automatically entered during a subsequent step. IN 1 BGM L IN 2 BGM R IN 3 Mic 20. After you’ve entered the port names, click the [OK] button. 21.
Example 3) A paging system using the PGM1 23. Drag and drop to connect “Fader(2)” output port 1 to “Ducker” KeyIN and “Matrix Mixer(3)” input port 1; connect “Fader(2)” output ports 3 and 4 to input “Ducker” ports 1 and 2. 24. Double-click “Ducker”; verify that KEY IN is set to KEYIN, and then close the component editor. 25. Drag and drop to connect “Ducker” 1L and 1R to “Matrix Mixer(3)” input ports 3 and 4.
Example 3) A paging system using the PGM1 26. Double-click “Matrix Mixer(3).” The “Matrix Mixer” component editor appears. 27. Enter port names for Output. Output 1 Out-L Output 2 Out-R 28. Enable Mic for Out-L and Out-R, enable BGM L for Out-L and BGM R for Out-R; then click the [×] button in the upper right to close the component editor.
Example 3) A paging system using the PGM1 29. Drag and drop to connect the “Matrix Mixer(3)” output ports to the “OUT” input ports. 30. Click somewhere other than a component or wire in the User Defined Block, so that the User Defined Block is selected. 31. Copy the selected User Defined Block, and paste it two times. Alternatively, drag and drop the selected User Defined Block while holding down . Change the location of the User Defined Block as necessary.
Example 3) A paging system using the PGM1 32. Name the label of each User Defined Block so that it can be easily distinguished. Block Source Mix (Studio A) Block(2) Source Mix (Studio B) Block(3) Source Mix (Spin Area) 33. Drag and drop to connect “Studio A” (Source Selector) output ports 1 and 2 to “Source Mix Studio A” (User Defined Block) input ports 1 and 2; connect the “Input Ch Strip (Studio A)” (User Defined Block) output port to “Source Mix Studio A” (User Defined Block) input port 3.
Example 3) A paging system using the PGM1 34. Connect Studio B and Spin Area in the same way.
Example 3) A paging system using the PGM1 35. Drag and drop to connect each Source Mix output jack to “Paging” Program 8 through 13.
Example 3) A paging system using the PGM1 Making settings for Paging Here you’ll make settings for the “Paging” component. 1. Assign the “Paging” input/output port names. Enter the port names in the “Port Name” dialog box. To access the “Port Name” dialog box, click the port, and then click the button located at the right of the [Label] editing area in the “Properties” area.
Example 3) A paging system using the PGM1 2. After you’ve entered the port names, click the [OK] button. 3. Double-click “Paging.” The “Paging” component editor opens.
Example 3) A paging system using the PGM1 4. To create a zone group, click the [ZONE Group] button. The “Zone Group” window appears.
Example 3) A paging system using the PGM1 5. Click within the zone group matrix to create zone groups. In this example, create zone groups as follows.
Example 3) A paging system using the PGM1 6. Enter the zone group names. Double-click the name of each ZONE GROUP and edit it.
Example 3) A paging system using the PGM1 7. 8. Click the [×] button in the upper right to close the window. To make assignments for the zone/message select buttons of the PGM1/PGX1, click the [Settings] button. The “PGM1/PGX1” dialog box appears.
Example 3) A paging system using the PGM1 9. Make assignments to zone/message select buttons. In this example, make the following assignments.
Example 3) A paging system using the PGM1 10. If necessary, click the [Label Creator] button to create labels for the PGM1/PGX1. “PGM Label Creator” starts. 11. Design the label that you want to print.
Example 3) A paging system using the PGM1 12. Click the [Print] button to print, or click the [Export] button to save as a file; then click the [OK] button. 13. Click the [Properties] tab.
Example 3) A paging system using the PGM1 14. Make common settings for the PGM1 units in the MTX/MRX system or the Paging Device Group. Here you’ll specify that paging broadcast is possible only for the 1st Priority Mic when in emergency mode, and that a chime will sound before and after the broadcast. With these settings, pressing the PTT button of the 1st Priority Mic when in emergency mode will not sound a chime, and ATTACK and RELEASE will be 0 seconds. 15.
