CONTENTS VOICE COMMON...................................................3 NAME................................................................5 CONFIGURATION.............................................5 EFFECT (Type & Depth)....................................5 PITCH BEND.....................................................6 WHEEL (Amplitude & Pitch Modulation)...........6 AFTER TOUCH (Amplitude & Pitch Modulation, Pitch & Level Control).......7 ENVELOPE (Attack & Release Rates).................
About This Manual The SY35 Feature Reference manual individually describes the SY35 functions in detail, providing a summary, operating procedure, and additional details for each function. It is divided into eight main sections, each describing the various functions within a particular SY35 edit or utility mode. 1. 2. 3. 4. 5. 6. 7. 8.
VOICE COMMON Feature Reference Manual 1
VOICE COMMON 2
VOICE COMMON VOICE COMMON The VOICE COMMON mode provides access to a range of parameters that affect the selected voice as a whole. Detailed programming of individual elements is provided by the ELEMENT TONE and ELEMENT ENVELOPE edit modes. NAME............................................................................................................................ CONFIGURATION.........................................................................................................
VOICE COMMON NAME VC>VOICE NAME I23 Initial Summary: Assigns a name of up to 8 characters to the current voice. Settings: The following characters are available for use in voice names: (Space) !"#¢%&'()*+,-./0123456789:;<=>?Å ABCDEFGHIJKLMNOPQRSTUVWXYZ[Á]^_« abcdefghijklmnopqrstuvwxyz“|‘Ÿ˚ Procedure: Use the [4] and [6] cursor keys to place the underline cursor under the character to be changed. Use the [–1/NO] and [+1/YES] keys to select the desired character.
VOICE COMMON Settings: Effect type: Rev Hall Rev Room Rev Plate Rev Club Rev Metal Delay 1 Delay 2 Delay 3 Doubler Ping-Pong Pan Ref Early Ref Gate Rev Dly&Rev 1 Dly&Rev 2 Dist&Rev Depth: 0 … 7 (Reverb Hall) (Reverb Room) (Reverb Plate) (Reverb Club) (Reverb Metal) (Short Single Delay) (Long Delay) (Long Delay) (Doubler) (Ping Pong Delay) (Panned Reflections) (Early Reflections) (Gated Reverb) (Delay & Reverb 1) (Delay & Reverb 2) (Distortion & Reverb) Procedure: Use the [4] and [6] cursor keys to place
VOICE COMMON AFTER TOUCH (Amplitude & Pitch Modulation, Pitch & Level Control) VC>AFTER TOUCH AM=on PM=on -> When after touch is assigned to amplitude or pitch modulation, LFO modulation can only be applied via after touch. The Pit parameter allows keyboard after touch to be used for note bending. The greater the key pressure the greater the amount of pitch bend. Positive values produce an upward bend when key pressure is applied, and minus values produce a downward bend.
VOICE COMMON Please note that the AR parameter will have no effect on elements in which the INITIAL LEVEL parameter (page 28) is set to 99. Faster attack. AR * This range may be more limited in some cases. An exclamation mark (!) will appear after the range value when the limit is reached. Slower attack. Key OFF 0 –99 LEVEL +99 Envelope TIME Key ON +99 Faster release.
VOICE VECTOR VOICE VECTOR The VOICE VECTOR edit mode allows recording and fine editing of dynamic level and detune vectors. LEVEL SPEED (Vector Rate)......................................................................................... LEVEL RECORD............................................................................................................ LEVEL EDIT (Step, X-axis, Y-axis & Time).................................................................. DETUNE SPEED (Vector Rate).................
VOICE VECTOR LEVEL SPEED (Vector Rate) VV>LEVEL SPEED Vector Rate 30ms Summary: Sets the time between level vector steps. Settings: 10 … 160 milliseconds (in 10-millisecond steps) Procedure: Use the [ 6] key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to select the desired vector rate. Details: Each dynamic vector is composed of up to 50 “steps” corresponding to points along the path followed by the vector control. This function sets the initial time between each step.
VOICE VECTOR Details: Step 1 is the first step recorded and step 50 is the last. Experience will give you a feel for relating specific points in a dynamic vector to the corresponding steps. X-axis & Y-axis l Time l VV L.ED A B C D 1 X 0 Y 0 End Summary: Multiplies the vector rate setting of the current level vector step only. Also allows vectors to be looped or ended at the current step. VV L.
