YAMAHA AUTHORIZED PRODUCT MANUAL Professional Multi-effect Processor
YAMAHA Professional Multi-effect Processor Operation Manual
INTRODUCTION Congratulations on your acquisition of a Yamaha SPX1000 Professional Multi-effect Processor.
TABLE OF CONTENTS PRECAUTIONS 1: CONTROLS AND CONNECTIONS THE FRONT PANEL THE CONNECTOR PANEL 3 3 5 2: THE SPX1000 SYSTEM MEMORY CONFIGURATION INPUT MODE AND DIGITAL I/O CONFIGURATIONS INPUT MODES DIGITAL l/O MODES 6 6 3: GENERAL OPERATION SELECTING AN EFFECT/MEMORY LOCATION BYPASSING THE EFFECT ACCESSING & EDITING THE PROGRAM PARAMETERS STORING EFFECTS EXTERNAL CONTROL ASSIGNMENT 4: THE PROGRAMS & PARAMETERS PARAMETERS PROVIDED FOR ALL PROGRAMS LEVEL PARAMETERS (Accessed via LEVEL key) EQ PARAMETERS (A
PRECAUTIONS 6. CLEAN WITH A SOFT DRY CLOTH 1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity – such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage. Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth. 7.
1: CONTROLS AND CONNECTIONS THE FRONT PANEL Power ON/OFF Switch Press to turn power ON, press again to turn power OFF. When the power is turned ON, the last program and parameter selected will be automatically recalled. Input Level Controls These concentric controls vary the input level of the analog inputs from approximately -90 dB to +l0 dB when the rear-panel input level switch is set to +4 dB, and between approximately -110 dB and -14 dB when the input level switch is set to -20 dB.
Program Select and Keys These keys are used to select any of the SPX1000’s memory locations. The key increments (increases) the memory location number while the key decrements (decreases) the memory location number. Holding either key down causes continuous scrolling in the specified direction. • Details on page 9 RECALL Key When a new memory location number has been selected using the program select and keys, the RECALL key must be pressed to activate the selected effect.
THE CONNECTOR PANEL L(MONO) & R INPUT Connectors and Level Switch These are the analog stereo inputs to the SPX1000. The input jacks are standard 1/4” monaural phono types. The level switch selects either -20 dB or +4 dB nominal input level. Please note that the operation of the INPUT jacks depends on the selected INPUT and DIGITAL I/O modes. Refer to “INPUT MODES” and DIGITAL I/O MODES” on page 6 for details.
2: THE SPX1000 SYSTEM MEMORY CONFIGURATION The SPX1000 has a total of 99 internal memory locations. Locations 1 through 40 are READ-ONLY MEMORY containing 40 preset effect programs. These locations cannot be written to or changed in any way. The preset effect programs contained in memory locations 1 through 40 are: 1. REV 1 HALL 2. REV 2 ROOM 3. REV 3 VOCAL 4. REV 4 PLATE 5. REVS ECHO ROOM 6. EARLY REF. 1 7. EARLY REF. 2 8. EARLY REF. 3 9. GATE REVERB 10. REVERSE GATE 11. DELAY L,C,R 12. STEREO ECHO 13.
2. Use the parameter select and keys to select the desired input mode. The name of the selected input mode should now be flashing on the LCD. 3. Press the STORE key to activate the selected input mode. The name of the selected mode will stop flashing and the corresponding INPUT MODE indicator LED will light (ST NORMAL, ST REVERSE, MONO L or MONO R). In this mode the SPX1000 receives input via the analog INPUT L and R jacks.
5. Press and hold the UTILITY key until its indicator goes out and the utility mode is exited. CAUTION! When the SPX1000 clock (CLK) mode is switched from internal (INT) to external (EXT), or vice-versa, a noise pulse may appear at the outputs. This also occurs if the SPX1000 is switched from digital to analog input while CLK is set to EXT (CLK is automatically reset to INT in this case).
3: GENERAL OPERATION SELECTING AN EFFECT/MEMORY LOCATION 1. Effects and memory locations can only be selected when the utility mode is not active (the UTILITY KEY indicator is not lit). If the UTILITY key indicator is lit, press and hold the UTILITY key until its indicator goes out and the utility mode is exited. 2. Press the program select or key to increment or decrement the memory location number shown on the LED display. Hold either of these keys down for continuous incrementing or decrementing.
