User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon and channel color
- Making HA (Head Amp) settings
- Sending a signal from an input channel to the STEREO/MONO buses
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
- Output channels
- EQ and Dynamics
- Grouping and linking
- Scene memory
- About scene memories
- Using scene memories
- Editing scene memories
- Using the Global Paste function
- Using the Focus function
- Using the Recall Safe function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, effects, and Premium Rack
- I/O device and external head amp
- MIDI
- User settings (Security)
- Recorder
- Help function
- Other functions
- About the SETUP screen
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Appendices
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Effects and tempo synchronization
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- Functions that can be assigned to USER DEFINED keys
- Functions that can be assigned to USER DEFINED knobs
- Functions that can be assigned to the assignable encoders
- MIDI Data Format
- Warning/Error Messages
- Electrical characteristics
- Mixer Basic Parameters
- M IDI Implementation Chart
- Index
Appendices
Reference Manual
234
■ STEREO REVERB
Two input, two output stereo reverb.
■ EARLY REF.
One input, two output early reflections.
■ GATE REVERB, REVERSE GATE
One input, two output early reflections with gate, and early reflections with reverse gate.
■ MONO DELAY
One input, one output basic repeat delay.
■ STEREO DELAY
Two input, two output basic stereo delay.
Parameter Range Description
REV TIME 0.3–99.0 s Reverb time
REV TYPE Hall, Room, Stage, Plate Reverb type
INI. DLY 0.0–100.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
E/R BAL. 0–100%
Balance of early reflections and reverb (0% = all reverb, 100% = all early
reflections)
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
Parameter Range Description
TYPE
S-Hall, L-Hall, Random,
Revers, Plate, Spring
Type of early reflection simulation
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
INI. DLY 0.0–500.0 ms Initial delay before reverb begins
DIFF. 0–10 Reflection diffusion (left–right reflection spread)
DENSITY 0–100% Reflection density
ER NUM. 1–19 Number of early reflections
FB GAIN –99 to +99% Feedback gain
HI. RATIO 0.1–1.0 High-frequency feedback ratio
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
Parameter Range Description
TYPE Type-A, Type-B Type of early reflection simulation
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
INI. DLY 0.0–500.0 ms Initial delay before reverb begins
DIFF. 0–10 Reflection diffusion (left–right reflection spread)
DENSITY 0–100% Reflection density
HI. RATIO 0.1–1.0 High-frequency feedback ratio
ER NUM. 1–19 Number of early reflections
FB GAIN –99 to +99% Feedback gain
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
Parameter Range Description
DELAY 0.0–2730.0 ms Delay time
FB. GAIN –99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
HI. RATIO 0.1–1.0 High-frequency feedback ratio
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
SYNC OFF/ON Tempo parameter sync on/off
NOTE
*1
*1. (Max. value depends on tempo setting)
Used in conjunction with TEMPO to determine DELAY
Parameter Range Description
DELAY L 0.0–1350.0 ms Left channel delay time
DELAY R 0.0–1350.0 ms Right channel delay time
FB. G L –99 to +99%
Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
FB. G R –99 to +99%
Right channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
HI. RATIO 0.1–1.0 High-frequency feedback ratio
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
SYNC OFF/ON Tempo parameter sync on/off
NOTE L
*1
*1. (Maximum value depends on the tempo setting)
Used in conjunction with TEMPO to determine left channel DELAY
NOTE R
*1
Used in conjunction with TEMPO to determine right channel DELAY