VOICE VECTOR DETUNE SPEED (Vector rate) VV>DETUNE SPEED Vector Rate 30ms Summary: Sets the time between detune vector steps. Details: Each automatic vector sweep is composed of up to 50 “steps,” corresponding to equallyspaced points along the path followed by the vector control. This function sets the initial time between each step. Settings: 10 … 160 milliseconds Procedure: Use the [ 6] key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to select the desired vector rate.
VOICE VECTOR X-axis & Y-axis l Time l VV D.ED A B C D 1 X 0 Y 0 End VV D.ED A B C D 1 X 0 Y 0 End Summary: These parameters define the position of the currently selected step on the X and Y axes of the detune vector control range. Summary: Multiplies the vector rate setting of the current detune vector step only. Also allows vectors to be looped or ended at the current step. Settings: –31 … 0 … +31 Procedure: Use the [4] and [6] cursor keys to place the underline cursor under the X or Y parameter.
ELEMENT TONE ELEMENT TONE The ELEMENT TONE edit mode allows editing many of the most important sound-determining parameters of each individual element — A and B in a 2-element voice; A, B, C and D in a 4-element voice. WAVE TYPE................................................................................................................. ELEMENT COPY.......................................................................................................... FREQUENCY SHIFT..................................
ELEMENT TONE Selecting the ELEMENT TONE Edit Mode From the VOICE or MULTI mode: ON, if a dash appears in place of the element character, that element is OFF. The ability to turn elements on or off while editing makes it easier to hear the effect of parameter changes on a single element. The currently selected element is also shown on the LCD as a reversed (white on black) character. In this example elements A, B and D are ON, while element C is OFF. Element A is currently selected for editing.
ELEMENT TONE WAVE TYPE ET>WAVE 000 !BCD Piano:Piano parameter on the lower display line to directly select the different wave categories, or under the right parameter to select individual waves. Use the [–1/NO] and [+1/YES] keys to select the desired wave (refer to the wave list, below). Summary: Assigns a preset wave to the selected element. Details: The number of waves available depends on whether the currently selected element is an AWM element (A or C) or an FM element (B or D).
ELEMENT TONE FM WAVEFORM LIST Category Piano No. Name 0 1 2 3 4 5 E.Piano1 E.Piano2 E.Piano3 E.Piano4 E.Piano5 E.Piano6 Organ 6 7 8 9 10 11 12 13 E.Organ1 E.Organ2 E.Organ3 E.Organ4 E.Organ5 E.Organ6 E.Organ7 E.
ELEMENT TONE ELEMENT COPY ET>COPYfrom ABCD any Voice? -> Summary: Copies all element parameters from an element of the same type (AWM or FM) in another voice to the current element of the current voice. Settings: Source: I, C, P Bank: 1 … 8 Number: 1 … 8 Element: A/C or B/D Procedure: Use the [4] and [6] cursor keys to move the cursor to the source, bank, or number of the source voice (the voice from which the element parameters are to be copied) to the left of the lower display line.
ELEMENT TONE VOLUME ET>VOLUME Level= 0 ABCD Details: A setting of “0” produces no sound while a setting of “99” produces maximum volume. The ability to independently adjust the volume of each element makes it simple to set up the optimum balance or “mix” between elements. Summary: Adjusts the volume of the selected element. Settings: 0 ... 99 Procedure: Use the [ 6] key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to select the desired volume level.
ELEMENT TONE +2 Broader change between medium and hard velocity. +3 Smooth change all the way from soft to hard velocity. +4 Large change over small velocity range. +5 Sudden change from no sound to maximum level at about medium velocity. “ – ” Settings have the same effect, but the sound level decreases rather than increasing with increased key velocity. A graphic display to the right of the sensitivity value provides a visual indication as to the type of change produced by each setting.
ELEMENT TONE LFO (Low Frequency Oscillator) AM Depth, PM Depth, Type, Delay, Rate & Speed Details: A “ 0 ” setting produces no modulation while a setting of “ 3 1 ” produces maximum modulation. Pitch modulation produces a periodic pitch variation, thereby creating a vibrato effect. Please note that the PM parameter of the WHEEL and/or AFTER TOUCH function in the VOICE COMMON edit mode must be set to “on” before pitch modulation can be applied manually.