3. Press the STORE key to store the edited effect in the selected memory location. The title of the effect stored will appear on the LCD (this may later be edited to create your own effect title using the UTILITY mode TITLE EDIT function described on page 31). The LED memory number display will stop flashing and the stored memory location will become the active effect. NOTE: You CANNOT store edited data to memory locations 1 through 40. If you attempt to do this the LCD will show “*** READ ONLY ***”.
6. Use the “MIN” and “MAX” parameters for the appropriate controller to set the control range. If the parameter to be controlled has a range of 0 to 100%, for example, setting the MIN parameter to 20 and the MAX parameter to 80 will allow the foot controller to vary the selected parameter from 20% to 80% of its total range. NOTE: Either or both controllers may be assigned. When both controllers are used, each can be assigned a different parameter within the selected effect program.
4: THE PROGRAMS & PARAMETERS PARAMETERS PROVIDED FOR ALL PROGRAMS LEVEL PARAMETERS (Accessed via LEVEL key) Effect/Direct Signal Balance (BALANCE): 0 – 100% This parameter adjusts the balance between the direct sound and effect signals. At 100% only the effect sound is delivered from the SPX1000 outputs, while at 0% only the direct sound is output. At a setting of 50%, the direct and effect sounds are output in approximately equal proportions. Low EQ Frequency (LOW FRQ): 32 Hz – 2.
Filter Type (FLT TYPE): LPF, HPF, BPF, PEQ Filter Shift Direction (SHIFT): UP, DOWN Determines the response of the dynamic filter: Determines which direction the dynamic filter will sweep in from the starting point. LPF = Low Pass Filter HPF = High Pass Filter BPF = Band Pass Filter PEQ = Parametric EQ Filter Sensitivity (SENSITIVITY): 1 – 10 Adjusts the sensitivity of the dynamic filter. Higher settings create a greater degree of sweep for the same change in input level (LEVEL control type).
a plate reverberator (REV 4 PLATE), and a special echo room (REV 5 ECHO ROOM) in which you have extensive control over the room’s dimensions and other parameters. PARAMETERS ACCESSED BY THE PARAM KEY (Except 5. REV5 ECHO ROOM) Reverb Time (REV TIME): 0.3 – 480 seconds (1 REV1 HALL, 3 REV3 VOCAL) 0.1 –480 seconds (2 REV2 ROOM, 4 REV4 PLATE) The length of time it takes for the level of reverberation at 1 kHz to decrease by 60 dB + virtually to silence.
Width fine: -100 – +100 Density (DENSITY): 0 – 4 This sets the value specified with WIDTH as the reference value (0) and is the parameter for fine adjustment. This parameter determines the density of the reverb reflections (i.e. the average amount of time between reflections). A setting of 1 produces minimum reverb density for a more spacious sound, while a setting of 4 produces the most dense, “tightest” reverberation.
EARLY REFLECTION PROGRAMS 6. EARLY REF. 1 7. EARLY REF. 2 8. EARLY REF. 3 9. GATE REVERB 10. REVERSE GATE These effects are created using different groupings of “early reflections” – the first cluster of reflections that occurs after the direct sound but before the dense reflections that are known as reverberation begin. PARAMETERS ACCESSED BY THE PARAM KEY Early Reflection Pattern Type (TYPE): EARLY REF. 1 & 2: S-HALL, L-HALL, RANDOM, REVERSE, PLATE, SPRING EARLY REF.
Density (DENSITY): EARLYREF.2: 1 – 3 EARLY REF. 3, GATE REVERB, REVERSE GATE: 0—3 Please note that the DENSITY parameter is not provided in the EARLY REF. 1 program. This parameter determines the density of the reverb reflections (i.e. the average amount of time between reflections). A setting of 0 or 1 produces minimum reverb density for a more spacious sound, while a setting of 3 produces the most dense, “tightest” reverberation.
After the initial delay produced by the INI DLY parameters, the time between subsequent repeats is determined by the left and right channel interval parameters. The stereo flange effects produce a pleasant "swirling" sound which can effectively thicken and add warmth to the sound of an instrument. The flanging effect is produced by varying the delay between two identical signals, thus producing a complex varying "comb filter" effect.
