User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Centralogic section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon and channel color
- Making HA (Head Amp) settings
- Sending a signal from an input channel to the STEREO/MONO buses
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
- Output channels
- EQ and Dynamics
- Grouping and linking
- Scene memory
- About scene memories
- Using scene memories
- Editing scene memories
- Using the Global Paste function
- Using the Focus function
- Using the Recall Safe function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, effects, and Premium Rack
- I/O device and external head amp
- MIDI
- User settings (Security)
- Recorder
- Help function
- Other functions
- About the SETUP screen
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Dante audio network settings
- Using GPI (General Purpose Interface)
- Appendices
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Effects and tempo synchronization
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- Functions that can be assigned to USER DEFINED keys
- Functions that can be assigned to USER DEFINED knobs
- Functions that can be assigned to the assignable encoders
- MIDI Data Format
- Warning/Error Messages
- Electrical characteristics
- Mixer Basic Parameters
- M IDI Implementation Chart
- Index
Appendices
Reference Manual
242
■ DISTDELAY
One input, two output distortion and delay effects in series.
■ MULTI FILTER
Two input, two output 3-band multi-filter (24 dB/octave).
■ FREEZE
One input, two output basic sampler.
■ DISTORTION
One input, two output distortion effect.
Parameter Range Description
DST TYPE
DST1, DST2, OVD1,
OVD2, CRUNCH
Distortion type (DST = distortion, OVD = overdrive)
DRIVE 0–100 Distortion drive
MASTER 0–100 Master volume
TONE –10 to +10 Tone control
N. GATE 0–20 Noise reduction
SYNC OFF/ON Tempo parameter sync on/off
DLY.NOTE
*1
*1. (Maximum value depends on the tempo setting)
Used in conjunction with TEMPO to determine DELAY
MOD.NOTE
*2
*2.
Used in conjunction with TEMPO to determine FREQ.
DELAY 0.0–2725.0 ms Delay time
FB. GAIN –99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
HI. RATIO 0.1–1.0 High-frequency feedback ratio
FREQ. 0.05–40.00 Hz Modulation speed
DEPTH 0–100% Modulation depth
DLY.BAL 0–100%
Distortion and delay balance
(0% = all distortion, 100% = all delayed distortion)
Parameter Range Description
TYPE 1 LPF, HPF, BPF Filter 1 type: high pass, low pass, band pass
FREQ. 1 28.0 Hz–16.0 kHz Filter 1 frequency
LEVEL 1 0–100 Filter 1 level
RESO. 1 0–20 Filter 1 resonance
TYPE 2 LPF, HPF, BPF Filter 2 type: high pass, low pass, band pass
FREQ. 2 28.0 Hz–16.0 kHz Filter 2 frequency
LEVEL 2 0–100 Filter 2 level
RESO. 2 0–20 Filter 2 resonance
TYPE 3 LPF, HPF, BPF Filter 3 type: high pass, low pass, band pass
FREQ. 3 28.0 Hz–16.0 kHz Filter 3 frequency
LEVEL 3 0–100 Filter 3 level
RESO. 3 0–20 Filter 3 resonance
Parameter Range Description
REC MODE MANUAL, INPUT
In MANUAL mode, recording is started by pressing the REC and PLAY
buttons. In INPUT mode, Record-Ready mode is engaged by pressing the
REC button, and actual recording is triggered by the input signal.
REC DLY –1000 to +1000 ms
Recording delay. For plus values, recording starts after the trigger is
received. For minus values, recording starts before the trigger is received.
PLY MODE
MOMENT, CONTI.,
INPUT
In MOMENT mode, the sample plays only while the that the PLAY button is
pressed. In CONT mode, playback continues once the PLAY button has
been pressed. The number of times the sample plays is set using the LOOP
NUM parameter. In INPUT mode, playback is triggered by the input signal.
TRG LVL –60 to 0 dB
Input trigger level (i.e., the signal level required to trigger recording or
playback)
TRG MASK 0–1000 ms
Once playback has been triggered, subsequent triggers are ignored for the
duration of the TRG MASK time.
START
*1
*1. 0.0–5941.0 ms (fs=44.1 kHz), 0.0 ms–5458.3 ms (fs=48 kHz)
Playback start point in milliseconds
END
*1
Playback end point in milliseconds
LOOP
*1
Loop start point in milliseconds
LOOP
NUM
0–100 Number of times the sample plays
PITCH –12 to +12 semitones Playback pitch shift
FINE –50 to +50 cents Playback pitch shift fine
MIDI TRG OFF, C1–C6, ALL PLAY button can be triggered by using MIDI Note on/off messages.
START
[SAMPLE]
0–131000 Playback start point in samples
END
[SAMPLE]
0–131000 Playback end point in samples
LOOP
[SAMPLE]
0–131000 Loop start point in samples
Parameter Range Description
DST TYPE
DST1, DST2, OVD1,
OVD2, CRUNCH
Distortion type (DST = distortion, OVD = overdrive)
DRIVE 0–100 Distortion drive
MASTER 0–100 Master volume
TONE –10 to +10 Tone
N. GATE 0–20 Noise reduction