ELEMENT TONE Procedure: Use the [4] and [6] cursor keys to select the Rate parameter. Use the [–1/NO] and [+1/YES] keys to set the desired LFO fade-in rate. Dly (Delay) l ET LFO ABCD ˚Dly= 0 Rate= 0-> Summary: Sets the delay time between the beginning of a note and the beginning of LFO operation for the selected element when the WHEEL and AFTER TOUCH parameters in the VOICE COMMON edit mode are both turned off. Settings: 0 ... 99 Procedure: Use the [4] and [6] cursor keys to select the Dly parameter.
ELEMENT TONE 24
ELEMENT ENVELOPE ELEMENT ENVELOPE The ELEMENT ENVELOPE edit mode allows detailed programming of the amplitude envelopes for each element in the selected voice. TYPE............................................................................................................................. ENVELOPE COPY......................................................................................................... DELAY (Delay Rate & ON/OFF)..........................................................................
ELEMENT ENVELOPE Selecting the ELEMENT ENVELOPE Edit Mode From the VOICE or MULTI mode: ON, if a dash appears in place of the element character, that element is OFF. The ability to turn elements on or off while editing makes it easier to hear the effect of parameter changes on a single element. The currently selected element is also shown on the LCD as a reversed (white on black) character. In this example elements A, B and D are ON, while element C is OFF. Element A is currently selected for editing.
ELEMENT ENVELOPE TYPE PLUCK ÅBCD Summary: Selects a user or preset amplitude envelope for the selected element. LEVEL EE>TYPE USER Settings: PRESET, PIANO, GUITAR, PLUCK, BRASS, STRINGS, ORGAN, USER TIME TIME STRINGS LEVEL Details: When “PRESET” is selected, the original envelope of the wave selected for the current element is used. For example, if the current uses a guitar wave corresponding guitar envelope will be selected.
ELEMENT ENVELOPE ENVELOPE COPY EE>COPYfrom ÅBCD any Element? -> Summary: Copies envelope parameters from a selected element to the current element. Settings: Element: A, B, C, D Procedure: Use the [4] and [6] cursor keys to move the cursor to the “ f r o m ” element parameter. Use the [–1/NO] and [+1/YES] keys to select the element from which the envelope data is to be copied. Press the [6] cursor key one more time and the “Are you sure?” display will appear.
ELEMENT ENVELOPE ATTACK (Level & Rate) EE>ATTACK ÅBCD AL= 0 AR= 0 Summary: Sets the rate and peak level of the attack of the amplitude envelope for the current element. Settings: AL (Attack Level): 0 … 99 AR (Attack Rate): 0 … 99 Procedure: Use the [4] and [6] cursor keys to move the cursor to the “AL” or “ A R ” parameter. Use the [–1/NO] and [+1/YES] keys to set the selected level or rate parameter. Details: Refer to the INITIAL LEVEL function for a complete envelope diagram.
ELEMENT ENVELOPE 32
MULTI MULTI The MULTI edit mode allows 8 different voices to be assigned to different MIDI channels. The assigned voices can then be individually controlled over the appropriate channels from an external MIDI sequence recorder or other controller. If a number of these channel/voice “parts” are assigned to the MIDI transmit channel of the SY35, they can all be played simultaneously from the SY35 keyboard. Individual characteristics of each voice, such as volume and detune, can also be programmed. NAME.....
MULTI NAME MU>NAME P11 Initial Summary: Assigns a name of up to 8 characters to the current multi-play setup. Settings: The following characters are available for use in multi-play names: (Space) !"#¢%&'()*+,-./0123456789:;<=>?Å ABCDEFGHIJKLMNOPQRSTUVWXYZ[Á]^_« abcdefghijklmnopqrstuvwxyz“|‘Ÿ˚ Procedure: Use the [4] and [6] cursor keys to place the underline cursor under the character to be changed. Use the [–1/NO] and [+1/YES] keys to select the desired character.