PARAMETERS ACCESSED BY THE INT PARAM KEY High-pass Filter Frequency (HPF FRQ): THRU, 32 Hz – 1.0 kHz Permits rolling off the low-frequency content of the reverb signal above the set frequency. The HPF is OFF when set to THRU. Low-pass Filter Frequency (LPF FRQ): 1 – 16 kHz, THRU Permits rolling off the high-frequency content of the reverb signal above the set frequency. The LPF is OFF when set to THRU. NOISE GATE 19.
PARAMETERS ACCESSED BY THE PARAM KEY 20. PITCH CHANGE 1 PITCH CHANGE 1 makes it possible to produce two independently pitch-shifted output notes in addition to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field.
Determines the time delay between input of the original note and output of the first, second or third pitch-shifted note. 1st Level (I LEVEL): 0 – 100% 2nd Level (2 LEVEL): 0 – 100% 3rd Level (3 LEVEL): 0 – 100% These parameters determine the levels of the first, second and third pitch-shifted notes. 39. STEREO PITCH The STEREO PITCH program produces a smooth pitch shift effect rather than an abrupt shift from note to note. The parameters affect both the left and right channels simultaneously.
Trigger Delay (TRG. DLY): -5800 – +1000 milliseconds This parameter sets a delay between triggering and actual initiation of the sampling process. If a negative value is specified, input signals are temporarily stored and the sound is sampled from the specified time before the trigger occurs. Overdub Ready (OVERDUB): RECORD (see above) is used to sample a new sound. OVERDUB is used to record a new sound over a previously recorded sound.
Playback Pitch (PITCH): -24 – +24 Determines the pitch of the playback sound in semitone increments. PITCH can be varied from two octaves below (-24) to two octaves above (+24) the original pitch of the sampled sound. 40. STEREO FREEZE STEREO FREEZE has the same parameters as the FREEZE 1 program, but has shorter TRG. DLY, START and END parameter ranges to allow independent sampling of left and right channel signals.
PARAMETERS ACCESSED BY THE PARAM KEY Trigger Mask (TRG. MSK): 3 – 24000 milliseconds This parameter makes it impossible to re-trigger the effect until the programmed time has elapsed. 25. PAN This is a very sophisticated pan program that allows creation of “rotary” pan in addition to straightforward pan effects. Attack Time (ATTACK): 3 – 24000 milliseconds Determines how rapidly the panning effect begins.
DISTORTION PROGRAM 27.DISTORTION The distortion program is capable of producing an extremely broad range of distortion sounds. In all cases the first parameter display allows turning each effect ON or OFF. Use the PARAM and SCROLL BACK keys to move the underline cursor to the desired effect, then use the parameter or key to turn the effect ON of OFF: PARAMETERS ACCESSED BY THE PARAM KEY Distortion (DISTORTION): 0 – 100% This parameter sets the “degree” of distortion produced.
Chorus Frequency (CH. FRG): 0.05 – 40 Hz Chorus Delay Modulation Depth (DM DEPTH): 0% – 100% This sets the amount by which the delay time of one delay signal is varied in relation to the other, and thus the depth of the CHORUS effect. Chorus Amplitude Modulation Depth (AM DEPTH): 0% – 100% Sets the amount by which the amplitude (level) of the input signal is varied. Reverb Time (RV. RT): Refer to REV 1 HALL on page 14. High Frequency Reverb Time Ratio (RV. HIGH): Refer to REV 1 HALL on page 14.
PARAMETERS ACCESSED BY THE INT PARAM KEY PARAMETERS ACCESSED BY THE INT PARAM KEY Stereo or Mono x 2 Output (OUT MODE): ST, MONO x2 Stereo or Mono x 2 Output (OUT MODE): ST, MONO x 2 When set to ST (stereo), the output of the left and rightchannel processors are mixed and the output signal is delivered in stereo. When MONO x 2 is selected the left and right-channel processors are completely independent.
PARAMETERS ACCESSED BY THE INT PARAM KEY Stereo or Mono x 2 Output (OUT MODE): ST, MONO x 2 When set to ST (stereo), the outputs of the left and rightchannel processors are mixed and the output signal is delivered in stereo. When MONO x 2 is selected the left and right-channel processors are completely independent. right-channel processors are completely independent.