Example 3) A paging system using the PGM1 Placing and connecting the components related to BGM (monaural) output Here you’ll place and connect the components related to the output of the background music (monaural) that is broadcast to the facility. This is output to the XMV units connected via DANTE. 1. From the “Components” area, drag and drop the following components onto the design sheet. • • • • 2. 3. 4. 5.
Example 3) A paging system using the PGM1 6. 7. 8. Drag and drop to connect the ports “IN 1” to “PEQ(4),” and “Speaker Processor” to “OUT 1.” Click somewhere other than a component or wire in the User Defined Block, so that the User Defined Block is selected. Copy the selected User Defined Block, and paste it six times. Alternatively, drag and drop the selected User Defined Block while holding down . Change the location of the User Defined Block as necessary.
Example 3) A paging system using the PGM1 9. Name the label of each User Defined Block so that it can be easily distinguished. Block Output Ch. (Reception/Cafe) Block(2) Output Ch. (Cardio Area) Block(3) Output Ch. (Pool) Block(4) Output Ch. (Weight Area) Block(5) Output Ch. (Child-mindings) Block(6) Output Ch. (Dress Rooms/Rest Rooms) Block(7) Output Ch.
Example 3) A paging system using the PGM1 10. Drag and drop to connect “Paging” Zone 1 through 7 to the input ports of each User Defined Block.
Example 3) A paging system using the PGM1 11. Drag and drop to connect the output port of each User Defined Block to “DANTE OUT 1–16” input ports 1 through 7. 12. Name each label of the “DANTE OUT 1–16” input ports so that they can be easily distinguished.
Example 3) A paging system using the PGM1 Placing and connecting the components related to BGM (stereo) output Here you’ll place and connect the components related to the output of the background music (monaural) that is broadcast to the facility. This is output to the analog output of the MRX7-D. 1. From the “Components” area, drag and drop the following components onto the design sheet. • “PEQ” (8Band/Mono) • “Fader” (2Ch) • “ANALOG OUT” 2. Copy and paste “PEQ(11)” once. 3.
Example 3) A paging system using the PGM1 5. Drag and drop to connect the ports “IN 1–2” to each “PEQ,” and “Fader(12)” to “OUT 1–2.” 6. Copy the User Defined Block, and paste it two times. 7. Name the label of each User Defined Block so that it can be easily distinguished. Block Output Ch. (Studio A) Block(2) Output Ch. (Studio B) Block(3) Output Ch.
Example 3) A paging system using the PGM1 8. 9. Drag and drop to connect “Paging” Zone 8 through 13 to the input ports of each User Defined Block. Drag and drop to connect the output port of each User Defined Block to “ANALOG OUT” input ports 1 through 6.
Example 3) A paging system using the PGM1 10. Name each label of the “ANALOG OUT” input ports so that they can be easily distinguished. 1 Studio A-L 2 Studio A-R 3 Studio B-L 4 Studio B-R 5 Spin Area-L 6 Spin Area-R This completes placement and connections for the components. As necessary, move the position of the components, or change the connections of the wires.
Example 3) A paging system using the PGM1 Compiling This performs an analysis to determine whether there are any problems with the placement and wiring of the components in the MRX. 1. Click the [Compile] tool button ( ). Analysis begins. 2. Note the results of analysis. If the message “Completed successfully” is displayed in the “Message” field, there were no problems. If there is a problem, click the [Detail] button and proceed as directed. This completes the compiling process.
Example 3) A paging system using the PGM1 Setting a parameter link group In this example, we’ll do various things to make the best use of the MCP1’s switches, such as combining two faders of a stereo output into a single fader, and combining the L/R ON buttons into a single button. We’ll create parameter link groups that combine multiple level-type or on/off-type parameters, so that a switch of the MCP1 can control multiple parameters simultaneously.