MULTI Settings: Source: I, C, P Bank: 1 … 8 Number: 1 … 8 Procedure: Press the [NUMBER/MULTI PART SELECT] key corresponding to the desired multi-play part. Use the [4] and [6] cursor keys to move the cursor to the source, bank, or number parameter. Use the [–1/NO] and [+1/YES] keys to set the selected parameter as necessary. Details: In this display the source, bank and number parameters are shown in the standard SY35 voice number format.
MULTI DETUNE MU>DETUNE 0cent Summary: Allows slight upward or downward pitch adjustment of the selected multi-play part. Settings: –50 ... 0 … +50 Procedure: Press the [NUMBER/MULTI PART SELECT] key corresponding to the desired multi-play part. Use the [6] cursor key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to select the desired amount of detuning.
MULTI Settings: –24 ... 0 … +24. Procedure: Press the [NUMBER/MULTI PART SELECT] key corresponding to the desired multi-play part. Use the [6] cursor key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to select the desired degree of note shift. Details: A setting of “–12,” for example, shifts the pitch of the selected voice down by one octave; a setting of “+4” shifts the pitch up by a major third. The maximum range is plus or minus two octaves.
UTILITY SETUP UTILITY SETUP The UTILITY SETUP mode provides access to a range of basic utility functions that are essential for general operation of the SY35. MASTER TUNE............................................................................................................. TRANSPOSE.................................................................................................................. MEMORY CARD (Save, Load, Format, & Bank)............................................................
UTILITY SETUP MASTER TUNE SU>MASTER TUNE 0cent Summary: Tunes the overall pitch of the SY35 over approximately a 100-cent range. Settings: –50 ... 0 … +50 Details: Tuning occurs in 3 or 4-cent steps. Since 100 cents equals one semitone, the overall tuning range is approximately one semitone — i.e. plus or minus a quarter tone. Plus settings tune upward from normal pitch, and minus settings tune downward. A setting of “0” produces normal pitch.
UTILITY SETUP Exercise caution when saving data to a memory card — the previous card data will be erased and completely replaced by the saved data. l Load Summary: Formats MCD64 or MCD32 Memory Cards so that they can be used by the SY35 to save and load voice and multi-play data. Settings: FORMAT Procedure: Use the [ 6] key to move the cursor to the lower display line, then use the [–1/NO] and [+1/YES] keys to select “FORMAT.” Now press the [ 6] key again and the “FORMAT ? ” display will appear.
UTILITY SETUP VOICE INITIALIZE SU>INIT. VOICE “Are you sure?” will appear on the lower line of the display. Press the [+1/YES] to initialize or [–1/NO] to cancel the initialize operation. “>>Completed!!<<” will appear briefly when the initialization is finished. Summary: Initializes all parameters of the current voice. Settings: None. Procedure: Select the UTILITY SETUP mode from the VOICE play mode. Then, after selecting the “INIT. VOICE” display, press the [ 6] key.
UTILITY SETUP ELEMENT ENV TYPE DELAY Rate DELAY ELE. INITIAL Level ATTACK AL ATTACK AR DECAY1 D1L DECAY1 D1R DECAY2 D2L DECAY2 D2R RELEASE Rate SCALING Lev Type Rate Type A B C D PRESET 99 off 67 99 99 99 0 0 26 60 2 3 PRESET 99 off 0 92 99 92 0 92 0 76 1 1 PRESET 99 off 90 97 64 95 32 95 0 52 4 2 PRESET 99 off 0 92 99 92 0 92 0 76 1 1 The voice initialize function is useful if you want to begin programming a voice “from scratch.” MULTI INITIALIZE SU>INIT.
UTILITY SETUP MEMORY PROTECT (Internal & Card) SU>MEM.PROTECT INT=on CARD=on Summary: Turns internal protection on or off. or card memory Settings: INT: on, off CARD: on, off Details: When INT memory protection is “on,” the internal memory is protected and voice store operations to the internal memory cannot be carried out. The same applies to card memory: when protection is “ o n ” memory card save operations will be blocked even if the memory card WRITE PROTECT switch is turned OFF.
UTILITY SETUP 46
UTILITY RECALL UTILITY RECALL The UTILITY RECALL mode accesses the VOICE or MULTI recall function, depending on whether the VOICE or MULTI play mode is selected when the RECALL function is called. RECALL makes it possible to recover a voice or multi-play setup that has been “lost” through failure to store the voice or multi-play setup prior to selecting a different voice or multi-play setup. Voice Recall (Voice or Multi)......................................................................................