PARAMETERS ACCESSED BY THE INT PARAM KEY NOT AVAILABLE Expansion Threshold (EXPAND THRS): -72 – -30 dB Expansion Ratio (RATIO): 1–5 These parameters can be used to cut out low-level noise. Expansion is applied to signal levels below the set expander threshold. COMPRESSOR & EXPANDER PROGRAMS 36. COMPRESSOR This extremely versatile compressor program allows creation of a wide range of compression and limiting effects.
37. LO LVL EXPANDER The EXPANDER program allows efficient suppression of low-level noise, contributing to a cleaner-sounding overall signal. This i a stereo expander in which the highest signal level – left- or right-channel - is used for gain control. NOTE: The EXPANDER program has no internal parameters. STEREO PROGRAMS 39. STEREO PITCH Described under “PITCH CHANGE PROGRAMS” on page 21. 40. STEREO FREEZE Described under “FREEZE PROGRAMS” on page 23.
5: UTILITY FUNCTIONS The SPX1000 UTILITY key provides access to a number of important functions. Each press on the UTILITY key advances to the next function until the UTILITY mode is exited: TITLE EDIT INPUT MODE A/D I/O MODE DIGITAL IN ATT. USER ER EDIT MEMORY PROTECT MIDI CONTROL MIDI PGM CHANGE MIDI CTRL ASSIGN BULK OUT 1 BULK OUT 2 F.SW MEMORY RCL exit UTILITY mode. It is also possible to scroll forward or backward through the utility functions by using the program select and keys.
MEMORY PROTECT The MEMORY PROTECT function must be OFF prior to performing a STORE operation. If you attempt to execute a STORE while MEMORY PROTECT is ON, the “PROTECTED” display will appear and the STORE operation will be aborted. 1. Press the UTILITY key a few times until the MEMORY PROTECT function appears. 2. MEMORY PROTECT can be turned ON by pressing the parameter key and off by pressing the parameter key. Bank Selection and MIDI Channel Programming 1.
OFF 0 1 MOD WH 2 BREATH 3 4 FOOT C 5 PORT T 6 DATA E 7 VOLUME 8—63 64 SUST SW 65 PORT SW 66 SUST P 67 SOFT P 68 — 9 5 96—120 MIDI CTRL ASSIGN This function makes it possible to use MIDI control change message to control the parameters assigned to the EXT CTRL/ FOOT VOL 1 and 2 controllers (see “EXTERNAL CONTROL ASSIGNMENT” on page 10 ). 1. Use the UTILITY key to call the MIDI CTRL ASSIGN function. 2. The underline cursor should be under the ASS (Assign) parameter.
F.SW MEMORY RCL RANGE 50 TO 60 * A bulk dump will only be received by the SPX1000 if its MEMORY PROTECT function is OFF and the MIDI channel is the same as that of the transmitting equipment. Since bulk data from a second SPX1000, for example, is loaded into the memory location(s) that it was transmitted from, make sure that those locations do not cantain important data that will be overwritten.
6: DATA & SPECIFICATIONS ROM CONTENTS AND CONTROLLABLE PARAMETERS Add-1
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MIDI DATA FORMAT 1.Transmitting Conditions 2.Transmitting Data 2 . 1 System information 1 ) System Exclusive Messages MEMORY BULK DATA MIDI DATA FORMAT Transmission is enabled on the MIDI channel of the currently selected bank. Data is transmitted when BULK OUT 1 is displayed and BULK OUT is executed, and when the MEMORY BULK DUMP REQUEST message is received. The data to be transmitted is the program of the memory number indicated.
Bank Program Change Chart Bulk Data Transmission is enabled on the MIDI channel of the currently selected bank. Data is transmitted when BULK OUT 1 is displayed and BULK OUT is executed, and when the PROGRAM CHANGE CHART BULK DUMP REQUEST message is received. The data to be transmitted is the program change chart (the chart showing the correspondence between program numbers and memory numbers). If the bank number is " * " , the data from banks 1 - 4 (A - D ) is transmitted in succession. STATUS ID No.