Example 3) A paging system using the PGM1 2. In the right side of MRX Designer, open the “Parameters” area. Step 3 3. Since the level of the background music in the Spin Area is adjusted by Source Mix (Spin Area) “Fader(4),” open “Parameters” area [Source Mix (Spin Area)] → [Fader(4)].
Example 3) A paging system using the PGM1 4. Click [Ch03:Level]; then hold down and click [Ch04:Level]. By clicking while you hold down , you can select multiple items. To select multiple adjacent parameters, click the first parameter, then hold down and click the last parameter. 5. Right-click, and choose [Add to Parameter Link Group] → [Add New Group]. A dialog box opens, allowing you to specify a parameter link group name. 6.
Example 3) A paging system using the PGM1 7. In the Link Master editor’s combo box, choose [Absolute]. 8. In Source Mix (Spin Area), double-click “Fader(4).” The “Fader(4)” component editor opens. 9. 10. Operate the fader in the Link Master editor, and verify that the faders of channels 3 and 4 in the “Fader(4)” component editor are linked. Click the [×] buttons located in the upper right of the Link Master editor and the “Fader(4)” component editor to close the editor and the component editor.
Example 3) A paging system using the PGM1 Making DCP settings Here you’ll assign parameters to the DCP1V4S control panels that are located in each area, so that the parameters can be controlled by the switches and knobs of the control panels. We’ll assign the following parameters to the switches and knobs. The assignment procedure is described later.
Example 3) A paging system using the PGM1 1. Select [Controller] menu → [Digital Control Panel]. The “Digital Control Panel” dialog box opens. 2. Double-click the “Fader” component. The “Fader” component editor opens.
Example 3) A paging system using the PGM1 3. In the “Digital Control Panel” dialog box, click the “Source Select” tab. The Source Select screen appears. 4. In [COMPONENT], select [Reception/Cafe]. The Source Selector component of Reception/Cafe is assigned to PARAMETER 1 of MRX Source Select.
Example 3) A paging system using the PGM1 5. Click the “Parameter Assign” tab. The Parameter Assign screen appears. 6. Click the “Switch” [1] button. The “Settings” dialog box appears.
Example 3) A paging system using the PGM1 7. In “FUNCTION,” click [MRX Source Select]. The [MRX Source Select] registration screen appears. 8. In “PARAMETER2,” choose [1]. When you press the DCP’s switch 1, the Work out BGM1 audio will play.
Example 3) A paging system using the PGM1 9. Click the [OK] button. The “Digital Control Panel” dialog box appears, with Reception/Cafe’s Source Selector [1] button assigned. 10. Assign other parameters to the switches as described in steps 6 through 9.
Example 3) A paging system using the PGM1 11. Click the “Knob” [1] button. The “Settings” dialog box appears. 12. In “FUNCTION,” click [MRX Parameter]. The [MRX Parameter] registration screen appears.
Example 3) A paging system using the PGM1 13. While holding down the , drag and drop the channel 1 fader of the “Fader” component editor into the “PARAMETER” area of the “Settings” dialog box. The fader of “Fader” channel 1 is registered. 14. Click the [OK] button. The “Digital Control Panel” dialog box appears, with the Fader channel 1 fader assigned to the knob.
Example 3) A paging system using the PGM1 15. Click “Library” No. 01, and then click the [Save] button. The “Save Library” dialog box appears. 16. Click the [OK] button. The settings are registered as “Library” No. 01.
Example 3) A paging system using the PGM1 17. 18. In the DCP selection list box, select another DCP unit and make settings for it as described in steps 3 through 16. When you’ve made settings for all DCP units, click the [Close] button. The “Digital Control Panel” dialog box closes.
Example 3) A paging system using the PGM1 Making MCP1 settings Here you’ll assign parameters to the MCP1 units located in Studio and Spin Area, so that parameters can be controlled by switches. We’ll assign the following parameters to the switches of the home page. The method of making Source Selector and Fader assignments is essentially the same as for the DCP. The methods for assigning parameter link groups and designing the screen are described later.