UTILITY RECALL VOICE RECALL (Voice or Multi) RC RECALL VOICE Are you sure? Summary: Recalls the last voice or multi-play setup edited from the SY35 edit buffer memory. Details: Even if you’ve exited the edit mode and called a different voice or multi-play setup, this function will recall the last voice or multi-play setup edited with all parameters as they were at the time the edit mode was exited.
UTILITY RECALL 50
UTILITY MIDI UTILITY MIDI The UTILITY MIDI mode provides access to all of the SY35’s MIDI control functions. MIDI ON/OFF................................................................................................................ BASIC RECEIVE CHANNEL.......................................................................................... TRANSMIT CHANNEL................................................................................................. LOCAL CONTROL ON/OFF...............................
UTILITY MIDI MIDI ON/OFF MD>MIDI midi=on Summary: Turns all MIDI control functions on or off. Details: MIDI control can be turned “ o f f ” to prevent unwanted interference from external MIDI devices connected to the SY35, and/or to prevent the SY35 from affecting operation of the external equipment. Settings: on, off Procedure: Use the [6] cursor key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to turn MIDI control on or off. BASIC RECEIVE CHANNEL MD>BASIC Rcv.
UTILITY MIDI LOCAL CONTROL ON/OFF MD>LOCAL Local=on Summary: Determines whether the SY35 keyboard controls the internal tone generator system or not. Settings: on, off. Procedure: Use the [6] cursor key to move the cursor to the lower display line. Use the [–1/NO] and [+1/YES] keys to turn local control on or off. Details: Normally, local control will be turned “on” so that the SY35 keyboard plays its own internal tone generator system.
UTILITY MIDI Procedure: Use the [ 6] cursor key to move the cursor to the lower display line. The [–1/NO] and [+1/YES] keys are used to turn control change reception/transmission on or off. Details: The “ o f f ” setting turns MIDI control change reception and transmission off so that control change messages corresponding to modulation, volume and other functions will be ignored by the SY35 when received, and the SY35 will not transmit any control change messages.
UTILITY MIDI Details: MIDI system exclusive data is transmitted by the SY35 when one of the voice transmit functions described below is used. The same type of data will also be automatically loaded into the SY35 memory when received from a second SY35 or other MIDI device, thus erasing previous data. This function can be turned “ o f f ” to prevent accidental erasure of the internal memory, or the memory of external equipment, do to mistaken data reception or transmission.
APPENDIX APPENDIX 57
APPENDIX 58
APPENDIX VOICE LIST Pr eset Voice List No. Voice Name Wave Effect Ct Comment 11 AP:Rock (Rock) 000 Piano 071 Vibes 2 Dly&Rev2 MW Basic rock piano 12 AP:Clsic (Classic) 000 Piano 002 E.Piano3 Rev Hall MW Standard classical piano 13 AP Chors (Chorus) 000 Piano∞2 005 E.Piano6∞2 Rev Hall 14 AP:HTonk (HonkyTonk) 000 Piano 057 Bass 4 Dly&Rev2 MW Gin joint honky-tonk piano 15 AP:Soft (Soft) 000 Piano 002 E.Piano3 Dly&Rev2 MW Mild piano, tone changes with velocity.
APPENDIX No. Voice Name Wave Effect Ct Comment 38 BR Fanfr (Fanfare) 011 Trombone∞2 017 Brass 4 016 Brass 3 Rev Hall 41 ST Arco1 (Arco1) 038 Strings∞2 155 Saw 1∞2 Rev Hall Full orchestral strings 42 ST:Arco2 (Arco2) 039 Vn.Ens. 063 Str 1 Rev Room Chamber strings 43 ST:Cello (Cello) 040 Cello 065 Str 3 Rev Room MW AT A cello, good played stacatto or with aftertouch. 44 ST SlwAt (SlowAtack) 038 Strings 039 Vn.