User ER Pattern Bulk Data Transmission is enabled on the MIDI channel of the currently selected bank. Data is transmitted when BULK OUT 2 is displayed and BULK OUT is executed, and when the USER ER PATTERN BULK DUMP REQUEST message is received. The data to be transmitted is that of the indicated pattern number. If the pattern number is " * " , patterns 1 - 4 ( A - D ) are transmitted in succession. 11110000(F0H) 01000011(43H) 0000nnnn(0nH) n=0 (Channel No. 1)~15 (Channel N o .
System Setup Bulk Data Transmission is enabled on the MIDI channel of the currently selected bank. Data is transmitted when BULK OUT 2 is displayed and BULK OUT is executed, and when the SYSTEM SETUP DATA DUMP REQUEST message is received. STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT BYTE COUNT 11110000(F0H) 01000011(43H) 0000nnnn(0nH) n=0(Channel NO.1)~15(Channel N o .
STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT BYTE COUNT DATA NAME MEMORY No. DATA 11110000(F0H) 01000011(43H) 0000nnnn(0nH) 01111110(7EH) 00000010(02H) 00001010(0AH) 01001100(4CH)"L" 01001101(4DH)"M" 00100000(20H)SPACE 00100000(20H)SPACE 00111000(38H)"8" 00110011(33H)"3" 00110111(37H)"7" 00111000(38H)"8" 01001101(4DH)"M" 0mmmmmmm n=0(Channel No.1)~15(Channel N o . 1 6 ) M=41(Memory N o . 4 1 ) ~ 9 9 ( M e m o r y N o .
DATA Oddddddd CHECK SUM EOX Oddddddd Oeeeeeee 11110111(F7H) STATUS 11110000(FOH) EOX 11110111(F7H) STATUS 11110000(FOH) EOX 11110111(F7H) STATUS 11110000(FOH) EOX 11110111(F7H) 128BYTE BANK B BANK C BANK D 11110000(FOH) 0100001l(43H) OOOOnnnn(OnH) n=0(Channel No.1)~15(Channel N o .
STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT BYTE COUNT 11110000 01000011 0000nnnn 01111110 00000000 00011100 01001100 01001101 00100000 00100000 00111000 00110011 00110111 00111000 DATA NAME 01010011 00100000 SOFT VERSION No. Ovvvvvvv SOFT VERSION No. orrrrrrr 0ddddddd (F0H) (43H) (0nH) n=0(Channel No.1)~15(Channel N o .
3.Receiving Conditions MIDI T R G . ( B A S E KEY) 4 . Reception Data 4-1. Channel information 1 ) Channel voice messages Note On Reception is enabled on the MIDI channel of the currently selected bank. For programs of Memory Nos. 1 - 5 , 1 9 , and 2 6 , if the parameter of MIDI TRG. is ON, this is received as a trigger. For programs of Memory Nos. 20 - 24, 3 9 , and 40, this is received as a message to control pitch variation. The velocity value is ignored.
STATUS NOTE No. VELOCITY 1001nnnn ( 9 n H ) 0kkkkkkk ovvvvvvv n=0(Channel No.1)~15(Channel N o . 1 6 ) k=0(C-2)~127 ( G 8 ) v=0~127 Note Off This message is used when playback of the Memory No. 24 FREEZE 2 is finished. The velocity value is ignored. The reception conditions are the same as in Note On. STATUS NOTE No. VELOCITY l000nnnn (8nH) 0kkkkkkk ovvvvvvv n=0(Channel No.1)~15(Channel N o .
STATUS PROGRAM No. 1100nnnn (CnH) 0ppppppp n=0(CHANNEL NO.1)~15(CHANNEL N 0 . 1 6 ) p=0~127 4-2. System Information 1 ) System exclusive messages Memory Bulk Dump Request Reception is enabled on the MIDI channel of the currently selected bank. When this message is received, BULK OUT is executed for the program of the indicated memory number. STATUS ID No. SUB STATUS FORMAT N o . DATA NAME MEMORY No.
STATUS ID No. SUB STATUS FORMAT No. DATA NAME BANK No. EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 00110011 00110111 00111000 01010100 Ozzzzzzz 11110111 (F0H) (43H) (2nH) n=0(Channel No.1)~15(Channel N o . 1 6 ) (7EH) (4CH)"L" (4DH)"M" (20H)SPACE (20H)SPACE (38H)"8" (33H)"3" (37H)"7" (38H)"8" (54H)"T" Z=BANK1~4(1=A,2=B,3=C,4=D) (F7H) User ER Pattern Bulk Dump Request Reception is enabled on the MIDI channel of the currently selected bank.