Example 3) A paging system using the PGM1 1. Choose [Controller] menu → [MCP1]. The “MCP1” dialog box appears. 2. In the “Source Select” tab, specify the applicable Source Selector, and then make settings for the L1/2/3 and R1/2 switches.
Example 3) A paging system using the PGM1 3. Click the “Switch” [R3] button. The “Settings” dialog box appears. 4. In “FUNCTION,” click [MRX Parameter]. The [MRX Parameter] registration screen appears.
Example 3) A paging system using the PGM1 5. In the “Parameter Link Group” area, right-click [Studio A Master LEVEL] and choose [Open Link Master]. The Link Master Editor for Studio A Master LEVEL opens. 6. While holding down , drag and drop the fader of the Studio A Master LEVEL Link Master editor into the “PARAMETER” area of the “Settings” dialog box. The fader of the Link Master editor for Studio A Master LEVEL is registered.
Example 3) A paging system using the PGM1 7. Click the [OK] button. The “MCP1” dialog box appears, with the fader of the Studio A Master LEVEL Link Master editor assigned to the R3 switch. 8. To create the screen that will be shown in the MCP1’s display, click the [Label] button. The “Label” dialog box appears.
Example 3) A paging system using the PGM1 9. Double-click the [Cell] in which you want to enter a character string, making it editable. You can also select a cell and then press to make it editable. 10. Enter a character string. To start a new line within a cell, hold down and press . L1 Work out BGM1 L2 Relaxation BGM L3 Mic Vol. R1 Work out BGM2 R2 WXC-50 R3 BGM Vol.
Example 3) A paging system using the PGM1 11. 12. Use [Font Settings] to make adjustments to the display of each cell while watching [Preview] to see the result. When you’ve finished making settings, click the [OK] button. The “MCP1” dialog box appears with the label preview shown.
Example 3) A paging system using the PGM1 13. Click “Library” No. 01, and then click the [Save] button. The “Save Library” dialog box appears. 14. Click the [OK] button. The settings are registered as “Library” No. 01.
Example 3) A paging system using the PGM1 15. 16. In the MCP1 selection list box, select another MCP1 and make settings for it as described in steps 2 through 14. When you’ve made settings for all MCP1 units, click the [Close] button. The “MCP1” dialog box closes.
Example 3) A paging system using the PGM1 Storing a preset For the MRX, you’ll need to specify the preset that is recalled when the unit starts. 1. Click the [Preset] tool button ( ) The “Preset” dialog box appears. 2. Click No. 01, and then click the [Store] button. The “Store Preset” dialog box appears.
Example 3) A paging system using the PGM1 3. Click the [OK] button. The current state is registered as a preset with the name “Preset 01.
Example 3) A paging system using the PGM1 4. In the “DCP” column, double-click the cell that is shown as [No Assign]. The “Settings” dialog box appears.
Example 3) A paging system using the PGM1 5. Select the [Assign] check boxes for “DCP Library” and “MCP1 Library.” Now you can select the library items that are recalled when the MRX7-D starts.
Example 3) A paging system using the PGM1 6. Select [01 Library01] for “DCP Library” and for “MCP1 Library,” and click the [OK] button. The “Preset” dialog box appears, with “01 Library01” assigned to “DCP Library” and “MCP1 Library.” 7. Click the [Close] button. The “Preset” dialog box closes.
Example 3) A paging system using the PGM1 Making EXT. I/O settings Here you’ll make settings in MRX Designer for using digital input/output. In this example, you’ll make YDIF settings and DANTE settings. These settings are made using MTX-MRX Editor. 1. Switch the display to MTX-MRX Editor.
Example 3) A paging system using the PGM1 2. Click the [EXT. I/O] button. The “EXT. I/O” screen appears. 3. Click the [EDIT] button. Now you can specify the output from YDIF 1–8 of the EXi8.