APPENDIX No. Voice Name Wave Effect Ct Comment 71 PL:Gypsy (Gypsy) 020 Gut 179 Wave3-2 Rev Hall MW Nylon guitar 72 PL:Folk (Folk) 021 Steel 044 Clavi 3 Rev Hall MW Steel-string folk guitar 73 PL Wide (Wide) 021 Steel∞2 048 Guitar 3∞2 Rev Room 74 PL Mute (Mute) 026 Pluck 1 052 Guitar 7 75 PL:Rock (Rock) 026 Pluck 1 048 Guitar 3 76 PL Dist (Distortion) 022 E.Gtr 1 157 Square 77 PL:Chrng (Charango) 78 Dly&Rev2 MW Muted guitar, tone changes with velocity.
APPENDIX In ter n a l Voice List No. Voice Name Wave Effect Ct Comment 11 SP Warm (Warm) 055 SynPad∞2 111 Sus. 14∞2 Rev Hall 12 SP Resnc (Resonance) 102 Saw 1 081 Tp.Body 061 Bass 8∞2 Rev Room 13 SP Full! (Full) 042 Syn Str∞2 063 Str 1∞2 Rev Hall 14 SP Bell (Bell) 059 Bell Mix 055 SynPad 104 Sus.
APPENDIX No. Voice Name Wave Effect Ct Comment 42 OR:Paris (Paris) 008 Bandneon 094 Lead 4 Rev Room 43 OR Rock1 (Rock1) 006 E.Organ1 007 E.Organ2 006 E.Organ1 007 E.Organ2 Pan Ref MW AT Heavy rock organ 44 OR Rock2 (Rock2) 006 E.Organ1∞2 008 E.Organ3 006 E.Organ1 Rev Room MW AT Slightly brighter rock organ 45 OR Rock3 (Rock3) 007 E.Organ2∞2 153 Sin2 2/3∞2 Rev Room MW Rock organ with sampled rotary speaker sound 46 OR Cat (Cat) 090 EP wv 153 Sin2 2/3 47 OR Big (Big) 005 P.
APPENDIX No. Voice Name Wave Effect Ct 73 ME SlwSg (SlowSong) 046 Vibes 073 Vibes 4 74 ME Grand (Grand) 048 Bells 122 SEQ 4 121 Move 4 122 Move 5 Rev Hall 75 ME Typhn (Typhoon) 059 Bell Mix 044 Itopia 102 Sus. 5 144 SFX 2 Rev Hall Mysterious chorus sound, broadens when held.
APPENDIX MULTI LIST PRESET MULTI LIST No.
APPENDIX WAVEFORM LIST AWM WAVEFORM LIST Category Piano Organ Brass Wood Gtr Bass No. Name 0 1 2 3 4 Piano E.Piano Clavi Cembalo Celesta 5 6 7 8 P.Organ E.Organ1 E.Organ2 Bandneon 9 10 11 12 13 14 15 Trumpet Mute Trp Trombone Flugel Fr Horn BrasEns SynBrass 16 17 18 19 Flute Clarinet Oboe Sax 20 21 22 23 24 25 26 27 Gut Steel E.Gtr 1 E.Gtr 2 Mute Gtr Sitar Pluck 1 Pluck 2 28 29 30 31 Wood B 1 Wood B 2 E.Bass 1 E.Bass 2 Category No. Bass 32 33 34 35 36 37 E.Bass 3 E.
APPENDIX FM WAVEFORM LIST Category No. Name 0 1 2 3 4 5 E.Piano1 E.Piano2 E.Piano3 E.Piano4 E.Piano5 E.Piano6 Organ 6 7 8 9 10 11 12 13 E.Organ1 E.Organ2 E.Organ3 E.Organ4 E.Organ5 E.Organ6 E.Organ7 E.
APPENDIX SPECIFICATIONS Keyb oa r d : 61 keys, initial and after-touch response. UL, CSA: 120V Europe, WG, Australia, BS: 220–240V Ton e Gen er at or Syst em s: AWM (Advanced Wave Memory) & FM (Frequency Modulation). Power con su m p t ion : 7W (with PA-3 AC Adaptor) In t er n a l Mem or y: Wave ROM; 128 preset AWM & 256 preset FM waveforms. Preset ROM; 64 preset voices. Internal RAM; 64 user voices. Dim en sion s (W ∞ D ∞ H): 976 ∞ 285 ∞ 93 mm (37-7/8" ∞ 11-1/4" ∞ 3-5/8") Weigh t: 6.