STATUS ID No. SUB STATUS FORMAT No. DATA NAME EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 00110011 00110111 00111000 01010011 00100000 11110111 (F0H) (43H) (2nH) n=0(Channel No.1)~15(Channel N o . 1 6 ) (7EH) (4CH)"L" (4DH)"M" (20H)SPACE (20H)SPACE (38H)"8" (33H)"3" (37H)"7" (38H)"8" (53H)"S" (20H) (F7H) Bank Change Request Reception is enabled on the MIDI channel of the currently selected bank. When this message is received, the desired bank can be switched to.
Bank Program Change Chart Bulk Data Same as "Bank Program Change Chart Bulk Data" for transmission. User ER Pattern Bulk Data Same as "User ER Pattern Bulk Data" for transmission. System Setup Bulk Data Same as "System Setup Bulk Data" for transmission. When receiving from the MIDI Data Filer MDF1, a computer, or other sources, the time interval between data exchanges (F7 ~ F0) with the other unit must be set to 30msec or longer.
YAMAHA [ Professional Multi-Effect Processor ] Date : 8/5, 1988 Model SPX1000 MIDI Implementation Chart Version : 1 . 0 Recognized Transmitted Remarks Function . . .
BLOCK DIAGRAM Add-29
DIMENSIONS Add-30
SPECIFICATIONS ELECTRICAL CHARACTERRISTICS FREQ. RESPONSE DYNAMIC RANGE DISTORTION 20Hz ~ 20kHz 90dB (TYPICAL) 0.03% (@1kHz) INPUT NUMBER OF CHANNEL NOMINAL LEVEL IMPEDANCE LEVEL CONTROL UNBALANCED x 2(PHONE JACK) +4/-20dBm SWITCHABLE 50k (STEREO-IN), 25k (MONO) ROTARY CONTINUOUS A/D CONVERSION NUMBER OF CHANNELS SAMPLING FREQ. QUANTIZATION 2 (AD CONVERTER x 1 ) 44.1kHz (EXCEPT D-IN) 16bits D/A CONVERSION NUMBER OF CHANNELS SAMPLING FREQ. QUANTIZATION 2 44.
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DIO Mode Analog Pre Post Digital Add-34
Input Mode Stereo Normal Stereo Reverse Mono L Mono R Add-35
Effect Mode Single No.1~27 Multi No.28~30 2ch ln No.31~35 Stereo No.
USER PROGRAMMING TABLE Date: Programmer: Memory No. Program Title Memory No. Program Title Memory No. 1 REV 1 HALL 34 CHORUS + REV 67 2 REV 2 ROOM 35 PAN + PAN 68 3 REV3 VOCAL 36 COMPRESSOR 69 4 REV 4 PLATE 37 LO LVL EXPANDER 70 5 REV 5 ECHO ROOM 38 EXCITER 71 6 EARLY REF. 1 39 STEREO PITCH 72 7 EARLY REF. 2 40 STEREO FREEZE 73 8 EARLY REF.
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MIDI PROGRAM CHANGE NUMBER VS MEMORY (PROGRAM) NUMBER BANK: Date: ch= Programmer: PGM 1 MEM PGM 44 MEM PGM 87 MEM PGM 2 MEM PGM 45 MEM PGM 88 MEM PGM 3 MEM PGM 46 MEM PGM 89 MEM PGM 4 MEM PGM 47 MEM PGM 90 MEM PGM 5 MEM PGM 48 MEM PGM 91 MEM PGM 6 MEM PGM 49 MEM PGM 92 MEM PGM 7 MEM PGM 50 MEM PGM 93 MEM PGM 8 MEM PGM 51 MEM PGM 94 MEM 52 MEM PGM 95 MEM PGM 9 MEM PGM PGM 10 MEM PGM 53 MEM PGM 96 MEM PGM 11 MEM P
YAMAHA 88 12 0.75 CR Printed in Japan YAMAHA CORPORATION P.O.
YAMAHA Yamaha Corporation of America 6600 Orangethorpe Avenue, P.O.