Example 3) A paging system using the PGM1 4. Click the EXi8 input routing select button for “YDIF 1.” The “YDIF In Patch” dialog box appears. 5. Click the [1] button. The audio signal from the EXi8’s [INPUT] jack 1 is output to YDIF 1.
Example 3) A paging system using the PGM1 6. In the [YDIF In:] list box, switch the channel to 2. The object of editing changes to channel 2. 7. Click the [2] button. The audio signal from the EXi8’s [INPUT] jack 2 is output to YDIF 2. 8. As described in steps 6 through 7, assign channel 3 to 3. 9. Click the [Close] button. The “YDIF In Patch” dialog box closes.
Example 3) A paging system using the PGM1 10. Click the [EDIT] button. The YDIF input routing select button is disabled. 11. Click the [DANTE] button. The Dante setting screen appears.
Example 3) A paging system using the PGM1 12. Click the [EDIT] button. Now you can specify Dante input/output settings. 13. Click [1–16] for MRX7-D in [Receivers] and [Transmitters], and click XMV8280-D in [Receivers], so that the indications are expanded. If they are already expanded, leave them as they are.
Example 3) A paging system using the PGM1 14. Click the location where the “1” of the PGM1 and MRX7-D intersect. A 15. appears in the grid. Scroll so that the XMV inputs are visible.
Example 3) A paging system using the PGM1 16. 17. Click the intersections between the XMV’s inputs and the MRX’s outputs, so that A intersects with 1, B with 2, C with 3, and so on until H intersects with 8. Click the [EDIT] button to lock the settings. This completes settings in the offline state. Save the settings once again.
Example 3) A paging system using the PGM1 Connecting the equipment After you’ve rack-mounted the MRX and your other equipment, connect the MRX and the other equipment as shown below. Insert the SD memory card into the MRX at this time.
Example 3) A paging system using the PGM1 Powering-on the PoE-equipped gigabit network switch The PGM1 and MCP1 units start. Specifying the MCP1’s UNIT ID Long-touch the MCP1’s home switch to access the utility page. Choose [Settings] → [Unit ID] and set Studio A to a UNIT ID of 90, Studio B to 91, and Spin Area to 92. After making the settings, touch the return switch. For details on UNIT ID settings, refer to “Specifying the UNIT ID” in “MCP1 Installation Manual.
Example 3) A paging system using the PGM1 6. In the [IP address] box, enter “192.168.0.253”; in the [Subnet mask] box, enter “255.255.255.0.” NOTE The IP address of the MRX7-D is set to “192.168.0.2.” 7. Click [OK]. NOTE When you make these settings, the Windows firewall might block MTX-MRX Editor. Select the [Private Network] check box, and click [Allow Access]. Taking MTX-MRX Editor online In the upper right of MTX-MRX Editor, click the [Online] button.
Example 3) A paging system using the PGM1 Verifying that the settings were applied The main items to verify are listed below. For details on each parameter’s settings, refer to “MTX-MRX Editor User’s Guide” and “MRX Designer User’s Guide.” 1. 2. In “Output Ch.” User Defined Block, set “Speaker Processor” to a value appropriate for the speaker. Input audio signals from the analog inputs and stereo inputs into the MRX7-D, and adjust the input levels.
Q&A Q: A: How do you send the rcsl file to the iPad? In order to send the rcsl file from a computer to the iPad, you can either share the file using iTunes, send the file via email to the iPad, send it via AirDrop, or send it via the File Transfer application. Here we’ll explain how to send the file using iTunes. 1. 2. 3. 4. Q: A: Connect your iPad to the computer. Start up iTunes. If iTunes does not start up automatically, start the application manually.
Uninstalling the software (Removing the application) Use “Settings” to uninstall the software. Right click [Start]→[Settings]→[Apps], select the item you want to uninstall, and then click [Uninstall]. A dialog box will appear; follow the instructions in the screen to uninstall the software. If the “User Account Control” dialog box appears, click [Continue] or [Yes].
